Guest Post: “A Medieval Hospital, Ruined Roman Baths and Magnificent Apartments – Locations in ‘The Cameo Keeper’” by Deborah Swift

On November 27, 2025November 23, 2025 By hmalagisiIn guest post1 Comment

I am pleased to welcome Deborah Swift back to my blog today to share information about the real-life locations for her latest novel, “The Cameo Keeper.” I would like to thank Deborah Swift and The Coffee Pot Book Club for allowing me to participate in this blog tour.

Santo Spirito Hospital

One of my characters, Jacopo Vanelli, is a surgeon, so he spends his time at the Santo Spirito Hospital in Rome. The ‘Holy Spirit’ hospital was founded in the Middle Ages and was recognised as one of Europe’s oldest and most advanced hospitals. Its remit included not only tending to the sick and the poor, but also taking in unwanted babies, abandoned children, and travellers who fell ill within the bustling heart of Rome.

Within its grand Renaissance walls, was a museum, an apothecary shop, a public operating theatre and an orphanage run by nuns. The operating theatre became an influential centre for medical education — hosting lectures, dissections, and practical training sessions that drew aspiring doctors from across Italy and Europe.

Here is the octagonal tower of the main building, below.

The architecture of the hospital was striking, with vast wards, airy cloisters, and a famous spiral staircase designed to allow for the swift transfer of patients. Ornate chapels and frescoes adorned the interior, along with stained glass windows. It was seen as an extension of the Church, in what was considered the holiest city in the Western world.

The Ruined Roman Baths

By the 17th century, the once-magnificent Roman baths of the city stood as haunting reminders of Rome’s imperial past. Structures such as the Baths of Caracalla and the Baths of Diocletian, though partially collapsed and overgrown, continued to inspire awe with their towering arches and crumbling mosaics. Locals and visitors alike wandered amidst these grand ruins, imagining the bustling social life and sophisticated engineering that had filled these halls centuries before.

This was an ideal place for lovers to meet, and two of my characters meet at the Baths of Caracalla. Mostly in decay, the stone was pillaged to build new buildings, but there was also a market in trinkets and souvenirs that went on there amongst the ruins. Artists and antiquarians flocked to the baths, sketching their weathered columns and broken statues, and imagining the naked bathers of centuries before.

The Vatican Apartments

One of my characters is the Pope’s sister-in-law, Donna Olimpia Maidalchini, a powerful and wealthy woman who dominated Roman life. Many of my scenes take place in the Vatican Apartments, which represent the heart of papal authority and splendour. These lavish chambers were home to the Pope and his closest advisors, serving as both living quarters but also the centre of Rome’s governance. The apartments showcased the best artistry of Renaissance and Baroque craftsmen. Daily life within the Vatican Apartments was a blend of solemn ritual and political intrigue, with cardinals, diplomats, and foreign dignitaries as regular visitors.

The most celebrated rooms, such as the Raphael Rooms and the Sistine Chapel—already famed for Michelangelo’s ceiling—were objects of wonder and inspiration for all who visited. The Vatican Apartments thus stood not only as the spiritual and administrative core of the Catholic world, but also as a testament to Rome’s enduring patronage of the arts and its pivotal role in shaping the cultural legacy of the 17th century.

Rome is a fabulous place to set a novel with many beautiful and atmospheric locations, and I hope I’ve used them all to advantage in The Cameo Keeper.

Blurb:

Rome 1644: A Novel of Love, Power, and Poison

Remember tonight… for it is the beginning of always ― Dante Alighieri

In the heart of Rome, the conclave is choosing a new Pope, and whoever wins will determine the fate of the Eternal City.

Astrologer Mia and her fiancé Jacopo, a physician at the Santo Spirito Hospital, plan to marry, but the election result is a shock and changes everything.

As Pope Innocent X takes the throne, he brings along his sister-in-law, the formidable Donna Olimpia Maidalchini, known as La Papessa – the female Pope. When Mia is offered a position as her personal astrologer, she and Jacopo find themselves on opposite sides of the most powerful family in Rome.

Mia is determined to protect her mother, Giulia Tofana, a renowned poisoner. But with La Papessa obsessed with bringing Giulia to justice, Mia and Jacopo’s love is put to the ultimate test.

As the new dawn of Renaissance medicine emerges, Mia must navigate the dangerous political landscape of Rome while trying to protect her family and her heart. Will she be able to save her mother, or will she lose everything she holds dear?

For fans of “The Borgias” and “The Crown,” this gripping tale of love, power, and poison will keep you on the edge of your seat until the very end.

Praise:

‘historical fiction that is brisk, fresh and bristling with intrigue’ 
~ Bookmarked Reviews ★★★★★

Buy Link:

Universal Buy Link: https://mybook.to/CameoKeeper

Author Bio:

Deborah Swift is the author of twenty novels of historical fiction.

Her Renaissance novel in this series, The Poison Keeper, was recently voted Best Book of the Decade by the Wishing Shelf Readers Award. Her WW2 novel Past Encounters was the winner of the BookViral Millennium Award, and is one of seven books set in the WW2 era.

Deborah lives in the North of England close to the mountains and the sea.

Author Links:

Website: www.deborahswift.com

Instagram: https://www.instagram.com/deborahswiftauthor/

Twitter / X: https://twitter.com/swiftstory

Facebook: https://www.facebook.com/authordeborahswift/

Pinterest: https://www.pinterest.co.uk/deborahswift1/

Guest Post: “Researching Crime in Renaissance Venice” by Deborah Swift

On June 18, 2024June 16, 2024 By hmalagisiIn guest post1 Comment

I am pleased to welcome Deborah Swift to my blog to share an article about researching crime in Renaissance Venice for her novel, The Fortune Keeper. I would like to thank Deborah Swift and The Coffee Pot Book Club for allowing me to be part of this blog tour.

One of the things I was aware of as soon as I started this novel, The Fortune Keeper, was that although not a crime novel, it would probably have several murders within its pages. This is because the whole series is about Giulia Tofana, who was renowned for poisoning men so that their wives could escape marital persecution.

Giulia Tofana became a legend and it is probable that she didn’t poison as many men as the rumors say, and that she was probably blamed for the crimes of others. One of the others suspected of her crimes was her stepdaughter Girolama. As she was to be featured in this book, it led me to look into the law in early modern Venice because I knew I would have to be aware of policing, punishment, and the mechanisms of the law.

Accademia – Miracle of the Holy Cross at Rialto by Vittore Carpaccio

Renaissance Robbery
Venice was extremely wealthy in the Renaissance period, and vagabonds and thieves flooded into the city in search of easy pickings. In the picture above you can see the canal thronged with men dressed in rich clothing and ornament. The most common crimes in Venice were burglary and forgery, but it was by no means unusual for there to be murders over money and debts. The punishment for robbery was calculated based on the quantity of property taken. First offenders who stole goods worth less than one lira could get away with a whipping, but woe betide you if you stole something bigger. The penalty was the loss of an eye for goods valued between five to ten lire, and the noose awaited those brave enough to steal something worth more than forty lire.

Debt and Death
The law allowed anyone owed more than five lire de piccola to threaten and even kill the debtor to recoup their money, putting the onus firmly on the debtor, not the avenger. This tells us that money was the main driving force in Venetian society. But what about armed robbery or assault where no debt was owed? Most assaults were subject to a mere fine of twenty-five lire, or banishment from the city-state. If your crime was a crime that drew blood – sanguinem fecerit – then the punishment was up to the judging council. Venetian law had no such thing as ‘innocent until proven guilty’ at that time. The proof was largely circumstantial, and it relied on the judge and jury’s instinct regarding the guilt of the person involved.

Renaissance Lawkeepers
The Avogaria di Comun were a group equivalent to lawyers, though non-professional, drawn exclusively from the nobility. They acted as prosecutors for the state, giving evidence and arguing for punishments before the main judicial councils of Venice. Because of their status, their judgments were often influenced by their social position, and the personal axes they had to grind.

Execution and Mutilation
In this period it was still common for mutilations to take place, which had been traditional in medieval times. Cutting out the tongue for heresy, cutting off the thumb or fingers for pilfering. Courtesans regularly had their noses or faces cut. There was also the custom of cutting off the ‘offending’ part – this led to men who were convicted of dabbling in heresy or alchemy, or crimes against the Holy Roman Church having their hand cut off to remove the ‘devil’s instrument’. This kind of public ritual and humiliation was designed to bring public vengeance to the accused person and to reaffirm the values of the Church or state.

The ritual turned the execution into a purification of the city.
Few crimes brought down corporal or capital punishment. The types of corporal punishment used for the crimes of rape and assault were minor by today’s standards. As an example, for assault, out of 569 cases only fifteen involved mutilation of the criminal; and sixteen more involved some form of corporal discipline. For rape offenses, corporal punishment was even less significant, with twenty cases of discipline and only four of mutilation.

Maintaining law and order
On the streets, the main arbiters of law and order were the town guard, the vigili urbani, who acted as our police do now. Their job was to make sure masked men didn’t carry arms, that only noblemen wore swords, and to act as a preventative force as well as policing troublemakers.

Further up the ladder was the Council of Ten, a kind of secret police force whose job was to maintain order within the city-state of Venice. There was not much space in the city gaols of Venice due to the whole nature of its construction. For crimes of fraud, marital dispute, and affray, these men sat in judgment. It was unfeasible to keep men incarcerated for long because otherwise, the gaols would be full of minor offenders. Small fines and short gaol sentences were the usual punishments for common violence in Venice. When the crime crossed the line into something that was considered ‘against God’ or ‘against the reputation of Venice’ then ritual punishment could be relied upon to warn the populace about sinning against these bigger, less personal edifices.

Documents I found helpful in my research:
Law and Punishment in Early Renaissance Venice
Violence in Early Renaissance Venice – Guido Ruggiero
Banditry and Social Identity in the Republic of Venice – Sergio Lavarda
Authority and the Law in Renaissance Venice — G. Cozzi

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Blurb:

Count your nights by stars, not shadows ~ Italian Proverb

Winter in Renaissance Venice

Mia Caiozzi is determined to discover her destiny by studying the science of astronomy. But her stepmother Giulia forbids her to engage in this occupation, fearing it will lead her into danger. The ideas of Galileo are banned by the Inquisition, so Mia must study in secret.

Giulia’s real name is Giulia Tofana, renowned for her poison Aqua Tofana, and she is in hiding from the Duke de Verdi’s family who are intent on revenge for the death of their brother. Giulia insists Mia should live quietly out of public view. If not, it could threaten them all. But Mia doesn’t understand this, and rebels against Giulia, determined to go her own way.

When the two secret lives collide, it has far-reaching and fatal consequences that will change Mia’s life forever.

Set amongst opulent palazzos and shimmering canals, The Fortune Keeper is the third novel of adventure and romance based on the life and legend of Giulia Tofana, the famous poisoner.

‘Her characters are so real they linger in the mind long after the book is back on the shelf’
~ Historical Novel Society

NB This is the third in a series but can stand alone as it features a new protagonist. The other two books are available if reviewers want them.

Trigger Warnings:
Murder and violence in keeping with the era.

Buy Links:

This title is available to read on #KindleUnlimited.

Universal Link: https://mybook.to/FortuneKeeper

Audiobook Buy Links:

Kobo: https://www.kobo.com/gb/en/audiobook/fortune-keeper-the
Audio: https://www.audible.co.uk/pd/The-Fortune-Keeper-Audiobook/B0C63R95WM

Author Bio:

Deborah Swift is a USA TODAY bestselling author who is passionate about the past. Deborah used to be a costume designer for the BBC, before becoming a writer. Now she lives in an old English school house in a village full of 17th Century houses, near the glorious Lake District. Deborah has an award-winning historical fiction blog on her website http://www.deborahswift.com.

Deborah loves to write about how extraordinary events in history have transformed the lives of ordinary people, and how the events of the past can live on in her books and still resonate today.

The first in her series about the Renaissance poisoner Giulia Tofana, The Poison Keeper, was a winner of the Wishing Shelf Book of the Decade, a Coffee Pot Book Club Gold Medal, and the latest in her WW2 Secret Agent series, Operation Tulip, is coming soon.

Author Links:

Website: http://www.deborahswift.com
Twitter: https://twitter.com/swiftstory
Facebook: https://www.facebook.com/authordeborahswift/
Pinterest: https://www.pinterest.co.uk/deborahswift1/
Bookbub: https://www.bookbub.com/authors/deborah-swift
Amazon: http://author.to/DeborahSwift

Guest Post: “The Inspiration Behind The Poison Keeper” by Deborah Swift

On June 15, 2021June 14, 2021 By hmalagisiIn guest postLeave a comment

Today, it is my pleasure to welcome Deborah Swift to my blog to discuss the inspiration for her latest novel, The Poison Keeper. I would like to thank Deborah Swift and The Coffee Pot Book Club for allowing my blog to host a stop on this tour.

Deborah Swift, The Poison Keeper Cover

I had enjoyed writing about Seville in A Divided Inheritance and was looking to find another setting where I could escape from the dull grey English winter. My husband suggested Italy and I remembered reading about Giulia Tofana, a notorious Renaissance poisoner, and the poison Aqua Tofana, named after her. I decided to investigate her a bit further to see if she would make a subject for a novel.

I was surprised to find that no one had written a novel about her in English, and so that made me even more determined. However, as soon as I started the research process I realized I was researching someone who was more of a myth than a real historical figure. Most of the information about her was from the 19th century, a good three hundred years since any proper record of her. Also, there were so many different dates associated with her life – for example, she is said by different sources to have been executed, to have escaped, and to have been bricked up behind a wall (!) – and her time of death was variously attributed to 1659, 1709 or 1730.

Antonio_de_Pereda_-_Allegory_of_Vanity_-_Google_Art_Project 1634

Three Generations of Poisoners

There were some peculiarities in the history and it soon became apparent that I was dealing not with one person, but with three – Theofania d’Adamo, her daughter Giulia Tofana and her daughter Girolamo Spara. In Italy at the time, women often took the contracted version of their mothers’ forenames as Christian names – hence Theofania = Tofana. I decided to focus on the middle generation because Giulia was the only one who escaped without execution as far as I could tell.

The one date that could be fixed by contemporary records was the death of Theofania who died on 12th July 1633. This concords with the first record of Aqua Tofana the poison named after Giulia Tofana, or more likely her mother Theofania, which was in 1632. This gave me a firm idea of the timescale for the book.

Naples 1572 Wikipedia 1024px-Braun_Napoli_HAAB

The enticing City of Naples

I was fascinated by the geography of Naples in the 17th Century – a city in the shadow of Mount Vesuvius that had erupted only two years earlier in 1631. The city was still recovering from those horrific events which included not only the eruption, with the city choked by dust and lava, but also by the earthquakes that preceded it and the devastating tsunami that followed it. I was able to use these events in my characters’ backstories. Society was sharply divided into rich and poor areas with glittering Palazzos and squalid slums. Corruption was rife both in the Church and in business.

The Camorra or Mafia

Powerful aristocratic families controlled the city through extortion and racketeering – this was the early inception of the mafia, known as the Camorra. The etymology is from Camo – boss, or head, and Morra – a type of gambling game popular in 17th Century Naples. This provided me with a subplot that I could use with my main male character and allowed me to create a strong antagonist, the Duke de Verdi, for my story.

Aqua Tofana wiki

Aqua Tofana – A deadly poison

Aqua Tofana was supposed to kill by three drops in a drink or food. It was a colorless liquid, supposedly undetectable, but would cause death with similar symptoms to a wasting disease. The actual ingredients have never been confirmed, although many suspect arsenic to be the main ingredient. Naples was a city of alchemists and apothecaries, and the tradition of poison was well known in the city. There had been an epidemic of poisonings since the Borgias. This research area fascinated me, and I spent quite a few happy hours researching poisons in online libraries and through books.

The scope of the research was so interesting that the story soon grew into two books, and the sequel to The Poison Keeper, The Silkworm Keeper will be released soon.

Thank you for hosting me!

(Blurb)

Naples 1633

Aqua Tofana – One drop to heal. Three drops to kill.

Giulia Tofana longs for more responsibility in her mother’s apothecary business, but Mamma has always been secretive and refuses to tell Giulia the hidden keys to her success. When Mamma is arrested for the poisoning of the powerful Duke de Verdi, Giulia is shocked to uncover the darker side of her trade.

Giulia must run for her life, and escapes to Naples, under the shadow of Mount Vesuvius, to the home of her Aunt Isabetta, a famous courtesan. But when Giulia hears that her mother has been executed, and the cruel manner of her death, she swears she will wreak revenge on the Duke de Verdi.

The trouble is, Naples is in the grip of Domenico, the Duke’s brother, who controls the city with the ‘Camorra’, the mafia. Worse, her Aunt Isabetta, under Domenico’s thrall, insists that she should be consort to him – the brother of the man she has vowed to kill.

Based on the legendary life of Giulia Tofana, this is a story of hidden family secrets, and how even the darkest desires can be vanquished by courage and love.

‘Her characters so real they linger in the mind long after the book is back on the shelf’ Historical Novel Society

Buy Links:

Is your book on Kindle Unlimited? Yes

Universal Link (if you have it): mybook.to/PoisonKeeper

Amazon UK: https://www.amazon.co.uk/dp/B0928WPHMH

Amazon US: https://www.amazon.com/dp/B0928WPHMH

Amazon CA: https://www.amazon.ca/dp/B0928WPHMH

Amazon AU: https://www.amazon.com.au/dp/B0928WPHMH

Author Bio:

Deborah Swift lives in the north of England and is a USA Today bestselling author who has written fourteen historical novels to date. Her first novel, The Lady’s Slipper, set in 17th Century England, was shortlisted for the Impress Prize, and her WW2 novel Past Encounters was a BookViral Millennium Award winner.

Deborah enjoys writing about ordinary people thrust into extraordinary circumstances, and most of her novels have been published in reading group editions. She holds an MA in Creative Writing from Lancaster University and is a mentor with The History Quill.

Social Media Links:

Website: http://www.deborahswift.com

Twitter: https://twitter.com/swiftstory

Facebook: https://www.facebook.com/authordeborahswift/

Instagram: https://www.instagram.com/deborahswiftauthor

Pinterest: https://www.pinterest.co.uk/deborahswift1/

Book Bub: https://www.bookbub.com/authors/deborah-swift

Amazon Author Page: http://author.to/DeborahSwift

Goodreads: https://www.goodreads.com/author/show/3297217.Deborah_Swift