
I am pleased to welcome Elizabeth St. John back to my blog to share some information on the historical setting of her latest novel, “The Queen’s Tears.” I would like to thank Elizabeth St. John and The Coffee Pot Book Club for allowing me to participate in this blog tour.
Ask most people to name an era of English history, and you’ll probably hear Tudors, Tudors, Tudors. Then perhaps the Civil War, with its Roundheads and Cavaliers. The Stuarts who sit between them, James I and his queen, Anna of Denmark, and Charles I with his beloved Duke of Buckingham, tend to get lost in the gap. I feel sorry that they are so overlooked, because I think they were quite glorious, and certainly responsible for the huge cultural shift that took place in Britain in the 1600s.
Consider what was happening. Science and exploration were advancing fast. Ships were pushing out across the Atlantic, and the first English settlements were taking root in the New World. But what really takes my breath away is what happened in the arts.
The Jacobean court expanded into culture. Collectors travelled overseas to bring back paintings, sculpture and antiquities. Architecture became a thing, and buildings such as Whitehall’s Banqueting Hall were erected. Queen Anna commissioned masques that were more than just staged plays with dancing courtiers. These were extravaganzas, with words by Ben Jonson and ornate, inventive sets and costumes by Inigo Jones, plus music, dance and stage machinery that left audiences gasping. Gorgeous jewellery and clothing became the norm rather than the exception. And, let’s be honest, there was a great deal of partying.
Anna was the glittering centre of it all. She was no quiet consort, but a patron, a performer and a force. When she died in 1619, an era ended with her.
The Queen’s Tears begins on that night, but it doesn’t stay there. The story exposes the relationship between King James and his favourite, the Duke of Buckingham, and then moves quickly into the reign of Charles I and the extraordinary political acumen that Buckingham displayed in holding onto his position. And the court changed with them. The bawdy revelry from James I’s time gave way to an environment infinitely more polished: King Charles had a connoisseur’s eye, and a favourite who collected art, titles and admirers with equal appetite.
Nowhere is that clearer than in the paintings of the era. Portraits became the selfies of the 1600s, and everyone who mattered wanted one or was in one. A theme throughout The Queen’s Tears is an enigmatic portrait of Anne Villiers, Countess of Moreton, from the studio of Anthony van Dyck, a Flemish painter who would come to define the look of Charles’s court. Van Dyck turned his sitters into silk, pearl and effortless elegance. One look at a portrait on your wall, whether by Van Dyck himself or from his very busy studio, told that you knew who was who, and probably they knew you. In other words, it was social media in oils…friend the right faces and display them in your home, and visitors were impressed.
Many of the historical scenes in The Queen’s Tears are set at court. It’s where my characters were at their best, at their most dazzling, most ambitious, and often most dangerous. Barbara Villiers and her family operated best in this quicksand world, where a smile one day could turn into betrayal the next, and creditors and enemies hid behind every decorated awning.
But the period carried shadows, and so does the book.
At its heart, the Tower of London looms, sinister and unforgiving, a place to hide secrets that must never be found. The Irish wars dragged on in a bleak, costly struggle, far from the revels, yet politically at the heart of court. Underlying it all was a quieter, more ominous tension between Crown and subjects that would one day explode into civil war. Nobody dancing in the Banqueting Hall masques could have known what was coming. But I knew, and so, I hope, will my readers, as the music plays a little too loudly and the dissonance echoes around the painted chamber.
That is the historical setting for The Queen’s Tears: dazzling on the surface, troubled underneath.

Blurb:
A stolen crown jewel and an enigmatic portrait force two women to confront the devastating choices they made for love—and summon the courage to live with the truth.
1619: Barbara, Lady Villiers, at the bidding of her brother-in-law, the Duke of Buckingham, has stolen the dying Queen Anna’s jewels—and kept the greatest prize for herself. The Queen’s Tears, a brooch of extraordinary value, torments her: too dangerous to sell, too priceless to discard, and possibly her only means of securing her children’s future. When the family fortunes are shattered, Barbara faces an impossible choice: remain loyal to Buckingham—or betray him by confessing the theft to King Charles.
Present Day: Julia Darke opens her Cotswolds bookshop to start life over peacefully. Instead, a Van Dyck portrait of Barbara’s daughter, with tantalising signs of the missing Queen’s Tears hidden in plain sight, brings her face-to-face with Oliver Villiers, the Oxford art conservator she once loved and walked away from.
Reluctantly drawn together to uncover Barbara’s secret, Julia and Oliver follow the trail of the Queen’s Tears—and the closer Julia comes to Barbara’s truth, the harder it becomes to hide from her own.
Inspired by the true stories of Queen Anna of Denmark’s stolen jewels and a missing Van Dyck painting, The Queen’s Tears weaves history, fiction, and family research across the centuries. Readers of The Lydiard Chronicles will find old favourites—and a new heroine following in their footsteps.
Buy Link:
Universal Buy Link: https://geni.us/TheQueensTears
This title is available to read on #KindleUnlimited.

Author Bio:
Elizabeth St.John’s acclaimed historical fiction brings to life her ancestors—remarkable women linked to England’s royalty—offering unique insights into Medieval, Tudor, and Stuart times. Her novels unfold not just as a traditional series, but as an interlocking web of lives: The Lydiard Chronicles—including the celebrated The Lady of the Tower—The Godmother’s Secret, and The King’s Intelligencer explore everything from the English Civil War to the mystery of the Princes in the Tower. Her newest novel, The Queen’s Tears, a dual timeline pursuing a stolen crown jewel, reunites favourite characters from the seventeenth century with a present-day bookstore owner heroine.
At the heart of her writing is the transformation of real ancestral histories into narratives of historical continuity. She follows threads of legacy through generations, guided as much by wills, letters, portraits, country churches, ruined castles, manor houses, and lost gardens as by imagination. Locations become constant companions through time, while characters whisper across centuries—their decisions resonating in the lives of their descendants to reveal how choices shape legacies. Grounded in historic sites like Lydiard Park and the Tower of London, her work creates a living archival flow that continues to flourish as the past yields its secrets.
Elizabeth divides her time between California, England, and the past, surrounded by books, gardens, and animals, with a slightly bewildered, ever-supportive husband beside her.
Author Links:
Website: https://www.elizabethjstjohn.com/
Twitter / X: https://x.com/ElizStJohn
Facebook: https://www.facebook.com/ElizabethJStJohn/
Instagram: https://www.instagram.com/elizabethjstjohn/
Bluesky: https://bsky.app/profile/elizabethstjohn.bsky.social
Book Bub: https://www.bookbub.com/profile/elizabeth-st-john
Threads: https://www.threads.com/@elizabethjstjohn
Amazon Author Page: https://geni.us/AmazonElizabethStJohn
Goodreads: https://geni.us/GoodreadsElizStJohn










