
The field of history is ever-expanding as we find new artifacts and documents that change our understanding of the past. Some of the more precious artifacts are textiles, from clothing to embroidery and even wall hangings and bedding. They can tell us a lot about their owner if you understand the symbolism. While some symbolism can be rather simple, other textile symbolism could help display the voice of a woman who was silenced, like the women of the 16th century. One woman who used textiles to display her power and her own voice was Mary Queen of Scots. Clare Hunter explores Mary’s life through the textiles connected with her life in her book, “Embroidering Her Truth: Mary, Queen of Scots and the Language of Power.”
I have seen this book mentioned on a few pages and podcasts, and it sounded alluring to me. I have tried my hand at embroidery, so I appreciate the craft itself. I have wondered about textiles and how they could be interpreted, which is why this appealed to me so much. I couldn’t wait to own it and read it.
So how do you tell the story of Mary Queen of Scots through the textiles connected to her life? Well, for Hunter, she decided to weave her own interactions with these textiles into Mary’s life in chronological order while analyzing the textile artifacts. Each chapter focuses on a different stage of Mary’s life, as well as the textiles that fit that period. Some of the examples of the artifacts that are mentioned in this book include the gowns she wore when she was about to marry the Dauphin, the fashion dolls to help bring French fashion to Scotland, Catholic banners, and memorabilia to spread the faith. We also get to see the embroideries that she planned meticulously while in custody with Bess of Hardwick, to spread their own truths and their political power while being silenced. Finally, Hunter explores the dress that Mary wore during her execution and what happened to her clothing after her death.
I will say that this is one of the most original nonfiction books that I have read in a long time. It presented Mary’s life through a different lens and showed that she did have power even as a prisoner. It gave me a better appreciation for Mary’s life and the amount of effort it took to craft such intricate pieces of textiles. I hope Hunter writes more about the history of textiles beyond the 16th century because I think her writing style and knowledge of the subject can help grow interest in this area of historical studies. If you want a book that explores the life of Mary Queen of Scots from a different angle, I highly recommend you read “Embroidering Her Truth: Mary, Queen of Scots and the Language of Power” by Clare Hunter.




In our education experience, we have all studied the ancient classics of Greece and Rome. To some, the subject may have seemed dry, but to others, it means so much more. But the deeper we dive into the past, the more questions arise about the subject of studying the classics. Why do people study the classics? How has our understanding of the classics changed over time? Why do some political groups choose to use the classics to make their points? Do you need to learn Greek and Latin to understand the classics? As someone who has been a scholar and a professor of the classics, Mary Beard explores these questions in her latest book, “Talking Classics: The Shock of the Old.”
England was undergoing a shift during the reign of Henry VIII. The king was sick and tired of the pope not giving him the divorce he so desired so that he could marry Anne Boleyn, so he wanted to split from the papacy. Obviously, some opposed his break from Rome and used different methods to stop what they considered madness. Take, for example, Elizabeth Barton, known as the Holy Maid of Kent, for her prophecies tied to the marriage of Henry VIII and Anne Boleyn. Many may not know her name, but centuries later, a book of her prophecies will change the course of Dr. Alison Sage’s life and those who attended a special Consortium. What secrets does this book hold, and can Alison survive the cutthroat world of academia? Jennifer N. Brown tells the tale of these two women, separated by centuries, and of a book that unites them in her first novel, “The Lost Book of Elizabeth Barton.”
The year is 1527, and Rome is being attacked by the Holy Roman Emperor Charles V and his army of Germans, Lutherans, and Spanish soldiers. The night the city was sacked, many fled or died at the hands of the soldiers, but there was a house who welcomes the incoming attackers, the house of the courtesan Fiammetta Bianchini and her dwarf companion Bucino. They decide to flee with their jewelry to Venice, but they soon learn that Venice is even more treacherous. Can Fiammetta and Bucino survive their new city, or will this new town destroy everything that they worked so hard to create? Sarah Dunant explores the world of a courtesan in her novel, “In the Company of the Courtesan.”
The Renaissance was a time of learning and of challenging what was considered normal, especially in theology and the foundations of the Catholic Church. It was a time when humanism was beginning to take shape as an educational system, one that focused on the classical literature of Greece and Rome, as well as on rhetoric, philosophy, and critical thinking. One of the top proponents of the school of humanism was a monk turned scholar named Desiderius Erasmus. His name and his works have been famous for centuries, but what was his life like as a scholar in 16th-century Europe? Amy McElroy explores the life of this extraordinary man in her latest book, “Desiderius Erasmus: The Folly or Far Sightedness of Renaissance Europe’s Greatest Mind.”
Some queens throughout history surpass the history of their own countries and create legacies that would transcend centuries. One such queen was Cleopatra, Pharaoh of Egypt, who loved both Julius Caesar and Marcus Antonius (Mark Antony). She fought against her siblings and even Rome for the right to rule Egypt. There have been accusations of witchcraft and Cleopatra being a seductress, but is this a fair assessment of this Queen of Egypt? Saara El-Arifi tells her own version of Cleopatra’s story, from the queen herself, in her latest novel, “Cleopatra.”