Today, I am pleased to welcome Clare Marchant to my blog to discuss her latest novel, “The Queen’s Spy,” and her use of dual timelines. I would like to thank The Coffee Pot Book Club and Clare Marchant for stopping by on this tour.
I have always loved reading dual timeline novels. I love history (of course!), and although I also read many historical books, both fiction and non-fiction, I love that connection between the past and the present, waiting to find out when the two worlds will meet.
I often wax lyrical about how I am fascinated with the connections that bind us all together, whether family ties, our links to places, objects, or indeed each other. We are all woven together by the way that we are threaded together with everything that we touch. We all have special items, be it family heirlooms or gifts, jewelry, or a book; perhaps that means something special to us. Something that will eventually belong to someone else. When it comes to history, these associations take on a whole new persona as they link over the years or centuries, and I love investigating this through my writing by tying the two stories together through a shared theme, a shared connection.
In Saffron Hall, that relationship, the object that tied the two stories together, was the book of hours. I have a fascination for old illuminated manuscripts, so I wanted to use one of these exquisite small prayer books as the object that united together my two protagonists, showing how the theme, ‘while I breathe, I hope’ touched the lives of them both. They both learn that they must live with the hurt they have endured and to keep taking each day at a time until things get better – they keep breathing and keep hoping. That eventually, time will help them to move on.
In The Queen’s Spy, the object is the triptych that Tom paints, showing his journey, which mirrors in some respects the one in the present day that Mathilde is taking. They are both connected by their shared background of being shunned by society for separate reasons. By being ‘different’ and having to face prejudice and leaving them to lead a peripatetic lifestyle never accepted by those around them. They are always searching for somewhere they will be recognized for who they are and loved for it. By investigating the painting, Mathilde begins to learn more about herself and her place in this world. And she learns the book’s theme, that she cannot change the past, but she can change the future.
The reason why I choose present-day as my alternative timeline to the Tudor one is that despite the apparent differences to our daily lives between the way we now live compared to how they did in the sixteenth century, I think it shows just how much these morals that guide us affect us all whenever we lived. We are just the same in our hearts, with similar fears, hopes, desires, and despair. People love, they grieve, they laugh, and they cry. In every life, there are shared experiences, precious objects…and precious people.
1584: Elizabeth I rules England. But a dangerous plot is brewing in court, and Mary Queen of Scots will stop at nothing to take her cousin’s throne.
There’s only one thing standing in her way: Tom, the queen’s trusted apothecary, who makes the perfect silent spy…
2021: Travelling the globe in her campervan, Mathilde has never belonged anywhere. So when she receives news of an inheritance, she is shocked to discover she has a family in England.
Just like Mathilde, the medieval hall she inherits conceals secrets, and she quickly makes a haunting discovery. Can she unravel the truth about what happened there all those years ago? And will she finally find a place to call home?
Growing up in Surrey, Clare always dreamed of being a writer. Instead, she followed a career in IT before moving to Norfolk for a quieter life and re-training as a jeweler.
Now writing full time, she lives with her husband and the youngest two of her six children. Weekends are spent exploring local castles and monastic ruins or visiting the nearby coast.
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Amazon Author Page: https://amzn.to/3fkuf2r