I am not sure how I came to write a novel about Walter Raleigh. I think I can trace it back to visiting an exhibition on the myth of El Dorado at the British Museum in 2013. But thousands of people went to that exhibition and I dare say very few of them were foolish enough to start writing a 100,000 word novel under its influence.
The dream of the fabled city of gold was one that obsessed Raleigh for decades. He pinned his political hopes on finding it and bringing home its treasure, first for Queen Elizabeth I, so that he could provide her with the funds she needed to defend herself against her great enemy Spain; and later for her successor James I, no longer at war with Spain, but still, like every sovereign in history, desperately short of finances.
In both instances, however, the dream proved to be illusory.
Nonetheless, it was a dream that sustained him through periods of imprisonment and personal tragedy. A dream that he invested his reputation in, and one that he used to entice investors into his highly speculative voyages of discovery and predation. However, it surprised me to discover that Raleigh took part in surprisingly few of these voyages himself; he was an indifferent sailor who suffered badly from seasickness.
Raleigh first heard about El Dorado from a captured conquistador called Pedro Sarmiento de Gamboa. It was just a rumour. A rumour carried on a warm breeze from a distant land.
It seems ironic that a man who was so talented at creating his own mythology should fall victim to a myth. But perhaps that was why he was so drawn to the story, because he knew a great myth when he saw one, and understood more than most its power to inspire minds and influence behaviour. The myth of El Dorado was useful to Raleigh, not because he himself necessarily believed it to be true (there is evidence he didn’t) but because he knew that other men – and, most importantly, one woman – would.
I fell under its spell too.
When I started my research for the book, I knew very little about Walter Raleigh. The one thing I did know was the one thing that everyone knows: he spread his cloak across a puddle so that Elizabeth could walk across it without getting her feet wet. The more I progressed in my research, the less sure was I that this incident actually happened, at least not as it is depicted in countess children’s history books.
It is a compelling idea imbued with meaning. There’s another word for compelling ideas imbued with meaning: myths.
As a child, I thought the point of the story was simply to illustrate what a gentleman Raleigh was. Now I realize there was a bit more to it than that. Raleigh was positioning himself (to borrow a term from modern marketing) as the man who would safeguard his sovereign’s passage across a body of water. In other words, he would be the instigator of England’s colonial project on the other side of the Atlantic.
Raleigh’s life seems to be filled with stories that, even if they fall short of mythical, have at the very least a strong whiff of the apocryphal about them. I don’t believe it’s an accident. Whatever else he was, Raleigh was a poet. His life was his greatest poem, even if it didn’t quite have the ending he might have planned.
In my novel, I see him as a man of boundless imagination. There was nothing he could not envisage. And for him, imagining something was tantamount to accomplishing it. As he gets older, the lines between what he dreams and what he does blur.
Of course, reality did not always play along. But that never seemed to deter him from putting even greater faith in the power of his imagination.
This was the age of Dr John Dee, after all, the great conjuror of angels and demons. Raleigh consulted Dee on navigational matters as well astrological ones. You could say between them they conjured up the British Empire.
In Fortune’s Hand, I imagine Raleigh reciting the names of the places in Guiana that lead to Manoa – the city identified with El Dorado – as if he is uttering the words of an incantation. He even uses this litany of exotic names to soothe Elizabeth when she is distressed.
Raleigh wrote a long, unfinished epic poem in which Ocean addresses his love, Cynthia – AKA the moon. He was given the nickname ‘Water’ by Elizabeth, mocking his West Country pronunciation of his own name. He clearly identified himself with Ocean and Elizabeth with Cynthia, in other words he saw them both as mythic figures. I think it’s a very compelling image for their relationship. The moon is ever remote, changeable, presenting a cool, pale beauty. The ocean’s tides are subject to the lunar gravity, just as Raleigh was subject to Elizabeth’s commands, and whims.
The problem with such self-mythologizing is that it tends to be self-aggrandizing too. And if you see yourself as a hero or a demi-god, it probably means you don’t have much empathy for others. Especially those who have to be defeated, displaced and destroyed to make your myth a reality.
Empathy is not a quality much evident in the Raleigh of my novel. I said above that I saw him as a man of boundless imagination, but it is only boundless when it applies to himself and his interests. He has a curious imaginative blind spot when it comes to considering those whose interests are at odds with his, whether they are his rivals for Elizabeth’s favor, or the rebels he massacred in Ireland.
That makes him a problematic figure in today’s world. But then, to be fair to Raleigh, he wasn’t living in today’s world. The attitudes and beliefs that were woven into the intellectual fabric of the Elizabethan age strike us now as at best baffling and at worst appalling.
So why write a novel about this pre-eminent Elizabethan, at a time when others are petitioning to pull down his statue? The mythology that he created and others have added to has become entangled with England’s national story. I wanted to explore and try to understand the impulses that drove Raleigh through his remarkable life, in which he laid the groundwork for the British Empire. That is clearly a contested legacy now. To challenge and critique that legacy fully, I felt the need to confront one of its key originators – warts, myths and all.
R.N. Morris Bio:
Roger (R. N.) Morris is the author of thirteen novels. The latest is Fortune’s Hand, a historical novel about Walter Raleigh. He is also the author of the Silas Quinn series of historical crime novels and the St Petersburg Mysteries, featuring Porfiry Petrovich, the investigating magistrate from Crime and Punishment.
His website is rogernmorris.co.uk. Roger has a Facebook page for his novels, which is https://www.facebook.com/RNMorrisauthor
He is on twitter as @rnmorris and on Instagram as rogermorris7988. He would love to hear from you so drop him an email at contact@rogernmorris.co.uk
One of the most popular Tudor historical fiction series in recent memory has revolved around the enigmatic Thomas Cromwell. Of course, I am talking about the famous
Have you ever read a historical fiction series that made you stop and think that the plots of the books could be possible? They make you question the way you look at the past and wonder why no one had ever written a series like it before. You feel like you are friends with the protagonist and his pals and you despise the nefarious villains that try to thwart the efforts of the heroes. You feel like the books are true escapism and that you can visualize the world that the author has created using a combination of facts and fictional ideas.
Before I jumped into this series, I honestly had never heard of it, except when people mentioned these books in posts that I asked my followers what they are reading. I do not normally read murder mystery novels, but since it was based in the Tudor dynasty, I decided to give it a shot and I wholeheartedly loved it. I am so glad no one spoiled this series for me. I might fangirl a bit during this review, but I will try my best not to spoil this series for anyone else. I want to discuss the different elements of this series that I have comes to enjoy. I would love to continue to discuss this series with those of you who have read it and have enjoyed it as much as I have.
Jack Barak
Nicholas Overton
Cases
The Details
Conclusion
Today, I am pleased to welcome Sharon Bennett Connolly, the author of Ladies of Magna Carta: Women of Influence in Thirteenth Century England. She will be discussing the Magna Carta and the women who influenced this extraordinary document.





Medieval women held many different titles that defined their roles and their connections. Mothers, daughters, and wives tended to be the most popular and the most common. Titles such as queen, political diplomat, and peace weaver tend to be rare and given to women of power. Yet, these words accurately depict a unique woman who lived during the Angevin/ Plantagenet dynasty. She was the illegitimate daughter of the notorious King John and the wife of Llywelyn the Great, a Prince of Wales. She worked tirelessly to establish peace between England and Wales, yet she has not received much attention in the past. Her name was Joan, Lady of Wales, and her story is brought to life in Danna R. Messer’s book, “Joan, Lady of Wales: Power and Politics of King John’s Daughter”.
The Norman Conquest of 1066 was one of the most important dates in English and world history. It signaled the start of the Norman influence in England with Duke William, also known as William the Conqueror, becoming King of England. But does William I deserve the reputation that is attributed to him in history, or should we be careful with how we view him because his story is told by the avaricious Church? How much help did William and the Normans receive from their English counterparts? Can we call this event a “conquest”? Who was to blame for the “Harrowing of the North”? These questions and more are discussed in Arthur C. Wright’s latest book, “English Collusion and the Norman Conquest”.
When one thinks about Medieval Europe and buildings, we tend to focus on the luxurious castles with their impenetrable walls. It is a rather glamorous image, but the problem is it is not accurate. Castles were used for defensive measures to protect the kingdom from attacks, either from outsiders or, in some cases, from within. Medieval warfare and castles go hand in hand, but one conflict where we tend to forget that castles play a significant role is in the civil war between the Yorks and the Lancasters, which we refer to today as The Wars of the Roses. Dr. Dan Spencer has scoured the resources that are available to find out the true role of these fortresses, both in England and in Wales, in this complex family drama that threw England into chaos. His research has been compiled in his latest book, “The Castle in the Wars of the Roses”.
The year is 1546 and England is once again in turmoil. Rumors swirl that the once-mighty King Henry VIII is gravely ill and his councilors, both Protestants and Catholics, are vying for power to see who will help Henry’s young son, Edward when he becomes king. With such distinct factions, those are not Protestant or Catholic, like the Anabaptists, are deemed heretics and they are hunted down. Executions over faith, like the death of Anne Askew, run rampant across London. Those who own books that were deemed “controversial” were under a shroud of suspicion. When Matthew Shardlake’s main supporter, Queen Catherine Parr’s book Lamentation of a Sinner, goes missing, Shardlake must navigate the religious divide carefully to retrieve the missing manuscript before it is discovered. Can Shardlake and his friends save the queen from the heresy hunt in time? The stakes could never be higher in C.J. Sansom’s sixth Shardlake novel, “Lamentation”.
The year is 1479, and Richard III is still the Duke of Gloucester. Peace reigns throughout England as Edward IV continues his second reign as king, and for Sebastian Foxley and his household, life is hectic yet thrilling with new projects for his workshop and his family growing. But life has a way of changing rather quickly. When a young boy is found dead in Sebastian’s studio, and another goes missing, the investigation into both cases takes Foxley and those close to him into the nefarious underworld of Bankside and the mysterious The Mermaid Tavern. Can they shed some light into this dark world of shadows to uncover the truth in time to save a life? This is the premise of the latest Seb Foxley mystery by Toni Mount, “The Colour of Shadows.”