Throughout medieval English history, there have been some famous queens who left their marks. Empress Matilda, Eleanor of Aquitaine, Eleanor of Castile, Philippa of Hainault, and Margaret of Anjou each left an impression on English history, either good or bad. However, there was one queen whose negative reputation came with the nickname “She-Wolf of France,” and her name was Queen Isabella of France. The wife of Edward II and mother of Edward III, she left her husband for Roger Mortimer and overthrew her husband in favor of her son. For centuries, she has been viewed as a horrible villainess, but is that a fair assessment of her life? Alison Weir dives into the archives to find the truth about Isabella of France, and she presents her findings in her biography, “Queen Isabella: Treachery, Adultery, and Murder in Medieval England.”
As a fan of Alison Weir, I am trying to read every book she has written so far, so when I saw this book in a used book store, I jumped at the chance to read it. I have read books that have featured Isabella of France, but I have never read a biography about her until now. I wanted to see if this book would change how I feel about her.
Isabella of France was the daughter of Philip IV, King of France, and Jeanne I, Queen of Navarre, born in 1295. As the only surviving daughter of Philip and Jeanne, she was expected to make a match that would create an alliance, which she did when she married Edward II of England. On paper, it should have been an ideal match, but Edward II had his favorites. The first was Piers Gaveston, whom Edward II knew before he married Isabella. Edward paid more attention to advancing Gaveston than governing, which led to the great men of England (known as the Ordainers) enacting the Ordinances of 1311 and Gaveston’s execution in 1312. Edward II swore revenge against those who killed Gaveston.
For a while, Edward and Isabella had a loving relationship. They had four surviving children: Edward III of England, John of Eltham, Earl of Cornwall, Eleanor Countess of Guelders, and Joan Queen of Scots. Unfortunately, Isabella’s happiness would not last long as Hugh Despenser the Younger would take the place as Edward’s new favorite. Things got so bad for Isabella that she decided to leave for France, stay there with her son Edward III, and start a relationship with Roger Mortimer. It would end with an invasion of England, the death of the Despensers, Edward II captured, and Edward III becoming King of England.
Isabella of France’s reputation may have been marred for centuries for her role in overthrowing her husband in favor of her son, and for what happened to Edward II afterward, but I think Weir does a decent job in rehabilitating her reputation. I don’t necessarily agree with her assessment of Edward II, but I felt like, when it came to Isabella herself, I appreciate her story and feel a bit sympathetic for what she had to deal with. If you want a biography about Isabella of France, I would recommend you read “Queen Isabella: Treachery, Adultery, and Murder in Medieval England” by Alison Weir.
Medieval Europe was a time of conflicts and change. While smaller disputes between countries or civil wars would define borders, the most prominent conflict during this period was the Hundred Years’ War. A conflict that has been traditionally taught to have lasted 116 years between England and France. It is often told from the English perspective, with battles such as Agincourt, Crecy, and Poitiers celebrated. But what if we look at the bigger picture and expand our lens to the whole of Europe while keeping a neutral approach to the France vs England conflict? What if the conflict did not last a mere hundred years, but in fact two hundred years? What type of story would this kind of approach tell when it comes to medieval European history? Michael Livingston takes on the mammoth challenge of telling the tale of how this war changed European history forever in his latest book, “Bloody Crowns: A New History of the Hundred Years War.”
Throughout European history, we tend to think about the countries as a whole when it comes to the political sphere of influence. We think of the big countries like France, Spain, Italy, Germany, Austria, and England as having the most impact, but we have to consider that during the Middle Ages, duchies held immense power. Take, for example, the Duchy of Burgundy, also known as the Burgundian Empire. It was a part of France, but that does not mean that the dukes stayed on the side of the French. The Burgundians used their influence to expand and marry into the medieval European families, affecting European history as a whole. While we tend to focus on the Dukes of Burgundy, we should be paying attention to the women of this duchy. That is why Susan Abernethy chose to focus on these women in her latest book, “The Formidable Women Who Shaped Medieval Europe: Power and Patronage at the Burgundian Court.”
The weather is getting colder, and life is getting a bit busier in preparation for winter and family gatherings. It’s time to get ready for the holiday season, and there is one that is universally loved. No, it’s not Halloween, even though it is October when I am writing this review. No, I am talking about Christmas. But one wonders what the origins of Christmas and how our traditions evolved? Toni Mount explores this most important holiday time in her latest book, “Medieval Christmas: The Origins and Traditions of Christmas in the Middle Ages.”
The year is 1535, and Henry VIII is growing bored with his current wife, Anne Boleyn. His eyes are wandering yet again, and this time his sights are set on Jane Seymour. Anne Boleyn had failed to give him his desired son, so Henry decided that it was only fitting for his right-hand man, Thomas Cromwell, to take down a queen. It’s Cromwell’s biggest challenge yet, but it could also become Cromwell’s defining moment. Hilary Mantel explores the pivotal months that pitted Cromwell against the Boleyns in her second book in the Wolf Hall trilogy, called “Bring Up the Bodies.”
Have you ever looked at a painting and wondered what it must have been like for the artist to paint it? Have you ever wondered what their lives might have been like when they were painting these images that have sparked discussion and intrigue? Usually, we tend to focus on the male artists and their lives, but there has been a trend in recent years to tell the stories of women artists. Take, for example, the story of Maria van Oosterwijk and her maid Geertje Pieters Wyntges. Can these two women find their own successes during Amsterdam’s Golden Age through their art while navigating their own feelings towards each other? Victoria Redel explores the lives of these two women in her latest novel, “I Am You.”
When we think of Elizabethan England, we tend to think of the Golden Age of England. A time of discoveries and for the arts to flourish under the Virgin Queen, Elizabeth I. However, there is a darker side. It was also a time of espionage, fears of invasions from other countries, and the hatred between Catholics and Protestants. The dangers of the Elizabethan underworld have reached the queen, as there is an attempt on her life. Can Jack, the son of a crime boss, change his life and find the culprit before they find him, or will he be betrayed by those he calls his friends? Amie McNee explores the seedy underworld of Elizabethan England in her novel, “To Kill a Queen.”
The daughters of Isabel of Castile and Ferdinand of Aragon lived very interesting lives. Of course, we know what happened to Katherine of Aragon, but her elder sister, Juana, has her own tragic tale. She was known as Juana the Mad because the rumors were that when her husband, Philip the Handsome, died, she carried her coffin around for months and would not let him be buried. Was Juana truly mad, or was it all a ruse by powerful men to steal her lands and titles? Lynn Cullen explores Juana of Castile’s life in her novel, “Reign of Madness.”
Stonehenge, a marvel of the ancient world that still stands centuries after it was built. It has been the center of mystery and wonder for all who gaze upon it. A gigantic monolithic structure, whose purpose has been a source of discussion since its origins, but that raises another quandary: who were the people who built such an impressive landmark? This single question presents a grand opportunity for historical fiction writers as we don’t have many written records for this period of time, which means authors have room to play. Ken Follett took on the daunting task of telling the tales of those who built this imposing monument in his latest novel, “Circle of Days.”
Have you ever wondered what it might be like for a historical fiction writer during their writing process? How do they balance both their own lives and the lives of their characters? While we can read author interviews to find out what goes on in an author’s mind, why not take a fun twist of a historical fiction author writing about a historical fiction writer writing her first historical fiction novel? Meet Lucy Ellis, a new writer who is writing her first novel about the death of Amy Robsart while recovering from cancer and going through a divorce. Can Lucy finish her novel about Amy Robsart before her life and her health come crashing down? Wendy J. Dunn tells the tale of two women betrayed in her latest novel, “Shades of Yellow.”
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Author Bio
Adventures of a Tudor Nerd 