Blanche Wainfleet, a merchant’s wife living in England in 1590, has a reputation for finding items that others have deemed lost. Blanche has a gift for finding mementos important to others, from lost handkerchiefs to pets. However, there is one thing that she is searching for that will prove her greatest challenge yet, finding the truth about her sister’s murder. Blanche’s sister Alison fell in love with a Catholic man and converted to the Catholic faith when there was a war between Catholicism and Protestantism. To uncover the truth, Blanche must infiltrate the Otley family who took Alison in during her final days, but will she discover the truth and come out of the ordeal alive? This is the premise of Kathy Lynn Emerson’s latest novel, “The Finder of Lost Things.”
I want to thank Kathy Lynn Emerson for sending me a copy of this novel. I am always looking for new authors to follow in Tudor historical fiction, so when I heard about this novel, I decided to give it a chance.
We first meet Blanche Wainfleet as she is imprisoned at Colchester Castle for reading an illegal book about Catholicism. She is thrown into the same cell as Lady Otley and other devout Catholics arrested for illegally hearing mass. This is all part of an elaborate ruse to infiltrate the Otley family and gain their favor to unearth the truth about Alison. When a royal pardon is passed for all women prisoners, Blanche convinces Lady Otley to allow her to take Alison’s spot in her household. Blanche realizes that her prison cell is safer than living with this family in the Otley household.
I like how Emerson captured the divide between Catholicism and Protestantism during this time. She shows how Catholic priests and those dedicated to Catholicism were in fear for their lives for practicing their faith. To see how she described priest holes was also very good.
I did have a few issues with this title. There were points where I was not sure if I was reading a Tudor novel or something from the late 16th-early 17th century; I wish she would have added more Tudor elements that would have been familiar to readers. Another aspect that I was not comfortable reading was the element of exorcisms with this story. I know that there were incidents where exorcisms happened during the medieval and Tudor times, but Emerson’s description bothered me quite a bit.
Overall, I thought this was a decent novel. I liked the characters, especially the brave and determined Blanche and Kit, her loving husband. I wanted to see more interactions between those two, but maybe she will include this couple in a future novel. If you want a murder mystery novel that shows the Catholic underground during the late reign of Elizabeth I, I would recommend” The Finder of Lost Things” by Kathy Lynn Emerson.
When one studies a specific dynasty, we tend to focus on the stories of those who rule their respective countries and explore the men who influenced the king’s decisions. A dynasty’s legacy tends to be viewed from the military and legal victories of the men, but just as important are the women who stood beside the king. Royal women tend to be considered side characters of the dynasty who were only crucial for their inheritance, who they married, and the children they could produce. But if we focused on the story of the royal women in a specific dynasty, what could we learn about the dynasty? Amy Licence took this concept to explore women’s voices and decided to tackle the Tudor dynasty in her latest book, “Tudor Roses: From Margaret Beaufort to Elizabeth I.”
Elizabeth Tudor is now the Queen of England and is learning quickly how her relationships with others would affect all of Europe, especially when it comes to her marriage. Marriage is difficult, as Margery Preston soon discovers. Margery is a lady in waiting to the fickle Queen Elizabeth and must navigate the intricacies of court life while learning to be a wife to Robin Lewis, a man she barely knows. She is treated like a child rather than a woman by those around her. Can Margery convince others that she is a strong woman and find love and happiness in the quagmire of court life? Margery’s story is told in the third installment of The Tudor Court series by Karen Heenan, “Lady, In Waiting.”
When we think of Vikings, a few images come to mind. It is either the cartoonish image of warriors with horned helmets or blood-soaked warriors from TV shows like The Vikings. They are seen as men and women who fight Christians in England and France and sometimes into North America, but we do not see them in the east. With archaeological digs and discoveries being made recently, what can the artifacts tell us about the Viking world? In “River Kings: A New History of the Vikings from Scandinavia to the Silk Roads,” Dr. Cat Jarman takes her readers on a journey of discovery, following the trail of a single carnelian bead.
The study of the Tudor dynasty has led us on many different adventures throughout the centuries. We have analyzed this period from numerous angles, from the royals and nobles to the essential lives of those who lived in England during this time. We tend to leave the more intimate moments for historical fiction novels and dramas, but one must wonder what those moments might have been like for those who lived in Tudor England. What were the romantic and the more intimate moments like for the Tudors? In her book, “Sex and Sexuality in Tudor England,” Carol McGrath gives her readers an in-depth look at these private moments.
Medieval princes are often viewed as men who will one day be king of their homeland or another country. They are seen as wealthy men with prestige and honor who live lavish lifestyles and go to war to earn titles and estates. One of these noble medieval princes was a man who married three times, including to his most beloved mistress. He was the son of Edward III, the uncle of Richard II, and the father of the queen of Castile and King Henry IV, the first Lancastrian king. His children, grandchildren, and great-grandchildren would rule in different European countries, even though he never had the chance to wear the crown of England or Castile for himself. His name was John of Gaunt, and his story is told in Kathryn Warner’s latest biography, “ John of Gaunt: Son of One King, Father to Another.”
For a woman from the past to leave a mark in history books, she had to have lived an extraordinary life. Some have notorious reputations, or they were considered women of immaculate character. In Foxe’s Book of Martyrs, there was one who was “a woman of noble wit.” She was the daughter of an ancient gentry family who had connections with the court of Henry VIII. Her large family would navigate political turmoil and religious reformations to survive. The name of this wife and mother was Katherine Raleigh, and her tale is told in Rosemary Griggs’ debut novel, “A Woman of Noble Wit.”
A Woman of Noble Wit
Author Bio:
When we read about those who lived in past centuries, there is often a disconnect. We know that they were also human beings like we are, but we see how different their ways of life are compared to ours, and it feels incredibly bizarre. We can find wisdom from the past for our more modern lives. One of the most unlikely sources of knowledge for our daily lives comes from the lives of men and women who choose to take a religious path. In her latest book, “How to Live Like a Monk: Medieval Wisdom For Modern Life,” Daniele Cybulskie shows her readers how medieval monks can help us live our best lives here in the present.
When we think of the legacy of King Henry VIII, a few descriptions come to mind—married six times, father of three children who would be the king and queens of England one day. We often see him as a man conflicted with religious changes and someone who could be tyrannical when dispatching his enemies and those closest to him. We don’t usually associate Henry VIII with a collector and patron of fine art, but his collection would help bring the Royal Collection to life. The artwork that Henry VIII commissioned and collected tells how he wanted to be viewed by the world. In “King and Collector: Henry VIII and the Art of Kingship,” Linda Collins and Siobhan Clarke peel back the layers of Tudor propaganda to show the truth about King Henry VIII and the artists who made his ideal image.
The 15th and 16th centuries were full of dynamic political and religious reforms, but they were also known for cultural changes throughout Europe. The medieval foundations started to crumble, and the early modern age emerged. One of the centers of change was Italy, a series of states with their rulers vying for power and prestige. These rulers would help finance masterpieces in art, literature, and architecture, but it was their rivals that threatened to tear the Renaissance society apart. In “Princes of the Renaissance: The Hidden Power Behind an Artistic Revolution,” Mary Hollingsworth explores the lives of the men and women who helped shape the Renaissance.
Adventures of a Tudor Nerd 