Book Review: “Raising the Tudors: Motherhood in Sixteenth-Century England” by Stephanie Kline

Throughout history, women have had one major job: giving birth and raising future generations. Each new generation had different ways of dealing with childbirth and raising children, and the Tudors were no exception. While the Tudors lived in the 16th century, the joys and fears of being a mother were similar to those of the modern age. However, the way women approached different stages of life in the 16th century is unique compared to the ways of modern women. So, how did Tudor women approach motherhood? Stephanie Kline hopes to answer this question in her latest book, “Raising the Tudors: Motherhood in Sixteenth-Century England.”

I would like to thank Pen and Sword Books and Net Galley for sending me a copy of this book. I enjoy looking at different aspects of Tudor life, so when I saw the title of this book, it was an appealing concept.

Kline begins by explaining how women did not have many options for life other than marriage and a religious life. In the male-dominated world, women were destined to become wives and mothers. Kline’s book examines a Tudor woman’s life, from menstruation to menopause, covering marriage, pregnancy, and raising children. It is quite a lot of information to include in one book, but Kline does it with such care and attention to detail.

What Kline does extremely well is balance the stories she includes of women from all walks of life with what men and women were writing about during this time about women’s health. We get to see how much the Four Humours Theory affected every aspect of a woman’s life and her health, which included what recipes they would use to help their child. The pregnant portraits and the way women dealt with their pregnancies mirror the modern age with pregnancy photo shoots and special diets for both mother and child. While methods like confinement are drastically different than the 21st century, it is the love and care for a family that remains the same over centuries.

Overall, I found this book quite interesting, with stories and facts about the lives of Tudor women, from the time they transitioned from a girl to a woman until they died. I think the only thing I wanted was more stories of women from the middle and lower classes to get a better picture of how the different classes dealt with motherhood in their unique ways. I think if you want a solid book as an introduction to Tudor motherhood, I recommend you read, “Raising the Tudors: Motherhood in Sixteenth-Century England” by Stephanie Kline.

Book Review: “Sceptred Isle: A New History of the Fourteenth Century” by Helen Carr

The Plantagenets, a dynasty that ruled England for over three hundred years. At least that is if you include the Lancastrian and Yorkist kings. Otherwise, the reign of the Plantagenets ended with Richard II being overthrown. So, how did the Plantagenets fall? How did wars, favoritism, and the plague factor into the fall? Helen Carr examines these questions and the rule of three kings over the fourteenth century in her latest book, “Sceptred Isle: A New History of the Fourteenth Century.”

I have really enjoyed Helen Carr’s insight into medieval English history in her book, The Red Prince, so when I heard she was writing a book about the Plantagenets again, with a focus on the fourteenth century, I was excited to read it. The idea in this book that caught my attention was the idea that the Plantagenet dynasty ended when Henry of Bolingbroke overthrew Richard II. As someone who believes that the Plantagenet dynasty ended with the death of Richard III, the concept that it ended almost a century earlier is intriguing.

We begin our adventure with a double reburial of King Arthur and Queen Guinevere, the idea of King Edward I and his wife Eleanor of Castile. It was a kind gesture, but the prophecy that was left behind would be almost prophetic. With the death of King Edward I, the Hammer of the Scots, the throne passed to his son Edward II. While Edward I was a strong warrior, Edward II was a handsome prince who only cared about his favorites, Piers Gaveston and Hugh Despenser the Younger. It would cause those around him, including his wife, Isabella of France, and her lover, Roger Mortimer, to take action against him. Isabella and Mortimer placed Edward III on the throne, but they would soon learn that Edward III was not as passive as his father.

Edward III would return to the warrior state of mind like his grandfather Edward I. With his wife Philippa of Hainault, they would have a large family with many sons, including John of Gaunt and Edward the Black Prince. It would be Edward III who would try to take the French throne for England in a conflict known as the Hundred Years’ War (not the quickest war, and it didn’t go the way Edward III envisioned it). And to top it all off, Edward III had to deal with the emergence of the Black Death and how it affected not only his own family but England and Europe as a whole.

Before Edward III died, his heir, the Black Prince, died, which meant that the Black Prince’s son, Richard II, was destined to be the next king. However, youth and favoritism failed the king as chaos reigned ever since the start of his reign, with the Peasants’ Revolt, and ended with Henry of Bolingbroke becoming the first Lancastrian King, Henry IV.

This was another wonderful book by Helen Carr. It demonstrates Carr’s ability to balance extensive research with a narrative format to create an accessible history book that novices and experts will equally enjoy. My only qualm with this book, if you can call it an issue, is that I wanted it a bit longer so we get more analysis of how this one century affected English and European history as a whole. If you want a book that dives into the history of one of England’s most tumultuous centuries, I highly recommend you read “Sceptred Isle: A New History of the Fourteenth Century” by Helen Carr.

Book Review: “The Shakespeare Ladies Club: The Forgotten Women Who Rescued the Bawdy Bard” by Christine and Jonathan Hainsworth

When we think of the greatest writers of all time, we often think about novelists like Jane Austen and Agatha Christie. There is a playwright who we know quite well in our century, but he wrote during the sixteenth century; William Shakespeare, “the Bard.” He may have been a star in his own time and is seen as one of the greats in our era, but it took a while to get him to such a status. In fact, he was forgotten for quite some time, until the 18th century, when an unlikely group of women decided to save the bard from obscurity. The story of the Shakespeare Ladies Club, its members, and the women’s impact is told in Christine and Jonathan Hainsworth’s book, “The Shakespeare Ladies Club: The Forgotten Women Who Rescued the Bawdy Bard.”

I would like to thank Amberley Publishing for sending me a copy of this book. I am not someone who usually reads about the 18th century, but the subject intrigued me. I mean a group of women to save the legacy of one of the greatest writers of all time in a time when women did not have much of a voice. It sounded like such a remarkable story that I jumped at the chance to read it.

So, what was the Shakespeare Ladies Club, and how did they save Shakespeare? For centuries, many have believed that David Garrick was the man who saved Shakespeare, as he is the one who staged the famous Shakespeare Jubilee to honor the playwright’s birth. However, the Shakespeare Ladies Club deserves the title of saviors of Shakespeare because not only did they raise the funds needed to create the statue of the Bard in the Poets’ Corner at Westminster Abbey, but they also advocated for the performance of the original, unedited plays. The four remarkable women were: Susanna Ashley-Cooper, Countess of Shaftesbury, Mary, Duchess of Montagu, Elizabeth Boyd, and Mary Cowper de Grey, Baroness Walsingham.

The Hainsworths take the time to give each woman their dedicated chapter for a mini-biography to show how extraordinary they were and to show how they became a group. Susanna Ashley-Cooper was known as the “Queen of Common Sense” and was the founder of the group. Mary, Duchess of Montagu, was the daughter of Sarah Churchill, one of the favorites of Queen Anne, and a con-artist, and was married to a practical joker. Elizabeth Boyd was not a noble lady, but she wrote like she was running out of time. Finally, we have Mary Cowper de Grey, Baroness Walsingham, a poet with a progressive husband who fought for the rights of women. While we do get a glimpse of the lives of these women, we also see how their reputation differed from another group, the Blue Stocking Society and early Shakespearean actresses. Finally, we see how Shakespeare’s legacy changed over time from the Shakespeare Ladies Club to the modern day.

This was such a fascinating book, full of brand-new stories to me and women that I had never heard of before until I read this book. It was meticulously researched, and it felt like a passion project for the Hainsworths. If you want to learn about how Shakespeare’s legacy survived for centuries and the women who helped fight for his cause, I would highly recommend you read “The Shakespeare Ladies Club: The Forgotten Women Who Rescued the Bawdy Bard” by Christine and Jonathan Hainsworth.

Book Review: “The Shakespeare Secret” by DJ Nix

Everyone knows the story of William Shakespeare—the famed poet, actor, and playwright who revolutionized English literature forever. There have been a series of debates about whether or not Shakespeare truly wrote the plays or someone else did. Well, what if a group of women employed William Shakespeare as a sort of spokesperson for their plays? Can this group of women survive to write another day? This is the premise of DJ Nix’s novel. “The Shakespeare Secret.”

I would like to thank Alcove Press and Net Galley for sending me a copy of this novel. I have not read a lot of novels about the writing of Shakespeare’s plays, but I have heard the many theories on who actually wrote them. When I saw that this novel would focus on a group of women as the so-called authors of the plays, it was such a fun idea that I decided to give it a go.

So, just who were these three women who were the authors of the plays? We begin with Mary Herbert, Countess of Pembroke, who has just returned to the court of Queen Elizabeth I after a three-year absence. She is not one for court life, but she soon finds herself enjoying the company of others below her station. Take, for example, Emilia Bassano, a court musician and mistress to Lord Chamberlain, Baron Hunsdon. And then we have Jane Daggett, the new Mistress of the Wardrobe for the Queen’s Men, a company that was the starting point for a young Will Shakespeare. One fateful day, these three women met and decided to write a play, which would become known as The Taming of the Shrew. Since this was a group of women writing a play, they needed a man to act as their spokesperson to make sure that their play would be performed. Enter young Will Shakespeare, who wanted to make a name for himself.

It seems like such an innocent prospect, that is, until Robert Cecil and his spy Hardwood catch wind of what they think is a Catholic plot against Queen Elizabeth I. Talk about making a mountain out of a molehill. Now, Mary, Emilia, and Jane must escape suspicion while navigating life, love, and playwriting, with Will along for the ride. This was a relatively predictable plot, and I felt a bit bored by the middle of this novel. While the characters are well written, it is hard for me to imagine this group of women together and using the formal Shakespearean dialogue. Other than the few historical characters and locations, it does not feel like Elizabethan England (especially with the mention of tea).

Overall, it’s an okay novel, but it could have been better. The premise had a lot of potential, but it kind of turned into a sappy ending, which is not a bad thing, but I wanted more. If you want a novel about the alternative history of the writing of the early Shakespearean plays, you might enjoy “The Shakespeare Secret” by DJ Nix.

Book Review: “The Pagan Lord”(Book 7 of the Saxon Stories Series) by Bernard Cornwell

The island we know as England is on the cusp of the 10th century. King Alfred is dead, and his son Edward now rules. The kingdom of Wessex is still standing strong, and it looks like the Danes are behaving themselves and keeping the peace, for now. Unfortunately, things are not going smoothly for Uhtred of Bebbanburg. He gets into a bit of mischief and becomes a target of Cnut Longsword, the Viking leader, all while trying to fight for his right to rule his beloved Bebbanburg. Can Lord Uhtred survive his latest adventure, or will his Saxon allies save him in the nick of time? This is the premise of Uhtred’s latest adventure, “The Pagan Lord,” Book 7 in the Saxon Stories series by Bernard Cornwell.

We reunite with our ruffian hero Uhtred of Bebbanburg on a dark, stormy night, when he is riding through a town with his second son Osbert and Aethelstan, the illegitimate son of Alfred. They are then accosted by a gaggle of priests, which includes his eldest son, Uhtred, soon to become a Christian priest, and Abbot Wihtred. This one encounter will alter how the Saxons will view Uhtred because not only does he disinherit his eldest son, but kills Abbot Wihtred, which makes him an outlaw in the eyes of the Saxons. Osbert is renamed Uhtred Uhtredson, and the group moves on like nothing happened, but the damage is already done.

A tired Uhtred comes home to burning buildings, dead comrades, a blind father Cuthbert, and Uhtred’s woman Sigunn kidnapped. Uhtred begins to wonder which one of his numerous enemies kidnapped Sigunn. Turns out this is revenge from Cnut Longsword, who believes that Uhtred kidnapped his children and his wife. Obviously, Uhtred knows nothing about it, but decides to work with Cnut to clear his name, at least for the time being. Uhtred’s journey to save Cnut’s family will see him in his beloved Bebbanburg and reunited with his lovers Sigunn and Lady Aetheflaed. While Uhtred is considered an outlaw to the Saxons, he still chooses to side with them at the battle of Tettenhall, where he clashes with Cnut Longsword one final time in a fight to the death.

I have been loving this series so far because of how dynamic the characters are, especially Uhtred of Bebbanburg. He gets into so many scraps, but he keeps his home, his family, and his allies in mind whenever he fights. I am always excited to read a new Saxon Stories novel, but I am also a bit sad because I know it’s one book closer to finishing this fantastic series. If you are like me and have finished the first six books in the Saxon Stories, I highly recommend that you read book seven in the series, “The Pagan Lord” by Bernard Cornwell.

Book Review: “A Daughter’s Place” by Martha Batiz

Miguel de Cervantes, the author of Don Quixote, lived quite an interesting life. He was a poet, soldier, war hero, prisoner, husband, brother, uncle, father, and author. His writing might portray a man of honor and dignity, but his home life was messy. You see, Miguel was married, but his daughter was not the daughter of his wife, Catalina de Salazar. His daughter, Isabel, was illegitimate, and when her mother died, Miguel decided the best possible solution was to invite Isabel to live with his sisters and his niece. What’s the worst that could happen? Martha Batiz explores the women’s lives connected to Miguel de Cervantes in her debut novel, “A Daughter’s Place.”

I would like to thank the House of Anansi Press and Net Galley for sending me a copy of this novel. I had never read Don Quixote, and I knew nothing about Miguel de Cervantes or his family, so I was excited to learn more. Stories like this add depth to the understanding of the late 16th and early 17th centuries in Spain and Europe as a whole.

This novel is broken into five sections and contains three different narrators: Isabel, the illegitimate daughter of Miguel de Cervantes, Constanza de Ovando, Miguel’s niece, and Catalina de Salazar, Miguel’s wife. Our story begins with Isabel, who just turned fifteen. All of her life, she believed that she was the daughter of a tavern owner, that is, until she met Magdalena de Cervantes, who claims to be her aunt, as Isabel’s true father is none other than the famous war hero turned author Miguel de Cervantes. After the death of Isabel’s mother, Miguel has decided to have Magdalena as Isabel’s legal guardian and raise her to be part of his family, although not with the de Cervantes name. Constanza de Ovando has been dumped after a long engagement and is nearing the age of spinsterhood. She is jealous of Isabel and wonders if she will ever marry and have her own life. Finally, we have Catalina de Salazar, who lives far away from the family and did not know that her husband, Miguel, had an illegitimate child.

We see this family slowly adjust to having a new family member and the repercussions of Isabel being part of the de Cervantes family. While the family is getting used to one another, King Philip III of Spain threw a monkey wrench into their plans as he moved the royal court from Madrid to Valladolid and back to Madrid. Since Miguel is writing his magnum opus, Don Quixote, and is looking for sponsors, the family has to move alongside the court, which causes its special kinds of headaches and heartbreaks. There are so many twists and turns, especially the last twist, that kept me guessing until the end of how this novel was going to end.

Batiz has created such a believable world of 16th and 17th century Spain with a colorful cast of characters in the de Cervantes family. I got very attached to this family, and to see what would happen to them as life kept causing chaos. As a debut historical fiction novel, this is such an enjoyable, beautifully written, and extremely well-researched novel, and I hope that Batiz continues to write historical fiction. If you want an excellent novel about one of the most celebrated authors in Spanish history and his family, I highly recommend you read “A Daughter’s Place” by Martha Batiz.

Book Review: “Florenzer” by Phil Melanson

Florence, Italy, in the 16th century, was a city of opportunity and full of art and architecture. It was also a city on the precipice of great change. The great banking family, the Medicis, holds the reins of government in Florence, and Lorenzo de’ Medici is the family’s current head. However, two bastards will radically change his life and the Medici family. One was a bastard son of a notary who became one of the most famous artists ever. The other was a bastard son who became a priest and the enemy of the Medici family. Their stories of power and ambition intersect in the city of Florence in Phil Melanson’s debut novel, “Florenzer”.

I would like to thank Liveright Publishing and Net Galley for sending me a copy of this novel. The description of this novel attracted me to it, rather than the cover, as the cover was released after I requested to read this novel. I have slowly been diving into the world of Renaissance Italy, but I have yet to encounter Leonardo da Vinci or Lorenzo de’ Medici in my adventures, so when I saw a novel that featured both and a new historical person to me, Francesco Salviati, I jumped at the chance to read it.

We begin with the funeral of Cosimo de’ Medici, the grandfather of Lorenzo de’ Medici, in 1464. It is the point where all three characters are introduced, and in the case of Leonardo da Vinci, it is the point before his apprenticeship where we begin to see the tumultuous relationship between Leonardo and his father, Piero, the notary. We then jump forward to 1471, when Leonardo is working as an apprentice painter for Andrea del Verrocchio. Around this time, Leonardo meets Lorenzo de’ Medici, a young man who is trying to achieve greatness, but issues arise, such as the death of the Pope and his brother Giuliano not wanting to be part of the family business. Lorenzo desires military glory, but it doesn’t go well. Finally, we have Francesco Salviati, a man who was destined to be a banker, but because he was a bastard son with darker skin, he decided to devote his life to the church, working alongside the new Pope Sixtus IV, also known as Francesco della Rovere.

As the three men grew up, they had obstacles to deal with. Leonardo fell in love with another man, known as Iac in this novel, and his love might cost him everything. While Lorenzo is trying to make sure his family is the most prominent in all of Italy, Francesco Salviati is using his influence at the Vatican to turn the tables on Lorenzo, which culminated in the Pazzi Conspiracy of 1478. The Pazzi Conspiracy was something that I had never heard of before this novel, so it was interesting to see it play out and the aftermath. While I did enjoy reading about Leonardo and Lorenzo, I didn’t feel a connection to Salviati, so when his story concluded, I didn’t feel any sort of way. I think the formatting of the book, almost like a screenplay, was a unique idea, but I don’t think it added anything to the context of the novel.

Overall, I think this was a decent novel. It was a slow start, and it was a bit of a challenge to get used to three different perspectives, but the stories of ambitions, love, and power truly shone. As a debut for someone who does not usually focus on historical fiction, I think Melanson does an admirable job of portraying 15th-century Florence in such a believable way. I think if you want a novel that’s set in 15th-century Italy, you will enjoy “Florenzer” by Phil Melanson.

Book Review: “The Cardinal” by Alison Weir

During the reign of King Henry VIII, the king would elevate well-qualified men to positions of power and prestige. We all know the story of Thomas Cromwell, but it is his mentor, Sir Thomas Wolsey, whose story shows how one can rise from humble beginnings, but whose fate is ultimately tied to the mood of the monarch. The son of a butcher turned scholar who became a priest, a lover, a father, and the closest advisor to the king. His life, his loves, his successes, and his struggles are told in Alison Weir’s latest novel, “The Cardinal.”

I would like to thank Ballantine Books and Net Galley for sending me a copy of this novel. I am a fan of Weir’s novel, so when I saw her writing a new one about Sir Thomas Wolsey, I knew I wanted to read it. Wolsey is someone who tends to be a side character, so to have a novel dedicated to his life was an exciting idea.

Weir begins her story with Thomas (known in this novel as Tom) at the age of 11, going to school. His father, Robert Wolsey, is a butcher from Ipswich who wants his son to climb the social ladder in the church. Tom will eventually rise to the level of becoming King Henry VII’s chaplain and will begin working with King Henry VIII. Life for Tom is thrilling with the twists and turns of court life, but the one thing that is missing in his life is someone to share it with. Since he is a member of the church, he cannot marry or have his own family, but things change for Tom when he meets Joan Larke. Their love for each other is genuine, even though it is taboo in the eyes of the church and King Henry VIII, which comes across as quite hypocritical.

It was under King Henry VIII that Tom’s star rose to remarkable heights. He became a Cardinal, was the King’s right-hand man and best friend, and was able to create the architectural marvel of Hampton Court Palace. But his rise in prominence came with a cost. Tom must help the king navigate not only international affairs, such as the Field of Cloth of Gold, but also more personal matters, such as the divorce of King Henry VIII and Katherine of Aragon, which would become known as The Great Matter. Tom would have many enemies at court, including Anne Boleyn, the future wife of King Henry VIII, who would ultimately lead to Tom’s fall from grace.

This is such an engrossing novel about one of the most complex figures of the Tudor dynasty. Thomas Wolsey’s story shows the struggle of fighting for those you love over the ambitions and prestige of the glittering court life. If you want an excellent novel about one of Henry VIII’s closest advisors and his life, I would highly recommend you read “The Cardinal” by Alison Weir.

Book Review: “Michelangelo and the Pope’s Ceiling” by Ross King

The Italian Renaissance was a time of great artwork, eccentric artists, and patrons who created these masterpieces. While the art tells a story, the artist and patron want the audience to understand, but sometimes the story of how the art came to be can be just as fascinating. One of the most famous pieces of art from the early 16th century was the ceiling of the Sistine Chapel. A stunning piece created by an artist who primarily created sculptures, and his patron was a pope who was more like a warrior. The story of how Michelangelo and Pope Julius II created an unlikely team to create this remarkable masterpiece is told in Ross King’s book, “Michelangelo and the Pope’s Ceiling.”

This is one of those books that caught my eye in a used bookstore. I am a fan of art history, so it intrigued me when I saw the title. Obviously, I have seen images of the Sistine Chapel, and I knew that Michelangelo was the one who painted the ceiling, but beyond that, I didn’t know much about this piece or the history behind it. With the recent Papal Conclave, which takes place in the Sistine Chapel, I thought this would be the perfect time to read this book.

The year is 1508, and the Sistine Chapel has just been restored. Pope Julius II wants someone to paint the ceiling of the Chapel. While others would have easily chosen a painter who knew how to paint frescoes as an ideal choice, Julius II and his assistant, Donato Bramante, decided to pick the young man who was in charge of carving Pope Julius’ tomb, Michelangelo Buonarroti. To say Michelangelo was not a fan of this assignment from the Pope would be an understatement. All the man wanted to do was sculpt amazing sculptures like David and the tomb for the Pope, but no, the Pope wanted him to paint. So he reluctantly taught himself how to paint in fresco over four years to create this masterpiece, telling tales of the Old Testament in the Bible with a specific emphasis on Creation and the stories of Moses. 

Those four years saw much action for Michelangelo and Pope Julius II, who was known as il papa terribile. Michelangelo had to keep an eye on his fresco, his rival Raphael, and his family, who were always causing trouble. Pope Julius had to fight not only illness, but also the French, led by King Louis XII, which led to the creation of the Holy League against France. King also lays out the process and the inspiration for Michelangelo’s masterpiece, which I found quite fascinating. 

This was a captivating read that gave such wonderful information about the era and the creation of this masterpiece. I have been a fan of art history and the history of the 16th century, so this book ticked so many boxes for me. If you want a delightful book full of art history and the history of Italy during the 16th century, I would recommend reading “Michelangelo and the Pope’s Ceiling” by Ross King.

Book Review: “The Black Death in England: Journal of the Plague Years in the Fourteenth Century” by Kathryn Warner

Throughout history, pandemics have ravaged human populations and changed the course of history. None more so than the Bubonic Plague, also known as the Black Death. It devastated entire families and altered entire countries, primarily in Europe. Although England is an island nation, that does not mean it could not escape the pandemic’s horrors for long. In her latest book, “The Black Death in England: Journal of the Plague Years in the Fourteenth Century, “ Kathryn Warner explores the lives of the victims of the Black Death throughout England during this century.

I would like to thank Pen and Sword Books and Net Galley for sending me a copy of this book. I haven’t read many books that focus primarily on the Black Death, so I was interested to see what kind of insights Warner would provide in this book.

Warner is known for her meticulous research, which she masterfully demonstrates in this book. Unlike other books about the Black Death, Warner chooses to focus on the individual stories of the victims and the survivors from every walk of life. Now this is a lot of information, especially when you consider how many waves of the plague hit England and the number of villages that were in England during this period. However, Warner breaks it down so each region gets its special section. Primarily, Warner explores the plague outbreak of 1349-1350, but she does explore other outbreaks.

The true highlight of this book is the fact that Warner focuses on the stories of the common people, not just the nobility or royalty, which are often highlighted in medieval history books. I think it was so fascinating to see how others dealt with the plague and how it affected their families and the nation as a whole.

Overall, I think this is a solid book for those who want to dive into the archives and explore the impact of the Black Death in England. It may be a difficult read for some and it might not be for casual readers, but if you want something more academic, I would suggest “The Black Death in England: Journal of the Plague Years in the Fourteenth Century” by Kathryn Warner.