Florence, Italy, in the 16th century, was a city of opportunity and full of art and architecture. It was also a city on the precipice of great change. The great banking family, the Medicis, holds the reins of government in Florence, and Lorenzo de’ Medici is the family’s current head. However, two bastards will radically change his life and the Medici family. One was a bastard son of a notary who became one of the most famous artists ever. The other was a bastard son who became a priest and the enemy of the Medici family. Their stories of power and ambition intersect in the city of Florence in Phil Melanson’s debut novel, “Florenzer”.
I would like to thank Liveright Publishing and Net Galley for sending me a copy of this novel. The description of this novel attracted me to it, rather than the cover, as the cover was released after I requested to read this novel. I have slowly been diving into the world of Renaissance Italy, but I have yet to encounter Leonardo da Vinci or Lorenzo de’ Medici in my adventures, so when I saw a novel that featured both and a new historical person to me, Francesco Salviati, I jumped at the chance to read it.
We begin with the funeral of Cosimo de’ Medici, the grandfather of Lorenzo de’ Medici, in 1464. It is the point where all three characters are introduced, and in the case of Leonardo da Vinci, it is the point before his apprenticeship where we begin to see the tumultuous relationship between Leonardo and his father, Piero, the notary. We then jump forward to 1471, when Leonardo is working as an apprentice painter for Andrea del Verrocchio. Around this time, Leonardo meets Lorenzo de’ Medici, a young man who is trying to achieve greatness, but issues arise, such as the death of the Pope and his brother Giuliano not wanting to be part of the family business. Lorenzo desires military glory, but it doesn’t go well. Finally, we have Francesco Salviati, a man who was destined to be a banker, but because he was a bastard son with darker skin, he decided to devote his life to the church, working alongside the new Pope Sixtus IV, also known as Francesco della Rovere.
As the three men grew up, they had obstacles to deal with. Leonardo fell in love with another man, known as Iac in this novel, and his love might cost him everything. While Lorenzo is trying to make sure his family is the most prominent in all of Italy, Francesco Salviati is using his influence at the Vatican to turn the tables on Lorenzo, which culminated in the Pazzi Conspiracy of 1478. The Pazzi Conspiracy was something that I had never heard of before this novel, so it was interesting to see it play out and the aftermath. While I did enjoy reading about Leonardo and Lorenzo, I didn’t feel a connection to Salviati, so when his story concluded, I didn’t feel any sort of way. I think the formatting of the book, almost like a screenplay, was a unique idea, but I don’t think it added anything to the context of the novel.
Overall, I think this was a decent novel. It was a slow start, and it was a bit of a challenge to get used to three different perspectives, but the stories of ambitions, love, and power truly shone. As a debut for someone who does not usually focus on historical fiction, I think Melanson does an admirable job of portraying 15th-century Florence in such a believable way. I think if you want a novel that’s set in 15th-century Italy, you will enjoy “Florenzer” by Phil Melanson.
During the reign of King Henry VIII, the king would elevate well-qualified men to positions of power and prestige. We all know the story of Thomas Cromwell, but it is his mentor, Sir Thomas Wolsey, whose story shows how one can rise from humble beginnings, but whose fate is ultimately tied to the mood of the monarch. The son of a butcher turned scholar who became a priest, a lover, a father, and the closest advisor to the king. His life, his loves, his successes, and his struggles are told in Alison Weir’s latest novel, “The Cardinal.”
The Italian Renaissance was a time of great artwork, eccentric artists, and patrons who created these masterpieces. While the art tells a story, the artist and patron want the audience to understand, but sometimes the story of how the art came to be can be just as fascinating. One of the most famous pieces of art from the early 16th century was the ceiling of the Sistine Chapel. A stunning piece created by an artist who primarily created sculptures, and his patron was a pope who was more like a warrior. The story of how Michelangelo and Pope Julius II created an unlikely team to create this remarkable masterpiece is told in Ross King’s book, “Michelangelo and the Pope’s Ceiling.”
Throughout history, pandemics have ravaged human populations and changed the course of history. None more so than the Bubonic Plague, also known as the Black Death. It devastated entire families and altered entire countries, primarily in Europe. Although England is an island nation, that does not mean it could not escape the pandemic’s horrors for long. In her latest book, “The Black Death in England: Journal of the Plague Years in the Fourteenth Century, “ Kathryn Warner explores the lives of the victims of the Black Death throughout England during this century.
We all know the gist of the tragic tale of Katharine of Aragon. A Spanish princess who was brought to England to marry the heir of the Tudor throne, Prince Arthur Tudor. When the prince died mere months after their wedding day, Katharine was left in limbo and desolate as the Kings of Spain and England bickered over her dowry. Eventually, she would marry King Henry VIII, was his wife for over twenty years, and have numerous miscarriages before Henry decided to divorce her and marry Anne Boleyn. We know how Katharine’s story ends, but how did the stories of her Trastamara family influence her life and her reign as Queen of England? Heather R. Darsie explores Katharine’s Spanish origins in her latest book, “Katharine of Aragon, Spanish Princess: ‘I Am Not as Simple as I May Seem.’”
The Wars of the Roses are ending, and with it comes uncertainty about who will lead the country. On one side is King Richard III, who many believe killed his nephews to become King of England; on the other is Breton Henry, Henry Tudor, who believes he is the rightful king due to his bloodline. However, there is a third player in this entire debacle. A young farm boy named John Collan may spend his days daydreaming and studying to his heart’s content, but he is destined for more. A path that will lead him to hobnob with nobility and become the enemy of a king who just sat on his throne. Just who is John Collan, and how did this boy go from the farm to a life of infamy? Jo Harkin tells the story of how John Collan became Lambert Simnel in her novel, “The Pretender.”
Do you have a favorite historical figure whom you have wondered what would have happened if they survived their dark fate? Have you wondered what would happen if they had fantastical abilities, such as transforming into animals? Maybe the last piece sounds a bit too far-fetched, but it makes for an interesting concept for a novel. What if we took the story of Lady Jane Grey, the Nine-Day Queen of England, and turned the tale into a fantastical comedy full of romance and adventure? Then, you would get the premise of “My Lady Jane” by Cynthia Hand, Brodi Ashton, and Jodi Meadows.
Do you have a favorite painting? One that grabs your attention whenever you look at it and discover something new. Most paintings are from da Vinci, van Gogh, Rembrandt, Picasso, or Michelangelo, just to name a few. However, there is one artist that I feel doesn’t get a whole lot of attention unless you study the 16th century: Hans Holbein the Younger. While Holbein is known for his single portraits, his double portrait, known as The Ambassadors, is stunning to look at and is filled with symbolism. Tracy Borman, in collaboration with the National Gallery, has written a short book about this remarkable painting entitled “Holbein: The Ambassadors.”
We all know the story of the last Tudor monarch, Queen Elizabeth I, who often viewed herself as a female king and who remained a virgin for her entire life. With her death, the Tudor dynasty ended, and a brand new dynasty made its mark on English history. It was a dynasty in England that the son of Elizabeth started I’s rival, Mary Queen of Scots, King James VI of Scotland. King James was not just a king, but a man in love with numerous lovers, and when he fell in love, he fell hard. Gareth Russell explores the life of King James VI/I, who ruled two nations while searching for true love in his latest book, “Queen James: A New History About the Life and Loves of Britain’s First King, James Stuart.”
Throughout English history, a colorful cast of queens has left their marks in their distinct ways. While the Plantagenet and Tudor queens are more well-known, the Stuart queens and the mistresses of the Stuart kings were dynamic in their unique ways. One of the lesser-known queens was the wife of King Charles II. Though Charles II is known for his numerous mistresses, his wife Catherine of Braganza is not discussed much in England, but in her native Portugal, she is famous. So who was Catherine of Braganza, and what is her legacy in England and Portugal? Susan Abernethy tells the story of this almost forgotten queen in her book, “Charles II’s Portuguese Queen: The Legacy of Catherine of Braganza.”