Guest Post: “Snippet from ‘Lady of the Quay’ by Amanda Roberts”

Eating alone at the vast table, which could seat a dozen people with ease, did nothing to improve my attitude or my mood, and I vowed that unless I was entertaining, I would take my meals in my closet from now on. Yes, I had to try to think of it as my closet now. I retired there after I had eaten, and although I relished the silence, I was not yet comfortable with the void that my father’s absence left in the space. With the shutters closed to deny the outside world, I settled by the fire and tried to cocoon myself in memories of him, but I could no longer trust my own mind. To keep secrets had not been in his nature, and yet that is what he had done. And these were not just any old secrets; they were big, black, ugly ones. How was I supposed to reconcile the man I thought I had known so well with the person I was now discovering? He had been the pivot of my existence for most of my life, my moral and spiritual guide, and a person respected by all who knew him, but who was he really? 

Blurb: 

Knowing she is innocent is easy … proving it is hard. 

1560, Berwick-upon-Tweed, northern England 

Following the unexpected death of her father, a series of startling discoveries about the business she inherits forces Isabella Gillhespy to re-evaluate everything she understands about her past and expects from her future. 

Facing financial ruin, let down by people on whom she thought she could rely, and suspected of crimes that threaten her freedom, Isabella struggles to prove her innocence. 

But the stakes are even higher than she realises. In a town where tension between England and her Scottish neighbours is never far from the surface, it isn’t long before developments attract the interest of the highest authority in the land, Sir William Cecil, and soon Isabella is fighting, not just for her freedom, but her life. She must use her wits and trust her own instincts to survive. 

Lady of the Quay introduces an enticing new heroine who refuses to be beaten, even as it becomes clear that her life will never be the same again. 

From the author of the award-winning ‘The Woman in the Painting’. 

Buy Link: 

Universal Buy Link: https://books2read.com/u/317rQa  

This title is available to read on #KindleUnlimited. 

Author Bio: 

Amanda Roberts has worked as an Editor in business-to-business magazines for over 30 years, specialising in out-of-home coffee, vending and foodservice/catering, including Editor of the global gastronomy title: ‘Revue internationale de la Chaîne des Rôtisseurs’. 

She currently freelances, editing UK-based healthcare titles – HEFMA Pulse, Hospital Food + Service and Hospital Caterer. She is a member of the Society of Authors, the Historical Novel Society and West Oxfordshire Writers. She also volunteers for Tea Books (part of Age UK) to run a book club/reading group for elderly people in the community. 

 

 

Author Links: 

 

Website: https://amandarobertsauthor.co.uk/  

Facebook: https://www.facebook.com/profile.php?id=100095191090333  

Instagram: https://www.instagram.com/amanda_roberts_author/  

Book Bub: https://www.bookbub.com/books/lady-of-the-quay-isabella-gillhespy-series-book-1-by-amanda-roberts  

Amazon Author Page: https://www.amazon.com/stores/Amanda-Roberts/author/B00N0RQBAI   

Goodreads: https://www.goodreads.com/book/show/231816264-lady-of-the-quay  

Guest Post: “Elizabeth I as a Femme Sole” by Janet Wertman

Today, I am pleased to welcome Janet Wertman to my blog as part of the blog tour for her latest novel, Nothing Proved. I would like to thank The Coffee Pot Book Club and Janet Wertman for allowing me to be part of this blog tour.

In Nothing Proved, I had the opportunity to explore the origin stories of many of Elizabeth Tudor’s attitudes and beliefs. I was especially interested in showing the experiences that made her suspicious of marriage, and there were (of course!) many, some of which she observed and some of which she actually experienced. The specter of a mate for whom she had no attraction (or for whom attraction had passed), the imputation of guilt from a husband’s treason, the shame of infidelity and indifference, these were all giants. But there was another important factor: the inevitable loss of autonomy and personal agency.  

 

It might have been different had she never experienced control herself, but in 1549, she was given the rare opportunity to run her household as a femme sole, an unmarried woman answerable to no one but the monarch. She was able to experience a level of leadership that women could achieve only as widows pursuing their deceased husbands’ business. Unlike widows, Elizabeth had to face the added challenge of building her fief from scratch. And found she excelled. 

 

This gave Elizabeth a bit of a “test run” of her reign. She learned how to arrange business and finances, how to hire and manage the people around her. She learned about different trades, she spoke to a wide variety of people with a full range of stations and religious beliefs. She had the chance to be sole arbiter, and it is hard to give up such power. 

 

This obviously will come up in the second book in the series, What Love E’er Meant, which will focus on her marital choices. And while that will be a standalone story, I jumped at the chance to show in real time the experiences that would influence her later actions. 

Blurb: 

Danger lined her path, but destiny led her to glory…  

 Elizabeth Tudor learned resilience young. Declared illegitimate after the execution of her mother Anne Boleyn, she bore her precarious position with unshakable grace. But upon the death of her father, King Henry VIII, the vulnerable fourteen-year-old must learn to navigate a world of shifting loyalties, power plays, and betrayal.  

 After narrowly escaping entanglement in Thomas Seymour’s treason, Elizabeth rebuilds her reputation as the perfect Protestant princess – which puts her in mortal danger when her half-sister Mary becomes Queen and imposes Catholicism on a reluctant land. Elizabeth escapes execution, clawing her way from a Tower cell to exoneration. But even a semblance of favor comes with attempts to exclude her from the throne or steal her rights to it through a forced marriage.   

Elizabeth must outwit her enemies time and again to prove herself worthy of power. The making of one of history’s most iconic monarchs is a gripping tale of survival, fortune, and triumph. 

Buy Links: 

Universal Buy Link: https://books2read.com/u/bM8Vrk  

Additional Buy Links: 

Barnes & Noble: 

https://www.barnesandnoble.com/w/nothing-proved-janet-wertman/1146831389 

Kobo: 

https://www.kobo.com/us/en/ebook/nothing-proved 

Apple: 

https://books.apple.com/us/book/nothing-proved/id6740549129 

Author Bio

By day, Janet Wertman is a freelance grantwriter for impactful nonprofits. By night, she writes critically acclaimed, character-driven historical fiction – indulging a passion for the Tudor era she had harbored since she was eight years old and her parents let her stay up late to watch The Six Wives of Henry VIII and Elizabeth R.  

Her Seymour Saga trilogy (Jane the Quene, The Path to Somerset, The Boy King) took her deep into one of the era’s central families – and now her follow-up Regina series explores Elizabeth’s journey from bastard to icon. 

Janet also runs a blog (www.janetwertman.com) where she posts interesting takes on the Tudors and what it’s like to write about them. 

Author Links

Website:

https://janetwertman.com 

Facebook:

https://www.facebook.com/janetwertmanauthor/

LinkedIn:

https://www.linkedin.com/in/janet-ambrosi-wertman-b5531aa/

Instagram:

https://www.instagram.com/janetwertman/

Bluesky:

https://bsky.app/profile/janetwertman.bsky.social

 

Pinterest:

https://www.pinterest.com/janetwertman

 

Book Bub:

https://www.bookbub.com/profile/janet-wertman

 

Amazon Author Page:

https://www.amazon.com/stores/Janet-Wertman/author/B01CUSMWFA

 

Goodreads:

https://www.goodreads.com/author/show/2028387.Janet_Ambrosi_Wertman

 

 

 

 

Book Review: “The Pagan Lord”(Book 7 of the Saxon Stories Series) by Bernard Cornwell

The island we know as England is on the cusp of the 10th century. King Alfred is dead, and his son Edward now rules. The kingdom of Wessex is still standing strong, and it looks like the Danes are behaving themselves and keeping the peace, for now. Unfortunately, things are not going smoothly for Uhtred of Bebbanburg. He gets into a bit of mischief and becomes a target of Cnut Longsword, the Viking leader, all while trying to fight for his right to rule his beloved Bebbanburg. Can Lord Uhtred survive his latest adventure, or will his Saxon allies save him in the nick of time? This is the premise of Uhtred’s latest adventure, “The Pagan Lord,” Book 7 in the Saxon Stories series by Bernard Cornwell.

We reunite with our ruffian hero Uhtred of Bebbanburg on a dark, stormy night, when he is riding through a town with his second son Osbert and Aethelstan, the illegitimate son of Alfred. They are then accosted by a gaggle of priests, which includes his eldest son, Uhtred, soon to become a Christian priest, and Abbot Wihtred. This one encounter will alter how the Saxons will view Uhtred because not only does he disinherit his eldest son, but kills Abbot Wihtred, which makes him an outlaw in the eyes of the Saxons. Osbert is renamed Uhtred Uhtredson, and the group moves on like nothing happened, but the damage is already done.

A tired Uhtred comes home to burning buildings, dead comrades, a blind father Cuthbert, and Uhtred’s woman Sigunn kidnapped. Uhtred begins to wonder which one of his numerous enemies kidnapped Sigunn. Turns out this is revenge from Cnut Longsword, who believes that Uhtred kidnapped his children and his wife. Obviously, Uhtred knows nothing about it, but decides to work with Cnut to clear his name, at least for the time being. Uhtred’s journey to save Cnut’s family will see him in his beloved Bebbanburg and reunited with his lovers Sigunn and Lady Aetheflaed. While Uhtred is considered an outlaw to the Saxons, he still chooses to side with them at the battle of Tettenhall, where he clashes with Cnut Longsword one final time in a fight to the death.

I have been loving this series so far because of how dynamic the characters are, especially Uhtred of Bebbanburg. He gets into so many scraps, but he keeps his home, his family, and his allies in mind whenever he fights. I am always excited to read a new Saxon Stories novel, but I am also a bit sad because I know it’s one book closer to finishing this fantastic series. If you are like me and have finished the first six books in the Saxon Stories, I highly recommend that you read book seven in the series, “The Pagan Lord” by Bernard Cornwell.

Book Review: “A Daughter’s Place” by Martha Batiz

Miguel de Cervantes, the author of Don Quixote, lived quite an interesting life. He was a poet, soldier, war hero, prisoner, husband, brother, uncle, father, and author. His writing might portray a man of honor and dignity, but his home life was messy. You see, Miguel was married, but his daughter was not the daughter of his wife, Catalina de Salazar. His daughter, Isabel, was illegitimate, and when her mother died, Miguel decided the best possible solution was to invite Isabel to live with his sisters and his niece. What’s the worst that could happen? Martha Batiz explores the women’s lives connected to Miguel de Cervantes in her debut novel, “A Daughter’s Place.”

I would like to thank the House of Anansi Press and Net Galley for sending me a copy of this novel. I had never read Don Quixote, and I knew nothing about Miguel de Cervantes or his family, so I was excited to learn more. Stories like this add depth to the understanding of the late 16th and early 17th centuries in Spain and Europe as a whole.

This novel is broken into five sections and contains three different narrators: Isabel, the illegitimate daughter of Miguel de Cervantes, Constanza de Ovando, Miguel’s niece, and Catalina de Salazar, Miguel’s wife. Our story begins with Isabel, who just turned fifteen. All of her life, she believed that she was the daughter of a tavern owner, that is, until she met Magdalena de Cervantes, who claims to be her aunt, as Isabel’s true father is none other than the famous war hero turned author Miguel de Cervantes. After the death of Isabel’s mother, Miguel has decided to have Magdalena as Isabel’s legal guardian and raise her to be part of his family, although not with the de Cervantes name. Constanza de Ovando has been dumped after a long engagement and is nearing the age of spinsterhood. She is jealous of Isabel and wonders if she will ever marry and have her own life. Finally, we have Catalina de Salazar, who lives far away from the family and did not know that her husband, Miguel, had an illegitimate child.

We see this family slowly adjust to having a new family member and the repercussions of Isabel being part of the de Cervantes family. While the family is getting used to one another, King Philip III of Spain threw a monkey wrench into their plans as he moved the royal court from Madrid to Valladolid and back to Madrid. Since Miguel is writing his magnum opus, Don Quixote, and is looking for sponsors, the family has to move alongside the court, which causes its special kinds of headaches and heartbreaks. There are so many twists and turns, especially the last twist, that kept me guessing until the end of how this novel was going to end.

Batiz has created such a believable world of 16th and 17th century Spain with a colorful cast of characters in the de Cervantes family. I got very attached to this family, and to see what would happen to them as life kept causing chaos. As a debut historical fiction novel, this is such an enjoyable, beautifully written, and extremely well-researched novel, and I hope that Batiz continues to write historical fiction. If you want an excellent novel about one of the most celebrated authors in Spanish history and his family, I highly recommend you read “A Daughter’s Place” by Martha Batiz.

Book Review: “Florenzer” by Phil Melanson

Florence, Italy, in the 16th century, was a city of opportunity and full of art and architecture. It was also a city on the precipice of great change. The great banking family, the Medicis, holds the reins of government in Florence, and Lorenzo de’ Medici is the family’s current head. However, two bastards will radically change his life and the Medici family. One was a bastard son of a notary who became one of the most famous artists ever. The other was a bastard son who became a priest and the enemy of the Medici family. Their stories of power and ambition intersect in the city of Florence in Phil Melanson’s debut novel, “Florenzer”.

I would like to thank Liveright Publishing and Net Galley for sending me a copy of this novel. The description of this novel attracted me to it, rather than the cover, as the cover was released after I requested to read this novel. I have slowly been diving into the world of Renaissance Italy, but I have yet to encounter Leonardo da Vinci or Lorenzo de’ Medici in my adventures, so when I saw a novel that featured both and a new historical person to me, Francesco Salviati, I jumped at the chance to read it.

We begin with the funeral of Cosimo de’ Medici, the grandfather of Lorenzo de’ Medici, in 1464. It is the point where all three characters are introduced, and in the case of Leonardo da Vinci, it is the point before his apprenticeship where we begin to see the tumultuous relationship between Leonardo and his father, Piero, the notary. We then jump forward to 1471, when Leonardo is working as an apprentice painter for Andrea del Verrocchio. Around this time, Leonardo meets Lorenzo de’ Medici, a young man who is trying to achieve greatness, but issues arise, such as the death of the Pope and his brother Giuliano not wanting to be part of the family business. Lorenzo desires military glory, but it doesn’t go well. Finally, we have Francesco Salviati, a man who was destined to be a banker, but because he was a bastard son with darker skin, he decided to devote his life to the church, working alongside the new Pope Sixtus IV, also known as Francesco della Rovere.

As the three men grew up, they had obstacles to deal with. Leonardo fell in love with another man, known as Iac in this novel, and his love might cost him everything. While Lorenzo is trying to make sure his family is the most prominent in all of Italy, Francesco Salviati is using his influence at the Vatican to turn the tables on Lorenzo, which culminated in the Pazzi Conspiracy of 1478. The Pazzi Conspiracy was something that I had never heard of before this novel, so it was interesting to see it play out and the aftermath. While I did enjoy reading about Leonardo and Lorenzo, I didn’t feel a connection to Salviati, so when his story concluded, I didn’t feel any sort of way. I think the formatting of the book, almost like a screenplay, was a unique idea, but I don’t think it added anything to the context of the novel.

Overall, I think this was a decent novel. It was a slow start, and it was a bit of a challenge to get used to three different perspectives, but the stories of ambitions, love, and power truly shone. As a debut for someone who does not usually focus on historical fiction, I think Melanson does an admirable job of portraying 15th-century Florence in such a believable way. I think if you want a novel that’s set in 15th-century Italy, you will enjoy “Florenzer” by Phil Melanson.

Book Review: “The Cardinal” by Alison Weir

During the reign of King Henry VIII, the king would elevate well-qualified men to positions of power and prestige. We all know the story of Thomas Cromwell, but it is his mentor, Sir Thomas Wolsey, whose story shows how one can rise from humble beginnings, but whose fate is ultimately tied to the mood of the monarch. The son of a butcher turned scholar who became a priest, a lover, a father, and the closest advisor to the king. His life, his loves, his successes, and his struggles are told in Alison Weir’s latest novel, “The Cardinal.”

I would like to thank Ballantine Books and Net Galley for sending me a copy of this novel. I am a fan of Weir’s novel, so when I saw her writing a new one about Sir Thomas Wolsey, I knew I wanted to read it. Wolsey is someone who tends to be a side character, so to have a novel dedicated to his life was an exciting idea.

Weir begins her story with Thomas (known in this novel as Tom) at the age of 11, going to school. His father, Robert Wolsey, is a butcher from Ipswich who wants his son to climb the social ladder in the church. Tom will eventually rise to the level of becoming King Henry VII’s chaplain and will begin working with King Henry VIII. Life for Tom is thrilling with the twists and turns of court life, but the one thing that is missing in his life is someone to share it with. Since he is a member of the church, he cannot marry or have his own family, but things change for Tom when he meets Joan Larke. Their love for each other is genuine, even though it is taboo in the eyes of the church and King Henry VIII, which comes across as quite hypocritical.

It was under King Henry VIII that Tom’s star rose to remarkable heights. He became a Cardinal, was the King’s right-hand man and best friend, and was able to create the architectural marvel of Hampton Court Palace. But his rise in prominence came with a cost. Tom must help the king navigate not only international affairs, such as the Field of Cloth of Gold, but also more personal matters, such as the divorce of King Henry VIII and Katherine of Aragon, which would become known as The Great Matter. Tom would have many enemies at court, including Anne Boleyn, the future wife of King Henry VIII, who would ultimately lead to Tom’s fall from grace.

This is such an engrossing novel about one of the most complex figures of the Tudor dynasty. Thomas Wolsey’s story shows the struggle of fighting for those you love over the ambitions and prestige of the glittering court life. If you want an excellent novel about one of Henry VIII’s closest advisors and his life, I would highly recommend you read “The Cardinal” by Alison Weir.

Book Review: “Michelangelo and the Pope’s Ceiling” by Ross King

The Italian Renaissance was a time of great artwork, eccentric artists, and patrons who created these masterpieces. While the art tells a story, the artist and patron want the audience to understand, but sometimes the story of how the art came to be can be just as fascinating. One of the most famous pieces of art from the early 16th century was the ceiling of the Sistine Chapel. A stunning piece created by an artist who primarily created sculptures, and his patron was a pope who was more like a warrior. The story of how Michelangelo and Pope Julius II created an unlikely team to create this remarkable masterpiece is told in Ross King’s book, “Michelangelo and the Pope’s Ceiling.”

This is one of those books that caught my eye in a used bookstore. I am a fan of art history, so it intrigued me when I saw the title. Obviously, I have seen images of the Sistine Chapel, and I knew that Michelangelo was the one who painted the ceiling, but beyond that, I didn’t know much about this piece or the history behind it. With the recent Papal Conclave, which takes place in the Sistine Chapel, I thought this would be the perfect time to read this book.

The year is 1508, and the Sistine Chapel has just been restored. Pope Julius II wants someone to paint the ceiling of the Chapel. While others would have easily chosen a painter who knew how to paint frescoes as an ideal choice, Julius II and his assistant, Donato Bramante, decided to pick the young man who was in charge of carving Pope Julius’ tomb, Michelangelo Buonarroti. To say Michelangelo was not a fan of this assignment from the Pope would be an understatement. All the man wanted to do was sculpt amazing sculptures like David and the tomb for the Pope, but no, the Pope wanted him to paint. So he reluctantly taught himself how to paint in fresco over four years to create this masterpiece, telling tales of the Old Testament in the Bible with a specific emphasis on Creation and the stories of Moses. 

Those four years saw much action for Michelangelo and Pope Julius II, who was known as il papa terribile. Michelangelo had to keep an eye on his fresco, his rival Raphael, and his family, who were always causing trouble. Pope Julius had to fight not only illness, but also the French, led by King Louis XII, which led to the creation of the Holy League against France. King also lays out the process and the inspiration for Michelangelo’s masterpiece, which I found quite fascinating. 

This was a captivating read that gave such wonderful information about the era and the creation of this masterpiece. I have been a fan of art history and the history of the 16th century, so this book ticked so many boxes for me. If you want a delightful book full of art history and the history of Italy during the 16th century, I would recommend reading “Michelangelo and the Pope’s Ceiling” by Ross King.

Book Review: “The Black Death in England: Journal of the Plague Years in the Fourteenth Century” by Kathryn Warner

Throughout history, pandemics have ravaged human populations and changed the course of history. None more so than the Bubonic Plague, also known as the Black Death. It devastated entire families and altered entire countries, primarily in Europe. Although England is an island nation, that does not mean it could not escape the pandemic’s horrors for long. In her latest book, “The Black Death in England: Journal of the Plague Years in the Fourteenth Century, “ Kathryn Warner explores the lives of the victims of the Black Death throughout England during this century.

I would like to thank Pen and Sword Books and Net Galley for sending me a copy of this book. I haven’t read many books that focus primarily on the Black Death, so I was interested to see what kind of insights Warner would provide in this book.

Warner is known for her meticulous research, which she masterfully demonstrates in this book. Unlike other books about the Black Death, Warner chooses to focus on the individual stories of the victims and the survivors from every walk of life. Now this is a lot of information, especially when you consider how many waves of the plague hit England and the number of villages that were in England during this period. However, Warner breaks it down so each region gets its special section. Primarily, Warner explores the plague outbreak of 1349-1350, but she does explore other outbreaks.

The true highlight of this book is the fact that Warner focuses on the stories of the common people, not just the nobility or royalty, which are often highlighted in medieval history books. I think it was so fascinating to see how others dealt with the plague and how it affected their families and the nation as a whole.

Overall, I think this is a solid book for those who want to dive into the archives and explore the impact of the Black Death in England. It may be a difficult read for some and it might not be for casual readers, but if you want something more academic, I would suggest “The Black Death in England: Journal of the Plague Years in the Fourteenth Century” by Kathryn Warner.

Book Review: “Katharine of Aragon, Spanish Princess: ‘I Am Not as Simple as I May Seem’” by Heather R. Darsie

We all know the gist of the tragic tale of Katharine of Aragon. A Spanish princess who was brought to England to marry the heir of the Tudor throne, Prince Arthur Tudor. When the prince died mere months after their wedding day, Katharine was left in limbo and desolate as the Kings of Spain and England bickered over her dowry. Eventually, she would marry King Henry VIII, was his wife for over twenty years, and have numerous miscarriages before Henry decided to divorce her and marry Anne Boleyn. We know how Katharine’s story ends, but how did the stories of her Trastamara family influence her life and her reign as Queen of England? Heather R. Darsie explores Katharine’s Spanish origins in her latest book, “Katharine of Aragon, Spanish Princess: ‘I Am Not as Simple as I May Seem.’”

I would like to thank Amberley Publishing for sending me a copy of this book. I have enjoyed Darsie’s books, “Anna, Duchess of Cleves: The King’s Beloved Sister” and “Children of the House of Cleves: Anna and Her Siblings.” While her previous books focus on German history and sources, Darsie decided to shift her attention to Spain with this particular book. I was curious how much new information and insight Darsie would provide about Katharine’s life.

Darsie begins by having lovely family trees and a timeline listing the numerous figures that will be covered in this book, because as stated before, this book covers the origins of Katharine of Aragon’s family, the Trastamaras. The book is broken down into three sections. The first focuses on the Trastamaras and the history of the crowns of Castile and Leon and Aragon, culminating with Katharine’s parents, Isabella I of Castile and Leon, and Ferdinand II of Aragon. The second focuses on Katharine’s early life, how she became the bride of Prince Arthur Tudor of England, and how his death affected Katharine. Finally, part three explores Katharine of Aragon’s life as queen consort of King Henry VIII.

To me, the true highlight of this book is the exploration of the Trastamara family tree. While I do know a bit about the origins of Isabella I of Castile and Leon from a book I just read on her life, I did not know the origins of the family. Starting with the origins of both the elected composite crown of Aragon and the inherited composite monarchy of Castile and Leon, we see how the Trastamara dynasty started like the Tudor dynasty. It was a dynasty full of drama, civil wars, a member who married a corpse, a king who died due to alcohol burns, and many mistresses. It is through these stories that you can see where Katharine of Aragon and her daughter Mary I got their strength and determination to keep on fighting for what they believed in, even when the odds were very much against them.

This is yet another triumph by Darsie. It is extremely informative, meticulously researched, and easy to read. It gives the reader a better understanding of not only Spanish royalty and its complexity, but also a better appreciation of Katharine of Aragon. If you want an excellent book exploring the life of King Henry VIII’s first wife from a different perspective, I highly recommend you read “Katharine of Aragon, Spanish Princess: ‘I Am Not as Simple as I May Seem’” by Heather R. Darsie.

Guest Post: “Snippet from ‘The Duty of Daughters’ by Wendy J. Dunn

I am pleased to welcome Wendy J. Dunn to my blog today to share a snippet from her novel “The Duty of Daughters” as part of the blog tour for her omnibus “Falling Pomegranate Seeds Duology.” I would like to thank Wendy J. Dunn and The Coffee Pot Book Club for allowing me to be part of this blog tour.

Snippet:

“Josefa, you mistake my meaning.” Beatriz stared at the coverlet of Josefa’s bed. “All of us must walk our own roads, but ’tis wrong to prevent women from walking so many roads just because we’re women. Even Plato said, ‘Nothing can be more absurd than the practice of men and women not following the same pursuits with all their strengths and with one mind, for thus, the state instead of being whole is reduced to half.’ I so agree. Our world cuts off its nose to spite its own face by insisting the only purpose for women is to bear children and perpetuate the human race, as also said Plato. Surely ’tis far too hard a view to forever blame women for Eve’s sin.”

Blurb: 

In the Falling Pomegranate Seeds Duology, readers are transported to the rich historical tapestry of 15th and 16th-century Europe, where the lives of remarkable women unfold against the backdrop of political upheaval and personal struggles.  

In the first book, beginning in 1490, Castile, Doña Beatriz Galindo, a passionate and respected scholar, serves as an advisor to Queen Isabel of Castile. Beatriz yearns for a life beyond the constraints imposed on women, desiring to control her own destiny. As she witnesses the Holy War led by Queen Isabel and her husband, King Ferdinand of Aragon, Beatriz dedicates herself to guiding Queen Isabel’s youngest child, Catalina of Aragon, on her own path. Beatriz’s role as a tutor and advisor becomes instrumental in shaping Catalina’s future as she prepares to become England’s queen.  

Fast forward to the winter of 1539 in the second book, where María de Salinas, a dear friend and cousin of Catalina (now known as Katherine of Aragon), pens a heartfelt letter to her daughter, the Duchess of Suffolk. Unable to make the journey from her London home due to illness, María shares her life story, intricately woven with her experiences alongside Catalina. Their friendship has endured through exile and tumultuous times. María seeks to shed light for her daughter on the choices she has made in a story exploring themes of friendship, betrayal, hatred, and forgiveness. Through María’s narrative, the eternal question Will love ultimately triumph? 

Buy Link: 

Universal Buy Link: https://books2read.com/u/bax5n6  

Author Bio: 

Wendy J. Dunn is an award-winning Australian writer fascinated by Tudor history – so much so, she was not surprised to discover a family connection to the Tudors, not long after the publication of her first Anne Boleyn novel, which narrated the Anne Boleyn story through the eyes of Sir Thomas Wyatt, the elder.  

Her family tree reveals the intriguing fact that one of her ancestral families – possibly over three generations – had purchased land from both the Boleyn and Wyatt families to build up their own holdings. It seems very likely Wendy’s ancestors knew the Wyatts and Boleyns personally. 

Author Links

Website: www.wendyjdunn.com  

Facebook: https://www.facebook.com/authorwendyjdunn 

Instagram: https://www.instagram.com/wendyjdunnauthor/  

Threads: https://www.threads.net/@wendyjdunnauthor  

Book Bub: https://www.bookbub.com/profile/wendy-j-dunn  

Amazon Author Page: https://www.amazon.com/stores/author/B004FRTZFA  

Goodreads: https://www.goodreads.com/author/show/197156.Wendy_J_Dunn