Tag: 15th century

Book Review: “Graceless Heart” by Isabel Ibanez

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In the Italian states during the 15th century, a time of war coexisted with a period of art flourishing. But what if magic was thrown into the fray? Sculptress Ravenna Maffei desires nothing more than to create art and to protect her family while keeping her own magical powers a secret. To protect those she holds dear, Ravenna enters an art contest, hosted by the immortal family of Florence, the Luni. Ravenna is taken by the family to complete an important task, but if she fails, she will be killed by the heir of the family, Saturnino Luni. Unfortunately, the greatest danger lurks outside of Florence as the pope is waging war against magic itself. Can Ravenna uncover the secrets of the Luni family and finish their difficult task before war engulfs all of Florence? Ravenna’s story is told in Isabel Ibanez’s latest historical fantasy novel, “Graceless Heart.”

This was a spontaneous buy for me. It was really the cover that caught my eye, and then I read the description. I realized that this was a historical fantasy novel, a genre that I have not dabbled in much, but one that I have heard of before. I decided to go on a whim and give it a shot to see how well she could blend magical elements with historical figures and settings.

Ravenna has always had a gift for art, especially sculpting, but when she was younger and exploring a quarry with her aunt, she soon discovered that she has a darker talent, one that she has to keep secret from the rest of the world. We then jump to Volterra in 1478, Ravenna’s hometown, where she is on a mission to save her brother. She decides to enter a sculpting competition, where the prize is anything she asks for. Obviously, she wins the contest and can release her brother from his prison, but the Luni family, the immortal family of Florence, has decided to use Ravenna’s talent for magic for their own goals. They want her to free five mystic stones from marble, which is more difficult than it sounds. The entire family keeps an eye on her, but her biggest threat is the heir to the family, Saturnino.

While Ravenna believes Saturnino and the Luni family are her enemies, she will soon learn that her greatest threat is Pope Sixtus IV who is wanting to wage a war against the Luni family and magic itself. It was nice to see Leonardo da Vinci, Lorenzo de’ Medici, and Federico da Montefeltro the Duke of Milan featured in this novel. It was a nice touch to add depth to the story and give it a foundation in the past.

The story itself was engaging, so much so that I ended up binge reading quite a bit of it. It was a delightful blend of history and fantasy with a dash of romance. I didn’t know what to expect when it came to reading a historical fantasy, but I had so much fun and I can’t wait to see what Ibanez will write next. If you are someone who enjoys stories set in the Italian Renaissance but you want to dabble in historical fantasy, I think you will enjoy “Graceless Heart” by Isabel Ibanez.

Book Review: “The Secret of Saint Olaf’s Church” by Indrek Hargla

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15th-century Estonia was at the edge of Christendom. It also just finished facing off against the notable Victual Brothers, a band of brigands and pirates who wreaked havoc across the land. In the town of Tallinn, St. Olaf’s Church is being constructed, but nefarious dealings are coming to the surface. A serial killer is turning this once peaceful town, which is finding its identity on its head. Now, an apothecary named Melchior Wakenstede must help the magistrate solve the case before anyone else is killed. This is the premise for the first Apothecary Melchior Mystery by Indrek Hargla, entitled “The Secret of Saint Olaf’s Church.”

I would like to thank Pushkin Vertigo and Net Galley for sending me a copy of this novel. I am not familiar with Indrek Hargla’s works, nor was I familiar with medieval Estonian history, so I was excited to learn more in this novel. 

We begin with a bit of background information about Estonia and Tallinn during this period. The Victual Brothers, a band of pirates loosely joined together, have just been defeated by the Teutonic Order. One of the former commanders of the Teutonic Order,  Henning von Clingenstain, is found murdered, he is beheaded, and a coin is stuck in his mouth. This mystery novel is based on the true case of Henning von Clingenstain, with liberties obviously taken where the written record falls short. 

Hargla has chosen to focus on the stories of those who live in the town of Tallinn, primarily the apothecary Melchior Wakenstede. We also get to see the stories of his wife Keterlyn, Magistrate Dorn, Mertin Tweffell, Kilian Rechpergerin, Burckhart Casendorpe, Prior Eckell, and Brother Wunbaldus. For a small town that is growing, it holds many secrets, including deadly ones. One murder turned into multiple dead bodies. It is up to Melchior to solve the murders and make sure the murderers are brought to justice. 

I will be honest. It took me a while to get used to this book as I am not familiar with this author or Estonian history and culture, which is a bit different than other medieval stories I have read, but I am glad I read it. Hargla showed his audience what life was like in medieval Estonia with a thrilling tale full of twists, turns, and secrets. If you want a medieval murder mystery but you want something different, I suggest you give “The Secret of Saint Olaf’s Church” by Indrek Hargla a try.

Book Review: “Queens at War: England’s Medieval Queens” by Alison Weir

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The fifteenth century in England was a time of war. Between a usurper king, fighting with France, and fighting amongst themselves, an English king must be prepared to go into battle at any moment, and his queen must be ready to support him in any way. During this period, there were five kings and queens, and while the kings get a lot of attention, it is the queens who should get their flowers for what they did in times of distress. Alison Weir explores the lives of the final five Plantagenet queens in her final book in the England’s Medieval Queens series, entitled “Queens at War.”

I would like to thank Ballantine Books and NetGalley for providing me with a copy of this book. I am a big fan of Weir’s books, and I have thoroughly enjoyed her England’s Medieval Queens series. I wanted to see which queens Weir would focus on in this book and how she would approach their lives.

The years covered in this last book are 1399-1485, covering the reigns of Henry IV, Henry V, Henry VI, Edward IV, and Richard III. The queens featured in this book are Joan of Navarre, Katherine of Valois, Margaret of Anjou, Elizabeth Woodville (spelled Widville in this book), and Anne Neville. While I am familiar with the stories of Katherine, Margaret, Elizabeth, and Anne, Joan is a less well-known figure to me. Weir gives her readers a bit of background information about how Joan of Navarre was Henry IV’s second wife after his first wife, Mary de Bohun, died. Joan was married previously as well, to John IV de Montfort, Duke of Brittany. While she did have children with John, she never had royal children with Henry IV. Weir shows how Joan was treated as the stepmother to King Henry V after he married Katherine of Valois.

Weir explores Katherine of Valois’ relationships with both Henry V, the warrior king, and Owen Tudor, the man she fell in love with after the death of Henry V. We get to see how Katherine’s son, Henry VI, and his wife, Margaret of Anjou, dealt with the rising Yorkist faction. With her husband taking ill, it was Margaret of Anjou who was the figurehead for the Lancastrian cause in a conflict that would be known as the Wars of the Roses. Eventually, a young man named Edward IV would become King of England, and he shook the English court by marrying an English woman, Elizabeth Widville (Woodville). Finally, Weir explores the downfall of the Plantagenet dynasty and the end of the young Yorkist regime with Richard III and his wife Anne Neville.

Overall, I found this an informative and easy-to-follow book. It was a bit of a review for me as I am familiar with this period, but I found myself learning new information in this book, which was exciting. I think if you want to learn about 15th-century queens or if you are a fan of England’s Medieval Queens series, I recommend you read “Queens at War” by Alison Weir.

Book Review: “The Daughter of Time” by Josephine Tey

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Have you ever read about a historical mystery that captivated you so much that you spent your available free time trying to solve the case? Who was the man in the iron mask? Were the casket letters real? Who built Stonehenge and why? And yet, one of the greatest mysteries in all of history revolves around two missing princes who were last seen in the Tower of London. Nearly five hundred years later, an inspector from Scotland Yard named Alan Grant decides to take on the case. Can the inspector solve the ultimate cold case? Josephine Tey tells the tale of the detective and the mystery of the Princes in the Tower in her most famous novel, “The Daughter of Time.”

I have heard of this novel since I started my blog, but I never read it until now. I decided that it was time after it was announced that there was going to be a play adaptation of this novel. All I knew about this book was that it had something to do with the Princes in the Tower and Richard III, but I did not know the extent.

Tey begins with a bored Inspector Alan Grant staring at the ceiling as he lies immobilized in a hospital recovering from a broken leg. He has a stack of books to read, given to him by the nurses nicknamed the Midget and the Amazon, but none of them have caught his interest. One day, his actress friend Marta Hallard comes for a visit and convinces Grant to investigate a historical mystery. She brings copies of historical portraits, and Grant’s attention immediately goes to the one of Richard III. This portrait will propel Grant to investigate the mystery of the Princes in the Tower and prove Richard III’s innocence.

While I do see why this book is so beloved by Ricardians, it took me a while to get used to the dialogue in this novel, as I don’t read books from the 1950s. It was interesting to see the logic of Grant’s arguments for Richard III to be proved innocent, as someone who has no connection to history, but as an inspector. Personally, my favorite character in this novel is Brent Carradine, an American history student who helps Grant with his investigation.

Overall, it was a decent novel that investigates the disappearance of the Princes in the Tower from the perspective of someone who is not a history nerd. It is a well-researched novel for the information that was available at the time, which will appeal to novices and experts alike. If you want a novel with a different approach to the Princes in the Tower, I recommend you read “The Daughter of Time” by Josephine Tey.

Book Review: “Florenzer” by Phil Melanson

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Florence, Italy, in the 16th century, was a city of opportunity and full of art and architecture. It was also a city on the precipice of great change. The great banking family, the Medicis, holds the reins of government in Florence, and Lorenzo de’ Medici is the family’s current head. However, two bastards will radically change his life and the Medici family. One was a bastard son of a notary who became one of the most famous artists ever. The other was a bastard son who became a priest and the enemy of the Medici family. Their stories of power and ambition intersect in the city of Florence in Phil Melanson’s debut novel, “Florenzer”.

I would like to thank Liveright Publishing and Net Galley for sending me a copy of this novel. The description of this novel attracted me to it, rather than the cover, as the cover was released after I requested to read this novel. I have slowly been diving into the world of Renaissance Italy, but I have yet to encounter Leonardo da Vinci or Lorenzo de’ Medici in my adventures, so when I saw a novel that featured both and a new historical person to me, Francesco Salviati, I jumped at the chance to read it.

We begin with the funeral of Cosimo de’ Medici, the grandfather of Lorenzo de’ Medici, in 1464. It is the point where all three characters are introduced, and in the case of Leonardo da Vinci, it is the point before his apprenticeship where we begin to see the tumultuous relationship between Leonardo and his father, Piero, the notary. We then jump forward to 1471, when Leonardo is working as an apprentice painter for Andrea del Verrocchio. Around this time, Leonardo meets Lorenzo de’ Medici, a young man who is trying to achieve greatness, but issues arise, such as the death of the Pope and his brother Giuliano not wanting to be part of the family business. Lorenzo desires military glory, but it doesn’t go well. Finally, we have Francesco Salviati, a man who was destined to be a banker, but because he was a bastard son with darker skin, he decided to devote his life to the church, working alongside the new Pope Sixtus IV, also known as Francesco della Rovere.

As the three men grew up, they had obstacles to deal with. Leonardo fell in love with another man, known as Iac in this novel, and his love might cost him everything. While Lorenzo is trying to make sure his family is the most prominent in all of Italy, Francesco Salviati is using his influence at the Vatican to turn the tables on Lorenzo, which culminated in the Pazzi Conspiracy of 1478. The Pazzi Conspiracy was something that I had never heard of before this novel, so it was interesting to see it play out and the aftermath. While I did enjoy reading about Leonardo and Lorenzo, I didn’t feel a connection to Salviati, so when his story concluded, I didn’t feel any sort of way. I think the formatting of the book, almost like a screenplay, was a unique idea, but I don’t think it added anything to the context of the novel.

Overall, I think this was a decent novel. It was a slow start, and it was a bit of a challenge to get used to three different perspectives, but the stories of ambitions, love, and power truly shone. As a debut for someone who does not usually focus on historical fiction, I think Melanson does an admirable job of portraying 15th-century Florence in such a believable way. I think if you want a novel that’s set in 15th-century Italy, you will enjoy “Florenzer” by Phil Melanson.

Book Review: “A Good Deliverance” by Toby Clements

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A Good DeliveranceThe world of King Arthur and his Knights of the Round Table is filled with stories of adventures and romance. Many authors have tried to tell these tales in a way that will allow their books to live for centuries, but none were more successful than Sir Thomas Malory and his book Le Morte Darthur. King Arthur, Lady Guinevere, Sir Lancelot, Merlin, and Sir Gawain embark on numerous adventures including the Lady of the Lake, Camelot, the sword Excalibur, and the Quest for the Holy Grail. These tales were the epitome of chivalry and valiant knights in shining armor, but the author behind them was anything but perfect. Sir Thomas Malory has had his fair share of time in a prison cell. Who was Sir Thomas Malory and why did his book about King Arthur and the Knights of the Round Table still resonate with readers centuries after it was written? In his latest novel, “A Good Deliverance,” Toby Clements hopes to reveal the truth of this famous author whose story has been overshadowed by the myths he wrote down in his legendary tome.

I would like to thank Faber Books for sending me a copy of this novel. I have heard about the book Morte Darthur, as it is considered one of the most prominent texts about King Arthur, but when it comes to the author himself, I know nothing about his life. When I heard about this novel, the premise intrigued me enough to read it.

Clements begins his novel with Malory’s surprise arrest at a very old age. Malory is unsure why he has returned to prison as he has tried to live an honest life after he spent some time in the same cell over 20 years ago. He is at the mercy of King Edward IV. While imprisoned, waiting for word from his lawyer, Malory befriends a boy who is the son of one of the jailers named Brunt and he tells the young man his tale. Malory was the son of a knight who fought under King Henry IV in the search for the Welsh miscreant Owen Glendower. We get to see Malory become a knight and his fascination for King Arthur and the Knights of the Round Table that would become his magnum opus Morte Darthur. We see Malory’s moments of glory and utter defeat, his rivals, and the women that he admired from afar. Through Malory, we get to see how England changed, starting with Henry IV to his son Henry V, the young King Henry VI, and finally the first Yorkist King Edward IV. We also get to witness events such as the year of the 3 popes, the coronation of Henry V, Agincourt, the death of Jeanne d’Arc, the coronations of King Henry VI, and the beginning of the conflict known as the Wars of the Roses.

In a way, Clements created his Arthurian legend for Sir Thomas Malory with the way he chose to write this novel. However, it was the structure of this novel that bothered me when I was reading it, specifically the bullet points that Clements chose to include. When I am reading a novel, I want to read a cohesive piece, but the bullet points made it feel messy, which was probably used to simulate Malory as a storyteller figuring out what he wants to say to his young audience and what he wants to omit, however, it was just irritating for me to read. I don’t mind bullet points in nonfiction books, but it just doesn’t work for me in historical fiction. As for the main character, Sir Thomas Malory is okay, but there were moments where he rubbed me the wrong way. I did, however, enjoy his relationship with the boy.

Overall, it was a decent book. I think there were elements that I didn’t enjoy entirely, but the way Clements was able to incorporate the changes of the 15th century with the Arthurian legends to tell the story of this author was very unique. I think if you are a fan of Sir Thomas Mallory, the Arthurian legends, or the events of the 15th century, you might enjoy, “A Good Deliverance” by Toby Clements.

Book Review: “Princes of the Renaissance: The Hidden Power Behind an Artistic Revolution” by Mary Hollingsworth

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51601860The 15th and 16th centuries were full of dynamic political and religious reforms, but they were also known for cultural changes throughout Europe. The medieval foundations started to crumble, and the early modern age emerged. One of the centers of change was Italy, a series of states with their rulers vying for power and prestige. These rulers would help finance masterpieces in art, literature, and architecture, but it was their rivals that threatened to tear the Renaissance society apart. In “Princes of the Renaissance: The Hidden Power Behind an Artistic Revolution,” Mary Hollingsworth explores the lives of the men and women who helped shape the Renaissance.

I want to thank Pegasus Books for sending me a copy of this book. This title was intriguing to me, and I wanted to learn more about Italian history. The Italian Renaissance has been an area in history that I have been interested in studying more, but I was unsure where to begin.

Hollingsworth takes the tales of some of the most famous families in Italy to tell the story of the Renaissance. Each chapter focuses on two or three dynamic figures that shaped the era. Men like Cosimo de’ Medici, Alfonso of Aragon, Francesco Sforza, Leonello d’Este, Ferrante I of Naples, and Doge Andrea Gritti knew how to change the political landscape of Italy while acting as patrons for the artists that would define this era. The artists that they would employ were masters like Leonardo da Vinci, Michelangelo, and Titian. We also saw powerful women like Lucrezia Borgia and Isabella d’Este, who impacted the Renaissance.

Although Hollingsworth mentions the works that the princes helped fund and did include stunning images of the masterpieces of art and architecture, the bulk of this book is looking at the drama behind the art. We see a complex political landscape of lords fighting each other, family members, and even papal authority for land and prestige. Things were bound to be complicated with famous families like the Estes, the Medicis, the Sforzas, and the Borgias. Still, it created a beautiful mosaic of different influences of colorful figures.

One thing that I wish Hollingsworth would have included would be family trees of the prominent families. As someone who is not that familiar with the significant Italian families and the individual states, I think it would have helped those who are not that familiar with Italian history.

Overall, I found this book an enjoyable and fascinating read. I think it provides gorgeous images of new aspects of the Renaissance with thrilling stories of love, jealously, and the desire for power. Suppose you want a great introduction to the Italian Renaissance and those who funded these masterpieces. In that case, you should check out “Princes of the Renaissance: The Hidden Power Behind an Artistic Revolution” by Mary Hollingsworth.