The Italian Renaissance was a time of great artwork, eccentric artists, and patrons who created these masterpieces. While the art tells a story, the artist and patron want the audience to understand, but sometimes the story of how the art came to be can be just as fascinating. One of the most famous pieces of art from the early 16th century was the ceiling of the Sistine Chapel. A stunning piece created by an artist who primarily created sculptures, and his patron was a pope who was more like a warrior. The story of how Michelangelo and Pope Julius II created an unlikely team to create this remarkable masterpiece is told in Ross King’s book, “Michelangelo and the Pope’s Ceiling.”
This is one of those books that caught my eye in a used bookstore. I am a fan of art history, so it intrigued me when I saw the title. Obviously, I have seen images of the Sistine Chapel, and I knew that Michelangelo was the one who painted the ceiling, but beyond that, I didn’t know much about this piece or the history behind it. With the recent Papal Conclave, which takes place in the Sistine Chapel, I thought this would be the perfect time to read this book.
The year is 1508, and the Sistine Chapel has just been restored. Pope Julius II wants someone to paint the ceiling of the Chapel. While others would have easily chosen a painter who knew how to paint frescoes as an ideal choice, Julius II and his assistant, Donato Bramante, decided to pick the young man who was in charge of carving Pope Julius’ tomb, Michelangelo Buonarroti. To say Michelangelo was not a fan of this assignment from the Pope would be an understatement. All the man wanted to do was sculpt amazing sculptures like David and the tomb for the Pope, but no, the Pope wanted him to paint. So he reluctantly taught himself how to paint in fresco over four years to create this masterpiece, telling tales of the Old Testament in the Bible with a specific emphasis on Creation and the stories of Moses.
Those four years saw much action for Michelangelo and Pope Julius II, who was known as il papa terribile. Michelangelo had to keep an eye on his fresco, his rival Raphael, and his family, who were always causing trouble. Pope Julius had to fight not only illness, but also the French, led by King Louis XII, which led to the creation of the Holy League against France. King also lays out the process and the inspiration for Michelangelo’s masterpiece, which I found quite fascinating.
This was a captivating read that gave such wonderful information about the era and the creation of this masterpiece. I have been a fan of art history and the history of the 16th century, so this book ticked so many boxes for me. If you want a delightful book full of art history and the history of Italy during the 16th century, I would recommend reading “Michelangelo and the Pope’s Ceiling” by Ross King.
We all know the gist of the tragic tale of Katharine of Aragon. A Spanish princess who was brought to England to marry the heir of the Tudor throne, Prince Arthur Tudor. When the prince died mere months after their wedding day, Katharine was left in limbo and desolate as the Kings of Spain and England bickered over her dowry. Eventually, she would marry King Henry VIII, was his wife for over twenty years, and have numerous miscarriages before Henry decided to divorce her and marry Anne Boleyn. We know how Katharine’s story ends, but how did the stories of her Trastamara family influence her life and her reign as Queen of England? Heather R. Darsie explores Katharine’s Spanish origins in her latest book, “Katharine of Aragon, Spanish Princess: ‘I Am Not as Simple as I May Seem.’”
Do you have a favorite painting? One that grabs your attention whenever you look at it and discover something new. Most paintings are from da Vinci, van Gogh, Rembrandt, Picasso, or Michelangelo, just to name a few. However, there is one artist that I feel doesn’t get a whole lot of attention unless you study the 16th century: Hans Holbein the Younger. While Holbein is known for his single portraits, his double portrait, known as The Ambassadors, is stunning to look at and is filled with symbolism. Tracy Borman, in collaboration with the National Gallery, has written a short book about this remarkable painting entitled “Holbein: The Ambassadors.”
For centuries, fairy tales have entertained and taught lessons to those young and young at heart. One of the most memorable stories was the tale of Rapunzel, the maiden a witch kidnapped because her parents stole a Rapunzel plant from her while Rapunzel’s mother was pregnant. For years, Rapunzel languished in a Tower, her hair growing exponentially until a rogue/ prince climbs her hair and rescues the damsel in distress. The witch dies and Rapunzel and her hero live happily ever after. At least, that is how the story has been passed down to us throughout the centuries, but where did the story come from and how are the stories of three women from different generations and countries connected? Kate Forsyth weaves together the stories of three women and their fates into one delightful novel called, “Bitter Greens.”
When we think about live theater, we often think about big actors, elaborate sets, and glittery costumes. The world of the Tudor theater, especially during the reign of Elizabeth I, was similar in some ways, but there was an element of danger. Richard Shakespeare, an actor in the Lord Chamberlain’s Men company and a former thief, knew the dangers of Tudor theater life better than anyone. When a manuscript is stolen, suspicion lands squarely on Richard’s shoulders. Can Richard clear his name, or will it be his final curtain call? Bernard Cornwell tells the story of Richard Shakespeare and the debut of A Midsummer’s Night Dream in his novel, “Fools and Mortals.”
When we think about the period known as the Renaissance, we often think about Italy and the artists like painters and sculptors. However, other craftsmen made Italy their home. Take, for example, tailors and seamstresses. These skilled craftsmen and women can create art you can walk in with their hands. However, there are gender barriers between tailors and seamstresses in that only men can be tailors and only women can be seamstresses. One orphan girl from Bologna not only challenges what it means to be a woman tailor but also challenges one of the wealthiest merchants in the entire city who has a dark connection to her past. This is the premise for Glennis Virgo’s debut novel, “City of Silk.”
A young woman catches the attention of a king already married to a princess from a faraway kingdom. The king desires the young lady and divorces his wife to marry her. However, there is a catch. The young lady spent some time in the French court of Francis I and Claude of France, whereas the king’s wife was the daughter of the Spanish King and Queen as well as the aunt of the Holy Roman Emperor. The Great Matter of Henry VIII, Anne Boleyn, and Catherine of Aragon is considered one of the messiest divorces in English history and rightfully so when you consider the diplomatic consequences that this divorce would have across Europe. Estelle Paranque highlights the connection between Anne Boleyn and the French court in her latest book, “Thorns, Lust, and Glory: The Betrayal of Anne Boleyn.”
Have you ever read about a historical figure and wondered what it would be like to interact with them in the present day? How would they deal with modern problems and technology? Could they function in the 21st century or would they become overwhelmed? And even if they could come to the 21st century, how would it affect their timeline and history? This intriguing premise plays out in Maria Vetrano’s novel, “Queen Bess: A Tudor Comes to Save America,” which sees Queen Elizabeth I coming forward about 400 years in time to become the President of the United States in the 2028 election.
A castle looms in the distance and the owner, a glamourous countess, has asked for fair maidens from the surrounding areas to work for her. But this is not an ordinary castle and this was not a benevolent countess. The rumors say if you enter the castle, you will never return as the infamous Blood Countess Erzsebet Bathory will kill you and bathe in your blood. A rather gruesome tale that has been told for centuries, but how true is this story? What truly happened in the Countess’s castle and what was the countess like? Sonia Velton hopes to answer these questions in her novel about Erzsebet Bathory’s life, entitled “The Nightingale’s Castle.”
Weddings are supposed to be happy occasions to unite two families through the bonds of love, at least in our more modern sense of the ceremony. However, in the past, weddings were ceremonies that would unite families through contracts to create powerful alliances—hardly a romantic endeavor. One of the grandest weddings of the 16th century was meant to unite France, which led to bloodshed between Catholics and Huguenots. Minou Joubert and her family are invited to the wedding of Marguerite de Valois and Henri of Navarre in Paris, but the decision to attend the lavish event leads her family on a path full of tears and heartbreak. The story of the Joubert family’s struggle to fight for the faith they strongly believe in and to unite their broken family is masterfully told in Kate Mosse’s novel, “The City of Tears.”
Adventures of a Tudor Nerd 