Tag: 16th century

Book Review: “Tudor Princes and Princesses: The Early Lives of the Children of Henry VII and Elizabeth of York” by Aimee Fleming

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The year is 1485, and the last Plantagenet king, Richard III, is dead. The young man whose army defeated the king is Henry Tudor, and he is about to start a dynasty that will reshape world history forever. Henry Tudor, now King Henry VII, married the daughter of King Edward IV and Elizabeth Woodville, Elizabeth of York. Their marriage and their children would lay the foundation for the Tudor dynasty, but what was life like for the children who were the first generation of this remarkable dynasty? Aimee Fleming explores the lives of these royal siblings in her latest book, “Tudor Princes and Princesses: The Early Lives of the Children of Henry VII and Elizabeth of York.”

I would like to thank Pen and Sword Books and NetGalley for sending me a copy of this book. I enjoyed her previous book about Margaret More Roper, so when I heard that she was writing a book about the children of Henry VII and Elizabeth of York, I was curious to see what new information Fleming would include in this book.

Fleming begins with the aftermath of Bosworth as King Henry VII begins his new life as a king and husband to Elizabeth of York. As they anticipate the arrival of their firstborn child, we get to see how their childhoods influenced their parenting style. The couple’s firstborn child, Prince Arthur Tudor, would be born in Winchester, the city where the mythical Camelot is supposed to be. As the heir to the dynasty and a boy named after the legendary King Arthur, the young prince was seen as the embodiment of the Tudor rose and the hope of the dynasty’s future. No pressure at all for the young prince.

After the birth of Prince Arthur, Henry and Elizabeth welcomed Margaret, Henry, Elizabeth, Edward/Edmund, and Mary into the family. While Princess Elizabeth and Prince Edward/Edmund died young, we get to see Princesses Margaret and Mary, as well as Prince Henry, grow up in the royal nursery, being educated for their important roles as future monarchs, and the bond they shared as siblings. They had to deal with the ever-changing world of the 16th century and navigate the uncertainty of court life, especially with the pretenders waiting in the wings to snatch the crown. Margaret, Henry, and Mary had to deal with the death of Prince Arthur shortly after he married Catherine of Aragon, and their mother, Elizabeth of York, after she gave birth to her final daughter, who also died. Blood may have connected these siblings, but love and shared experiences made this family tight-knit.

Overall, I thought this book was a nice review book for those who know about the Tudors, and a nice introductory book for those who are not familiar with this family. If either of these descriptions sounds like you, if you are a Tudor nerd, I recommend you read “Tudor Princes and Princesses: The Early Lives of the Children of Henry VIII and Elizabeth of York” by Aimee Fleming.

Book Review: “A Daughter’s Place” by Martha Batiz

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Miguel de Cervantes, the author of Don Quixote, lived quite an interesting life. He was a poet, soldier, war hero, prisoner, husband, brother, uncle, father, and author. His writing might portray a man of honor and dignity, but his home life was messy. You see, Miguel was married, but his daughter was not the daughter of his wife, Catalina de Salazar. His daughter, Isabel, was illegitimate, and when her mother died, Miguel decided the best possible solution was to invite Isabel to live with his sisters and his niece. What’s the worst that could happen? Martha Batiz explores the women’s lives connected to Miguel de Cervantes in her debut novel, “A Daughter’s Place.”

I would like to thank the House of Anansi Press and Net Galley for sending me a copy of this novel. I had never read Don Quixote, and I knew nothing about Miguel de Cervantes or his family, so I was excited to learn more. Stories like this add depth to the understanding of the late 16th and early 17th centuries in Spain and Europe as a whole.

This novel is broken into five sections and contains three different narrators: Isabel, the illegitimate daughter of Miguel de Cervantes, Constanza de Ovando, Miguel’s niece, and Catalina de Salazar, Miguel’s wife. Our story begins with Isabel, who just turned fifteen. All of her life, she believed that she was the daughter of a tavern owner, that is, until she met Magdalena de Cervantes, who claims to be her aunt, as Isabel’s true father is none other than the famous war hero turned author Miguel de Cervantes. After the death of Isabel’s mother, Miguel has decided to have Magdalena as Isabel’s legal guardian and raise her to be part of his family, although not with the de Cervantes name. Constanza de Ovando has been dumped after a long engagement and is nearing the age of spinsterhood. She is jealous of Isabel and wonders if she will ever marry and have her own life. Finally, we have Catalina de Salazar, who lives far away from the family and did not know that her husband, Miguel, had an illegitimate child.

We see this family slowly adjust to having a new family member and the repercussions of Isabel being part of the de Cervantes family. While the family is getting used to one another, King Philip III of Spain threw a monkey wrench into their plans as he moved the royal court from Madrid to Valladolid and back to Madrid. Since Miguel is writing his magnum opus, Don Quixote, and is looking for sponsors, the family has to move alongside the court, which causes its special kinds of headaches and heartbreaks. There are so many twists and turns, especially the last twist, that kept me guessing until the end of how this novel was going to end.

Batiz has created such a believable world of 16th and 17th century Spain with a colorful cast of characters in the de Cervantes family. I got very attached to this family, and to see what would happen to them as life kept causing chaos. As a debut historical fiction novel, this is such an enjoyable, beautifully written, and extremely well-researched novel, and I hope that Batiz continues to write historical fiction. If you want an excellent novel about one of the most celebrated authors in Spanish history and his family, I highly recommend you read “A Daughter’s Place” by Martha Batiz.

Book Review: “Michelangelo and the Pope’s Ceiling” by Ross King

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The Italian Renaissance was a time of great artwork, eccentric artists, and patrons who created these masterpieces. While the art tells a story, the artist and patron want the audience to understand, but sometimes the story of how the art came to be can be just as fascinating. One of the most famous pieces of art from the early 16th century was the ceiling of the Sistine Chapel. A stunning piece created by an artist who primarily created sculptures, and his patron was a pope who was more like a warrior. The story of how Michelangelo and Pope Julius II created an unlikely team to create this remarkable masterpiece is told in Ross King’s book, “Michelangelo and the Pope’s Ceiling.”

This is one of those books that caught my eye in a used bookstore. I am a fan of art history, so it intrigued me when I saw the title. Obviously, I have seen images of the Sistine Chapel, and I knew that Michelangelo was the one who painted the ceiling, but beyond that, I didn’t know much about this piece or the history behind it. With the recent Papal Conclave, which takes place in the Sistine Chapel, I thought this would be the perfect time to read this book.

The year is 1508, and the Sistine Chapel has just been restored. Pope Julius II wants someone to paint the ceiling of the Chapel. While others would have easily chosen a painter who knew how to paint frescoes as an ideal choice, Julius II and his assistant, Donato Bramante, decided to pick the young man who was in charge of carving Pope Julius’ tomb, Michelangelo Buonarroti. To say Michelangelo was not a fan of this assignment from the Pope would be an understatement. All the man wanted to do was sculpt amazing sculptures like David and the tomb for the Pope, but no, the Pope wanted him to paint. So he reluctantly taught himself how to paint in fresco over four years to create this masterpiece, telling tales of the Old Testament in the Bible with a specific emphasis on Creation and the stories of Moses. 

Those four years saw much action for Michelangelo and Pope Julius II, who was known as il papa terribile. Michelangelo had to keep an eye on his fresco, his rival Raphael, and his family, who were always causing trouble. Pope Julius had to fight not only illness, but also the French, led by King Louis XII, which led to the creation of the Holy League against France. King also lays out the process and the inspiration for Michelangelo’s masterpiece, which I found quite fascinating. 

This was a captivating read that gave such wonderful information about the era and the creation of this masterpiece. I have been a fan of art history and the history of the 16th century, so this book ticked so many boxes for me. If you want a delightful book full of art history and the history of Italy during the 16th century, I would recommend reading “Michelangelo and the Pope’s Ceiling” by Ross King.

Book Review: “Katharine of Aragon, Spanish Princess: ‘I Am Not as Simple as I May Seem’” by Heather R. Darsie

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We all know the gist of the tragic tale of Katharine of Aragon. A Spanish princess who was brought to England to marry the heir of the Tudor throne, Prince Arthur Tudor. When the prince died mere months after their wedding day, Katharine was left in limbo and desolate as the Kings of Spain and England bickered over her dowry. Eventually, she would marry King Henry VIII, was his wife for over twenty years, and have numerous miscarriages before Henry decided to divorce her and marry Anne Boleyn. We know how Katharine’s story ends, but how did the stories of her Trastamara family influence her life and her reign as Queen of England? Heather R. Darsie explores Katharine’s Spanish origins in her latest book, “Katharine of Aragon, Spanish Princess: ‘I Am Not as Simple as I May Seem.’”

I would like to thank Amberley Publishing for sending me a copy of this book. I have enjoyed Darsie’s books, “Anna, Duchess of Cleves: The King’s Beloved Sister” and “Children of the House of Cleves: Anna and Her Siblings.” While her previous books focus on German history and sources, Darsie decided to shift her attention to Spain with this particular book. I was curious how much new information and insight Darsie would provide about Katharine’s life.

Darsie begins by having lovely family trees and a timeline listing the numerous figures that will be covered in this book, because as stated before, this book covers the origins of Katharine of Aragon’s family, the Trastamaras. The book is broken down into three sections. The first focuses on the Trastamaras and the history of the crowns of Castile and Leon and Aragon, culminating with Katharine’s parents, Isabella I of Castile and Leon, and Ferdinand II of Aragon. The second focuses on Katharine’s early life, how she became the bride of Prince Arthur Tudor of England, and how his death affected Katharine. Finally, part three explores Katharine of Aragon’s life as queen consort of King Henry VIII.

To me, the true highlight of this book is the exploration of the Trastamara family tree. While I do know a bit about the origins of Isabella I of Castile and Leon from a book I just read on her life, I did not know the origins of the family. Starting with the origins of both the elected composite crown of Aragon and the inherited composite monarchy of Castile and Leon, we see how the Trastamara dynasty started like the Tudor dynasty. It was a dynasty full of drama, civil wars, a member who married a corpse, a king who died due to alcohol burns, and many mistresses. It is through these stories that you can see where Katharine of Aragon and her daughter Mary I got their strength and determination to keep on fighting for what they believed in, even when the odds were very much against them.

This is yet another triumph by Darsie. It is extremely informative, meticulously researched, and easy to read. It gives the reader a better understanding of not only Spanish royalty and its complexity, but also a better appreciation of Katharine of Aragon. If you want an excellent book exploring the life of King Henry VIII’s first wife from a different perspective, I highly recommend you read “Katharine of Aragon, Spanish Princess: ‘I Am Not as Simple as I May Seem’” by Heather R. Darsie.

Book Review: “Holbein: The Ambassadors” by Tracy Borman

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Do you have a favorite painting? One that grabs your attention whenever you look at it and discover something new. Most paintings are from da Vinci, van Gogh, Rembrandt, Picasso, or Michelangelo, just to name a few. However, there is one artist that I feel doesn’t get a whole lot of attention unless you study the 16th century: Hans Holbein the Younger. While Holbein is known for his single portraits, his double portrait, known as The Ambassadors, is stunning to look at and is filled with symbolism. Tracy Borman, in collaboration with the National Gallery, has written a short book about this remarkable painting entitled “Holbein: The Ambassadors.”

Since this is a small book (less than a hundred pages), I will keep this review brief. The Ambassadors is a painting most likely commissioned in 1533 by Hans Holbein the Younger. For years, the identity of the sitters has been debated, but they were finally identified as Jean de Dinteville, the French ambassador to England, and Georges de Selve, ambassador to Emperor Charles V. At the time of the painting of this double portrait, England was in the midst of the Great Matter, the divorce of Henry VIII and Katherine of Aragon, so a few elements are alluding to the changes happening in Europe during this time, which Borman explores in depth. She also explores the life of “the King’s Painter” Hans Holbein the Younger and how you can see his distinct style in this piece. Finally, Borman also explores how the painting was kept for centuries, as well as the research that was conducted on it, and the preservation processes that the National Gallery

This was a fun and informative little book about one of my favorite paintings. It gave me a new appreciation for Holbein and this stunning painting. If you want a book about a piece of art from the 16th century, you should check out “Holbein: The Ambassadors” by Tracy Borman.

Book Review: “Bitter Greens” by Kate Forsyth

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For centuries, fairy tales have entertained and taught lessons to those young and young at heart. One of the most memorable stories was the tale of Rapunzel, the maiden a witch kidnapped because her parents stole a Rapunzel plant from her while Rapunzel’s mother was pregnant. For years, Rapunzel languished in a Tower, her hair growing exponentially until a rogue/ prince climbs her hair and rescues the damsel in distress. The witch dies and Rapunzel and her hero live happily ever after. At least, that is how the story has been passed down to us throughout the centuries, but where did the story come from and how are the stories of three women from different generations and countries connected? Kate Forsyth weaves together the stories of three women and their fates into one delightful novel called, “Bitter Greens.”

I want to thank Allison & Busby and Net Galley for sending me a copy of this novel. When I am not reading historical fiction or nonfiction, I do enjoy reading fairy tales retold, so when I heard about this novel and how it would explore the origins of the story of Rapunzel, it was intriguing to me.

Forsyth breaks down her novel into three separate narratives based on the lives of three women. We begin with Charlotte-Rose de la Force, a woman who weaves stories on a whim at the court of the Sun King Louis XIV. Charlotte is the person who gave the Rapunzel story some of the main characteristics that we are familiar with from the Italian origin story by Giambattista Basile. Her life choices have caused the king to send Charlotte to exile in a convent. It is in the convent that Charlotte meets Soeur Seraphina and she learns the story of Margherita and Selena Leonelli.

Margherita is the daughter of a mask maker and his wife. When she turns 7, a sorceress named La Strega Bella tells her parents that it is time to pay for their crime of stealing bitter greens. La Strega Bella wants to raise Margherita as her child, so she kidnaps Margherita, changes her name to Petrosinella, and places her in a convent. When Margherita turns 12, she is taken from the convent, placed in a tower, and given her characteristically long hair.

The question is why did La Strega Bella take Margherita from her parents just to put her in a tower with such long hair? It is through Selena Leonelli’s story that we can discover the truth about La Strega Bella. A woman who had to survive in the dark days of the plague in the early 16th century when her family died, she learned how to use spells and the power of plants from a woman named Sibillia. Life was not always fair for Selena, but then she met a man named Tiziano, who we know as Titian, and she inspired his art. Selena is afraid of growing old and wants to stay young forever, so she comes up with a dark and twisted plan.

This novel is dark and full of tragedies, love, and adventures. While I did enjoy reading it, there were a few historical inaccuracies, such as the plague doctor uniform was not introduced until the 17th century, not the 16th century. If you want a dark version of a fairy tale retold with a historical twist, I think you will enjoy “Bitter Greens” by Kate Forsyth.

Book Review: “Fools and Mortals” by Bernard Cornwell

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When we think about live theater, we often think about big actors, elaborate sets, and glittery costumes. The world of the Tudor theater, especially during the reign of Elizabeth I, was similar in some ways, but there was an element of danger. Richard Shakespeare, an actor in the Lord Chamberlain’s Men company and a former thief, knew the dangers of Tudor theater life better than anyone. When a manuscript is stolen, suspicion lands squarely on Richard’s shoulders. Can Richard clear his name, or will it be his final curtain call? Bernard Cornwell tells the story of Richard Shakespeare and the debut of A Midsummer’s Night Dream in his novel, “Fools and Mortals.”

This is one of those books that I found while going used book shopping. I did not know that Cornwell wrote a novel about Elizabethan England, so I knew I wanted to read it. I wanted to see how well Cornwell could write an Elizabethan novel.

Our main character is Richard Shakespeare (based on the historical figure), the estranged younger brother of William Shakespeare. He is an actor himself, primarily with small roles and women roles, but as he gets older, he wants more prominent male roles. Richard is not exactly thrilled about his brother William’s rising star as William is kind of a jerk in this novel. The Lord Chamberlain’s Men are given a grand opportunity to perform at the wedding of Lord Hundson’s daughter. William has decided to premiere a brand new play called A Midsummer’s Night Dream, which means this novel is full of actors trying to figure out this new production in time.

To top it off, one of William’s newer plays was taken by a disgruntled player to curry favor with another playhouse. William thinks that Richard stole his manuscript, so Richard must do everything in his power to get the play back and restore some semblance of a relationship with his brother. Along the way, he encounters a maid named Silvia, who he falls in love with, and hardcore Protestants who believe that players are sinners in the eyes of the Lord. To top it all off, it seems like William has a book in his possession that is considered dangerous and makes the thugs think he is Catholic. Richard has to focus on getting the manuscript back and rehearsing the new play and try not to get killed.

Richard Shakespeare is one of those characters that is a little rough around the edges, but once you get to know him, he is a loveable person. Cornwell created such a colorful world of the Elizabethan theater that any Tudor or Shakespearean nerd will love. If you want a delightfully unique take on Elizabethan England and the life of the players in the early stages of the English theater, I would suggest you read “Fools and Mortals” by Bernard Cornwell.

Book Review: “City of Silk” by Glennis Virgo

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When we think about the period known as the Renaissance, we often think about Italy and the artists like painters and sculptors. However, other craftsmen made Italy their home. Take, for example, tailors and seamstresses. These skilled craftsmen and women can create art you can walk in with their hands. However, there are gender barriers between tailors and seamstresses in that only men can be tailors and only women can be seamstresses. One orphan girl from Bologna not only challenges what it means to be a woman tailor but also challenges one of the wealthiest merchants in the entire city who has a dark connection to her past. This is the premise for Glennis Virgo’s debut novel, “City of Silk.”

I want to thank Allison & Busby and Net Galley for sending me a copy of this novel. I know we are not supposed to judge a book by its cover, but this cover is really why I wanted to read more about it. The description and knowing that it was a debut were also appealing factors as I wanted to see what a new author would do with 16th-century Italy and its complex nature.

We begin with the orphanage of Santa Maria del Baraccano where we find out that our protagonist is a young girl whose parents, a tailor and a seamstress, both died. The girl, Eleana Morandi, was raised in the orphanage, but something happened and she ran away. She would eventually work at the Palazzo of Signora Ruffo, a widowed seamstress who runs a successful business. Elena works as an assistant to Signora Ruffo alongside a girl named Sophia, a former slave. It is a happy life for Elena, until one day, Signora Ruffo arranges a marriage for Elena with Signor Martelli. Elena is not a fan of this idea so she does what stereotypical teenagers do, she runs away from home again.

Elena runs to the workshop of the tailor Maestro Francesco Rondinelli, but he is reluctant to take Elena on as women are not accepted as tailors in the guild, but he allows her to help out in other ways around the workshop. One day, a Signor Antonio della Fontana comes into the workshop and asks for a summer wardrobe. Fontana is not some stranger to Elena as she knows him from her life in the orphanage, but he is not the benevolent merchant that everyone believes him to be. Elena fights not only for the right to become a female tailor but for her friend Laura and the other girls who were traumatized by Fontana. Virgo has created a colorful cast of characters filled with the traumas that they have to deal with in such a short book. My only critique is that as someone who is not as familiar with Italian terms or the locations in 16th-century Bologna, I wish there was a map and a glossary to help the readers picture the world a bit better.

Overall, I found this a rather enjoyable debut full of heart and a cast who care for each other as well as their respective crafts. It shows a different side of Renaissance Italy and once I started reading, I did not want to stop. I am looking forward to seeing what type of story Virgo will tell next. If you want a novel that focuses on a different aspect of the Italian Renaissance, I would recommend you read, “City of Silk” by Glennis Virgo.

Book Review: “Thorns, Lust, and Glory: The Betrayal of Anne Boleyn” by Estelle Paranque

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A young woman catches the attention of a king already married to a princess from a faraway kingdom. The king desires the young lady and divorces his wife to marry her. However, there is a catch. The young lady spent some time in the French court of Francis I and Claude of France, whereas the king’s wife was the daughter of the Spanish King and Queen as well as the aunt of the Holy Roman Emperor. The Great Matter of Henry VIII, Anne Boleyn, and Catherine of Aragon is considered one of the messiest divorces in English history and rightfully so when you consider the diplomatic consequences that this divorce would have across Europe. Estelle Paranque highlights the connection between Anne Boleyn and the French court in her latest book, “Thorns, Lust, and Glory: The Betrayal of Anne Boleyn.”

I want to thank Hachette Books and Net Galley for sending me a copy of this book. I heard that Estelle Paranque was writing a new book about the 16th century, but when I heard that it dealt with Anne Boleyn’s connections with the French court, I jumped at the chance to read it. While I do know quite a bit about the rise and fall of Anne Boleyn, it is her connection with the French court that I have never really explored in depth.

Paranque begins her book by examining the meeting between King Henry VIII and King Francis I with Anne Boleyn at Calais between October 25th and 27th, 1532. This was a significant meeting as it was right before Henry and Anne married in secret and they desired that Francis would support their side in the Great Matter. But how did they get to this meeting in Calais? This is where this book shines as Paranque takes the time to show her audience what life was like for Anne in the French court and the connections that she forged with women like Louise of Savoy, Claude of France, and Marguerite of Angouleme Queen of Navarre. It was fascinating to see how the Boleyns were able to use their connections to forge alliances with the French court that would prove useful in the future.

Possibly my favorite part of this book was seeing how the diplomatic channels across Europe interacted with one another during the Great Matter, the queenship of Anne Boleyn, and the fall of the Boleyns. I think we so often overlook that there were diplomats who were working on the sidelines to convey messages between kings and emperors to form or strengthen alliances. While many might consider the way Paranque wrote the correspondence and dialogue between diplomats and the monarchy as hard to get used to because she does insert emotions, I believe it adds depth to the story because they were human beings not in a vacuum. They had feelings about what was happening around them, passionate feelings in fact, and that should be displayed to readers.

While the actual events of this book were not new to me, the way that Paranque was able to present the information and show the men behind the scenes was fascinating. It presents the relationship between Henry VIII and Anne Boleyn in a different more complex light. If you want a different angle to the rise and fall of Anne Boleyn, I recommend you read, “Thorns, Lust, and Glory: The Betrayal of Anne Boleyn” by Estelle Paranque.

Book Review: “Queen Bess: A Tudor Comes to Save America” by Maria Vetrano

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Have you ever read about a historical figure and wondered what it would be like to interact with them in the present day? How would they deal with modern problems and technology? Could they function in the 21st century or would they become overwhelmed? And even if they could come to the 21st century, how would it affect their timeline and history? This intriguing premise plays out in Maria Vetrano’s novel, “Queen Bess: A Tudor Comes to Save America,” which sees Queen Elizabeth I coming forward about 400 years in time to become the President of the United States in the 2028 election.

I want to thank Maria Vetrano for sending me a copy of her novel. When I read the description of this novel, it was an intriguing concept to me. I do enjoy a modern tale from time to time and I was interested to see how Queen Elizabeth I of England could become a US President and how she would adjust to life in the modern world.

We begin our adventure with Dakota Wynfred, a self-made billionaire in the cybersecurity field, whose only desire is to go back in time to see her mother one more time and potentially bring her mother back to the year 2027. As Dakota and her mother are discussing matters, she tells her mother that the political environment is a mess thanks to President Robert Vlaskas, who Dakota cannot stand. Dakota believes that there is no one capable in modern time to defeat Vlaskas so a plan is formulated to use Dakota’s time travel machine to go back in time even further to get a leader who she believes can defeat Vlaskas. She has chosen Gloriana herself, Queen Elizabeth I from 1588. While transporting the queen from the Tudor era is easy, acclimating her to the ways of the 21st century proves a challenge, especially knowing that they have a limited window to make sure Elizabeth is ready to run for president.

While I thought the concept of this book was unique, the execution for me is what let this book down. I’ll start with the time travel element. As someone who watched Star Trek and the Librarians, I know there are some rules of time travel like not telling the people in the period of the past you are visiting you are from the future (or giving them a biography about their life), and you don’t bring anyone into the future from the past as there could be consequences to history in general. I wanted to see more of how Elizabeth being in the 21st century would affect the 16th century and the idea of technology not working in the 16th century as it was not invented during that time, but that is not what I got as a reader. When Elizabeth did arrive in the year 2027, we see her getting used to the world of technology, fashion, and popular culture, which did not seem to help with running a political campaign and Elizabeth’s accent in this book bothered me quite a bit. I feel like Vetrano should have done more research into the 16th century and Elizabeth’s reign to make this version of Elizabeth I more believable. Finally, I think the ending is rushed and left me questioning this book and what the point of this novel truly was.

Overall, this was a frustrating read for me as I saw the potential for a cool book, but it stumbled so many times. It felt like the Tudor/historical elements were sprinkled in a modern sci-fi/political fantasy novel, which just did not work well for me as a reader. This may not have been the book for me, but if you want a different take on the Tudors, a time travel novel with modern political elements, “Queen Bess: A Tudor Comes to Save America” by Maria Vetrano might be a book for you.