Book Review: “The Lost Diary of Lucrezia Borgia” by Johnny Teague

Have you ever wondered what it might be like to discover a long-lost diary of a historical figure by accident? Archaeologist Giuseppe Campise has already found a diary of Mary Magdalene. Now, the Vatican wants Giuseppe to uncover the tomb of Alexander the Great. However, while on the search for the tomb, Giuseppe finds something even more precious, the diary of Lucrezia Borgia. What secrets does the diary hold? Johnny Teague tells the tale of Lucrezia Borgia through her diary in his latest novel, “The Lost Diary of Lucrezia Borgia.”

I would like to thank Histria Fiction and Net Galley for sending me a copy of this novel. I have been interested in Lucrezia Borgia’s story since reading “Cesare and Lucrezia Borgia” by Samantha Morris, so I wanted to see how her story would translate into a historical fiction novel.

Since this book is actually a novella, I will try to keep this review short. We begin with Giuseppe Campise as he begins his search for the tomb of Alexander the Great. Along the way, he gets lost and finds the tomb of Pope Leo X. By the tomb, he finds a diary that was written by Lucrezia Borgia, so he begins to read.

Lucrezia’s diary begins with her reflecting on her life as she is ill with her final pregnancy. This diary is really her autobiography, beginning in her childhood, when her father was Cardinal Rodrigo Borgia, before he became Pope Alexander VI. We also get to see how close Lucrezia was to her brother Cesare and how it changes over time. Since they are the illegitimate children of a Pope, they are expected to make alliances through marriages and military might. Lucrezia was married three times. Her first marriage was to Giovanni Sforza, but it was quickly dissolved by her father, Pope Alexander VI. Her second marriage, to Alfonso of Aragon, resulted in a son, Rodrigo, before Alfonso died young. Lucrezia’s final husband was Alfonso d’Este, Duke of Ferrara. We get to see how Lucrezia’s life was changed through the chaotic politics of the Italian states, the constant wars, and the schemes of her father and her brother Cesare. Lucrezia was not just a one-dimensional character, but is well developed, and you feel sympathy for what she is going through.

Personally, I think this was a decent novella, but the subplot with Giuseppe did not feel necessary for me. The story of Lucrezia Borgia could stand on its own without the modern bits cutting in. Overall, I enjoyed this novella. If you enjoy reading about Lucrezia Borgia, her life and times, you might enjoy “The Lost Diary of Lucrezia Borgia” by Johnny Teague.

Book Review: “Princes of the Renaissance: The Hidden Power Behind an Artistic Revolution” by Mary Hollingsworth

51601860The 15th and 16th centuries were full of dynamic political and religious reforms, but they were also known for cultural changes throughout Europe. The medieval foundations started to crumble, and the early modern age emerged. One of the centers of change was Italy, a series of states with their rulers vying for power and prestige. These rulers would help finance masterpieces in art, literature, and architecture, but it was their rivals that threatened to tear the Renaissance society apart. In “Princes of the Renaissance: The Hidden Power Behind an Artistic Revolution,” Mary Hollingsworth explores the lives of the men and women who helped shape the Renaissance.

I want to thank Pegasus Books for sending me a copy of this book. This title was intriguing to me, and I wanted to learn more about Italian history. The Italian Renaissance has been an area in history that I have been interested in studying more, but I was unsure where to begin.

Hollingsworth takes the tales of some of the most famous families in Italy to tell the story of the Renaissance. Each chapter focuses on two or three dynamic figures that shaped the era. Men like Cosimo de’ Medici, Alfonso of Aragon, Francesco Sforza, Leonello d’Este, Ferrante I of Naples, and Doge Andrea Gritti knew how to change the political landscape of Italy while acting as patrons for the artists that would define this era. The artists that they would employ were masters like Leonardo da Vinci, Michelangelo, and Titian. We also saw powerful women like Lucrezia Borgia and Isabella d’Este, who impacted the Renaissance.

Although Hollingsworth mentions the works that the princes helped fund and did include stunning images of the masterpieces of art and architecture, the bulk of this book is looking at the drama behind the art. We see a complex political landscape of lords fighting each other, family members, and even papal authority for land and prestige. Things were bound to be complicated with famous families like the Estes, the Medicis, the Sforzas, and the Borgias. Still, it created a beautiful mosaic of different influences of colorful figures.

One thing that I wish Hollingsworth would have included would be family trees of the prominent families. As someone who is not that familiar with the significant Italian families and the individual states, I think it would have helped those who are not that familiar with Italian history.

Overall, I found this book an enjoyable and fascinating read. I think it provides gorgeous images of new aspects of the Renaissance with thrilling stories of love, jealously, and the desire for power. Suppose you want a great introduction to the Italian Renaissance and those who funded these masterpieces. In that case, you should check out “Princes of the Renaissance: The Hidden Power Behind an Artistic Revolution” by Mary Hollingsworth.