Many actors and actresses have portrayed the lives of Henry VIII and his six wives in modern films and dramas. When asking Tudor nerds which Henry VIII stood out the most, the most popular response is Keith Michell in the 1970s BBC series, “The Six Wives of King Henry VIII.” I had not heard about this series until I started “Adventures of a Tudor Nerd.” Many people have wanted me to watch the series solely for the performance of Keith Michell, so when a coworker allowed me to borrow her DVD copy of the series, I finally decided it was time to tackle this legendary series.
For those unfamiliar with the older Tudor dramas like this series, it should be noted that the focus is not on sex or bloody battles but on the relationships between Henry and his six wives. Therefore, the costumes and the scenery take a step back in quality that one would expect when compared with modern dramas. I think the English brides’ outfits are well done, but the native gowns for Katherine of Aragon and Anne of Cleves felt a bit off for me.
Keith Michell plays the titular king, but I will discuss his performance later. I want to look at the actresses who played Henry’s six wives. Each episode focuses on each wife’s story, how they became his wife, and how their story ended.
We begin with Katherine of Aragon, played by Annette Crosbie, who was the wife of Prince Arthur, but when he died, Katherine struggled to survive in a foreign land until it was decided that she would marry her former husband’s brother, Henry VIII. The couple seems to be in love until Katherine cannot deliver a son for the king, so he decides it’s time for a divorce, which we call The Great Matter. With Katherine out of royal favor, it is time for Henry’s second wife, Anne Boleyn, played by Dorothy Tutin, to make her appearance. When it comes to Anne Boleyn’s performances, I don’t know if I like Tutin’s portrayal; it just rubbed me the wrong way.
My favorite episode of this series was Jane Seymour, played by Anne Stallybrass, who shows a more complex side to Jane’s story. We see her interacting with the Seymour family and her desire to reunite Henry VIII and his daughter Mary. The way the episode was structured with Jane on her death bed and witnessing flashbacks to her time with Henry VIII, the issue of the Pilgrimage of Grace, and the birth of her beloved son Edward. With Jane’s death, we see the more human side of Henry as he is in deep mourning for his beloved queen.
It would be several years until he married again to Anne of Cleves to secure a German Protestant alliance. Anne of Cleves, played by Elvi Hale, is a young woman of average looks and very little money who wants to learn everything she can about England. I like how we are introduced to Hans Holbein in this episode and to see how Anne felt about her marriage and ultimate divorce from Henry VIII.
With the divorce of Anne of Cleves settled, Henry VIII turned his gaze on the young Catherine Howard, played by Angela Pleasence. Catherine is young, naive, and only concerned about being queen and having men fawn over her. It was interesting to see Catherine Howard as a nursemaid to the King and how angry he was with her uncle after her execution. Finally, we are introduced to Henry’s final wife, the devout reformer Catherine Parr, played by Rosalie Crutchley. We witness the end of the King’s reign and the rise of the Seymour family to help the young king Edward VI.
Of course, these stories could not be told without side characters like Thomas Wolsey, Thomas, and Edward Seymour, King Henry VII, Eustace Chapuys, Jane Boleyn, and Will Somers. I was a little surprised that they included torture scenes for Anne Askew and Mark Smeaton, especially since they did not show the execution scenes for Anne Boleyn and Catherine Howard. Several small Easter eggs for Tudor fans sprinkled in are quite delightful to discover.
Now, it’s time to discuss the big guy, King Henry VIII, played masterfully by Keith Michell. Before watching this drama, I was only familiar with Keith Michell from his performances in Murder She Wrote and the episodes I would watch with my mom. We begin with Henry as a young king enchanted with Katherine of Aragon. They are madly in love, and it is hard to believe they would ever separate, but they eventually do when Anne Boleyn catches his eye.
Throughout this entire series, we see Michell’s acting range through the rapid emotional change of the king. One minute he could be lovey-dovey, the next raging mad, and then bawling his eyes out. What impressed me the most about Michell’s performance was how we saw Henry VIII’s size and shape change in each episode. As Tudor fans, we have screamed at the TV when we see modern adaptations of Henry VIII that do not meet our standards for what older Henry should look like. Michell exceeds all expectations and gives his audience one of the most believable King Henry VIII performances in modern history.
Overall, I found this a decent show where the political and romantic drama of the reign of King Henry VIII shines through the screen. The queens and the counselors did take a back seat to the titular king, but I did not mind that. If you want to watch a legendary series about the reign of King Henry VIII that does not have the sex and scandals of a modern drama, I highly recommend you watch the BBC series, “The Six Wives of King Henry VIII,” starring Keith Michell.
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To be married to a king may seem like a dream, but reality can be cruel. Take the wives of Henry VIII. After saying ” I do,” each wife had to deal with complex challenges after saying “I do.” We all know the poem; divorced, beheaded, died, divorced, beheaded, survived, but does that define these queens? After the death of her second husband, Katherine Parr must choose between Henry VIII and Thomas Seymour, the man who has captured her heart. She must navigate love, court intrigues, and the treacherous religious landscape of England in the 1540s to survive. Katherine’s life as Queen of England and how close she came to a disastrous fall from grace are explored in Elizabeth Fremantle’s first novel, “Queen’s Gambit: A Novel of Katherine Parr.”
The year is 1546 and England is once again in turmoil. Rumors swirl that the once-mighty King Henry VIII is gravely ill and his councilors, both Protestants and Catholics, are vying for power to see who will help Henry’s young son, Edward when he becomes king. With such distinct factions, those are not Protestant or Catholic, like the Anabaptists, are deemed heretics and they are hunted down. Executions over faith, like the death of Anne Askew, run rampant across London. Those who own books that were deemed “controversial” were under a shroud of suspicion. When Matthew Shardlake’s main supporter, Queen Catherine Parr’s book Lamentation of a Sinner, goes missing, Shardlake must navigate the religious divide carefully to retrieve the missing manuscript before it is discovered. Can Shardlake and his friends save the queen from the heresy hunt in time? The stakes could never be higher in C.J. Sansom’s sixth Shardlake novel, “Lamentation”.
Adventures of a Tudor Nerd 