Tag: Anne Boleyn

Book Review: “Bring Up the Bodies” by Hilary Mantel

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The year is 1535, and Henry VIII is growing bored with his current wife, Anne Boleyn. His eyes are wandering yet again, and this time his sights are set on Jane Seymour. Anne Boleyn had failed to give him his desired son, so Henry decided that it was only fitting for his right-hand man, Thomas Cromwell, to take down a queen. It’s Cromwell’s biggest challenge yet, but it could also become Cromwell’s defining moment. Hilary Mantel explores the pivotal months that pitted Cromwell against the Boleyns in her second book in the Wolf Hall trilogy, called “Bring Up the Bodies.”

Although the first book in the series, “Wolf Hall,” was a challenging read, I still wanted to continue reading the series. We all know Thomas Cromwell’s story, but since I started the Mantel retelling of his life, I wanted to see how she will handle the fall of Anne Boleyn.

We pick up where we left off in the first book, at Wolf Hall in 1535, where Henry VIII meets Jane Seymour and her family. The King is tired of Anne Boleyn, even though she is pregnant with what is hopefully Henry’s heir. Once they get back from Wolf Hall, rumors begin to spread about Anne’s infidelity while Cromwell is working on the dissolution of the monasteries. Anne has alienated so many people at court that they wonder if it’s time for a change and if perhaps Henry will take back Katherine of Aragon.

But it is too little too late. Katherine of Aragon will pass away without seeing her daughter, Mary. Anne believes that she is safe; however, fortune’s wheel is always turning. A jousting accident will rock the court and change the trajectory of Anne’s life forever. After Anne suffers a miscarriage, Henry decides now is the time to send in Cromwell to bring down the queen. We get the opportunity to see the downfall of Anne Boleyn and the men around her through the eyes of the man who brought about her fall from grace and her untimely death.

I enjoyed this novel more than Wolf Hall because there was that sense of drama and danger. We see Cromwell at his most impactful moment, but we also see that he is not some monster, but a human who was following orders. Mantel’s writing style may still be a bit difficult, but I felt this one was easier to follow along with than the first book. I cannot wait to see how Mantel will finish this trilogy. If you want to continue the Wolf Hall trilogy and see how the Cromwell/ Boleyn feud ends, I highly recommend you read “Bring Up the Bodies” by Hilary Mantel.

Guest Post: “Gilded Power – The Jewelry Legacy of the Tudors” by Sam Mee

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I am pleased to welcome Sam Mee, founder of the Antique Ring Boutique, to my blog today to share an article about Tudor jewelry.

Jewelry was predominantly religious in the austere Middle Ages, focusing on relics, devotional rings, and crosses. But the Tudor rulers developed it as a way to project their own royal power and authority. Clothing fashions of the time emphasized structure, and monarchs like Henry VIII and Elizabeth I integrated jewelry to proclaim their status and divine favor. 

This was the age of portraiture, when the elite commissioned likenesses as propaganda. Hans Holbein the Younger depicted Henry VIII in a way that showed off his jewels and chains of office as much as his formidable bulk (and codpiece). Holbein’s most famous image of Henry is a 1537 mural that, while destroyed by fire in 1698, is still known through copies. It shows the King with a powerful stance and wearing multiple chains and rings to further emphasized his authority and wealth.

Holbein portrait, public domain image: https://upload.wikimedia.org/wikipedia/commons/thumb/f/f9/After_Hans_Holbein_the_Younger_-_Portrait_of_Henry_VIII_-_Google_Art_Project.jpg/1024px-After_Hans_Holbein_the_Younger_-_Portrait_of_Henry_VIII_-_Google_Art_Project.jpg

Three similar Armada portraits of Elizabeth I were painted after England defeated the Spanish Armada. They take allegory even further. The Queen is almost encased in pearls. Her gown is embroidered with them, they sit on her hair, and pearl ropes hang from her neck, all to symbolize chastity and divine protection. More explicitly, her hand rests on the globe as a symbol of empire. Her powerful warships are visible in the background behind her gem-encrusted crown, signifying divine authority. 

Armada portrait, public domain image: https://upload.wikimedia.org/wikipedia/commons/7/7b/Elizabeth_I_%28Armada_Portrait%29.jpg

In fact, Elizabeth I was rarely painted without pearls – other examples include the Darnley Portrait (c1575) and Rainbow Portrait (c1600). The pearls repeatedly symbolized the Virgin Queen’s chastity and wealth in bodily form.

The sumptuary laws

If gems and clothing signified power, then rulers needed to control who wore what. Medieval 15th-century sumptuary laws started to codify this across Europe. A 1463 English statute restricted who could wear “royal purple”, while a 1483 act restricted velvet to knights and lords and satin for gentry with a yearly income of £40.

Tudor England was an intensely hierarchical society, and so the laws were tightened further. Elizabeth’s 1574 Act of Apparel spelled out in detail who could wear what – her rules set which fabrics hats could be made of and dictated the length of swords, depending on the wearer’s standing. Check out the list here: https://midtudormanor.wordpress.com/sumptuary-laws/

Jewelry was also regulated with gold chains, heavy pearls, and precious stones reserved exclusively for the nobility. 

Enforcement was patchy but real, with surviving court records showing individuals tried for breaches and fined. These laws were somewhat symbolic, though. They were a way to make hierarchy visible rather than consistently enforced. Ambitious merchants and courtiers often flaunted jewels beyond their rank, with monarchs turning a blind eye.

Fashion at court

Jewelry was inseparable from clothing at court. Goldsmiths worked hand in hand with tailors, and jewels were sewn directly into doublets and headdresses.

We know Henry VIII wore vast gold chains and pendants and even occasionally jeweled codpieces. Courtiers followed suit with jeweled hat badges, enameled rings, and ornate girdle books (these were tiny, jeweled prayer books that hung from belts). They also wore gold pearl earrings. Women sported pearls, rubies, and diamonds on top of layered dresses made from richly embroidered fabrics. 

Anne Boleyn’s necklace – a large gold “B” with three drop-pearls dangling from it – is one of the period’s most famous jewels. It’s a very personal bit of jewelry that symbolized her individuality and status. (It survives only in portraits – its whereabouts after her 1536 beheading is not known).

Anne Boleyn’s B necklace, public domain image: https://upload.wikimedia.org/wikipedia/commons/f/f2/Anne_boleyn.jpg

Global trends and treasures

The rise in the prominence of jewelry was part of a wider trend of expanding horizons – culturally, societally, geographically, and economically. Spain’s influx of New World gold and silver boosted Europe’s wealth, with England claiming its own share through figures like Sir Walter Raleigh and Sir Francis Drake.

There’s extraordinary archaeological evidence of this, not just from the images of the time but from the Cheapside Hoard, discovered in 1912 beneath a London cellar. It’s a collection of more than 400 pieces. There are emerald rings, diamond pendants, and enameled chains with gems sourced from Colombia, India, Burma, and Brazil. The treasure shows that London goldsmiths had access to a global supply of jewels long before the height of the empire. 

Together with portraits, the Hoard is the richest record we have of Tudor jewelry, showing how jewels were actually made. You can read more about it here: https://www.londonmuseum.org.uk/collections/london-stories/jewels-cheapside-hoard/

Evolution of Tudor Jewelry

New fashions, new materials, and new freedoms (for some). Tudor jewelers developed new techniques to match these wider changes in society, combining medieval traditions with Renaissance artistry. Enameling reached new heights, and these techniques were carried forward into Georgian mourning jewelry and even into Victorian revival pieces.

Foil-backing was widely used in Tudor times to enhance jewels. Thin sheets of colored foil were placed behind gems like diamonds, rubies, or rock crystal to enhance their brilliance. This technique remained common until the 18th century, when more advanced diamond cutting began to produce inherent sparkle.

Gem cutting itself advanced in the Tudor period. Gemstones are rarely cut in bespoke shapes but tend to use standardized cuts designed to maximize brilliance or colour. This has been true since the Renaissance. Earlier medieval gems were typically worn as cabochons (smooth, polished domes), which enhanced colour but not brilliance. Then, from the late 15th century, jewelry began to experiment with faceting, where flat surfaces were cut at angles to reflect light, and Tudor lapidary work played a key role in the development and take-up of new techniques:

  • Cabochon: The oldest approach. A smooth, rounded dome without facets. Used in the medieval period for sapphires, garnets, and emeralds.
  • Point cut: This simple cut shaped a diamond into a pyramid with four sides. Mostly common in the 15th century.
  • Table cut: Developed in the late 15th century, this removed the top of the pyramid to create a flat “table” facet. It meant increased brilliance and became standard in Tudor jewelry.
  • Rose cut: Emerged in the 16th century as diamond saws and polishing technology improved. This had a flat base and a domed top covered in triangular facets to resemble a rosebud. The rose cut was popular until the 19th century.
  • Old mine cut: An 18th-century development. It’s a squarish cut combined with a high crown, deep pavilion, and large culet. It was the forerunner of the modern brilliant cut.

You can read more about the evolution from medieval jewelry techniques here. (https://historicalbritainblog.com/the-debt-antique-jewellery-owes-to-the-middle-ages-guest-post-by-samuel-mee/)

Settings in Tudor times typically enclosed the stone with gold, but Tudor jewelers began experimenting with more open settings to admit light. It was the Stuart era that really saw the development of the claw setting for diamonds, where the gem was held with tiny metal arms to allow much more light to pass through, dramatically increasing sparkle.

Tudor trends can be seen in subsequent centuries: 

  • Georgian jewelers turned enamel and foil into sentimental jewelry such as portrait miniatures (also common in Tudor times) and mourning rings.
  • Victorian designers enjoyed historical revival, and they often deliberately echoed Tudor styles, such as heavy Holbein-like gold chains and memento mori skulls.
  • Edwardian jewelers drove a revival of Elizabethan-style pears and combined them with lace-like platinum settings.
  • Art Deco designs were modernist in geometry but had a strong revivalist theme from Egyptian motifs to statement designs that matched 16th-century theatricality.

Surviving themes

Tudor jeweler was many things: regulated, global, technical, and symbolic. It was constrained by law, used as propaganda, and yet pushed at boundaries. It was part of the evolution of techniques and materials that developed over several hundred years as jeweler changed to become ever more personal. And even specific gem traditions persisted. The Tudor love of pearls was echoed in the Edwardian era. Tudor foiling foreshadowed Georgian brilliance. Tudor enameling was revived multiple times in the centuries that followed. Let’s just hope the codpiece doesn’t return. 

About the Author

Sam Mee is the founder of the Antique Ring Boutique (https://www.antiqueringboutique.com/), which sells rings from the Georgian, Victorian, Edwardian, and Art Deco eras. He has several guides on his website for buying rings from different historical periods. EG, you can learn more about ring cuts and foiling in the guide to Georgian rings: https://www.antiqueringboutique.com/en-us/pages/georgian. He is a member of both Lapada (https://lapada.org/dealers/antique-ring-boutique/) and BADA (https://www.bada.org/dealer/antique-ring-boutique). 

Book Review: “Henry VIII’s Controversial Aunt, Honor Lisle: Her Life, Letters, and Influence on the Tudor Court” by Amy Licence

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Marrying into the royal family is not all sunshine and rainbows. Of course, we tend to think about those who marry the king, the queen, the prince, or the princess. But we also need to consider the aunts and the uncles of the royals as part of the family. Take, for example, Arthur Plantagenet, the illegitimate son of Edward IV and the uncle of Henry VIII. His second wife, Honor Lisle, would help him rule Calais; however, she is best known for her letters and her devout Catholic faith during the Reformation in England. So why is Honor Lisle considered a controversial figure, and what was the cause of the fall of Honor and Arthur from the royal good graces? Amy Licence explores the life of Henry VIII’s step-aunt in the first full biography dedicated to Honor Lisle, which is entitled “Henry VIII’s Controversial Aunt, Honor Lisle: Her Life, Letters, and Influence on the Tudor Court.”

I would like to thank Pen & Sword Books and NetGalley for providing me with a copy of this book. I have heard of Honor Lisle and her letters, but I did not know much about her life before this book. I did know that she was married to Arthur Plantagenet, but I had assumed that he was her first husband, so I didn’t know about her life before Arthur. When I saw that Amy Licence was writing a biography about Honor Lisle, I knew I wanted to read it.

Licence begins with the birth of Honor Grenville, Lady Basset, Lady Lisle Plantagenet. She was born in 1493 to Thomas and Isabel Grenville in the small town of Bideford, Devon. Her father served the first Tudor king, Henry VII, as Esquire of the Body, so Honor’s family did have some connection before Honor’s marriage to Arthur. Honor’s mother died a year after she was born, but her father did not die until 1513. In 1515, Honor would marry her first husband, Sir John Basset, and they would have between 7 and 8 children before his death in January 1528. 

A year later was a monumental year for England as it was the start of the divorce between Henry VIII and Catherine of Aragon, which would be known as the Great Matter. It was also the year that Honor married Arthur Plantagenet. The couple would move to Calais, where Arthur would rule for his nephew. This is where we get to see the Lisle letters, Honor’s dictated correspondence to prominent figures in Tudor England. Honor and Arthur would go into debt, dealing with the constant threat of war, balance their faith and be loyal to the King, and handle a plot by Reginald Pole that would try to remove Henry VIII from the throne. 

I found it so interesting to see Honor’s perspective on the big issues of the Tudor court while staying in France, as well as how life in Calais was different from it was in London during this time. Honor Lisle’s life and letters give us great insight into the reign of Henry VIII from the perspective of someone who was outside of England during the major events of his reign. Licence’s research, combined with an easy-to-follow writing style, makes this a very well-written biography. If you want a biography about a lesser-known Tudor woman and her famous letters, I highly recommend you read “Henry VIII’s Controversial Aunt, Honor Lisle: Her Life, Letters and Influence on the Tudor Court” by Amy Licence.

Book Review: “Thomas More: A Life” by Joanne Paul

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The year is 1535, and an educated scholar, father, writer, and the former Chancellor of England marches to his demise. His crime was staying silent on an issue that the King deemed extremely important: the idea that the King of England should be the Supreme Head of the Church of England, not the Pope. As a Catholic, Sir Thomas More does not agree with this decree and must die. How did one of the most prominent Tudor scholars of his age fall so quickly? Joanne Paul explores the rise and dramatic fall of this infamous Tudor figure in her latest biography, “Thomas More: A Life.”

Joanne Paul is slowly becoming one of my favorite nonfiction writers. Her debut, “The House of Dudley,” was spectacular, and when I heard that she was writing a biography about Thomas More, I knew I wanted to read it. I know the basic information about Thomas More’s life and his books about the Wars of the Roses and Utopia, but I wanted a book that gives more details about his life.

Thomas More was the son of the lawyer John More and his wife Agnes, born in 1478. A child of the Wars of the Roses, the shifting sands of the political landscape of his youth will prepare him for the tumultuous Tudor court of his adulthood. While he recalls the reign of King Richard III in his book about the period, it should be noted that he was a boy during the king’s reign. 

Thomas became a scholar who specialized in Humanism and created a community of like-minded scholars and artists, including men like Desiderius Erasmus. Thomas More would marry twice, to Jane Colt, the mother of his children, Margaret, Elizabeth, Cecily, and John, and Alice Harpur. He would ensure that all his children received a proper Humanist education, and his children, especially Margaret, were praised for their scholarly abilities. He would begin to write like he was running out of time and create one of his most famous works about politics, Utopia, as well as go toe to toe against Martin Luther himself. 

 More would continue his academic pursuits, even when he captured the attention of King Henry VIII, who would appoint him Chancellor of England. While a great honor, Thomas did not agree with the King on the Great Matter as he believed Queen Katherine of Aragon was the rightful wife of King Henry VIII. He would persecute those whom he deemed as heretics as a devout Catholic man, and it was ultimately his faith that would lead to his earthly doom. When Henry VIII decided that he wanted his people to swear an oath that Henry VIII was the Supreme Head of the Church of England instead of the Pope. As a devout Catholic, Thomas More’s silence was deafening, and he was condemned as a traitor to the crown, destined to be executed.

Even though Thomas More was a controversial figure of the Tudor era for Ricardians and Protestants alike, we in the modern age can learn a lot from his life and apply it to our own time. Paul does it again, as this is a stunning biography of a man who was a scholar and an outspoken Catholic in a time when the King’s power was becoming dangerous.  The way she weaves the historical facts, including More’s numerous pieces of writing, with a narrative that is easy to follow is astounding. Truly, this is the definitive biography on Sir Thomas More. If you want a fabulous biography on such an infamous figure of the Tudor age, I highly recommend you read “Thomas More: A Life” by Joanne Paul.

Book Review: “The Many Faces of Anne Boleyn: Interpreting Image and Perception” by Helen Harrison

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Anne Boleyn, a queen whose story has lived on for centuries. She was the woman who stood between Catherine of Aragon and King Henry VIII. Her daughter, Queen Elizabeth I, was her greatest legacy and her pride and joy. It was her untimely death due to charges that many believe were unfounded. We all have our image of the infamous queen, but how does that change when we switch the type of media we consume? Helen Harrison explores how our idea of Anne Boleyn changed over time in her latest book, “The Many Faces of Anne Boleyn: Interpreting Image and Perception.”

I would like to thank Pen & Sword Books and NetGalley for providing me with a copy of this book. I have enjoyed Helen Harrison’s previous books on Tudor Executions and Elizabethan Rebellions. When I heard that she was writing a book about Anne Boleyn, I was curious to see what new information she would add to Tudor studies, specifically Anne Boleyn.

So, how do you approach a book like this that is not a biography but tells how Anne Boleyn has been perceived throughout the centuries? Harrison has decided that the best way to show her readers how Anne has been portrayed throughout history is by breaking this book into sections, focusing on one source of media. We get to see Anne through portraiture/images, letters/poems, through foreign dignitaries, her views on religion, on stage and screen, both the movie and television screen, as well as historical fiction.

Harrison also includes a brief biography of Anne’s life so that we can refamiliarize ourselves with her tragic tale before taking the deep dive, which is important when it comes to understanding her legacy. My favorite part of this book is seeing the different takes historians and authors have taken towards it, including everyone’s favorite, the Victorians. It gives an overview of how different historians and authors interpret a single figure and gives us a unique take on the historiography of Anne Boleyn, including G.W. Bernard, who believed that Anne was guilty of some of the charges. The fact that Harrison decided to keep her feelings towards Anne relatively neutral allows the recent research about Anne to shine.

This book is unlike any other book about Anne Boleyn that I have read. It is a comprehensive deep dive into the research around the life of Anne Boleyn that any Tudor nerd will find a fascinating resource. If you are a Tudor nerd or a fan of Anne Boleyn, “The Many Faces of Anne Boleyn: Interpreting Image and Perception” by Helen Harrison is a must-read.

Book Review: “The Lives of Tudor Women” by Elizabeth Norton

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In each era throughout history, we see how men and women adapt to the struggles and triumphs of the age. Take, for example, the 16th century, primarily in Tudor England. It was a time of great religious changes and dynamic rulers who would change the course of European history forever. While men had the most power, except for a handful of women, the majority of women struggled to survive each stage of life. So, what was life truly like for Tudor women? Elizabeth Norton explores this topic in her book, “The Lives of Tudor Women.”

I have been wanting to read this particular book for years. I have enjoyed the previous books that I have read by Elizabeth Norton, so when I saw she wrote a book about Tudor women, I knew I wanted to read it. 

Norton begins by explaining how this book would be broken down in her preface, which has one of my favorite introductory paragraphs in any book. This book is divided into sections that correspond with the Seven Ages of Man, which was made famous by William Shakespeare. These ages are: the infant, the schoolboy, the lover, the soldier, the justice of the peace, the ageing retiree, and the infirm elder. Obviously, with the lives of 16th-century women, these ages are altered a bit, especially for the soldier and the justice of the peace, but the premise remains the same. Each section focuses on one of these ages and the different aspects of life during that period in a person’s life. Norton also features small snippets of extra information that don’t fit into the narrative of the chapter, but are fascinating. 

The main characters, who are the main focus in this book, are a collection of stories of women from royals to rebels. Two Elizabeth Tudors bookmark the book, one will die as a child while the other became one of the most important rulers in European history, Queen Elizabeth I. We also get to see the stories of Elizabeth and Anne Boleyn, a prophetess, Elizabeth Barton, a businesswoman named Katherine Fenkyll, the widow Cecily Burbage, the heretic Anne Askew, a rebel named Margaret Cheyne, and an expatriate named Jane Dormer. These stories and the other smaller tales paint a picture of what it meant to be a female in Tudor England.

This was another delightful book by Elizabeth Norton. While I did know some of the stories and the information featured in this book, other stories were brand new and thrilling to read about. Norton breathed new life into women’s history during the 16th century with this book. If you want a fresh approach to Tudor England with new women to learn about, I highly recommend you read “The Lives of Tudor Women” by Elizabeth Norton.

Book Review: “The Cardinal” by Alison Weir

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During the reign of King Henry VIII, the king would elevate well-qualified men to positions of power and prestige. We all know the story of Thomas Cromwell, but it is his mentor, Sir Thomas Wolsey, whose story shows how one can rise from humble beginnings, but whose fate is ultimately tied to the mood of the monarch. The son of a butcher turned scholar who became a priest, a lover, a father, and the closest advisor to the king. His life, his loves, his successes, and his struggles are told in Alison Weir’s latest novel, “The Cardinal.”

I would like to thank Ballantine Books and Net Galley for sending me a copy of this novel. I am a fan of Weir’s novel, so when I saw her writing a new one about Sir Thomas Wolsey, I knew I wanted to read it. Wolsey is someone who tends to be a side character, so to have a novel dedicated to his life was an exciting idea.

Weir begins her story with Thomas (known in this novel as Tom) at the age of 11, going to school. His father, Robert Wolsey, is a butcher from Ipswich who wants his son to climb the social ladder in the church. Tom will eventually rise to the level of becoming King Henry VII’s chaplain and will begin working with King Henry VIII. Life for Tom is thrilling with the twists and turns of court life, but the one thing that is missing in his life is someone to share it with. Since he is a member of the church, he cannot marry or have his own family, but things change for Tom when he meets Joan Larke. Their love for each other is genuine, even though it is taboo in the eyes of the church and King Henry VIII, which comes across as quite hypocritical.

It was under King Henry VIII that Tom’s star rose to remarkable heights. He became a Cardinal, was the King’s right-hand man and best friend, and was able to create the architectural marvel of Hampton Court Palace. But his rise in prominence came with a cost. Tom must help the king navigate not only international affairs, such as the Field of Cloth of Gold, but also more personal matters, such as the divorce of King Henry VIII and Katherine of Aragon, which would become known as The Great Matter. Tom would have many enemies at court, including Anne Boleyn, the future wife of King Henry VIII, who would ultimately lead to Tom’s fall from grace.

This is such an engrossing novel about one of the most complex figures of the Tudor dynasty. Thomas Wolsey’s story shows the struggle of fighting for those you love over the ambitions and prestige of the glittering court life. If you want an excellent novel about one of Henry VIII’s closest advisors and his life, I would highly recommend you read “The Cardinal” by Alison Weir.

Book Review: “Nothing Proved” by Janet Wertman

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A princess born to a king and his second wife lost her title and legitimacy when her father decided that her mother, Anne Boleyn, needed to die. Elizabeth Tudor knows the meaning of resilience as she survived her childhood during her father King Henry VIII’s reign. Now that her father is dead  Elizabeth is at the mercy of her half-siblings Edward and Mary, plus any scheming man who wants to marry her and get closer to the crown. Can Elizabeth survive her siblings’ reigns or is she destined to be locked in the Tower to await her ultimate fate like her mother? Janet Wertman explores the life of Elizabeth Tudor in her latest series Regina and the first novel, “Nothing Proved” explores Elizabeth’s turbulent adolescence. 

I would like to thank Janet Wertman for sending me a copy of this novel. I have always been a big fan of novels about Elizabeth I and so when I heard that Wertman was writing another Tudor series all about Elizabeth I, I jumped at the chance to read it.

From an early age, Elizabeth Tudor swore she would never marry, especially after seeing how her mother Anne Boleyn, and her numerous stepmothers were treated by her father. Now her father King Henry VIII is dead, her brother Edward VI is King of England, and she is separated from the stepmother that she loved Katherine Parr after several unwanted incidents with Katherine’s husband Thomas Seymour. Elizabeth never got to see her beloved stepmother again and Thomas has his eyes on marrying Elizabeth or possibly taking control of the king. Bad mistakes on both parts, but it does not mean that Elizabeth is safe from scandal as Edward’s council believes that Elizabeth was involved in the plot against the king.

Elizabeth may have survived Edward’s reign, but her step-sister Mary’s reign is a different case. Mary is a devout Catholic who does not trust Elizabeth. She believes that Elizabeth is part of the plots to overthrow Mary and become the next queen of England. These accusations are dangerous and will place Elizabeth in the Tower. Luckily, Elizabeth is not alone as she has her ladies in waiting as well as friends like Robert Dudley and William Cecil, who is the second protagonist in this novel. It was a nice touch to add William Cecil’s point of view because he rarely gets a starring role in historical fiction novels so it was interesting to see his perspective on matters leading up to the moment Elizabeth becomes queen.

I found this an enjoyable novel that explored Elizabeth’s adolescent years which were some of her most turbulent. We can see her signature resilience and the formation of her close-knit circle of allies and friends that will become so important during her reign. If you are a fan of Elizabethan novels,  I think you will  thoroughly enjoy, “Nothing Proved” book one in the Regina series by Janet Wertman.

Book Review: “Henry VIII and His Rabbis: How the King Relied on Jewish Law to End His First Marriage – and Why He Failed” by Jerry Rabow

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The Great Matter was a defining event in the lives of King Henry VIII, Catherine of Aragon, and Anne Boleyn. One of the world’s messiest divorces, it saw Henry VIII trying everything in his bag of tricks to annul his marriage to Catherine of Aragon to marry his new infatuation, Anne Boleyn. While we know that the basis for his argument that he should be able to divorce Catherine comes from the book of Leviticus in the Bible, we often see Henry’s debate through the Catholic and Protestant lenses. However, Henry relied on another group of people who had not been on English soil for centuries, the Jews. What does Jewish law bring to the discussion of the Great Matter and did it help Henry? Jerry Rabow examines this often overlooked aspect of Henry’s road to divorce in his book, “Henry VIII and His Rabbis: How the King Relied on Jewish Law to End His First Marriage- and Why He Failed.”

I want to thank Amberley Publishing for sending me a copy of this book. Obviously, as a Tudor nerd, I am very familiar with the Great Matter, but when I saw that it was focusing on Jewish law and how it pertained to this case in particular. I have some knowledge of theological debates from college, so I wanted to see how in-depth Rabow would go.

Rabow begins by exploring the phenomenon known as Tudormania before diving into a brief history of the Jewish people in England before Henry VIII’s reign. He then takes the time to provide background information about the Great Matter, including discussing the Leviticus Prohibitions, which would be the base of Henry’s argument for his divorce. I have to say that the way Rabow covered the Tudor portion of this book felt like he oversimplified things or made assertions about their characters that felt generic.

When it comes to the main topic, Rabow spends a bit of time explaining Jewish law and the different Jewish traditions. This foundation is important because different Jewish traditions understand the Leviticus Prohibitions in different ways. One tradition believes in a levirate marriage, which allows a brother to marry his sister-in-law if his brother dies without an heir. So essentially what happened when Henry married Catherine after Arthur died. To say Henry was not thrilled with this branch of Jewish tradition would be an understatement. Rabow shows his audience how Henry VIII relied on Jewish scholars in Italy to help defeat the Pope’s gridlock on the matter.

I think the theological matters and the history of the Jewish people and scholars were interesting in this book. Where it fell short for me was when Rabow entered the Tudor court. Overall, it was an interesting book with a unique twist on the story of the Great Matter. If you want a book that explores the Great Matter with a twist, I suggest you read, “Henry VIII and His Rabbis: How the King Relied on Jewish Law to End His First Marriage- and Why He Failed” by Jerry Rabow.

Book Review: “The Duty of Women” by Caroline Willcocks

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The Tudor court during the reign of King Henry VIII was a treacherous place to be, even for the humble female musician. It was full of men and women vying for a position of power, and they were ready to give anything and everything for that power. This is the world that Kat Cooke finds herself in. After faithfully serving Queen Katherine of Aragon for years, she must switch her loyalties to Anne Boleyn, but when things get dangerous, where will Kat’s loyalties lie? Can Kat survive such turbulent times or sacrifice everything she holds dear? Kat’s story is told in the second book of Caroline Willcocks’ Tudor Queens series, “The Duty of Women.”

I want to thank Atmosphere Press and NetGalley for sending me a copy of this novel. While I have not read the first book in this series, “Of Aragon,” I did want to read this book because the premise sounded intriguing, and I have seen this book floating around on social media. I have not read any books by Caroline Willcocks, so I was looking forward to seeing what her writing style and approach to the Tudors was like.

Kat Cooke is an adopted foundling living in the court of Henry VIII. She is a married woman, and throughout she tells her story to her daughter. It should be noted that Kat is not an ordinary adopted foundling; she is the daughter of Katherine of Aragon and Henry VIII, who was believed to have been born stillborn, which was revealed in book one of this series. Having Kat in the court as the unknown child of Katherine of Aragon and Henry VIII adds depth to her character as Kat is both inside and outside the court circle. We enter the story with Queen Katherine of Aragon away from court and Anne Boleyn starting to create her influence over the court. It is at the height of the Great Matter, and we get a chance to see Thomas Cromwell working with Kat’s husband, Will, to put Anne Boleyn on the throne while dismantling the Catholic church in England.

It is through Kat’s story to her daughter that we get to see how the court interacts with one another during this tumultuous time. Willcocks portrays the relationship between Anne Boleyn and Jane Seymour as a Mean Girls situation. We also get to see the relationship between Anne and Henry, Anne and Cromwell, and Sir Thomas Wyatt’s affection for Anne. Although Sir Thomas Wyatt and Anne Boleyn never were a couple, Kat and Thomas do develop quite an interesting relationship that will shape her entire future and shake her relationship with Will forever.

Overall, I think this was a decent book with a unique take on the story of the Great Matter, the rise and fall of Anne Boleyn, and the short reign of Jane Seymour. The story of Kat and Will Cooke is fresh and welcoming when compared to other Tudor novels. I am interested in reading the first book in this series and the other books in the series when they are published. I think if you want a fresh take on the Great Matter, “The Duty of Women” and the Tudor Queens series by Caroline Willcocks should be something you check out.