Book Review: “Becoming Anne: Connections, Culture, Court” by Owen Emmerson and Kate McCaffrey

278021206_976866119687329_5395301118592288697_nWhen we study the past, the stories of queens often begin when they marry their prince or the king. We don’t see their formative years unless they are extraordinary. One of the more extraordinary queens in English history was Anne Boleyn, a woman who was able to capture the heart of King Henry VIII, divide her nation, and gave birth to the legendary Queen Elizabeth I. We all know how the story of Anne Boleyn ends, but how did she become the woman who would one day be Queen of England? Hever Castle currently has an exhibition about Anne Boleyn’s formative years. This corresponding book, “Becoming Anne: Connections, Culture, Court” by Owen Emmerson and Kate McCaffrey, gives readers an in-depth look into her early years.

“Becoming Anne: Connections, Culture, Court,” the exhibition to celebrate the 500th anniversary of Anne Boleyn’s debut at the English Court on March 4, 1522, is currently running at Hever Castle until November 9, 2022, for anyone interested in attending. For those who cannot participate in this exhibit, like me, “Becoming Anne: Connections, Culture, Court” by Owen Emmerson and Kate McCaffrey is perfect for celebrating this momentous event in Tudor history.

We begin our exploration of Anne Boleyn’s formative years by looking at how the Boleyn family rose to a prominent position at Henry VIII’s court. Thomas Boleyn rose through the ranks and married well to Lady Elizabeth Howard. The Boleyn children were given the best possible education to secure great marriages. Anne’s education inside England and throughout Europe defined her as a captivating figure in history. Her international education included stays at the court of Margaret of Austria in Mechelen, Queen Mary Tudor, and Queen Claude in France, Louise of Savoy, and Marguerite of Angouleme.

Emmerson and McCaffrey have written a book that combines the latest in Boleyn research from the top experts, including Lauren Mackay, Elizabeth Norton, Tracy Borman, and Claire Ridgway, to name a few. For a companion book for an exhibit about Anne Boleyn, I found this book informative and was complemented by the gorgeous images that the authors included. If you want a delightfully informative and beautifully illustrated book about Anne Boleyn’s formative years, I recommend reading “Becoming Anne: Connections, Culture, Court” by Owen Emmerson and Kate McCaffrey.

Book Review: “The Forgotten Tudor Women: Gertrude Courtenay: Wife and Mother of the Last Plantagenets” by Sylvia Barbara Soberton

59617178._SX318_In any dynasty, those closest to the throne are the most at risk of dealing with suspicions and conspiracies. Those who were not next in line for the throne were seen as threats, especially those whose bloodline was a bit stronger than those who sat on the throne. The Tudor dynasty’s biggest threat was the few Plantagenets who still lived at court. The family that had the most Plantagenet blood in their veins and poised the most significant threat was the Pole family. However, one woman who was very close to Henry VIII and his family married a man who had Plantagenet blood in his veins. Her name was Gertrude Courtenay, the Marchioness of Exeter, and her story is finally getting the light it deserves in Sylvia Barbara Soberton’s latest book, “The Forgotten Tudor Women: Gertrude Courtenay: Wife and Mother of the Last Plantagenets.”

I want to thank Sylvia Barbara Soberton for sending me a copy of this book. I am always looking for new stories from the Tudor dynasty, especially about strong women, so I was intrigued when I heard about this title.

Gertrude Blount (later Courtenay) was the daughter of William Blount, 4th Baron Mountjoy, a distinguished humanist scholar and chamberlain to Katherine of Aragon. William would marry one of Katherine of Aragon’s ladies-in-waiting, Inez de Venegas, and was made a Knight of the Bath by King Henry VIII. As the daughter of such an esteemed gentleman at court, Gertrude received an outstanding education and served Katherine of Aragon as one of her maids of honor.

In 1519, Gertrude married Henry Courtenay, 1st Marquess of Exeter and the first cousin of Henry VIII; his mother was Katherine Plantagenet of York, the younger sister of Elizabeth of York. Gertrude and Henry would stay loyal to Katherine of Aragon and her daughter Mary through The Great Matter, even when Anne Boleyn was queen; Gertrude was a godmother to Anne’s daughter Elizabeth. Even though Henry Courtenay and his son Edward was seen as a potential opponent to Henry VIII, they continued to curry royal favor.

Gertrude’s life was by no means perfect as she was involved in several scandals, including the one around Elizabeth Barton and the Exeter Conspiracy, which resulted in the death of her husband in 1538. Gertrude and Edward would spend time in the Tower, but fate had another twist to their story as young Edward was seen as a potential husband for Queen Mary I.

The strength and tenacity of Gertrude Courtenay are nothing short of admirable. To survive so many conspiracies and scandals during the Tudor dynasty was nothing short of extraordinary. Soberton’s writing style brings to life Gertrude’s story and illuminates one of the forgotten women of the Tudor dynasty. I hope others will appreciate Gertrude Courtenay’s story as much as I did when they read Sylvia Barbara Soberton’s latest book, “The Forgotten Tudor Women: Gertrude Courtenay: Wife and Mother of the Last Plantagenets.”

Book Review: “Tudor Roses: From Margaret Beaufort to Elizabeth I” by Amy Licence

36762189When one studies a specific dynasty, we tend to focus on the stories of those who rule their respective countries and explore the men who influenced the king’s decisions. A dynasty’s legacy tends to be viewed from the military and legal victories of the men, but just as important are the women who stood beside the king. Royal women tend to be considered side characters of the dynasty who were only crucial for their inheritance, who they married, and the children they could produce. But if we focused on the story of the royal women in a specific dynasty, what could we learn about the dynasty? Amy Licence took this concept to explore women’s voices and decided to tackle the Tudor dynasty in her latest book, “Tudor Roses: From Margaret Beaufort to Elizabeth I.”

I want to thank Amberley Publishing for sending me a copy of this book. I am always looking for a new perspective on the Tudor dynasty. Although there is nothing new about exploring the lives of Tudor women, the idea of analyzing the Tudor queens and their reigns in one book is so unique and vital.

Licence starts her book at the very beginning of the Tudor dynasty with the stories of Margaret Beaufort and Elizabeth Woodville. These women are often viewed as enemies on opposite sides of the Wars of the Roses. Still, closer examination shows how alike they were and how they came together to unite the warring factions with the marriage of their children, Henry VII and Elizabeth of York. The first Tudor queen, Elizabeth of York, was seen as the pinnacle of excellence and the ideal queen for those who would try to follow in her footsteps. We also get to see how Margaret and Mary Tudor influenced their family’s legacy, even though they never sat on the English throne like their brother, Henry VIII.

The next group of Tudor queens that we examine are the wives of Henry VIII; Catherine of Aragon, Anne Boleyn, Jane Seymour, Anne of Cleves, Catherine Howard, and Catherine Parr. These queens mark a different aspect of being a royal woman and helped England move forward. Finally, Licence explores the lives of the daughters of Catherine of Aragon, Frances Brandon, and Anne Boleyn, who would become queens themselves; Lady Jane Grey, Mary I, and Elizabeth I.

Licence shows how England and Europe viewed women who wielded power throughout this book. Although the Tudor dynasty only lasted 118 years, the change was significant and impactful. The Tudors queens had to navigate not only their traumas through the most public lens, but they had to balance their own beliefs with the shifting political landscape of Europe. There are also glimpses of how other European queens navigated the tumultuous 16th century and how their lives and women’s education influenced the Tudor queens.

Guest Post: “ Gertrude Courtenay: Forgotten Tudor Woman” by Sylvia Barbara Soberton

banner-blogtour1Today, I am pleased to welcome Sylvia Barbara Soberton back to discuss another forgotten Tudor woman, Gertrude Courtenay, who is the subject of her latest book, “The Forgotten Tudor Women: Gertrude Courtenay. Wife and Mother of the last Plantagenets”.

The biography of Gertrude Courtenay, Marchioness of Exeter, is the third volume in my best-selling series Forgotten Tudor Women. As the title of the series suggests, I am writing about the lesser-known women of the Tudor court. When I say “lesser-known”, I don’t mean that little is known about these women. Quite the contrary; they left an extraordinary trail of letters, papers, and documents and made their presence known to various chroniclers and ambassadors.

Why Gertrude, you may ask? Long story short: She was amazing! I wanted to write a biography of Gertrude for a very long time. Why was she so special?

Married to Henry VIII’s first cousin Henry Courtenay, Earl of Devon and then Marquis of Exeter, Gertrude was the wife and mother of the last Plantagenets at the Tudor court. Her husband, after whose noble title the Exeter Conspiracy is known today, was executed in 1538, and their son, Edward, spent fourteen years imprisoned in the Tower of London.

Gertrude was among the key political players of Henry VIII’s court during the infamous annulment, known as the Great Matter, commencing in 1527 and ending in 1533. A Catholic and staunch supporter of the King’s first wife, Katharine of Aragon, and their daughter, Princess Mary, Gertrude took an active part in the most turbulent events of Henry VIII’s political and private life. She was far from a passive observer, though. She exchanged letters with Eustace Chapuys, ambassador of the Holy Roman Emperor Charles V, and even visited him in disguise when it was dangerous to become Henry VIII’s enemy. She gave ear to the Nun of Kent’s prophecies (for which the Nun was executed in 1534) and remained Katharine of Aragon’s supporter even after the Queen’s banishment.

Gertrude’s hatred of Anne Boleyn, the King’s second wife, and everything she stood for achieved epic proportions and made Gertrude’s support of Katharine and Mary even more resounding. It was Gertrude who took an active part in the fall of Anne Boleyn and the rise of Jane Seymour in May 1536. Godmother to two Tudor monarchs, Elizabeth I and Edward VI, Gertrude was prominent in court circles until her luck ran out when her husband was executed in December 1538. His crime was having a close friendship with Henry Pole, brother of Cardinal Reginald Pole, with whom he discussed politics. Although Henry Courtenay died on the scaffold and their son was imprisoned for fifteen years, Gertrude was released from the Tower of London and survived under the radar until Henry VIII’s elder daughter, Mary, ascended to the throne in 1553. Gertrude’s lifelong friendship with Mary was tested when the Queen rejected Gertrude’s son as a prospective husband.

Gertrude’s story had to be told, and I am overjoyed that I can introduce her to a wider audience.

book-cover-forgotten-3-kdp-uploadAbout the Book

Gertrude Courtenay led a dangerous life, both personally and politically. Daughter of a prominent courtier, she started her career as maid of honor and then lady-in-waiting to Katharine of Aragon, Henry VIII’s first wife.

She sided with the Queen during the Great Matter, as the divorce case between Henry VIII and Katharine of Aragon was then often known. A bitter enemy of the King’s second wife, Anne Boleyn, Gertrude, plotted and intrigued with Henry VIII’s enemies, brushing with treason on many occasions.

Wife and mother of the last Plantagenets of the Tudor court, Gertrude was an ambitious and formidable political player. The story of her life is a thrilling tale of love and loss, conspiracies and plots, treason and rebellion.

This is Gertrude’s story.

Book Review: “Disability and the Tudors: All the King’s Fools” by Phillipa Vincent- Connolly

41975683When it comes to studies into the Tudor dynasty, many different approaches have been taken in the past. We have examined every monarch, their spouses, how they lived, what they wore, and the various political events that defined the dynasty. The list is endless to the different studies that have been done with the Tudors, yet there are still new areas of study that are being explored. One of those areas of study is how individuals with disabilities survived in the past. How did society treat those who had disabilities, and what rights did they have according to the laws of the land? In her first non-fiction book, “Disability and the Tudors: All the King’s Fools,” Philippa Vincent-Connolly explores the lives of famous fools and monarchs with disabilities to discover how they were treated by Tudor society.

I want to thank Pen and Sword Books and Net Galley for sending me a copy of this book. When I heard about this book, I was interested in learning more, and I will admit that studies on those who had disabilities in the past have never been an area of research that I considered before. I wanted to learn more and see if Vincent-Connolly could provide new information about the Tudors.

To understand disabilities during the Tudor dynasty, Vincent-Connolly defines a few terms, such as a natural fool, those with disabilities, and an artificial fool, which we consider clowns or jesters. They were either viewed as vile sinners or holy innocents, more divine than the average citizen. Like William Somers and Jayne Foole, natural fools were deemed prominent members of the Tudor court and allowed to speak freely to the monarch ruling at the time. Those who lived at court were well taken care of and were depicted in portraits as background figures. Of course, disabilities also affected royalty and the nobility, like Henry VIII, Claude of France, and Lady Mary Grey. For those who did not have the luxury of living at court, some Poor Laws and communities were dedicated to caring for natural fools. With the dissolution of the monasteries, the care for those with disabilities shifted from the church to the communities and their families.

Vincent-Connolly has a passion for this subject and is genuinely dedicated to sharing that passion with fellow Tudor nerds. The one major problem that I had with this book was its repetitive nature, and if it were organized better, this repetitive problem would not be as bad, which would be an easier read. She included one source that I disagreed with, but it was a minor issue in the grand scheme of things.

Overall, I found this book informative and fascinating. The lives of Tudors who had disabilities mattered, and it was an intriguing book that added a new aspect to Tudor research. I think this will open a discussion about those who had disabilities in the past and give us a better appreciation of their struggles and how they survived. If you want to learn something new about this dynasty, I suggest you check out “Disability and the Tudors: All the King’s Fools” by Phillipa Vincent-Connolly.

Book Review: “The Boleyns of Hever Castle” by Owen Emmerson and Claire Ridgway

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As history nerds, many have wondered what life might have been like during our favorite dynasties. What were castles like in their heydays? Though we might not have a time machine, we have rare chances to visit the actual castles that our favorite historical figures called home. One such place is the breathtaking home of the Boleyns, Hever Castle. Owen Emmerson and Claire Ridgway have combined their talents to create a beautiful book all about this magical place entitled “The Boleyns of Hever Castle.”

As someone who has never visited England before, Hever Castle is on my bucket list of Tudor places to visit. I have seen the gorgeous pictures and videos from those who have visited and get the exciting opportunity to work at Hever, like Owen Emmerson, the Assistant Curator and Castle historian at Hever. When I heard that Owen Emmerson and Claire Ridgway were writing this book together, I knew I had to read it.

Like any good tour guide, Emmerson and Ridgway paint a picture for their readers of what they might see when they visit the castle. As they explain, the castle has gone through a few renovations throughout the centuries, so they focus on areas that would have been familiar to the Boleyn family during their 77-year stay.

Of course, Emmerson and Ridgway take an in-depth look into the Boleyn family, how they became owners of this stately palace, and how the estate survived after the fall of the illustrious family. For those who know the story of the Boleyns, it is a delightful reminder of how important Hever was as their home when times got somewhat rocky at the court of Henry VIII. What I found most intriguing was how the castle and the legacy of the Boleyns survived because people like William Waldorf Astor and Queen Victoria had such a love for the Tudors and preserving the past.

It is not just the brilliant writing that tells the tale of Hever Castle in this clever book, and the photographs tell the other half of the story. Since Tudor fans may not have had a chance to visit, myself included, these pictures, sketches, and maps add another layer of enjoyment to this book. Full of fascinating facts, colorful photos, and rigorous research, “The Boleyns of Hever Castle” by Owen Emmerson and Claire Ridgway is an essential book for anyone who is a fan of the Boleyns and the Tudor dynasty.

Book Review: “Songbird” by Karen Heenan

57859999._SY475_We all know about the man who would become King Henry VIII. We know about his love life and his ever-changing views on religious reform, yet a side of the infamous king rarely explored; his love of music. Henry’s court in literature is often viewed through the lenses of those who held power in government and the lady’s maids, but what if it was considered from a different perspective? What if it was viewed from the perspective of one of the performers of King Henry VIII’s court? What might their experiences have been like singing their hearts out for the rich and glamorous? Karen Heenan tries to give her readers a better look into the world of Music with Bess, the titular character of her first novel in The Tudor Court series, “Songbird.”

I want to thank Karen Heenan for sending me a copy of this novel. I hosted a book tour for Karen a few months back for this book, so I was intrigued by this novel.

Beth is a ten-year-old girl who has a voice like an angel. One day, her father brought her to the court of Henry VIII to serve the king as one of his majesty’s minstrels. It is there that Bess meets a boy a year younger than her named Tom, who plays numerous instruments, but he prefers the lute. They form a bond that will last for years. Yet, as the friends grow closer, romance enters the picture, and the friends must navigate the ever-changing world of Henry VIII’s court during the time of the Great Matter.

What makes this book sensational is that the Tudors that we are familiar with, Henry VIII, Catherine of Aragon, and Anne Boleyn, tend to act as secondary characters, quite like a work by CJ Sansom. The focus is really on the music and the lives of the musicians. It shows just enough of the glitz and the glam of court life to get. The songs that Heenan included in this novel are so melodic that I could imagine the scenes without hearing the pieces aloud.

Oh boy, this book was an absolute treat. It was also a ride in the best sense. Bess and Tom go through many hurdles, including death, heartbreak, politics, and a good old-fashioned love triangle as a cherry on top. The world of the minstrels is full of its scandals, and it is just as brilliant as the court they entertain. There were points in this book where Bess or Tom made a mistake, and I just wanted to scream at them, but I couldn’t put this book down. These characters are so loveable that you will get emotionally attached to them.

To combine the story of the Great Matter with the lives of the minstrels like Beth and Tom is simply brilliant. If you want a historical fiction novel that gives a fresh take on the tumultuous Tudors, you should check out “Songbird” by Karen Heenan. Heenan gorgeously wrote this novel to portray the human experience through the reign of Henry VIII vividly.

Book Review: “Inside the Tudor Court: Henry VIII and his Six Wives through the eyes of the Spanish Ambassador” by Lauren Mackay

25266205The story of King Henry VIII and his six wives has been regaled for centuries in different mediums. We love the marital problems of this one English king because of how much of an impact it made on all of Europe in the 16th century and beyond. Yet our love affair with the Tudor dynasty would not have gotten to the point that it is today without the tireless efforts of the ambassadors who went to England to report the news of the day to their respected kings and emperors. We tend to think that the ambassadors are better left in the shadows, working to promote peace between countries and report what was happening, but one man made a name for himself as an ambassador and transcended time. His name was Eustace Chapuys. His story and his mission are finally being told in Lauren Mackay’s brilliant debut book, “Inside the Tudor Court: Henry VIII and his Six Wives through the eyes of the Spanish Ambassador”.

I have heard about this book in the past and how much of an impact it has made in the Tudor community in the past. I have read Lauren Mackay’s two other books and I have enjoyed them thoroughly and so I really wanted to read this book.

To understand the man behind the now-infamous words about the Tudors, especially Henry VIII and Anne Boleyn, we have to go back to Chapuys hometown of Annecy. It is here where we see the Chapuys family rise in prominence to the point where Eustace Chapuys was employed by the Holy Roman Emperor Charles V as the Spanish Ambassador to England. His main job was to report information back to Charles about the Henirican court as accurately as possible.

Chapuys started his job as ambassador at a critical junction in English history when Henry VIII was in the middle of his divorce from his first wife Katherine of Aragon in 1529. Chapuys admired Katherine of Aragon’s strength and worked tirelessly to protect her daughter Mary. Since Chapuys had a close connection to those who were essential in the Tudor court, he has given historians fabulous insights into these tumultuous times. It was really his relationship with Anne Boleyn which has caused a lot of controversy over the years and has blackened Chapuys’ name for centuries. Mackay has masterfully examined Chapuys’ correspondences to uncover the truth about how he felt about the Tudor court from 1529 until 1545.

You cannot separate Tudor history during the reign of Henry VIII and the works of Eustace Chapuys, which is why this biography and Mackay’s research are so essential in understanding the 16th century. It sheds new light on the stories of Henry VIII and the lives of his six wives; Katherine of Aragon, Anne Boleyn, Jane Seymour, Anne of Cleves, Catherine Howard, and Catherine Parr. Chapuys was not afraid to speak his mind and to share the rumors of the day, which gives us significant insight into how the royal family was perceived by their public, both the positive and the negative aspects.

Eustace Chapuys has been one of those ambassadors who we think we know, but do we really? Mackay has rescued the much-maligned messenger of Charles V and restored him to the glory that he so rightfully deserves. Chapuys’ story was hidden in plain sight, but it took an extraordinary historian to bring his story to the spotlight. If you think you know about Eustace Chapuys and the Henrician court, you need to read this sublime biography, “Inside the Tudor Court: Henry VIII and his Six Wives through the eyes of the Spanish Ambassador” by Lauren Mackay. It might change how you view the Tudor dynasty.

Book Review: “The Betrayal of Mary, Queen of Scots: Elizabeth I and Her Greatest Rival” by Kate Williams

40554521Two cousins fighting for the right to rule England during the 16th century. One was the daughter of Henry VIII and Anne Boleyn who fought tooth and nail to rule without a man by her side. The other was the daughter of Mary of Guise and King James V of Scotland whose marriage record would prove to be fatal. Elizabeth I and Mary, Queen of Scots, may have been sister queens, but the way they were treated in their own countries differed completely. While Elizabeth I was praised and protected from harm in England, Mary was a scapegoat for so many in Scotland. The way that Mary was used as a pawn even though she wore a crown was nothing short of extraordinary. The story of how these two queens came on a collision course that would leave one queen beheaded and the other forever changed has been told in many different ways from both sides of the tale, but it has rarely been told as a cohesive nonfiction book. That is until Kate Williams’ marvelous biography, “The Betrayal of Mary, Queen of Scots: Elizabeth I and Her Greatest Rival”.

Before we get to the part of the tale that many Tudor fans know very well, the end of the tale, we must understand what shaped Elizabeth I and Mary, Queen of Scots to be the queens of England and Scotland respectfully. As someone who knows quite a bit about Elizabeth I’s story, I found Williams’ explanation of her childhood informative and relatively brief.

Williams chooses to focus on the much-maligned Mary, Queen of Scots. We tend to assume that Mary’s life as a pawn with a crown began after her first husband, King Francis II of France, tragically died and she had to go back to her native Scotland. However, Mary was a pawn in someone else’s game her entire life. The only man that Mary loved and who loved her back was Francis. Her other relationships with Darnley and Bothwell were trainwrecks that would cause Mary immense pain and sorrow. Bothwell was the epitome of a disastrous relationship that was doomed to ruin Mary’s life. The two people who Mary thought she could depend on, Elizabeth I and Mary’s own son King James VI, ultimately chose to save face than to help protect a queen who had nowhere else to go.

I will be honest and say that before I read this book, I felt that Mary was the villainess of Tudor propaganda. She, after all, was wanting to dethrone Elizabeth I so that she could become the Catholic Queen of England. I have always been someone who has been a big fan of the reign of Elizabeth I, so I assumed that I would not be a fan of Mary, Queen of Scots. However, that all changed after reading this book. To see Mary put her faith and trust into those who she thought had her best interest at heart and to be betrayed every single time was utterly heartbreaking.

This is a gorgeously written biography of Mary, Queen of Scots that shows Mary in a sympathetic light while portraying how cataclysmic the numerous betrayals she endured affected her life. It was my first time reading a biography about Mary, Queen of Scots, or a book by Kate Williams, and I have to say it is one of my favorite biographies that I have read so far this year. I did not want to stop reading this biography. It made me feel so sympathetic towards Mary and her plight. If you want an exceptional biography about Mary, Queen of Scots, “The Betrayal of Mary, Queen of Scots: Elizabeth I and Her Greatest Rival” by Kate Williams is a must to have in your collection.

Guest Post: “Life at the Tudor Court” by Karen Heenan

I am pleased to welcome Karen Heenan to my blog today to discuss life at the Tudor Court. This is part of the book tour to promote Karen Heenan’s book, “Songbird (The Tudor Court, book 1). Thank you The Coffee Pot Book Club and Karen Heenan for allowing me to participate in this tour. 

“Bess!”

The voice, close to my ear, startled me awake. I’m alone in the bed, and the small attic room shared by the female members of the music is empty but for Flora and one other girl. They are nearly dressed—I’m late. Bolting out of bed, I asked Flora, “Why didn’t you wake me?”

She shrugged. “The rest of us get up when Mistress Edith calls.” Relenting, she said, “Here, I’ll help you.”

I pulled my nightdress over my head and washed quickly at the basin. Flora handed me my shift, then helped lace my kirtle. My hair was braided for sleeping, so I pinned it into a hasty knot and settled a white linen coif over it, hoping I wouldn’t run into Nick Hawkins when I looked so untidy.

Breakfast was served in the great hall, which was filled with trestle tables and benches. Servants brought out great bowls of steaming pottage and pitchers of ale, and there were loaves of bread set along the length of the table, for us to cut with our knives.

When the trenchers have been cleared, and the remaining food was taken away for manners—to feed the beggars at the gate—we make out way to the chapel. I let my mind drift during mass until the choir begins to sing. It is impossible not to pay attention to every sound, every note—my dream, when I first arrived, had been to sing in the choir, but girls were not permitted to offer their voices to God. No one had still given me a good explanation as to why.

If we were at Greenwich—where we would travel in the morning, the king had decided to move from Westminster in London—we could also attend the local church, St. Nicholas. Their choir was inferior, but it was pleasing to get outside the palace. The king had less need of us at Greenwich than Westminster, where we were held constantly within call.

Once mass was done, I was free to do what I liked until dinner. Flora had gone off with friends, so I went up to the practice rooms. Someone might be willing to play for me, but if not, I would sing along. If I was fortunate, Tom would be there. He was my dearest friend, and a talented lutenist and composer, though he would blush and deny that his songs are any good.

Someday it would be known, and his songs would be sung all over the court, and perhaps all over England.

He was there, supervising the packing of the many musical instruments which would be transported to Greenwich, along with all the nobles and a good number of the court servants, and all their varied possessions.

 “Do you want me to play for you?” he asked, swaddling a lute in soft wrappings like a babe. His own instrument, I knew, would travel in his grasp; Tom would not trust it to the rough men who loaded the carts and barges for the trip between palaces.

“I can wait.” I leaned against the window, watching the flurry of activity below. In addition to the carts which would start this day so that things might be in place when King Henry stepped off his barge on the morrow, there were the usual clusters of men and horses, servants scurrying across the courtyard on some errand or another, and, to my delight, a certain gentleman atop a shining black horse. 

I let my eyes rest on him. A man such as Nick Hawkins would never pay any mind to a minstrel girl, no matter how lovely my voice. The fact that he had spoken to me on occasion proved nothing. He was handsome—beautiful, really—and powerful, a friend of the king. A man who could have any woman in the kingdom, save the queen. 

He would never look at me.

I turned to Tom, smiling. He would always look at me, always see me for who I was. But it wasn’t the same, and though I loved him as a friend and a brother, I did not think of him as I drifted off to sleep.

“What will you have me play?” Tom settled on a stool with his instrument on his lap, the light from the narrow window falling on his fair hair. “Bess?”

“Sorry.” I shook away my fancies. “We are to perform this evening for the French ambassador and his party.” 

“At least we will have time to eat.” He tuned the lute carefully. “And we will be in the gallery, so you can watch the gathering to your heart’s content.”

I ignored his words, knowing he was teasing. I did like singing from the gallery so I could watch the crowd, and not just because of Nick. It was more impressive, somehow, from above. Crowded in the narrow gallery with the other minstrels, with the horns and drums and shawms, and Tom’s lute singing a sure line beneath for me to follow, I was at peace and could watch the dancers and pretend I was one of them.

A gathering for the French ambassador was sure to run late; I should go back to the girls’ chamber and pack my things for the morning so that when we were done, I could just fall into bed. “Are you happy about going to Greenwich?”

“What does it matter?” he asked. Seeing my expression, he said, “I am if you must know. The stables are closer to the palace.”

Tom loved horses, and though our indoor lives gave us little contact with the beasts, when we were at Greenwich or visiting the cardinal at Hampton Court, he always found his way to the stables. I was glad he was happy, but prolonged time in the stables made me sneeze, and I preferred to walk in the gardens if I was to take my scant free time outdoors.

Other minstrels came in and we went over our evening’s program until the bells chimed eleven; then we all streamed downstairs to dinner. I stayed with Tom; even if the others left us after the meal, we would probably sing and play together until it was time to get ready for the evening’s entertainment. Despite my dreams of greater things, singing with him was when I was happiest, and when I knew that my father had done the right thing. 

I belonged in this place.

 Several hours later, changed into a green gown and clean coif, with my few things packed into a small chest for the morning, I reassembled with other members of the Music in the gallery overlooking the presence-chamber. The vast room was hung on all sides with vivid tapestries depicting scenes both secular and religious, interspersed with gold and silver plate that reflected the hundreds of candles lighting the space.

The king was all aglitter himself, clad head-to-toe in cloth of gold studded with diamonds and pearls. His queen, Katherine, was dressed more soberly, though her fabrics were equally rich. They sat on their thrones under the gold cloth of state, speaking quietly, until the music started. Then the king stopped, mid-sentence, his ear cocked toward the gallery. How fortunate that Tom had instructed the others to begin with one of Henry’s own songs. 

He leaned over to the French ambassador, who stood near the throne, and gestured toward us. I imagined he was telling the Frenchman that he’d written the song—though he praised us lavishly, it was much more likely that he was taking credit for the song.

I sang while the people below mingled and preened, showing off their finery for the king and each other. When the dancing started, I would step back; my voice did not lend itself to the stately pavanes which began the dancing each evening. Those were for the musicians—Tom, Harry, and Gilbert would play their instruments and the courtiers would parade slowly down the length of the room, bowing and circling, flirting with their eyes and their hands, the only parts of their bodies which touched during the dance.

King Henry began the dancing, leading Queen Katherine down from the dais and onto the floor. The jeweled crowd stepped back to give them room, and they traversed the floor alone, the focus of all eyes before the king raised his hand and called for everyone to join him. Then the courtiers paired off, men swiftly bowing before ladies and taking their chosen partner to join the king. 

Nick was there, I noticed almost immediately. He danced with the prettiest women, and once arrived before a woman at the same time as King Henry, bowing deeply and giving way to his monarch, who would dance until dawn if allowed. The queen would retire early, taking her women, though some of them crept back after Her Majesty had been settled for the night.

It was after midnight when the chamber finally began to empty. I sipped from the ale which had been set aside for us; my throat was dry from singing for hours in the stuffy gallery. Tom was yawning behind his hand, and several of the other looked as though they were asleep on their feet. I was still wide awake, but perhaps it was excitement: it was spring, and tomorrow we would journey to Greenwich, where I had begun my life with the Tudor court.

[Illustration #1 – Palace of Westminster, Wikipedia]

[Illustration #2 – Minstrels, Nikki Piggott, photographer, used w/permission]

[Illustration #3 – Greenwich Palace, Wikipedia]

Blurb

She has the voice of an angel…

But one false note could send her back to her old life of poverty.

After her father sells her to Henry VIII, ten-year-old Bess builds a new life as a royal minstrel, and earns the nickname “the king’s songbird.” 

She comes of age in the dangerous Tudor court, where the stakes are always high, and where politics, heartbreak, and disease threaten everyone from the king to the lowliest musician.

Her world has only one constant: Tom, her first and dearest friend. But when Bess intrigues with Anne Boleyn and strains against the restrictions of life at court, will she discover that the biggest risk of all is listening to her own stubborn heart?

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Narrated by Jennifer Summerfield

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Author Bio

Karen Heenan

Karen Heenan was born and raised in Philadelphia, PA. She fell in love with books and stories before she could read, and has wanted to write for nearly as long. After far too many years in a cubicle, she set herself free to follow her dreams—which include gardening, sewing, traveling, and, of course, lots of writing.

She lives in Lansdowne, PA, not far from Philadelphia, with two cats and a very patient husband, and is always hard at work on her next book.

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