Tag: art

Book Review: “Capturing a Queen: The Image of Anne Boleyn” by Owen Emmerson and Kate McCaffrey

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Have you ever stared at a portrait of a historical figure and wondered if that’s what they really looked like? Anne Boleyn is one of the most famous queens in all of English history. Her image of a woman with dark hair, wearing a dark gown with a French hood, and a B initial necklace. For many people, this is what Anne Boleyn looked like, but is that accurate? What did Anne Boleyn look like, and why does it matter? The most recent exhibit at Hever Castle explores these questions, and the book that accompanies this exhibit goes deeper into the research behind this exhibit. The book shares the same name as the exhibit, “Capturing a Queen: The Image of Anne Boleyn” by Owen Emmerson and Kate McCaffrey.

I would like to thank Owen Emmerson for sending me a copy of this book. I have been interested in this exhibit ever since it was announced that Dr. Owen Emmerson and Kate McCaffrey were researching portraits of Anne Boleyn. Since I could not visit the exhibit in person, I really wanted a copy of this companion book as a way to support the research that is ongoing at Hever Castle.

So how can we possibly understand what a woman who lived over 500 years ago looked like? Well, to begin with, we need to examine how her daughter, Queen Elizabeth I, brought her mother’s name and figure out of obscurity to solidify her own legitimacy as Queen of England. We get an exploration of corridor portraits and the famous Chequers Ring to show how the Elizabethans remembered Anne Boleyn. The book then moves to the term damnatio memoriae, which was a Roman practice to eliminate someone’s name and images from history. In the case of Anne Boleyn, her image and name were not eliminated, and in fact, we do have a few artifacts that survived to the modern day, including some that were recently discovered, and her personal books.

Now, we come to the main topic of the exhibition, what Anne Boleyn looked like. We get to examine physical descriptions of Anne, including her hair color, which might surprise people. We also get a glimpse of how Anne’s European education shaped her time as queen consort. Finally, Emmerson and McCaffrey give their readers a deep dive into contemporary portraits of Anne, what messages the portraits tell, and how the image of Anne transformed over the centuries through different media. This includes an in-depth analysis of the Hever Rose portrait, which is one of the most famous portraits of Anne Boleyn, that recently underwent more scientific research.

I loved this book so much. I learned a great deal from this book, and I am sure the exhibit is fabulous in person. The amount of research that went into this exhibit and this book was extraordinary, and I applaud the respect that they gave to those historians who came before in this field of research. If you are a Tudor nerd or an Anne Boleyn fan, the new exhibit at Hever Castle is a must-see exhibit, and “Capturing a Queen: The Image of Anne Boleyn” by Owen Emmerson and Kate McCaffrey is a book you must read.

Book Review: “The Secret Courtesan” by Kerry Chaput

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A statue several centuries old has been discovered in Italy. The leading male art expert believes that it was created by a sculptor named Lucca Armani. He has asked Dr. Mia Harding to support his research, but Dr. Mia feels that something is amiss. Sofia Rossi is a courtesan living in Renaissance Venice who aspires to a life devoted to creating art. Sofia and Mia may be separated by centuries, but their lives and reputations are tied to this mysterious statue. Can Dr. Mia figure out the truth of the statue before her time runs out? Kerry Chaput tells the tale of these two remarkable women in her novel, “The Secret Courtesan.”

 

I would like to thank She Writes Press and Net Galley for sending me a copy of this novel. I have been reading a lot more dual timeline novels and novels set in Renaissance Italy, so when I saw the description of this book, I knew I wanted to give it a try.

 

Chaput begins in the modern day with Dr. Mia Harding, a struggling woman art historian, who is trying to build her own reputation in the field. She has been asked by Dr. Byron, an expert on the art by Lucca Armani to verify his research on the statue entitled The Estasi. The problem is that Dr. Mia believes that the statue was created by someone else, perhaps a woman. No one else believes her except for a stranger named Dr. Noah Beckett, who wants to help bring down Dr. Byron. They decide to research a different lead on the statue, the idea that a woman created the piece of art. This single theory will send Mia and Noah on a wild goose chase to Venice, where they find the truth about a courtesan at the risk of being arrested and chased by the mafia. 

 

We also get to see how the statue was created in Venice in the year 1608. Sofia Rossi is a courtesan for Lord Marco, but all she wants to do is create art and sell her pieces as a woman artist, which would be an uphill battle. Her life changes when Lord Marco tells her that she has been sold to Lucca Armani. She believes that she will finally be able to live her dream, but it turns out to be a nightmare. Lucca’s wife, Caterina, is the one truly in control, and she manipulates every aspect of Sofia’s life. Sofia does find some solace in her art and in an art dealer, Antonio Bruni, but her life and her dreams come to a tragic end. 

 

This was a gripping novel that shows what it might have been like for a female artist to prove her worth in a world of male artists in Renaissance Italy. We also get a taste of what it might feel like to be a female art historian in the modern day. Chaput made these characters so believable that there were a few times that I had to make sure that the Renaissance figures were, in fact, fictional because they were written so well. If you want a thrilling dual timeline novel about Renaissance art, I recommend you read “The Secret Courtesan” by Kerry Chaput.

Book Review: “I Am You” by Victoria Redel

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Have you ever looked at a painting and wondered what it must have been like for the artist to paint it? Have you ever wondered what their lives might have been like when they were painting these images that have sparked discussion and intrigue? Usually, we tend to focus on the male artists and their lives, but there has been a trend in recent years to tell the stories of women artists. Take, for example, the story of Maria van Oosterwijk and her maid Geertje Pieters Wyntges. Can these two women find their own successes during Amsterdam’s Golden Age through their art while navigating their own feelings towards each other? Victoria Redel explores the lives of these two women in her latest novel, “I Am You.”

I would like to thank Zando/SJP Lit and Net Galley for sending me a copy of this novel. I did not know anything about Amsterdam’s Golden Age or about Maria van Oosterwijk or Geertje Pieters Wyntges. It was one of those books whose premise intrigued me so much that even though I am not familiar with 17th-century art or the history of the Netherlands, I wanted to give it a shot.

Our protagonist is not the famous floral artist Maria van Oosterwijk, but rather her maid, Geertje, who is known in this novel as Gerta Pieter. During her youth, she dressed as a boy, worked for Maria’s family as a servant, and went by the name Pieter. It’s not a glamorous life, but it allows Pieter to stay close to Maria, whom Pieter admires from afar. Maria is a talented artist and attracts the attention of male admirers, but she is only interested in her art. When Maria gets the opportunity to go to Utrecht to study under Jan Davidsz de Heem, Maria insists that Pieter go with her as her maid, Gerta. Gerta accepts.

It is at this point that Gerta and Maria begin their lives together. After her apprenticeship with de Heem, Maria decides that they should move to Amsterdam, which they do once the plague dies down. It is there that Maria and Gerta meet artists like Rembrandt and Willem van Aelst, the poet Constantijn Huygens, and the art dealer Jan Six. However, the person who left the biggest impact on the lives of Gerta and Maria was Maria’s orphaned nephew Jacobus. Gerta and Maria grow closer as student and teacher and would eventually become lovers. But their social standings would always separate them, and Gerta would realize that love with Maria would be more complex than she had imagined. Behind the beautiful flowers they painted lies a darkness of betrayal and the pain of love being used as a pawn in a bigger game.

This was a richly woven tale of love and betrayal told from the perspective of a maid in love with her mistress. It is raw, especially one scene, and it shows how one person was able to bloom in the midst of love, betrayal, and heartache. “I Am You” by Victoria Redel is the perfect novel for anyone who wants something original and tells the tale of two women artists from the 17th century and the love they shared for their art and each other.

Book Review: “Disobedient” by Elizabeth Fremantle

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Disobedient“I’ll show you what a woman can do.”

A young Renaissance woman artist is attacked by her art teacher. He claimed that she was lying. For most, this would be the end of a career and a black mark left on their reputation for the rest of their lives. Not in this case. Artemisia Gentileschi is not a woman who will stand by and let men control her or her art. In the 21st century, she is seen as an artistic genius, but in her time, she was seen as an odd woman who refused to follow the rules. Artemisia’s harrowing tale of turning tragedy into inspiration for her art, showing what a woman could do, is masterfully told in Elizabeth Fremantle’s latest novel, “Disobedient.”

This is the second novel that I have read by Elizabeth Fremantle, the first being “Queen’s Gambit.” I was thoroughly enthralled by “Queen’s Gambit,” so when I heard she wrote a new novel about Artemisia Gentileschi, I knew I wanted to read it. Before I read this novel, I did not know much about Artemisia’s story, so I was excited to learn about her struggles and triumphs.

Rome in 1611 was not a kind place for a female artist. Artemisia is the eldest daughter of Orazio Gentileschi, an artist himself. Her mother died when she was but a child and after her death, her father has become an abusive drunkard. He controls his family through fear, but Artemisia is not afraid to stand up for her siblings and her artworks, no matter the consequences. To keep his headstrong daughter in line, Orazio turns to Zita to watch over her, but Zita is not the virtuous woman that Orazio believes she is as she is a thief. Artemisia has only one friend in the world who seems to understand her, the apprentice Piero, someone who truly cares for her and wants to see her talents develop, but it is conflicted when it comes to his feelings towards other men. Finally, there is the art teacher, Tassi, who may seem like a kind soul who simply wants to teach Artemisia how to paint, but he has darker plans in mind.

Everything takes a dramatic turn for the worse when Zita leaves Artemisia alone with Tassi and he attacks her. Instead of becoming timid and accepting the marriage proposal, Tassi presents her soon after the incident, Artemisia digs into her art and paints her hatred and pain into her most famous work, Judith Slaying Holofernes. The piece is full of emotions in a bloody scene that seems rather inappropriate for a woman artist during the Renaissance, but Artemisia does not care about the criticism. She is showing the world exactly what a woman can do, and her next step, taking Tassi to court, will define her strength and determination to fight for what she believes is right. Artemisia is a survivor who thrived under unimaginable circumstances.

This book left such an impact on me. I was heartbroken, angry, and devastated for Artemisia as the events unfolded. By the end, I had to catch my breath and realize that it was a fictional retelling of her life. It is a story that will stay with me for a long time and it makes me want to study Artemisia’s life and times. If you want a heartbreaking tale full of sorrow and strength set during the Italian Renaissance, you must check out “Disobedient” by Elizabeth Fremantle.

Book Review: “Princes of the Renaissance: The Hidden Power Behind an Artistic Revolution” by Mary Hollingsworth

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51601860The 15th and 16th centuries were full of dynamic political and religious reforms, but they were also known for cultural changes throughout Europe. The medieval foundations started to crumble, and the early modern age emerged. One of the centers of change was Italy, a series of states with their rulers vying for power and prestige. These rulers would help finance masterpieces in art, literature, and architecture, but it was their rivals that threatened to tear the Renaissance society apart. In “Princes of the Renaissance: The Hidden Power Behind an Artistic Revolution,” Mary Hollingsworth explores the lives of the men and women who helped shape the Renaissance.

I want to thank Pegasus Books for sending me a copy of this book. This title was intriguing to me, and I wanted to learn more about Italian history. The Italian Renaissance has been an area in history that I have been interested in studying more, but I was unsure where to begin.

Hollingsworth takes the tales of some of the most famous families in Italy to tell the story of the Renaissance. Each chapter focuses on two or three dynamic figures that shaped the era. Men like Cosimo de’ Medici, Alfonso of Aragon, Francesco Sforza, Leonello d’Este, Ferrante I of Naples, and Doge Andrea Gritti knew how to change the political landscape of Italy while acting as patrons for the artists that would define this era. The artists that they would employ were masters like Leonardo da Vinci, Michelangelo, and Titian. We also saw powerful women like Lucrezia Borgia and Isabella d’Este, who impacted the Renaissance.

Although Hollingsworth mentions the works that the princes helped fund and did include stunning images of the masterpieces of art and architecture, the bulk of this book is looking at the drama behind the art. We see a complex political landscape of lords fighting each other, family members, and even papal authority for land and prestige. Things were bound to be complicated with famous families like the Estes, the Medicis, the Sforzas, and the Borgias. Still, it created a beautiful mosaic of different influences of colorful figures.

One thing that I wish Hollingsworth would have included would be family trees of the prominent families. As someone who is not that familiar with the significant Italian families and the individual states, I think it would have helped those who are not that familiar with Italian history.

Overall, I found this book an enjoyable and fascinating read. I think it provides gorgeous images of new aspects of the Renaissance with thrilling stories of love, jealously, and the desire for power. Suppose you want a great introduction to the Italian Renaissance and those who funded these masterpieces. In that case, you should check out “Princes of the Renaissance: The Hidden Power Behind an Artistic Revolution” by Mary Hollingsworth.