
A single child can frighten kings and the pope just by existing. The year is 1230, and Europe is on fire with war and the repercussions of the Crusades. Caught in the middle are a baby boy and his protectors who must get to a safe location before forces who want to see the baby dead catch up to them. On top of it all, the Cathars are in danger of being eliminated due to their beliefs. Can the child and his protectors escape Rome, or will the child be killed? Will the Cathars survive,e or will they be persecuted for what they believe? Paul Brous explores these topics in his novel, “The Undying Lamb.”
I want to thank Rising Action and Net Galley for sending me a copy of this novel. I like reading about new aspects of medieval Europe. I saw this novel was going to feature a storyline featuring the Cathars, who don’t get much attention from casual history lovers. I wanted to see how he would tell the tale of the Cathars and how the story of a child everyone wants dead would be incorporated into this narrative.
We begin with an extensive glossary of terms used in this book, which includes phrases in Latin, Occitan, French, Sardu, and Italian, which I found extremely useful and showed how much research Brous poured into this novel before I started reading. The actual story starts with Sibilia meeting the mysterious Robin. They are given the task of protecting a baby they call Will, but his identity is the Grail Child, one whom people fear will bring forth the Apocalypse. The mission was put together by Pope Gregory IX and his right-hand man, Cardinal Goffredo Castiglioni, to protect Will from people like Blanche of Castile, who fears that the child would be a threat to her son,n while King Henry III of England threatens to invade France.
To make matters worse, you have the church going after the Cathars during the Albigensian Crusade. While many of the Cathars have been eliminated by the time of this novel, there are still pockets of resistance. Now, the church is sending an inquisition after one such group. So while we have the Grail Child storyline, we also have the Cathar storyline with multiple points of view.
Personally, I think that the plotlines included in this novel would have been better as two separate novels so that the ideas could have been developed fully. Either that or have an ending that alludes to a sequel novel. Overall, it was an okay read for me; I just felt like he had too many ideas for one novel. If you want to read a decent medieval novel that explores a different aspect of the past, you might enjoy “The Undying Lamb” by Paul Brous.
For centuries, the brave knights of Camelot and the Crusaders have searched for the Holy Grail. The cup that Jesus of Nazareth used during his Last Supper is rumored to be a vessel that can grant eternal life or miraculous healing powers. It can be a cup, plate, or stone, but in all stories, the Grail guardians and those searching for it are predominately male. But what if the guardians were male and female and the ones searching for it were predominately female? Alais from 11th-century France and Alice Tanner visiting France in 2007 share a connection that is centuries deep and it all started with a ring, a book, and an image of a labyrinth. How are these two connected to the labyrinth and the Grail and can they protect it from those who want to use it for their dark purposes? Kate Mosse weaves the tale of the Grail and the two women connected by fate in her novel, “Labyrinth.”
When we think of the phrase “middle ages,” we think of a time of bloody battles and deadly plagues, full of warriors and kings, and a more patriarchal society where women sat on the sidelines. Only the highly pious women or women who tore down barriers genuinely stood out in the history books. At least, that is what we have been told for centuries, but what does archeological research tell us? How about the newly discovered historical records? In her latest book, “Femina: A New History of the Middle Ages, Through the Women Written Out of It,” Janina Ramirez tells the story of the Middle Ages innovatively; through the stories of women who, until recently, were hidden voices from the past.