Tag: Elizabeth Bathory

Book Review: “The Most Maligned Women in History” by Samantha Morris

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Throughout history, women have been seen as pious mothers, wives, or daughters who stayed in their lane or vile manipulators who wanted power and were willing to do anything to maintain their status. While the former group of women would be an interesting study, as the saying goes, well-behaved women seldom make history. So why did certain women receive a villainess lens when we look at their lives and what do the historical records tell us about them? Samantha Morris has chosen to take the stories of these misunderstood maidens and tell them in her latest book, “The Most Maligned Women in History.”

I want to thank Pen and Sword Books and Net Galley for sending me a copy of this book. I enjoyed the previous books that I have read by Samantha Morris which covered Lucrezia and Cesare Borgia and Girolamo Savonrola When I heard that she was writing a book about maligned women in history, it caught my attention immediately as I wanted to see which women would be discussed in this book.

As Morris states in her introduction, there are numerous women who she could have chosen for this book she could make a second book, but in the end, she selected eleven women from different countries and centuries to highlight. The eleven women in this book are Cleopatra VII, Empress Wu, Joan of Arc, Lucrezia Borgia, Anne Boleyn, Elizabeth Bathory, Catherine the Great, Marie Antoinette, Lizzie Borden, Empress Dowager Cixi, and Iva Toguri the “Tokyo Rose.” Morris takes the time to tell their stories succinctly while explaining why they are considered maligned.

I do appreciate the fact that she included women from different walks of life and different centuries to show how women have been vilified throughout history. We had women who were born queens, those who were mistresses or concubines and became rulers, and average women who did extraordinary things to the ire of those in charge. While I knew some of these stories like Anne Boleyn, Marie Antoinette, Cleopatra, and Lucrezia Borgia, others were completely new to me, such as Empress Wu, Empress Dowager Cixi, and Iva Toguri. The other women in this book were names that I had heard mentioned and knew some elements of their tales, but I didn’t know their full stories.

I found this book such a fun read full of vivacious women who were not afraid to go beyond the status quo. I do hope Morris will write a sequel book and include even more women from the past who have been viewed as maligned and maybe include women from Africa, Australia, and South America to show women from even more diverse backgrounds. If you want a delightful and insightful book about women who had some bad reputations, I highly suggest you read, “The Most Maligned Women in History” by Samantha Morris.

Book Review: “The Nightingale’s Castle” by Sonia Velton

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A castle looms in the distance and the owner, a glamourous countess, has asked for fair maidens from the surrounding areas to work for her. But this is not an ordinary castle and this was not a benevolent countess. The rumors say if you enter the castle, you will never return as the infamous Blood Countess Erzsebet Bathory will kill you and bathe in your blood. A rather gruesome tale that has been told for centuries, but how true is this story? What truly happened in the Countess’s castle and what was the countess like? Sonia Velton hopes to answer these questions in her novel about Erzsebet Bathory’s life, entitled “The Nightingale’s Castle.”

I want to thank Harper Perennial and Net Galley for sending me a copy of this novel. I have heard about Elizabeth Bathory the Blood Countess, but just the dark tales about how she killed virgins and bathed in their blood to keep her youth. Sadly, I don’t know much about the woman herself and the circumstances around her life that made the charges around her so extreme.

We begin with a scene in the future from a court case where we see a mysterious girl listing the names of the accomplices who helped the countess, namely Janos Ficzko Ujvary, Ilona Jo Nagy, Dorottya (Dorka) Szentes, and Katalin Beneczky. The mysterious figure also reveals that there is a ledger that she claims lists the names of every victim of the countess, which totals hundreds of young ladies. Then, we jump to the main story with two servants of the countess, Dorka, and Fickzo, looking for a new woman to work at Cachtice Castle, which they find in Boroka Libalany, the adopted daughter of the town doctor Jozsef. It is at the castle where Boroka meets another girl named Suzanna and the two girls form a sort of friendship as they work in the laundry.

Things seem to be going well for Boroka and Suzanna until they realize that there is something off about this castle. While Boroka meets Countess Erszebet Bathory and gets to interact with her court of young noble ladies, Suzanna sees the darker side of the castle. I do appreciate that each one of the accomplices of the countess gets their unique backstories on how they met Erszebet Bathory. As Boroka gets closer to the countess and earns her trust as a stand-in for her portrait by Valentino, she discovers an intricately craved box and a journal inside that tells the story of Boroka’s birth mother, however the context of the box changes for those who open it. While I do enjoy learning more about Boroka’s familial connection to the countess, the magical box element almost felt unnecessary as she could have easily found the diary in the countess’s library and it would have had the same effect for Boroka.

Finally, we get to see how the case against Erszebet Bathory and her accomplices occurred. Gyorgy Thurzo Count Palatine of Hungary joins with King Matthias of Hungary to create a case against the countess. We get to see the arrest of the countess and her accomplices, the trial, and the aftermath of this case on the entire cast of characters, but especially Boroka.

As this was the first novel that I have read set in late 16th/ early 17th century Hungary and that was about Erszebet Bathory “the Blood Countess,” I found this novel extremely engrossing. It was a haunting yet stunning story filled with so many twists and turns that I did not want it to end. If you want a riveting retake on the life of the infamous Blood Countess, I highly recommend you read, “The Nightingale’s Castle” by Sonia Velton.

Book Review: “The Sixteenth Century in 100 Women” by Amy Licence

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16th century womenWhen we think of the phrase “16th-century women,” we often consider those from royal or noble houses throughout Europe. We tend to think of women like the six wives of Henry VIII, Mary I, Elizabeth I, Catherine de Medici, Mary Queen of Scots, and others associated who made an impact during the Renaissance and the Reformation. However, the 16th century did not stop at the borders of Europe; it extended all over the globe. There are many stories of women from all over the world and from different social classes that can help us understand how the world changed in the 16th century. Amy Licence took this concept and decided to write her latest book about a variety of women from around the world who lived in the 16th century, “The Sixteenth Century in 100 Women.”

Thank you, Pen and Sword Books and Net Galley, for sending me a copy of this book. When I heard that Licence was writing this book, it intrigued me. I wanted to know more stories from the 16th century from all around the world.

“The Sixteenth Century in 100 Women” is a collection of 100 mini-biographies of women from every walk of life and every corner of the globe. Licence has decided to organize this particular book in chronological order, with the date emphasis on the significant events of their lives. Staying true to her word, she writes about women from different countries, like Japan, Nigeria, Russia, Mexico, Poland, Chile, Morocco, and Burma, to name a few.

What I loved the most about this book is the diversity of figures that Licence chose to include in this journey from 1500 to 1600. They were not just queens, princesses, and noblewomen. Licence included women who would have been seen as outsiders in everyday society, such as prostitutes during the Banquet of Chestnuts, Margaret Drummond, Ellen Sadler, and La Malinche. There were those whose appearance made them outsiders, like Aura Soltana, Elena/Eleno de Cespedes, and Tognina Gonsalvus. Some women stood up for what they believed was right, such as Cecily Bodenham, abbess of Wilton Abbey, Lady Nata of Japan, Margaret Cheney, Sayyida al-Hurra, and Beatriz de Luna.

Some women suffered horrendous tragedies beyond their control, like Suphankanlaya, whose husband was killed in an angry rage, Amy Robsart, and an unknown woman who dealt with a tsunami in Chile. Others were women who had nasty reputations associated with their lives, such as Elizabeth Bathory, Mary Frith, and the Irish pirate Grace O’Malley. We also see female artists, authors, fictional figures, and those who sat for portraits.

Licence has painted a colorful picture of the 16th century with the 100 miniature biographies she chose to include in this book. This book may highlight only a select few stories of the century, but they were new and enthralling tales of women I had never heard of, which broadened my understanding of the era. An informative, refreshing, and unique approach to the 16th century, “The Sixteenth Century in 100 Women” by Amy Licence is a breath of fresh air for anyone who wants to discover new tales from the past.