The story of Henry II and Eleanor of Aquitaine is legendary. The queen of France decided to divorce her first husband and marry the young upstart Henry Plantagenet. But things turned disastrous for the couple when Eleanor sided with their sons in a revolt against Henry later in life. At this time, Henry took a mistress named Rosamund Clifford, but when Rosamund was found dead in her tower, it is believed that Eleanor exacted her revenge on the poor woman. It is now up to Adelia Aguilar to solve the case before another civil war breaks out. This is the premise of book two in the Mistress of the Art of Death series by Ariana Franklin, which is entitled “The Serpent’s Tale.”
This is one of those books that caught my eye when I was used book shopping. I have never read books by this author, so I didn’t know that this was the second book in a series. I saw that it was a murder mystery featuring Eleanor of Aquitaine, whom I enjoy reading about, so I decided to give it a chance.
We begin with a murder and see Rosamund Clifford being poisoned by an unknown assailant. Who killed Rosamund, the mistress of the king? The only person whom Henry II trusts to solve this case is Adelia Aguilar, a woman known as the mistress of the art of death from Sicily, who is currently helping a woman give birth. She reluctantly agrees to figure out what happened to the royal mistress, so she and her crew, including her young daughter and her daughter’s father, Rowley Picot, the Bishop of St. Albans, venture to Rosamund’s tower. There, she finds the mistress dead, but things get a bit complicated when Eleanor of Aquitaine shows up.
Eleanor decides to take Adelia and her small party to the nunnery at Godstow, but they are trapped due to the weather. One by one, bodies begin to pile up, but not due to the weather. Adelia must find the murderer before they turn their sights on her and her family.
I think the concept of this novel was decent, but what was throwing me was Adelia’s almost modern understanding of the human body instead of the humoral theory, which would have been prevalent during this time. There were also times when it felt like the plot was a bit muddled, and it was a bit hard for me to follow. Overall, it was an okay read, but I don’t know if I would read the rest of the series. If you have read the first book in the Mistress of the Art of Death series, you might enjoy “The Serpent’s Tale” by Ariana Franklin.

The Plantagenets, one of England’s most dynamic dynasties, were always in the middle of some sort of conflict. Whether they were fighting foreign adversaries, their own people, or their own family, it felt like the Plantagenets were always getting into some sort of trouble. And there was one king who knew how to use the weaknesses of the kings of England to his advantage. He was King Philip II of France, also known as Philip Augustus. He had to deal with four different Plantagenet kings and had a strategy for each one of them. Just what were Philip II’s strategies, and how did his reign affect English/French relationships as a whole? These questions are answered in Catherine Hanley’s book, “Nemesis: Medieval England’s Greatest Enemy.”
A legendary Queen of both France and England. A wife who went on the Crusades with her first husband and chose her second husband. A fierce mother who defended her Plantagenet children no matter the cost. Eleanor of Aquitaine has been revered and reviled for centuries, some saying she was a powerful woman ahead of her time while others considered her someone who could manipulate those around her by having affairs, including supposedly with her uncle in Antioch. Her story has been told in numerous ways through different mediums throughout the centuries, but now Elizabeth Chadwick has decided to write her interpretation of Eleanor of Aquitaine’s life in a trilogy of historical fiction novels. The first in the series, “The Summer Queen,” explores Eleanor’s early years, her marriage to a young French king, and the man destined to become King of England.
Civil wars, clashes between cousins, are known to be full of battles between men on foot and horseback, with their eyes set on the throne of their desired country. Many stories of civil wars tend to leave out the women who often were left on the sidelines, ready to pick up the pieces. The story of the Anarchy is a bit different than other civil wars as one of the main figures was not a man, but Empress Matilda, the daughter of King Henry I and the rightful heiress of England facing off against the man who stole the throne from her, her cousin, King Stephen. However, it was not just Empress Matilda who defined what it meant to be a woman during the Anarchy. In her latest book, “Women of the Anarchy,” Sharon Bennett Connolly tells the stories of the mothers, sisters, and wives who defined this turbulent period that saw the end of one dynasty and the beginning of another.
England is a nation that is rich in history and conflicts galore. Through the centuries, England has seen so much change. Many of us know the stories of the medieval and the Tudor kings and queens of England, covered in numerous books, but Peter Ackroyd has taken this concept a step forward. Ackroyd embarked on an epic quest to chronicle the history of England from its prehistoric origins to the modern age. In “Foundation: The History of England From Its Earliest Beginnings to the Tudors,” Peter Ackroyd begins his epic journey into the past to explore the origins of English history.
When we think about medieval women, we often think about very pious figures who relied on men, had numerous children, and would often fade into obscurity when they died. While this would be the ultimate fate for many women, it was not so for those close to thrones worldwide. In times of war and political upheaval, the daughters, the wives, and the queens picked up the pieces and patched their respective kingdoms back together. In her latest book, “Women of Power: Formidable Queens of the Medieval World,” Teresa Cole has chosen a select group of women to highlight her point about the strength of women who held power in the Middle Ages.
When we think of the infamous queens of England, some names come to mind, but one rises to the top for the number of black myths and influence surrounding her name: Eleanor of Aquitaine. The orphaned Duchess of Aquitaine, who married the future King Louis VII of France, went on the Second Crusades with her husband, survived battles and kidnappings, and ended up divorcing her first husband because she couldn’t give a male son. So, she married the young Count of Anjou, who would become the first king of the Plantagenet dynasty, King Henry II, who had a large family and split her time between England and France. Eleanor would eventually side with her sons, rebel against Henry, and spend 15 years in prison. A fire-cracker of a queen, but how many of the stories surrounding the titular queen are true? In her latest biography, “Eleanor of Aquitaine: Queen of France and England, Mother of Empires,” Sara Cockerill dives deep into the archives to tell the true story of this much-maligned queen of England and France.
A nautical disaster has left Henry I of England in a bind. His only legitimate child is his daughter Matilda, the former Holy Roman Empress. Matilda’s path to the throne may seem straightforward as she has the oaths of all the leading men in the kingdom and a new younger husband named Geoffrey of Anjou, but things take a drastic turn when Henry I dies. Chaos reigns supreme as her cousin, Stephen of Blois, is declared King of England. Matilda knows that the throne is rightfully hers, and she will fight tooth and nail to recover what has been lost. Her story is told in Carol McGrath’s latest novel, “The Stolen Crown.”
When we think about royal relationships from the past, we do not associate them with love; it is more about cementing power. Princes and kings knew how much was at stake, so they tended to have wives for politics and produce legitimate heirs that would inherit their kingdoms. For matters of love and lust, kings and princes would have mistresses, either of noble birth or lower, on the side. These women have been deemed whores and homewreckers but is that a fair assessment of their legacies? Julia A. Hickey takes a closer look at these misunderstood mistresses in her latest book, “Medieval Royal Mistresses: Mischievous Women who Slept with Kings and Princes.”