Medieval Ireland is full of magic and danger, with the Anglo-Normans threatening to invade. Ireland is a fragmented nation of numerous kingdoms that can’t even figure out who their High King is, let alone figure out how to fend off the Anglo-Normans. Caught in the middle is Cuan, the man who is friends with Isolde, the Descendant who is trying to stay alive and learn about her powers. Cuan must fight for revenge for his father by surviving in his treacherous uncle’s court. Can Cuan and Isolde survive against the Irish and the Anglo-Normans, or will their worlds be burned to ashes? Shauna Lawless continues the Gael Song Era 2 series in the second book, “Son of the Serpent.”
I would like to thank Head of Zeus and Net Galley for sending me a copy of this novel. I enjoyed the first book in this series, “Daughter of the Otherworld,” when I read it a few months ago, so when I saw that there was a second book, I wanted to read it. The first book ended on such a cliffhanger that I had to know what happened next.
We begin this novel with Cuan’s story before he met Isolde. He was the son of a prince, and before his father became High King after his grandfather’s death, his uncle Ruaidri took the throne. Now, Cuan lives in his uncle’s court as a nobody, but he has secret powers of his own. Meanwhile, Isolde is learning about her gifts in Seir Kieran, including the gift of seeing visions of the future. She tries to use her powers to protect the other Descendants from the Fomorians and the destruction they bring.
On the other side of the conflict, we have the Fomorians, Donnchad, Angelo, and Gormflaith, who have their own schemes. Donnchad works with Strongbow on a planned invasion of Ireland. Gormflaith plays the cards she is dealt to become a powerful woman in the ranks of Strongbow’s court. Meanwhile, Angelo is on the hunt for the Descendants. Each has to use schemes and disguises to infiltrate and make their plans work. The way this novel ended was a shocking twist that I hope will be resolved in book 3.
It took me a minute to get into this book again, as I was trying to remember who these characters were and how they connected, especially Cuan and Isolde, but once I did, this was a fun ride. It was darker than the first book, filled with action and suspense. I cannot wait to see where the series will go next. If you enjoyed the first book in the Gael Song Era 2 series, you might enjoy “Son of the Serpent” by Shauna Lawless.
When we think about medieval princesses, we often think about pawns in the marriage market. They were born to become brides to create stronger alliances between nations. They helped rule kingdoms, but more importantly, they gave birth to heirs to help their new families’ dynasties continue to grow. But outside of marriages, what was life like for these royal women? How did certain women break the stereotype that comes with being a medieval princess? And how did the political environments of their new kingdoms affect their marriages and their families? Sharon Bennett Connolly explores these questions in her latest book, “Princesses of the Early Middle Ages: Royal Daughters of the Conquest.”
Medieval England, under the reign of Henry II and Eleanor of Aquitaine, was a turbulent time. The focus tends to be on the rebellion of Henry’s sons against their father and how Eleanor sided with her sons. This story has been told, but there is a story of another woman who was caught directly in the middle of the entire ordeal. Her story is most known for her role during the reign of King John and the Magna Carta, but that was when she was an older woman. The story of Nicola de la Haye and Lincoln Castle has been told in biographies and nonfiction books, but not really in historical fiction novels. Rachel Elwiss Joyce hopes to change that with her novel, “Lady of Lincoln.”
The story of Henry II and Eleanor of Aquitaine is legendary. The queen of France decided to divorce her first husband and marry the young upstart Henry Plantagenet. But things turned disastrous for the couple when Eleanor sided with their sons in a revolt against Henry later in life. At this time, Henry took a mistress named Rosamund Clifford, but when Rosamund was found dead in her tower, it is believed that Eleanor exacted her revenge on the poor woman. It is now up to Adelia Aguilar to solve the case before another civil war breaks out. This is the premise of book two in the Mistress of the Art of Death series by Ariana Franklin, which is entitled “The Serpent’s Tale.”
The Plantagenets, one of England’s most dynamic dynasties, were always in the middle of some sort of conflict. Whether they were fighting foreign adversaries, their own people, or their own family, it felt like the Plantagenets were always getting into some sort of trouble. And there was one king who knew how to use the weaknesses of the kings of England to his advantage. He was King Philip II of France, also known as Philip Augustus. He had to deal with four different Plantagenet kings and had a strategy for each one of them. Just what were Philip II’s strategies, and how did his reign affect English/French relationships as a whole? These questions are answered in Catherine Hanley’s book, “Nemesis: Medieval England’s Greatest Enemy.”
A legendary Queen of both France and England. A wife who went on the Crusades with her first husband and chose her second husband. A fierce mother who defended her Plantagenet children no matter the cost. Eleanor of Aquitaine has been revered and reviled for centuries, some saying she was a powerful woman ahead of her time while others considered her someone who could manipulate those around her by having affairs, including supposedly with her uncle in Antioch. Her story has been told in numerous ways through different mediums throughout the centuries, but now Elizabeth Chadwick has decided to write her interpretation of Eleanor of Aquitaine’s life in a trilogy of historical fiction novels. The first in the series, “The Summer Queen,” explores Eleanor’s early years, her marriage to a young French king, and the man destined to become King of England.
Civil wars, clashes between cousins, are known to be full of battles between men on foot and horseback, with their eyes set on the throne of their desired country. Many stories of civil wars tend to leave out the women who often were left on the sidelines, ready to pick up the pieces. The story of the Anarchy is a bit different than other civil wars as one of the main figures was not a man, but Empress Matilda, the daughter of King Henry I and the rightful heiress of England facing off against the man who stole the throne from her, her cousin, King Stephen. However, it was not just Empress Matilda who defined what it meant to be a woman during the Anarchy. In her latest book, “Women of the Anarchy,” Sharon Bennett Connolly tells the stories of the mothers, sisters, and wives who defined this turbulent period that saw the end of one dynasty and the beginning of another.
England is a nation that is rich in history and conflicts galore. Through the centuries, England has seen so much change. Many of us know the stories of the medieval and the Tudor kings and queens of England, covered in numerous books, but Peter Ackroyd has taken this concept a step forward. Ackroyd embarked on an epic quest to chronicle the history of England from its prehistoric origins to the modern age. In “Foundation: The History of England From Its Earliest Beginnings to the Tudors,” Peter Ackroyd begins his epic journey into the past to explore the origins of English history.
When we think about medieval women, we often think about very pious figures who relied on men, had numerous children, and would often fade into obscurity when they died. While this would be the ultimate fate for many women, it was not so for those close to thrones worldwide. In times of war and political upheaval, the daughters, the wives, and the queens picked up the pieces and patched their respective kingdoms back together. In her latest book, “Women of Power: Formidable Queens of the Medieval World,” Teresa Cole has chosen a select group of women to highlight her point about the strength of women who held power in the Middle Ages.