Tag: Henry VIII

Book Review: “The Thistle and The Rose: The Extraordinary Life of Margaret Tudor” by Linda Porter

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The Tudors have been an area of fascination for historians and history nerds alike for centuries. The attention tends to focus on either Henry VIII and his six wives or his daughter, Elizabeth I, but we need to remember that they were not the only Tudors. In fact, we should remember that Henry VIII had siblings, Arthur, Margaret, and Mary. While Arthur and Mary tend to get more attention due to their proximity to Henry VIII and his marital life, Margaret Tudor had her own eventful life as Queen of Scotland and the mother of King James V. Linda Porter tells Margaret’s story in her latest biography, “The Thistle and the Rose: The Extraordinary Life of Margaret Tudor.”

I had heard that Porter was writing a new biography about Margaret Tudor, so I knew I wanted to read it. I have read a few books about Margaret Tudor, but they have been relatively short, so I wanted to see what new information Porter would include in this book.

Margaret Tudor was the second child of King Henry VII and Queen Elizabeth of York. As such, she was destined to marry a foreign prince and create a strong alliance for the brand-new Tudor dynasty. Since her brother Arthur was betrothed to Catherine of Aragon, Margaret’s parents chose a match with Scotland and King James IV, who was twice the age of Margaret. As Queen of Scotland, Margaret did her best to bridge the gap between England and Scotland, deal with her husband’s mistresses and illegitimate children, and be a mother to her son, King James V.

Everything changed when James IV died at the Battle of Flodden. Margaret was now a widow and regent for the young King James V. To protect her family, Margaret decided to marry Archibald Douglas, 6th Earl of Angus, which turned out to be a trainwreck. Although Archibald did give Margaret her daughter, Margaret Douglas, he was stealing from Margaret’s own properties, which was a jerk move. Margaret wanted a divorce, but her dear brother Henry VIII was against the idea. A bit hypocritical, especially since he would divorce Catherine of Aragon a few years later. Eventually, Margaret would divorce Archibald and marry a third time to Henry Stewart, Lord Methven.

Throughout history, Margaret Tudor has been viewed negatively because she married Archibald so quickly, but Porter showed that Margaret should be applauded for how she survived during difficult circumstances. She fought for herself and her children, even if it meant that she was at odds with her husbands or her brother. Through her letters, we see how Margaret was a diplomat trying to make peace between England and Scotland.

Porter does an excellent job telling Margaret’s story in a respectful manner. This book is extremely well researched and easy to read. If you are a Tudor fan and you want to learn more about Henry VIII’s sister Margaret Tudor, I highly recommend you read “The Thistle and the Rose: The Extraordinary Life of Margaret Tudor” by Linda Porter.

Book Review: “Bring Up the Bodies” by Hilary Mantel

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The year is 1535, and Henry VIII is growing bored with his current wife, Anne Boleyn. His eyes are wandering yet again, and this time his sights are set on Jane Seymour. Anne Boleyn had failed to give him his desired son, so Henry decided that it was only fitting for his right-hand man, Thomas Cromwell, to take down a queen. It’s Cromwell’s biggest challenge yet, but it could also become Cromwell’s defining moment. Hilary Mantel explores the pivotal months that pitted Cromwell against the Boleyns in her second book in the Wolf Hall trilogy, called “Bring Up the Bodies.”

Although the first book in the series, “Wolf Hall,” was a challenging read, I still wanted to continue reading the series. We all know Thomas Cromwell’s story, but since I started the Mantel retelling of his life, I wanted to see how she will handle the fall of Anne Boleyn.

We pick up where we left off in the first book, at Wolf Hall in 1535, where Henry VIII meets Jane Seymour and her family. The King is tired of Anne Boleyn, even though she is pregnant with what is hopefully Henry’s heir. Once they get back from Wolf Hall, rumors begin to spread about Anne’s infidelity while Cromwell is working on the dissolution of the monasteries. Anne has alienated so many people at court that they wonder if it’s time for a change and if perhaps Henry will take back Katherine of Aragon.

But it is too little too late. Katherine of Aragon will pass away without seeing her daughter, Mary. Anne believes that she is safe; however, fortune’s wheel is always turning. A jousting accident will rock the court and change the trajectory of Anne’s life forever. After Anne suffers a miscarriage, Henry decides now is the time to send in Cromwell to bring down the queen. We get the opportunity to see the downfall of Anne Boleyn and the men around her through the eyes of the man who brought about her fall from grace and her untimely death.

I enjoyed this novel more than Wolf Hall because there was that sense of drama and danger. We see Cromwell at his most impactful moment, but we also see that he is not some monster, but a human who was following orders. Mantel’s writing style may still be a bit difficult, but I felt this one was easier to follow along with than the first book. I cannot wait to see how Mantel will finish this trilogy. If you want to continue the Wolf Hall trilogy and see how the Cromwell/ Boleyn feud ends, I highly recommend you read “Bring Up the Bodies” by Hilary Mantel.

Guest Post: “Gilded Power – The Jewelry Legacy of the Tudors” by Sam Mee

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I am pleased to welcome Sam Mee, founder of the Antique Ring Boutique, to my blog today to share an article about Tudor jewelry.

Jewelry was predominantly religious in the austere Middle Ages, focusing on relics, devotional rings, and crosses. But the Tudor rulers developed it as a way to project their own royal power and authority. Clothing fashions of the time emphasized structure, and monarchs like Henry VIII and Elizabeth I integrated jewelry to proclaim their status and divine favor. 

This was the age of portraiture, when the elite commissioned likenesses as propaganda. Hans Holbein the Younger depicted Henry VIII in a way that showed off his jewels and chains of office as much as his formidable bulk (and codpiece). Holbein’s most famous image of Henry is a 1537 mural that, while destroyed by fire in 1698, is still known through copies. It shows the King with a powerful stance and wearing multiple chains and rings to further emphasized his authority and wealth.

Holbein portrait, public domain image: https://upload.wikimedia.org/wikipedia/commons/thumb/f/f9/After_Hans_Holbein_the_Younger_-_Portrait_of_Henry_VIII_-_Google_Art_Project.jpg/1024px-After_Hans_Holbein_the_Younger_-_Portrait_of_Henry_VIII_-_Google_Art_Project.jpg

Three similar Armada portraits of Elizabeth I were painted after England defeated the Spanish Armada. They take allegory even further. The Queen is almost encased in pearls. Her gown is embroidered with them, they sit on her hair, and pearl ropes hang from her neck, all to symbolize chastity and divine protection. More explicitly, her hand rests on the globe as a symbol of empire. Her powerful warships are visible in the background behind her gem-encrusted crown, signifying divine authority. 

Armada portrait, public domain image: https://upload.wikimedia.org/wikipedia/commons/7/7b/Elizabeth_I_%28Armada_Portrait%29.jpg

In fact, Elizabeth I was rarely painted without pearls – other examples include the Darnley Portrait (c1575) and Rainbow Portrait (c1600). The pearls repeatedly symbolized the Virgin Queen’s chastity and wealth in bodily form.

The sumptuary laws

If gems and clothing signified power, then rulers needed to control who wore what. Medieval 15th-century sumptuary laws started to codify this across Europe. A 1463 English statute restricted who could wear “royal purple”, while a 1483 act restricted velvet to knights and lords and satin for gentry with a yearly income of £40.

Tudor England was an intensely hierarchical society, and so the laws were tightened further. Elizabeth’s 1574 Act of Apparel spelled out in detail who could wear what – her rules set which fabrics hats could be made of and dictated the length of swords, depending on the wearer’s standing. Check out the list here: https://midtudormanor.wordpress.com/sumptuary-laws/

Jewelry was also regulated with gold chains, heavy pearls, and precious stones reserved exclusively for the nobility. 

Enforcement was patchy but real, with surviving court records showing individuals tried for breaches and fined. These laws were somewhat symbolic, though. They were a way to make hierarchy visible rather than consistently enforced. Ambitious merchants and courtiers often flaunted jewels beyond their rank, with monarchs turning a blind eye.

Fashion at court

Jewelry was inseparable from clothing at court. Goldsmiths worked hand in hand with tailors, and jewels were sewn directly into doublets and headdresses.

We know Henry VIII wore vast gold chains and pendants and even occasionally jeweled codpieces. Courtiers followed suit with jeweled hat badges, enameled rings, and ornate girdle books (these were tiny, jeweled prayer books that hung from belts). They also wore gold pearl earrings. Women sported pearls, rubies, and diamonds on top of layered dresses made from richly embroidered fabrics. 

Anne Boleyn’s necklace – a large gold “B” with three drop-pearls dangling from it – is one of the period’s most famous jewels. It’s a very personal bit of jewelry that symbolized her individuality and status. (It survives only in portraits – its whereabouts after her 1536 beheading is not known).

Anne Boleyn’s B necklace, public domain image: https://upload.wikimedia.org/wikipedia/commons/f/f2/Anne_boleyn.jpg

Global trends and treasures

The rise in the prominence of jewelry was part of a wider trend of expanding horizons – culturally, societally, geographically, and economically. Spain’s influx of New World gold and silver boosted Europe’s wealth, with England claiming its own share through figures like Sir Walter Raleigh and Sir Francis Drake.

There’s extraordinary archaeological evidence of this, not just from the images of the time but from the Cheapside Hoard, discovered in 1912 beneath a London cellar. It’s a collection of more than 400 pieces. There are emerald rings, diamond pendants, and enameled chains with gems sourced from Colombia, India, Burma, and Brazil. The treasure shows that London goldsmiths had access to a global supply of jewels long before the height of the empire. 

Together with portraits, the Hoard is the richest record we have of Tudor jewelry, showing how jewels were actually made. You can read more about it here: https://www.londonmuseum.org.uk/collections/london-stories/jewels-cheapside-hoard/

Evolution of Tudor Jewelry

New fashions, new materials, and new freedoms (for some). Tudor jewelers developed new techniques to match these wider changes in society, combining medieval traditions with Renaissance artistry. Enameling reached new heights, and these techniques were carried forward into Georgian mourning jewelry and even into Victorian revival pieces.

Foil-backing was widely used in Tudor times to enhance jewels. Thin sheets of colored foil were placed behind gems like diamonds, rubies, or rock crystal to enhance their brilliance. This technique remained common until the 18th century, when more advanced diamond cutting began to produce inherent sparkle.

Gem cutting itself advanced in the Tudor period. Gemstones are rarely cut in bespoke shapes but tend to use standardized cuts designed to maximize brilliance or colour. This has been true since the Renaissance. Earlier medieval gems were typically worn as cabochons (smooth, polished domes), which enhanced colour but not brilliance. Then, from the late 15th century, jewelry began to experiment with faceting, where flat surfaces were cut at angles to reflect light, and Tudor lapidary work played a key role in the development and take-up of new techniques:

  • Cabochon: The oldest approach. A smooth, rounded dome without facets. Used in the medieval period for sapphires, garnets, and emeralds.
  • Point cut: This simple cut shaped a diamond into a pyramid with four sides. Mostly common in the 15th century.
  • Table cut: Developed in the late 15th century, this removed the top of the pyramid to create a flat “table” facet. It meant increased brilliance and became standard in Tudor jewelry.
  • Rose cut: Emerged in the 16th century as diamond saws and polishing technology improved. This had a flat base and a domed top covered in triangular facets to resemble a rosebud. The rose cut was popular until the 19th century.
  • Old mine cut: An 18th-century development. It’s a squarish cut combined with a high crown, deep pavilion, and large culet. It was the forerunner of the modern brilliant cut.

You can read more about the evolution from medieval jewelry techniques here. (https://historicalbritainblog.com/the-debt-antique-jewellery-owes-to-the-middle-ages-guest-post-by-samuel-mee/)

Settings in Tudor times typically enclosed the stone with gold, but Tudor jewelers began experimenting with more open settings to admit light. It was the Stuart era that really saw the development of the claw setting for diamonds, where the gem was held with tiny metal arms to allow much more light to pass through, dramatically increasing sparkle.

Tudor trends can be seen in subsequent centuries: 

  • Georgian jewelers turned enamel and foil into sentimental jewelry such as portrait miniatures (also common in Tudor times) and mourning rings.
  • Victorian designers enjoyed historical revival, and they often deliberately echoed Tudor styles, such as heavy Holbein-like gold chains and memento mori skulls.
  • Edwardian jewelers drove a revival of Elizabethan-style pears and combined them with lace-like platinum settings.
  • Art Deco designs were modernist in geometry but had a strong revivalist theme from Egyptian motifs to statement designs that matched 16th-century theatricality.

Surviving themes

Tudor jeweler was many things: regulated, global, technical, and symbolic. It was constrained by law, used as propaganda, and yet pushed at boundaries. It was part of the evolution of techniques and materials that developed over several hundred years as jeweler changed to become ever more personal. And even specific gem traditions persisted. The Tudor love of pearls was echoed in the Edwardian era. Tudor foiling foreshadowed Georgian brilliance. Tudor enameling was revived multiple times in the centuries that followed. Let’s just hope the codpiece doesn’t return. 

About the Author

Sam Mee is the founder of the Antique Ring Boutique (https://www.antiqueringboutique.com/), which sells rings from the Georgian, Victorian, Edwardian, and Art Deco eras. He has several guides on his website for buying rings from different historical periods. EG, you can learn more about ring cuts and foiling in the guide to Georgian rings: https://www.antiqueringboutique.com/en-us/pages/georgian. He is a member of both Lapada (https://lapada.org/dealers/antique-ring-boutique/) and BADA (https://www.bada.org/dealer/antique-ring-boutique). 

Book Review: “Great Harry’s Navy: How Henry VIII Gave England Sea Power” by Geoffrey Moorhouse

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One would assume that, since England is an island nation, its navy has been its strength since its foundation. That, however, was not always the case. While there were naval battles during the Middle Ages, it was not a navy like we know today. The concept of the Royal Navy was founded during the time of the Tudors, especially under the reign of Henry VIII. So, how did Henry VIII turn a navy from 7 ships to over fifty ships that could stand with other European navies? Geoffrey Moorhouse examines the creation of the English navy in his book, “Great Harry’s Navy: How Henry VIII Gave England Sea Power.”

This particular title was a used bookstore find for me. I saw that it was about the Tudors, and an aspect that I am not super familiar with. I don’t read a lot of nautically-based books, especially nonfiction, so I decided to go on a whim and try it out.

Moorhouse recognizes that this is a highly specialized book, so before delving into the history, he includes an extensive glossary at the beginning of the book to assist those unfamiliar with nautical terminology. He then dives into the origins of the English navy pre-Henry VII, and we can see that Henry VII did not leave his son, Henry VIII, many ships. However, Henry VIII had such a passion for ships that he got to work right away making shipbuilding centers and making sure that the right men were in the positions of power to make his navy superior to those in Europe. Moorhouse goes into minute detail to show how the Tudor navy rose, fell, and rose again to create a foundation that Henry’s children, Edward VI, Mary I, and Elizabeth I would build upon to create a sea superpower.

I am a fan of challenging books and discovering new topics in history. I wanted to learn more about naval history, presented in an easy-to-follow writing style. While Moorhouse does attempt to do this, his exuberant nerdy side for naval history comes out, and it felt like he was having a conversation with experts, not novices. It was one of those books that took me a long time to read because there was so much information that I was trying to digest as a novice.

I think this book is definitely written for a specific group of people, and they are those who love nautical history and learning about the Tudors. For novices, like myself, it may be quite a trial to read. If you are in the latter category and you want to read this, take your time and take notes if need be. I think this is a book that could be a great resource for historical fiction authors and just those who want a different approach to the Tudors. If that is you, “Great Harry’s Navy: How Henry VIII Gave England Sea Power” by Geoffrey Moorhouse might be a book to add to your collection.

Book Review: “Henry VIII’s Controversial Aunt, Honor Lisle: Her Life, Letters, and Influence on the Tudor Court” by Amy Licence

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Marrying into the royal family is not all sunshine and rainbows. Of course, we tend to think about those who marry the king, the queen, the prince, or the princess. But we also need to consider the aunts and the uncles of the royals as part of the family. Take, for example, Arthur Plantagenet, the illegitimate son of Edward IV and the uncle of Henry VIII. His second wife, Honor Lisle, would help him rule Calais; however, she is best known for her letters and her devout Catholic faith during the Reformation in England. So why is Honor Lisle considered a controversial figure, and what was the cause of the fall of Honor and Arthur from the royal good graces? Amy Licence explores the life of Henry VIII’s step-aunt in the first full biography dedicated to Honor Lisle, which is entitled “Henry VIII’s Controversial Aunt, Honor Lisle: Her Life, Letters, and Influence on the Tudor Court.”

I would like to thank Pen & Sword Books and NetGalley for providing me with a copy of this book. I have heard of Honor Lisle and her letters, but I did not know much about her life before this book. I did know that she was married to Arthur Plantagenet, but I had assumed that he was her first husband, so I didn’t know about her life before Arthur. When I saw that Amy Licence was writing a biography about Honor Lisle, I knew I wanted to read it.

Licence begins with the birth of Honor Grenville, Lady Basset, Lady Lisle Plantagenet. She was born in 1493 to Thomas and Isabel Grenville in the small town of Bideford, Devon. Her father served the first Tudor king, Henry VII, as Esquire of the Body, so Honor’s family did have some connection before Honor’s marriage to Arthur. Honor’s mother died a year after she was born, but her father did not die until 1513. In 1515, Honor would marry her first husband, Sir John Basset, and they would have between 7 and 8 children before his death in January 1528. 

A year later was a monumental year for England as it was the start of the divorce between Henry VIII and Catherine of Aragon, which would be known as the Great Matter. It was also the year that Honor married Arthur Plantagenet. The couple would move to Calais, where Arthur would rule for his nephew. This is where we get to see the Lisle letters, Honor’s dictated correspondence to prominent figures in Tudor England. Honor and Arthur would go into debt, dealing with the constant threat of war, balance their faith and be loyal to the King, and handle a plot by Reginald Pole that would try to remove Henry VIII from the throne. 

I found it so interesting to see Honor’s perspective on the big issues of the Tudor court while staying in France, as well as how life in Calais was different from it was in London during this time. Honor Lisle’s life and letters give us great insight into the reign of Henry VIII from the perspective of someone who was outside of England during the major events of his reign. Licence’s research, combined with an easy-to-follow writing style, makes this a very well-written biography. If you want a biography about a lesser-known Tudor woman and her famous letters, I highly recommend you read “Henry VIII’s Controversial Aunt, Honor Lisle: Her Life, Letters and Influence on the Tudor Court” by Amy Licence.

Book Review: “Tudor Princes and Princesses: The Early Lives of the Children of Henry VII and Elizabeth of York” by Aimee Fleming

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The year is 1485, and the last Plantagenet king, Richard III, is dead. The young man whose army defeated the king is Henry Tudor, and he is about to start a dynasty that will reshape world history forever. Henry Tudor, now King Henry VII, married the daughter of King Edward IV and Elizabeth Woodville, Elizabeth of York. Their marriage and their children would lay the foundation for the Tudor dynasty, but what was life like for the children who were the first generation of this remarkable dynasty? Aimee Fleming explores the lives of these royal siblings in her latest book, “Tudor Princes and Princesses: The Early Lives of the Children of Henry VII and Elizabeth of York.”

I would like to thank Pen and Sword Books and NetGalley for sending me a copy of this book. I enjoyed her previous book about Margaret More Roper, so when I heard that she was writing a book about the children of Henry VII and Elizabeth of York, I was curious to see what new information Fleming would include in this book.

Fleming begins with the aftermath of Bosworth as King Henry VII begins his new life as a king and husband to Elizabeth of York. As they anticipate the arrival of their firstborn child, we get to see how their childhoods influenced their parenting style. The couple’s firstborn child, Prince Arthur Tudor, would be born in Winchester, the city where the mythical Camelot is supposed to be. As the heir to the dynasty and a boy named after the legendary King Arthur, the young prince was seen as the embodiment of the Tudor rose and the hope of the dynasty’s future. No pressure at all for the young prince.

After the birth of Prince Arthur, Henry and Elizabeth welcomed Margaret, Henry, Elizabeth, Edward/Edmund, and Mary into the family. While Princess Elizabeth and Prince Edward/Edmund died young, we get to see Princesses Margaret and Mary, as well as Prince Henry, grow up in the royal nursery, being educated for their important roles as future monarchs, and the bond they shared as siblings. They had to deal with the ever-changing world of the 16th century and navigate the uncertainty of court life, especially with the pretenders waiting in the wings to snatch the crown. Margaret, Henry, and Mary had to deal with the death of Prince Arthur shortly after he married Catherine of Aragon, and their mother, Elizabeth of York, after she gave birth to her final daughter, who also died. Blood may have connected these siblings, but love and shared experiences made this family tight-knit.

Overall, I thought this book was a nice review book for those who know about the Tudors, and a nice introductory book for those who are not familiar with this family. If either of these descriptions sounds like you, if you are a Tudor nerd, I recommend you read “Tudor Princes and Princesses: The Early Lives of the Children of Henry VIII and Elizabeth of York” by Aimee Fleming.

Book Review: “Katharine of Aragon, Spanish Princess: ‘I Am Not as Simple as I May Seem’” by Heather R. Darsie

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We all know the gist of the tragic tale of Katharine of Aragon. A Spanish princess who was brought to England to marry the heir of the Tudor throne, Prince Arthur Tudor. When the prince died mere months after their wedding day, Katharine was left in limbo and desolate as the Kings of Spain and England bickered over her dowry. Eventually, she would marry King Henry VIII, was his wife for over twenty years, and have numerous miscarriages before Henry decided to divorce her and marry Anne Boleyn. We know how Katharine’s story ends, but how did the stories of her Trastamara family influence her life and her reign as Queen of England? Heather R. Darsie explores Katharine’s Spanish origins in her latest book, “Katharine of Aragon, Spanish Princess: ‘I Am Not as Simple as I May Seem.’”

I would like to thank Amberley Publishing for sending me a copy of this book. I have enjoyed Darsie’s books, “Anna, Duchess of Cleves: The King’s Beloved Sister” and “Children of the House of Cleves: Anna and Her Siblings.” While her previous books focus on German history and sources, Darsie decided to shift her attention to Spain with this particular book. I was curious how much new information and insight Darsie would provide about Katharine’s life.

Darsie begins by having lovely family trees and a timeline listing the numerous figures that will be covered in this book, because as stated before, this book covers the origins of Katharine of Aragon’s family, the Trastamaras. The book is broken down into three sections. The first focuses on the Trastamaras and the history of the crowns of Castile and Leon and Aragon, culminating with Katharine’s parents, Isabella I of Castile and Leon, and Ferdinand II of Aragon. The second focuses on Katharine’s early life, how she became the bride of Prince Arthur Tudor of England, and how his death affected Katharine. Finally, part three explores Katharine of Aragon’s life as queen consort of King Henry VIII.

To me, the true highlight of this book is the exploration of the Trastamara family tree. While I do know a bit about the origins of Isabella I of Castile and Leon from a book I just read on her life, I did not know the origins of the family. Starting with the origins of both the elected composite crown of Aragon and the inherited composite monarchy of Castile and Leon, we see how the Trastamara dynasty started like the Tudor dynasty. It was a dynasty full of drama, civil wars, a member who married a corpse, a king who died due to alcohol burns, and many mistresses. It is through these stories that you can see where Katharine of Aragon and her daughter Mary I got their strength and determination to keep on fighting for what they believed in, even when the odds were very much against them.

This is yet another triumph by Darsie. It is extremely informative, meticulously researched, and easy to read. It gives the reader a better understanding of not only Spanish royalty and its complexity, but also a better appreciation of Katharine of Aragon. If you want an excellent book exploring the life of King Henry VIII’s first wife from a different perspective, I highly recommend you read “Katharine of Aragon, Spanish Princess: ‘I Am Not as Simple as I May Seem’” by Heather R. Darsie.

Book Review: “Holbein: The Ambassadors” by Tracy Borman

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Do you have a favorite painting? One that grabs your attention whenever you look at it and discover something new. Most paintings are from da Vinci, van Gogh, Rembrandt, Picasso, or Michelangelo, just to name a few. However, there is one artist that I feel doesn’t get a whole lot of attention unless you study the 16th century: Hans Holbein the Younger. While Holbein is known for his single portraits, his double portrait, known as The Ambassadors, is stunning to look at and is filled with symbolism. Tracy Borman, in collaboration with the National Gallery, has written a short book about this remarkable painting entitled “Holbein: The Ambassadors.”

Since this is a small book (less than a hundred pages), I will keep this review brief. The Ambassadors is a painting most likely commissioned in 1533 by Hans Holbein the Younger. For years, the identity of the sitters has been debated, but they were finally identified as Jean de Dinteville, the French ambassador to England, and Georges de Selve, ambassador to Emperor Charles V. At the time of the painting of this double portrait, England was in the midst of the Great Matter, the divorce of Henry VIII and Katherine of Aragon, so a few elements are alluding to the changes happening in Europe during this time, which Borman explores in depth. She also explores the life of “the King’s Painter” Hans Holbein the Younger and how you can see his distinct style in this piece. Finally, Borman also explores how the painting was kept for centuries, as well as the research that was conducted on it, and the preservation processes that the National Gallery

This was a fun and informative little book about one of my favorite paintings. It gave me a new appreciation for Holbein and this stunning painting. If you want a book about a piece of art from the 16th century, you should check out “Holbein: The Ambassadors” by Tracy Borman.

Book Review: “Nothing Proved” by Janet Wertman

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A princess born to a king and his second wife lost her title and legitimacy when her father decided that her mother, Anne Boleyn, needed to die. Elizabeth Tudor knows the meaning of resilience as she survived her childhood during her father King Henry VIII’s reign. Now that her father is dead  Elizabeth is at the mercy of her half-siblings Edward and Mary, plus any scheming man who wants to marry her and get closer to the crown. Can Elizabeth survive her siblings’ reigns or is she destined to be locked in the Tower to await her ultimate fate like her mother? Janet Wertman explores the life of Elizabeth Tudor in her latest series Regina and the first novel, “Nothing Proved” explores Elizabeth’s turbulent adolescence. 

I would like to thank Janet Wertman for sending me a copy of this novel. I have always been a big fan of novels about Elizabeth I and so when I heard that Wertman was writing another Tudor series all about Elizabeth I, I jumped at the chance to read it.

From an early age, Elizabeth Tudor swore she would never marry, especially after seeing how her mother Anne Boleyn, and her numerous stepmothers were treated by her father. Now her father King Henry VIII is dead, her brother Edward VI is King of England, and she is separated from the stepmother that she loved Katherine Parr after several unwanted incidents with Katherine’s husband Thomas Seymour. Elizabeth never got to see her beloved stepmother again and Thomas has his eyes on marrying Elizabeth or possibly taking control of the king. Bad mistakes on both parts, but it does not mean that Elizabeth is safe from scandal as Edward’s council believes that Elizabeth was involved in the plot against the king.

Elizabeth may have survived Edward’s reign, but her step-sister Mary’s reign is a different case. Mary is a devout Catholic who does not trust Elizabeth. She believes that Elizabeth is part of the plots to overthrow Mary and become the next queen of England. These accusations are dangerous and will place Elizabeth in the Tower. Luckily, Elizabeth is not alone as she has her ladies in waiting as well as friends like Robert Dudley and William Cecil, who is the second protagonist in this novel. It was a nice touch to add William Cecil’s point of view because he rarely gets a starring role in historical fiction novels so it was interesting to see his perspective on matters leading up to the moment Elizabeth becomes queen.

I found this an enjoyable novel that explored Elizabeth’s adolescent years which were some of her most turbulent. We can see her signature resilience and the formation of her close-knit circle of allies and friends that will become so important during her reign. If you are a fan of Elizabethan novels,  I think you will  thoroughly enjoy, “Nothing Proved” book one in the Regina series by Janet Wertman.

Book Review: “Preparing Tudor Kings and Princes to Rule: The Men and Women Who Trained the Royals” by Julia A. Hickey

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In life, when it comes to a new skill or job, you must be trained to become good at it. The same can be said for the monarchy, which in a sense is a job that encompasses one’s entire life. You have to understand different languages, rhetoric, the arts of dancing, and music, as well as diplomacy and physical activities if you want to rule a nation. It may seem like a lot for one person to handle, but from the moment of their birth, a prince or princess has a team of people behind them to make sure that they are ready to either rule their home country or create an alliance with other nations. The Tudors knew how important educating their future monarchs was for the survival of the dynasty. Julia A. Hickey examines the people behind the teams raising the future Tudor monarchs in her book, “Preparing Tudor Kings and Princes to Rule: The Men and Women Who Trained the Royals.”

I want to thank Pen and Sword Books and Net Galley for sending me a copy of this book. The premise of this book was fascinating to me and I wanted to see if Hickey would introduce any new people from the Tudor dynasty in this book.

Hickey begins her book by exploring the origins of the Tudor family, starting with the matriarch herself Margaret Beaufort, followed by Owen, Edmund, and Jasper Tudor, and concluding with how Henry Tudor’s education and his lifestyle shaped him to become the first Tudor king. While I do enjoy a review section about the Wars of the Roses, I felt like this section went a bit too long.

Once we see Henry Tudor on the throne, we get to see how the Tudor dynasty grew with the children of Henry Tudor and Elizabeth of York. We get to see how Arthur Tudor as the heir had a much different education than his brother Henry, who was deemed a spare. The education of the princes was vastly different than the education allocated to the princesses even though it was based on humanism. With the death of Prince Arthur, Henry had to go through a crash course on how to rule a country before his father died in 1509. Hickey also shows her audience how the children of Henry VIII, Mary I, Henry Fitzroy, Elizabeth I, and Edward VI, were raised and educated. She also takes the time to show what happens to his children after Henry VIII’s death. Finally, we do get appendixes that feature mini-biographies for all the men and women who are featured in this book to show a different aspect of the Tudor court.

Overall, I found this a rather nifty little book about the Tudor court. Hickey does a decent job of telling the stories of these men and women who trained the Tudor rulers, both male and female. If you want a book that explores what it takes to rule England during the Tudor dynasty, you should check out “Preparing Tudor Kings and Princes to Rule: The Men and Women Who Trained the Royals” by Julia A. Hickey.