Tag: historical fiction

Book Review: “Devil’s Gambit” by Jeri Westerson

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The year is 1540, and King Henry VIII is looking for a wife. He has been a widower for over three years, and his councilor Thomas Cromwell believes that a foreign alliance will be the best path forward for England, so he arranges a marriage between Henry and Anne of Cleves. In theory, it should be a good match, but it falls apart quickly. To top it all off, one of Anne of Cleves’ Maid of Honour brought her own drama to court that ended with a murder. Can Will Somers, the King’s Fool, navigate the drama at court while dealing with his own love life, or will the mystery of the missing body prove too much for him to handle? This is the premise of the next book in the King’s Fool Mysteries series called “Devil’s Gambit.”

I would like to thank Old London Press and Net Galley for sending me a copy of this novel. I enjoyed the previous books in this series that I have read, so I wanted to see what would happen next for Will Somers.

We begin with the disastrous first meeting between Henry VIII and Anne of Cleves before their wedding. Since Anne did not understand English or English customs, she was confused. Henry wanted to send her away immediately, but Will convinced Henry to become friends with Anne. At the same time, Will is introduced to Anne’s Maid of Honour, Margaret Loy, a German woman who has fallen in love with an English gentleman. However, the gentleman’s father does not approve of the match.

Things take a drastic turn when Lord Humphrey, the gentleman’s father, is found dead in Margaret’s chamber. The only person for the case is, of course, Henry’s jester Will Somers, but as soon as he starts the case, the body goes missing. To top it all off, Will is dealing with his relationships with his wife Marion and his lover Sir Nicholas Pachett Lord Hammond. Sir Nicholas has recently gotten married and is now asking Will for help in his marriage. Talk about an awkward situation. Will must choose who he truly loves, while giving relationship advice to the King, helping Anne navigate the English court, and solving a murder mystery.

While I did think the relationship exploits of Will Somers did take up a bit too much of this book and took away from the mystery itself, I think it was a decent novel. If you are a fan of the previous novels in the King’s Fool Mysteries, you will enjoy “Devil’s Gambit” by Jeri Westerson.

Book Review: “Canticle” by Janet Rich Edwards

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Have you ever believed in something or someone so much that you were willing to do anything to be with them? What if it meant isolating yourself from everyone and everything you loved? Aleys knows this all too well. Born near Bruges during the 13th century, Aleys believes that she is destined for great things and has religious visions. Can this young woman survive both religious and political challenges to make her aspirations of being closer to God a reality, or will she fly too close to the sun and lose everything? Janet Rich Edwards tells Alleys’ tale in her debut novel, “Canticle.”

I would like to thank Spiegel & Grau and Net Galley for sending me a copy of this novel. I am always looking for a fresh approach to the past, so when I read the premise of this novel, it sparked an interest in me. As it is a debut featuring a religious group of women that I was not familiar with, the beguines, I wanted to see how Edwards’s writing style would bring something new to medieval historical fiction.

“Canticle” is a novel that follows three main narrators: Aleys, the young woman who longs to have a deeper relationship with God; Friar Lukas, who wants to grow his monastery; and Jaan Smet, Bishop of Tournai, who wants to get closer to the pope and power. We begin with Aleys as a young woman. She lives with her mother, father, brothers, and sister. Her mother died during childbirth, leaving the family broken. Aleys’s father decides to marry her off to a rich merchant, but Aleys decides that she wants to live a religious life, so she runs away. It is here she meets Friar Lukas, a Franciscan, and she wants to become a Franciscan, but Lukas convinces her to join the community of beguines.

It is in the community of beguines that Aleys discovers her true self and a series of translations that will send shockwaves all the way to Rome. The Bishop wanted to take down this community so that he could earn the respect of Rome and possibly become a cardinal. However, it was Aleys who was about to change with a miracle that sent the town into a frenzy. It was Friar Lukas who convinced Aleys to take the ultimate step and become an anchoress. It was when Aleys became an anchoress that Edwards truly shines because she shows the isolation that an anchoress might feel in her cell. But life has a way of reaching even an isolated cell, and Aleys must choose whether to save herself or her beloved beguines.

I found this a delightfully evocative novel about medieval religious life. It made me feel sympathy for the beguines and the anchoresses who were willing to risk it all to get closer to God. I really enjoyed Edwards’ writing style, and I can’t wait to see what she will write about next. If you want something medieval that focuses on religious life, I would recommend you read “Canticle” by Janet Rich Edwards.

Guest Post: “Researching ‘The Traitor’s Son’” by Wendy Johnson

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I am pleased to welcome Wendy Johnson to my blog today to share information about her research for her novel, “The Traitor’s Son.” I would like to thank Wendy Johnson and The Coffee Pot Book Club for allowing me to participate in this blog tour.

I’ve been fascinated by the period known retrospectively as the Wars of the Roses since childhood, so when I came to write ‘The Traitor’s Son’ I already had a grounding in the history. Over the years, I’ve amassed a number of secondary sources: biographies of the principal figures, battlefield histories, political commentaries, and so on, and these have proved invaluable in forming the backbone of the novel. These days, a great deal of primary sources are digitally transcribed, and can be a valuable means of verifying details which would be more difficult to access. 

My intention was always to underpin my fiction with fact. I didn’t want to invent things for the sake of the story—for me, the events of the fifteenth century are in themselves dramatic and exciting enough without the need for fabrication. But of course, the duty of a historical novelist is to add flesh to the bones, to bring the past to life, and this is essential as the reader has to be able to empathise with the characters and understand their motivation. So, how did I go about researching the lives of Edward IV, Richard Neville, earl of Warwick— and of course, my protagonist, young Richard Plantagenet, the future Richard III? 

I do feel as though I’ve grown up with these figures—the first castle I ever visited as a child was Raby Castle, in County Durham, home to the dynamic Neville family, and a fascination for this remarkable dynasty was formed. My lifelong interest in Richard III himself was kindled during a visit to Middleham Castle, Yorkshire, at the age of eight and has remained with me ever since. I’ve always had a sense of what I feel my characters were really like, but of course, that wasn’t enough: to write a believable novel, I needed to fully research their lives and the events which formed them, before I could consider recreating them on paper. Biographies proved extremely helpful, most providing a clear background to the lives of each individual and helping to form a realistic picture of that particular person, what their personalities may have been, and, in particular, who and what may have influenced them. This was significantly important when it came to Richard himself. 

The frustrating thing about the study of the fifteenth century is that, although some primary sources do survive, they are fewer in number than those of the following century, and those that do survive are mostly official documents. It would be wonderful if we could consult, for example, a greater number of personal letters from those concerned. We do have some, but once again, these tend to be letters composed in an official capacity. Those which remain, however, can help cast small rays of light on the people as individuals, for example, the letter sent by a youthful Edward IV, and his brother Edmund, to the Duke of York, thanking him for the gowns he has sent them and requesting him to deal with ‘the odious rule’ of Richard Croft and his brother, fellow trainee knights, who appear to have been bullying them. Although my novel does not cover this earlier period, the letter is illustrative of the comfortable relationship the sons of York had with their father. Likewise, Richard’s letter to his mother, written as king and signed ‘your most humble son’, requesting her ‘daly blessing to my synguler comfort’ offers a small insight into the affection and respect he bore for her. Although such correspondence is rare, many documents having been destroyed in the following century, letters like these do provide a glimpse of both Edward and Richard’s closeness to their parents. 

The relationships of the York family, one to another, are the focus of ‘The Traitor’s Son’. Rather than a sweeping saga, I very much wanted to keep the action close, concentrating on Richard and his brothers, Edward IV and George, duke of Clarence, their sister, Margaret, mother, Cecily—and the man, whom I believe played a huge part in young Richard’s upbringing, his cousin and mentor, Richard Neville, earl of Warwick. Research into the life of Richard III indicates a deep reverence for the memory of his father, the Duke of York. York’s death in battle, when Richard was only eight years old, and the danger in which the family was placed thereafter, must have had a devastating effect on the boy. According to the Centre for Male Psychology…research shows the father-child relationship is an important one. In fact, it can be more influential than the mother-child relationship. This is especially true for the 8-12 year old child as they try to make sense of the outside world…’ i This observation helped confirm my theory that following the death of the Duke of York, it would have been natural for Richard to have searched for a father figure in his life, and that this figure could well have been his cousin, Warwick. 

Regarding locations, I found I could call on personal experience for some, but had to research others. Having grown up close to Middleham, I know the castle inside and out, so it was very easy to imagine the scenes set within its walls. The city of York, which was very familiar to Richard, remains in part unchanged, and again, it was an easy matter to reimagine his time there. Warwick Castle is another fortress I’ve visited in person, although naturally there have been additions since the days of Richard Neville. London needed to be researched carefully, as very little remains from the medieval period. I found an amazing resource on the Internet entitled the Agas Map of Early Modern London, which uses the Civitas Londinium, a detailed woodcut created in 1561. This incredible, interactive tool allows the user to search for particular streets, churches, parishes, gates, and so on. Highlighting these on the map, it becomes possible to visualise the city at a time not too distant from the period in which my novel is set. For Richard’s exile in the Low Countries, both at the age of eight and again at eighteen, I had to rely on published histories and on images and information I found online. A visual recreation of the Bishop’s Palace at Utrecht (where Richard and his brother, George, resided following their father’s defeat) was extremely useful, as was a delightful video I found of the adjacent tower, the Dom Toren, which actually featured the sound of its bells—so different in their melody from the chimes which would have been a constant accompaniment to life in London. 

My favourite element of the writing process will always be the creative part—seeing the characters in my mind’s eye, imagining their emotions and bringing them to life—but my greatest desire with the novel was to create an authentic narrative, and that meant remaining true to the facts and to the people who populate its pages. These were, after all, real people, and I felt I had a duty to portray them with respect and in the most accurate way I could. Therefore, research and facts remain twin components of ‘The Traitor’s Son’. 

Blurb:   

Caught between a king and a kingmaker, young Richard Plantagenet knows he’ll have to choose… 

1461: Richard, Duke of York, King by Right, has been branded a traitor and slain by his Lancastrian foes. For his eight-year-old son—Richard Plantagenet—England has become a dangerous place. 

As the boy grapples with grief and uncertainty, his elder brother, Edward, defeats the enemy and claims the throne. Dazzled by his glorious sibling, young Richard soon discovers that imperfections lurk beneath his brother’s majestic façade. Enter Richard Neville, Earl of Warwick—cousin, tutor, luminary—whose life has given him everything but that which he truly craves: a son. A filial bond forms between man and boy as they fill the void in each other’s lives. Yet, when treachery tears their world asunder, Richard faces an agonizing dilemma: pledge allegiance to Edward—his blood brother and anointed king—or to Warwick, the father figure who has shaped his life and affections. 

Painfully trapped between duty and devotion, Richard faces a grim reality: whatever he decides will mean a fight to the death.  

In “The Traitor’s Son”, Wendy Johnson weaves a tapestry of loyalty, love, and sacrifice against the backdrop of England’s turbulent history. Through the eyes of a young Richard III, readers are transported into a world where every choice is fraught with peril, and the bonds of kinship are tested to their limits.   

Perfect for fans of Hilary Mantel, Annie Garthwaite, and Sharon K. Penman.

Praise for The Traitor’s Son: 

“Exquisitely written. An evocative and thoughtful retelling of the early life of Richard III.” 

~ Philippa Langley, MBE 

 

“Sometimes the perfect use of the written word takes my breath away. Not very often, but this book is it. A wonderful story written so beautifully that I shall not forget it for a long time. Everything to my mind is perfect. The language, the story, the pacing. Just wonderful.” 

~ Kindle Customer, 5* Amazon Review 

 

“Wonderfully woven story of a young Richard III. Woven with a sure knowledge of the history and a realistic telling of a story about a young boy finding his way through tragedy and triumph, uncertainty, and a legacy he cannot escape.
Brilliant debut which promises more and more.” 

~ Cris, 5* Amazon Review 

 

“I loved this novel, it was beautifully written, extremely atmospheric, the characters’ personalities came through perfectly, can’t wait for the next instalment.” 

~ Linda Hayward, 5* Amazon Review 

 

“Really enjoyed this book. Holds the reader enthralled from the first paragraph to the last. The next volume can’t be released soon enough.” 

~ J.M. Henderson, 5* Amazon Review 

Buy Link: 

Universal Buy Link:    https://books2read.com/u/mdJqL5  

This title is available to read on #KindleUnlimited. 

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Author Bio:    

Wendy Johnson has a lifelong passion for medieval history, its people, and for bringing their incredible stories to life. Her specific areas of interest are the fifteenth century, the Wars of the Roses, and Richard III in particular. She enjoys narratives that immerse the reader in the past and tries faithfully to recreate the later Middle Ages within her own writing. She has contributed to a number of historical anthologies and was a runner-up in the Woman and Home Short Story Competition 2008. 

Wendy is also a founder member of Philippa Langley’s Looking for Richard Project, which located the king’s lost grave in 2012. She co-authored Finding Richard III: the Official Account of Research by the Retrieval and Reburial Project in 2014, and in 2019 received the Richard III Society’s Robert Hamblin Award.   

THE TRAITOR’S SON, volume one in a Richard III trilogy, is Wendy’s debut novel, and she is currently working on the sequel. 

Author Links: 

Author’s Page on Publisher’s Website: https://madeglobal.com/authors/wendy-johnson/  

Facebook:   https://www.facebook.com/p/Wendy-Johnson-Author-61558759768505/ 

Book Bub:   https://www.bookbub.com/authors/wendy-johnson-cf3f97f7-3a8e-46d9-8394-c5a08caa594d  

Amazon Author Page:  https://www.amazon.co.uk/stores/author/B0D14SQJP3  

Goodreads:               https://www.goodreads.com/book/show/208871994-the-traitor-s-son 

 

Guest Post: “A Medieval Hospital, Ruined Roman Baths and Magnificent Apartments – Locations in ‘The Cameo Keeper’” by Deborah Swift

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I am pleased to welcome Deborah Swift back to my blog today to share information about the real-life locations for her latest novel, “The Cameo Keeper.” I would like to thank Deborah Swift and The Coffee Pot Book Club for allowing me to participate in this blog tour.

Santo Spirito Hospital 

One of my characters, Jacopo Vanelli, is a surgeon, so he spends his time at the Santo Spirito Hospital in Rome. The ‘Holy Spirit’ hospital was founded in the Middle Ages and was recognised as one of Europe’s oldest and most advanced hospitals. Its remit included not only tending to the sick and the poor, but also taking in unwanted babies, abandoned children, and travellers who fell ill within the bustling heart of Rome. 

Within its grand Renaissance walls, was a museum, an apothecary shop, a public operating theatre and an orphanage run by nuns. The operating theatre became an influential centre for medical education — hosting lectures, dissections, and practical training sessions that drew aspiring doctors from across Italy and Europe.  

Here is the octagonal tower of the main building, below.  

 

The architecture of the hospital was striking, with vast wards, airy cloisters, and a famous spiral staircase designed to allow for the swift transfer of patients. Ornate chapels and frescoes adorned the interior, along with stained glass windows. It was seen as an extension of the Church, in what was considered the holiest city in the Western world. 

The Ruined Roman Baths  

By the 17th century, the once-magnificent Roman baths of the city stood as haunting reminders of Rome’s imperial past. Structures such as the Baths of Caracalla and the Baths of Diocletian, though partially collapsed and overgrown, continued to inspire awe with their towering arches and crumbling mosaics. Locals and visitors alike wandered amidst these grand ruins, imagining the bustling social life and sophisticated engineering that had filled these halls centuries before. 

This was an ideal place for lovers to meet, and two of my characters meet at the Baths of Caracalla. Mostly in decay, the stone was pillaged to build new buildings, but there was also a market in trinkets and souvenirs that went on there amongst the ruins. Artists and antiquarians flocked to the baths, sketching their weathered columns and broken statues, and imagining the naked bathers of centuries before. 

The Vatican Apartments 

One of my characters is the Pope’s sister-in-law, Donna Olimpia Maidalchini, a powerful and wealthy woman who dominated Roman life. Many of my scenes take place in the Vatican Apartments, which represent the heart of papal authority and splendour. These lavish chambers were home to the Pope and his closest advisors, serving as both living quarters but also the centre of Rome’s governance. The apartments showcased the best artistry of Renaissance and Baroque craftsmen. Daily life within the Vatican Apartments was a blend of solemn ritual and political intrigue, with cardinals, diplomats, and foreign dignitaries as regular visitors. 

The most celebrated rooms, such as the Raphael Rooms and the Sistine Chapel—already famed for Michelangelo’s ceiling—were objects of wonder and inspiration for all who visited. The Vatican Apartments thus stood not only as the spiritual and administrative core of the Catholic world, but also as a testament to Rome’s enduring patronage of the arts and its pivotal role in shaping the cultural legacy of the 17th century. 

Rome is a fabulous place to set a novel with many beautiful and atmospheric locations, and I hope I’ve used them all to advantage in The Cameo Keeper. 

Blurb: 

Rome 1644: A Novel of Love, Power, and Poison 

 

Remember tonight… for it is the beginning of always ― Dante Alighieri 

 

In the heart of Rome, the conclave is choosing a new Pope, and whoever wins will determine the fate of the Eternal City. 

 

Astrologer Mia and her fiancé Jacopo, a physician at the Santo Spirito Hospital, plan to marry, but the election result is a shock and changes everything. 

As Pope Innocent X takes the throne, he brings along his sister-in-law, the formidable Donna Olimpia Maidalchini, known as La Papessa – the female Pope. When Mia is offered a position as her personal astrologer, she and Jacopo find themselves on opposite sides of the most powerful family in Rome. 

Mia is determined to protect her mother, Giulia Tofana, a renowned poisoner. But with La Papessa obsessed with bringing Giulia to justice, Mia and Jacopo’s love is put to the ultimate test. 

As the new dawn of Renaissance medicine emerges, Mia must navigate the dangerous political landscape of Rome while trying to protect her family and her heart. Will she be able to save her mother, or will she lose everything she holds dear? 

For fans of “The Borgias” and “The Crown,” this gripping tale of love, power, and poison will keep you on the edge of your seat until the very end. 

Praise: 

‘historical fiction that is brisk, fresh and bristling with intrigue’ 
~ Bookmarked Reviews ★★★★★ 

Buy Link: 

Universal Buy Link: https://mybook.to/CameoKeeper  

Author Bio: 

Deborah Swift is the author of twenty novels of historical fiction.  

Her Renaissance novel in this series, The Poison Keeper, was recently voted Best Book of the Decade by the Wishing Shelf Readers Award. Her WW2 novel Past Encounters was the winner of the BookViral Millennium Award, and is one of seven books set in the WW2 era. 

Deborah lives in the North of England close to the mountains and the sea. 

Author Links: 

Website: www.deborahswift.com  

Instagram: https://www.instagram.com/deborahswiftauthor/ 

Twitter / X: https://twitter.com/swiftstory 

Facebook: https://www.facebook.com/authordeborahswift/ 

Pinterest: https://www.pinterest.co.uk/deborahswift1/ 

 

 

Book Review: “Daughter of the Otherworld” by Shauna Lawless

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When we think about the Norman Conquest, we often think about how it impacted England, Wales, and Scotland, but we tend to forget about Ireland. Early medieval Ireland  do not get a whole lot of attention in historical fiction. That is, until Shauna Lawless’s Gael Song trilogy. Now, fifty years after the events of the original trilogy, Lawless has brought in a new cast of characters, as well as old characters, into the fight between the Descendants of the Tuatha De Danann and the Fomorians. When a child of prophecy is introduced into the mix that is said to be able to defeat the Fomorians, the race is on to protect the child or to kill her. Will the Descendants survive, or will the Fomorians torch the land and the Descendants’ hope? Shauna Lawless jumps back into this work with the Gael Song Era 2 book 1, “Daughter of the Otherworld.”

I would like to thank Bloomsbury USA and Net Galley for sending me a copy of this novel. I am new to this series, but I wanted to read it because I have never read a book about medieval Ireland or about Irish mythology, so when I saw this book available, I decided to give it a shot, especially with such a stunning cover.

We pick up fifty years after the Battle of Clontarf, and a man named Donnchad is on the run from Broccan of the Tuatha De Danann. Donnchad is a Fomorian, which means he can use fire magic and is the mortal enemy of those descendants of the Tuatha De Danann. Donnchad can reunite with his mother, Gormflaith, in Rome. Meanwhile, Broccan has a dream that tells him that he must go back to Rathlin Island and protect the daughter of Fodla, who has been in the Otherworld for a long time. The daughter, Isolde, is destined to defeat the fire, which might be a reference to the Fomorians.

Broccan raises Isolde as his own daughter until she is 17, but he never tells her who she is or her purpose in this giant conflict. But that all changes when the Fomorians find out about Isolde and decide to attack Rathlin Island. They believe that the threat has been neutralized, but Isolde lives and must travel to the mainland to find her cousin Colmon in Seir Kieran. While Isolde is searching for family and to figure out who she is, the Fomorians seek to control Ireland with the Norman lords of England.

This is a novel full of conflict, both magical and mortal, romance and heartbreak. Lawless does a great job of not only balancing numerous perspectives but also balancing mythology with historical battles and figures to create an original story. While I did enjoy the story, it did take me a while to figure out who the characters were and the overall conflict. I think after reading this particular book, I want to read the previous books in the series before I jump into the latest one. If you have read the previous books in the Gael Song trilogy, I think you will enjoy “Daughter of the Otherworld” by Shauna Lawless.

Guest Post: “Ines de Castro” by Catherine Mathis

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Today, I am pleased to welcome Catherine Mathis to my blog to discuss Ines de Castro, the main protagonist of her novel, “Ines,” the first book in her Queens of Portugal trilogy. I would like to thank The Coffee Pot Book Club and Catherine Mathis for allowing me to participate in this blog tour. 

Inês resides more in our imaginations than in fact. She lived, had children, and died. 

Her family came from Galicia, in the northwest of Spain, where the famous city of Santiago de Compostela is located. Her father was a powerful noble, Pedro Fernãndez de Castro. Her mother, a noblewoman of Portuguese antecedents, was the mistress of her father. Her birth was illegitimate, which narrowed many of the choices available in her social class. She had kings in her lineage. Her parents also had a son, Alvaro. It is recorded that Alvaro became a good friend of the Pedro in this tale. 

Some accounts say she was raised in Portugal, and others in Castile. Inés could have been a young woman serving in the court of Portugal. But the legend says she came from Castile with Constanza, who married Portugal’s Infante Pedro. Coming with Constanza feels more probable because they were cousins and knew each other. If the legend is true that she and Pedro fell in love quickly, then the odds fall on the side to say their first knowledge of each other was a sudden arrival at court, not her growing up there. 

What comes down in the legend is her blonde hair and long neck, neither particular markers of great beauty in medieval Portugal. Yet, she is held out as a beauty. In those days, a high forehead was greatly prized, so women plucked their hair to make their foreheads taller. Did Inês? Probably – what young woman does not follow current fashion?  

There are no paintings or drawings for most people at this time. Pedro did leave us with an incredible gift, their sarcophagi. He was instrumental in their design. This is how Pedro remembers Inês. 

(Effigy of Inês. © Alcobaça Abbey, Portugal.) 

My underlying belief for Inês is that her beauty stems partly from appearance and partly from personality. I see her as easy to talk with, an attentive listener, and someone who gives you her full attention. She is loyal. She is determined. 

Most of all, Inês is true to herself. She is likely just 14- or 15-years old when she arrives on the scene. We know nothing of her years beforehand. I expect she could read and write as well as stitch and hunt, all skills of a medieval noblewoman. I believe that having suffered the shame of her birth, she desired the life of a legitimately married woman. She would eschew being mistress of any man, even the heir to the throne. Combine her marriage goal with her loyalty to her cousin Constanza, Pedro’s wife, and just sleeping with Pedro was out of the question. When you are marked young with an unfortunate circumstance, the power of motivation to alter the course of your life is strong. She will suffer for her choices, losing the trust of the king and being exiled. Repeatedly, the crown of Portugal throws obstacles in her way, and she perseveres. 

Then comes the day when Pedro plays his part. A widower, he holds out the promise of marriage. No one sees her as fit to be a queen. Of course, there is political intrigue involving her brothers. Life is never simple when you are in the orbit of the royal family. She loves children. She cares for her cousin’s children and her own with recorded affection. 

She is the glue of the story. In the novel, she is caught between two men, one whom she is unworthy to wed and one who repels her. When she rejects the king’s trusted adviser, Gonçalves, his hurt turns to jealous anger. “If I cannot have her, then no man can.” Who will the king trust, his son or his adviser? The choices she makes have dire consequences for our protagonist and antagonist.

Blurb:     

An heir to the throne, a gorgeous blonde lady-in-waiting, the king’s trusted advisor. When a father and son don’t understand each other, the son pays an outrageous price. 

Love, jealousy, loyalty, and revenge roil the court of 14th-century Portugal. 

In this engrossing launch to the Queens of Portugal trilogy, Catherine Mathis gives a fresh take on the tale of Pedro and Inês, Portugal’s real-life Romeo and Juliet. Pedro’s father would not have been king if not for his trusted advisor, Gonçalves. Once king, he wants no part in neighboring Castile’s royal convulsions, though his son, Pedro, befriends powerful Castilians. 

The all-consuming drive of the king is to ensure his line rules Portugal for centuries to come. He needs legitimate, strong heirs. The Infante Pedro loves a woman not deemed worthy to wear the crown as queen. Between father and son is Gonçalves, the king’s powerful, unquestioned counselor, who is a mentor to the son. Both Gonçalves and Pedro seek the attention of Inês. 

There is a horrific cost to winning the love of Inês. She will not release her grip on Pedro until he keeps the two sworn oaths he made to her. Can Pedro do the impossible to satisfy Inês? 

Inês is based on real people and events, exploring a cultural touchstone of Portuguese history. 

Praise for Inês: 

“Mathis masterfully weaves emotional depth into the narrative, creating a deeply engaging experience that leaves a lasting impression and invites readers on an unforgettable journey through the grandeur and intrigue of Portugal’s past.”
~ Mary Anne Yarde, The Coffee Pot Book Club 5* Review 

“This exciting start to the Queens of Portugal trilogy describes the legendary love story of Pedro and Inês, and I was amazed at the excellent storytelling and how the author brings the courts to life. There is a lot of drama and intrigue, and the characters’ emotions are beautifully captured in this engrossing tale.”
~ Readers’ Favorite 5* Review 

 

Buy Link: 

Universal Buy Link:   https://books2read.com/u/br8OBY  

Author Bio: 

Catherine Mathis was born in Berlin, the daughter of an American spy. As she grew up in Washington, D.C., her spy father turned into a drug enforcement agent. His career change wrecked any chance at high school popularity. She graduated from Sewanee | The University of the South with a degree in history focused on the medieval period. After a career in finance, she returned to her first love of medieval history to ‘Share Iberian Tales.’ Outside of writing, spare time joys are family, friends, reading, collecting folk/outsider art, and travel. 

Author Links: 

Website:  www.catherinemathis.com  

Facebook:   https://www.facebook.com/profile.php?id=100007239702480  

Instagram:  https://www.instagram.com/cmathisauthor/  

Amazon Author Page:  https://www.amazon.com/stores/Catherine-Mathis/author/B0F7FZHJ9T  

Goodreads:  https://www.goodreads.com/author/show/6987876.Catherine_Mathis 

Book Review: “Bring Up the Bodies” by Hilary Mantel

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The year is 1535, and Henry VIII is growing bored with his current wife, Anne Boleyn. His eyes are wandering yet again, and this time his sights are set on Jane Seymour. Anne Boleyn had failed to give him his desired son, so Henry decided that it was only fitting for his right-hand man, Thomas Cromwell, to take down a queen. It’s Cromwell’s biggest challenge yet, but it could also become Cromwell’s defining moment. Hilary Mantel explores the pivotal months that pitted Cromwell against the Boleyns in her second book in the Wolf Hall trilogy, called “Bring Up the Bodies.”

Although the first book in the series, “Wolf Hall,” was a challenging read, I still wanted to continue reading the series. We all know Thomas Cromwell’s story, but since I started the Mantel retelling of his life, I wanted to see how she will handle the fall of Anne Boleyn.

We pick up where we left off in the first book, at Wolf Hall in 1535, where Henry VIII meets Jane Seymour and her family. The King is tired of Anne Boleyn, even though she is pregnant with what is hopefully Henry’s heir. Once they get back from Wolf Hall, rumors begin to spread about Anne’s infidelity while Cromwell is working on the dissolution of the monasteries. Anne has alienated so many people at court that they wonder if it’s time for a change and if perhaps Henry will take back Katherine of Aragon.

But it is too little too late. Katherine of Aragon will pass away without seeing her daughter, Mary. Anne believes that she is safe; however, fortune’s wheel is always turning. A jousting accident will rock the court and change the trajectory of Anne’s life forever. After Anne suffers a miscarriage, Henry decides now is the time to send in Cromwell to bring down the queen. We get the opportunity to see the downfall of Anne Boleyn and the men around her through the eyes of the man who brought about her fall from grace and her untimely death.

I enjoyed this novel more than Wolf Hall because there was that sense of drama and danger. We see Cromwell at his most impactful moment, but we also see that he is not some monster, but a human who was following orders. Mantel’s writing style may still be a bit difficult, but I felt this one was easier to follow along with than the first book. I cannot wait to see how Mantel will finish this trilogy. If you want to continue the Wolf Hall trilogy and see how the Cromwell/ Boleyn feud ends, I highly recommend you read “Bring Up the Bodies” by Hilary Mantel.

Book Review: “I Am You” by Victoria Redel

On By hmalagisiIn Book ReviewsLeave a comment

Have you ever looked at a painting and wondered what it must have been like for the artist to paint it? Have you ever wondered what their lives might have been like when they were painting these images that have sparked discussion and intrigue? Usually, we tend to focus on the male artists and their lives, but there has been a trend in recent years to tell the stories of women artists. Take, for example, the story of Maria van Oosterwijk and her maid Geertje Pieters Wyntges. Can these two women find their own successes during Amsterdam’s Golden Age through their art while navigating their own feelings towards each other? Victoria Redel explores the lives of these two women in her latest novel, “I Am You.”

I would like to thank Zando/SJP Lit and Net Galley for sending me a copy of this novel. I did not know anything about Amsterdam’s Golden Age or about Maria van Oosterwijk or Geertje Pieters Wyntges. It was one of those books whose premise intrigued me so much that even though I am not familiar with 17th-century art or the history of the Netherlands, I wanted to give it a shot.

Our protagonist is not the famous floral artist Maria van Oosterwijk, but rather her maid, Geertje, who is known in this novel as Gerta Pieter. During her youth, she dressed as a boy, worked for Maria’s family as a servant, and went by the name Pieter. It’s not a glamorous life, but it allows Pieter to stay close to Maria, whom Pieter admires from afar. Maria is a talented artist and attracts the attention of male admirers, but she is only interested in her art. When Maria gets the opportunity to go to Utrecht to study under Jan Davidsz de Heem, Maria insists that Pieter go with her as her maid, Gerta. Gerta accepts.

It is at this point that Gerta and Maria begin their lives together. After her apprenticeship with de Heem, Maria decides that they should move to Amsterdam, which they do once the plague dies down. It is there that Maria and Gerta meet artists like Rembrandt and Willem van Aelst, the poet Constantijn Huygens, and the art dealer Jan Six. However, the person who left the biggest impact on the lives of Gerta and Maria was Maria’s orphaned nephew Jacobus. Gerta and Maria grow closer as student and teacher and would eventually become lovers. But their social standings would always separate them, and Gerta would realize that love with Maria would be more complex than she had imagined. Behind the beautiful flowers they painted lies a darkness of betrayal and the pain of love being used as a pawn in a bigger game.

This was a richly woven tale of love and betrayal told from the perspective of a maid in love with her mistress. It is raw, especially one scene, and it shows how one person was able to bloom in the midst of love, betrayal, and heartache. “I Am You” by Victoria Redel is the perfect novel for anyone who wants something original and tells the tale of two women artists from the 17th century and the love they shared for their art and each other.

Guest Post: “Researching Renaissance Italy” by Ken Tentarelli

On By hmalagisiIn guest post1 Comment

Today, I am pleased to welcome Ken Tentarelli to share information about his research into Renaissance Italy for his novel, “The Blackest Time.” I would like to thank The Coffee Pot Book Club and Ken Tentarelli for allowing me to participate in this blog tour.

Readers expect historical fiction to be authentic, and that aligns well with my passion for research. Often, I spend more time doing research than writing. The fun comes in discovering little-known bits of history. As an example, when you look at maps of Renaissance Italy, you’ll find brightly colored drawings showing the Republic of Florence, the Duchy of Milan, and the other major city-states, but those simplifications ignore the small independent jurisdictions. 

Prepping for my fourth book, Conspiracy in Bologna, I came upon an item describing how the border was established between the Papal States and the Republic of Florence. Both agreed to use the course of a stream as their border, and both sent out teams of surveyors to create maps. As luck would have it, the two teams of surveyors identified different streams, leaving land and a town between the two streams unclaimed by either side. The land and the town became the Republic of Cospaia, which remained an independent republic for four hundred years. You’d be hard pressed to find a map of Renaissance Europe showing that tiny republic or the many other independent jurisdictions sprinkled throughout Italy. 

We are blessed today with the internet, where we can find copies of original source documents written a thousand years ago. Many have been translated into English. I’m fortunate that I can read the ones that are still available only in Italian. One helpful resource for my latest book, The Blackest Time, was a journal written by Giorgio Villani, a banker in Florence. He wrote about life in Florence at the time of the Black Plague until he finally succumbed to the plague. His writings are available on the Internet in Italian. 

Though extensive, the internet is not all-encompassing. In one of my books, a group of men was following an ancient Roman road through central Italy. The road ran alongside the Tiber River—the same river that flows through the center of Rome, but the story is set close to its source in the Apennine Mountains. The men wanted to cross the river to a town on the opposite bank, and for them to get across, I needed to know how they could cross the river. Today, a bridge spans the river, but nowhere on the internet could I find whether a bridge or a ferry was used during the Renaissance, so I emailed the town’s historical society asking whether their records held the answer. They kindly responded with information saying that not only was there a bridge during the Renaissance, but the Romans had built the first bridge at that site nearly two thousand years ago. I could have just picked one of the possibilities, bridge or ferry; after all, the book is fiction, but I felt better knowing the story accurately reflected the history. 

Tidbits I found while doing research for a book in my Renaissance mystery series are what led me to write a book set during the time of the Black Plague. Although the mysteries are set during the 1400s, I got carried away at one point, looked further back in time, and came upon three significant events: a triple conjunction of planets, which was taken as an ill omen by astrologers, two years of incessant rain that destroyed farm crops and caused famine in the cities, and the Black Plague. Those three events happening within a brief span of time convinced me there had to be a story worth telling. 

Blurb:   

Set in the 1300s during the devastating black plague, The Blackest Time is a powerful tale of compassion, love, and the human spirit’s ability to endure immense adversity. 

Gino, the central character, is a young man who leaves his family’s farm to find work in a pharmacy in Florence. His experiences show us how people coped in the most horrific time in history. 

Shortly after Gino arrived in the city, two years of incessant rain destroyed crops in the countryside, leading to famine and despair in the city. Gino offers hope and help to the suffering— he secures shelter for a woman forced to leave her flooded farm, rescues a young girl orphaned by the plague, and aids others who have lost everything. 

The rains had barely ended when the plague hit the city, exposing the true character of its people. While some blamed others for the devastation, the story focuses on the compassionate acts of neighbors helping each other overcome fear and suffering. Doctors bravely risk infection to care for their patients. A woman healer, wrongly accused of witchcraft and driven from the city, finds a new beginning in a village where her skills are appreciated.  

Despite the hardships, love blossoms between Gino and a young woman he met at the apothecary. Together they survive, finding strength in each other and hope in a world teetering on the edge. 

The Blackest Time is a testament to the strength of the human spirit in overcoming unimaginable tragedy. 

Buy Link: 

Universal Buy Link:  https://books2read.com/u/bPO08J  

Author Bio: 

Ken Tentarelli is a frequent visitor to Italy. In travels from the Alps to the southern coast of Sicily, he developed a love for its history and its people. 

He has studied Italian culture and language in Rome and Perugia, a background he used in his award-winning series of historical thrillers set in the Italian Renaissance. He has taught courses in Italian history spanning time from the Etruscans to the Renaissance, and he’s a strong advocate of libraries and has served as a trustee of his local library and officer of the library foundation. 

When not traveling, Ken and his wife live in beautiful New Hampshire. 

Author Links: 

Website:   https://KenTentarelli.com  

Facebook:  https://www.facebook.com/ken.tentarelli.3/  

Instagram: https://www.instagram.com/kententarelliauthor/  

Book Bub:  https://www.bookbub.com/authors/ken-tentarelli  

Amazon Author Page:   

https://www.amazon.com/stores/Ken-Tentarelli/author/B07PDYZ34Q  

Goodreads: https://www.goodreads.com/author/show/18920645.Ken_Tentarelli  

 

Book Review: “To Kill a Queen” by Amie McNee

On By hmalagisiIn Book ReviewsLeave a comment

When we think of Elizabethan England, we tend to think of the Golden Age of England. A time of discoveries and for the arts to flourish under the Virgin Queen, Elizabeth I. However, there is a darker side. It was also a time of espionage, fears of invasions from other countries, and the hatred between Catholics and Protestants. The dangers of the Elizabethan underworld have reached the queen, as there is an attempt on her life. Can Jack, the son of a crime boss, change his life and find the culprit before they find him, or will he be betrayed by those he calls his friends? Amie McNee explores the seedy underworld of Elizabethan England in her novel, “To Kill a Queen.”

I would like to thank Crooked Lane Books and Net Galley for sending me a copy of this novel. I am a sucker for a good historical mystery, and if it is set in Tudor England, even better. I read the premise of this novel and decided to give McNee a try.

The year is 1579, and Queen Elizabeth I is entertaining her final suitor, the Duke of Anjou. The city is all abuzz with rumors of wedding bells. Everyone except Jack, a young coroner apprentice, who is the son of a crime boss. Jack is helping the Justice of the Peace, Ben, and his mentor, coroner Damian, try to solve a case of a wife beaten to death by her husband. It is a pretty open and shut case, so Jack was surprised to receive another case so soon. A soldier died protecting the queen from an assassin. Now, Jack, Ben, and Damian must find the assassin before it’s too late.

It seems like your typical murder case set in a period setting, but that’s where McNee mixes things up. We get to meet Jack’s father, Axe, the crime boss, and we find out that Jack is not their real identity. Not many know Jack’s true identity, except for his lover Jenny and Damian. Jack’s friend Harry is a common resident of Bedlam, but he is now out, and Jack has to take care of him. When associates close to Jack end up being killed, there is a sense of urgency that Jack has to find the murderer before they find Jack. There are a lot of twists and turns, and the reveal of the whodunnit was shocking, but the conclusion of the book did not fit well with the tone of the rest of the book.

Overall, it was a decent novel, even though it felt more Oliver Twist than Tudor. It was nice to see the typical Tudors step to the side so that we can focus on other stories in Elizabethan London. If you want a detective novel with an unlikely protagonist, filled with twists and turns, and set during the Tudor age, I recommend you read “To Kill a Queen” by Amie McNee.