Have you ever believed in something or someone so much that you were willing to do anything to be with them? What if it meant isolating yourself from everyone and everything you loved? Aleys knows this all too well. Born near Bruges during the 13th century, Aleys believes that she is destined for great things and has religious visions. Can this young woman survive both religious and political challenges to make her aspirations of being closer to God a reality, or will she fly too close to the sun and lose everything? Janet Rich Edwards tells Alleys’ tale in her debut novel, “Canticle.”
I would like to thank Spiegel & Grau and Net Galley for sending me a copy of this novel. I am always looking for a fresh approach to the past, so when I read the premise of this novel, it sparked an interest in me. As it is a debut featuring a religious group of women that I was not familiar with, the beguines, I wanted to see how Edwards’s writing style would bring something new to medieval historical fiction.
“Canticle” is a novel that follows three main narrators: Aleys, the young woman who longs to have a deeper relationship with God; Friar Lukas, who wants to grow his monastery; and Jaan Smet, Bishop of Tournai, who wants to get closer to the pope and power. We begin with Aleys as a young woman. She lives with her mother, father, brothers, and sister. Her mother died during childbirth, leaving the family broken. Aleys’s father decides to marry her off to a rich merchant, but Aleys decides that she wants to live a religious life, so she runs away. It is here she meets Friar Lukas, a Franciscan, and she wants to become a Franciscan, but Lukas convinces her to join the community of beguines.
It is in the community of beguines that Aleys discovers her true self and a series of translations that will send shockwaves all the way to Rome. The Bishop wanted to take down this community so that he could earn the respect of Rome and possibly become a cardinal. However, it was Aleys who was about to change with a miracle that sent the town into a frenzy. It was Friar Lukas who convinced Aleys to take the ultimate step and become an anchoress. It was when Aleys became an anchoress that Edwards truly shines because she shows the isolation that an anchoress might feel in her cell. But life has a way of reaching even an isolated cell, and Aleys must choose whether to save herself or her beloved beguines.
I found this a delightfully evocative novel about medieval religious life. It made me feel sympathy for the beguines and the anchoresses who were willing to risk it all to get closer to God. I really enjoyed Edwards’ writing style, and I can’t wait to see what she will write about next. If you want something medieval that focuses on religious life, I would recommend you read “Canticle” by Janet Rich Edwards.
Throughout history, many aspects of life have changed drastically, but one thing has remained the same: the different stages of life—birth, youth, adolescence, adulthood, old age, and death. It is the first stage of life, birth, that tends to get the least amount of attention when it comes to historical research. In recent years, it has been gaining more and more attention, especially when it comes to royal births, which have the most amount of written records. Michele Schindler has chosen to focus on the aspects of medieval childbirth in her latest book, “Royal Childbirth in the Middle Ages: Fertility, Pregnancy and Birth.”
Have you ever watched a movie, played a video game, or read a novel set in the Middle Ages and wondered if life was really like that? Was it super dirty, grimy, and deadly, or is this a fictional device to show how bad the past was compared to the present? Kathryn Warner has delved into the archives to uncover the truth about what life was like in an average medieval town for her latest book, “Life in the Medieval Town.”
Have you ever read about a historical figure and used what they went through to help you get through difficult times? It is as if you read about their life at the perfect time in your life to help you get through your own struggles. Growing up, for me, it was reading about young Elizabeth I. For Ana Garriga and Carmen Urbita, it was reading about 16th and 17th-century nuns, the ones that they were researching for their PhDs. What lessons did Garriga and Urbita find when they were researching two centuries and the nuns who lived during this period? They share the lessons that they learned from the past in their book, “Convent Wisdom: How Sixteenth-Century Nuns Could Save Your Twenty-First Century Life.”
It is March 1603, and the Virgin Queen is dying. She has no children to inherit her throne directly, so she must choose a successor. She chooses the son of Mary Queen of Scots, the queen who had been executed a few years before. James VI of Scotland will become James I of England, but was it as easy as William Camden makes it in his account? What does a recent discovery about Camden’s original manuscript of Annales tell us about James’ succession to the throne of England? Tracy explores the messy conflict to find an heir to the English throne in her latest book, “The Stolen Crown: Treachery, Deceit and the Death of the Tudor Dynasty.”
When we think about the Norman Conquest, we often think about how it impacted England, Wales, and Scotland, but we tend to forget about Ireland. Early medieval Ireland do not get a whole lot of attention in historical fiction. That is, until Shauna Lawless’s Gael Song trilogy. Now, fifty years after the events of the original trilogy, Lawless has brought in a new cast of characters, as well as old characters, into the fight between the Descendants of the Tuatha De Danann and the Fomorians. When a child of prophecy is introduced into the mix that is said to be able to defeat the Fomorians, the race is on to protect the child or to kill her. Will the Descendants survive, or will the Fomorians torch the land and the Descendants’ hope? Shauna Lawless jumps back into this work with the Gael Song Era 2 book 1, “Daughter of the Otherworld.”
Medieval Europe was a time of conflicts and change. While smaller disputes between countries or civil wars would define borders, the most prominent conflict during this period was the Hundred Years’ War. A conflict that has been traditionally taught to have lasted 116 years between England and France. It is often told from the English perspective, with battles such as Agincourt, Crecy, and Poitiers celebrated. But what if we look at the bigger picture and expand our lens to the whole of Europe while keeping a neutral approach to the France vs England conflict? What if the conflict did not last a mere hundred years, but in fact two hundred years? What type of story would this kind of approach tell when it comes to medieval European history? Michael Livingston takes on the mammoth challenge of telling the tale of how this war changed European history forever in his latest book, “Bloody Crowns: A New History of the Hundred Years War.”
Throughout European history, we tend to think about the countries as a whole when it comes to the political sphere of influence. We think of the big countries like France, Spain, Italy, Germany, Austria, and England as having the most impact, but we have to consider that during the Middle Ages, duchies held immense power. Take, for example, the Duchy of Burgundy, also known as the Burgundian Empire. It was a part of France, but that does not mean that the dukes stayed on the side of the French. The Burgundians used their influence to expand and marry into the medieval European families, affecting European history as a whole. While we tend to focus on the Dukes of Burgundy, we should be paying attention to the women of this duchy. That is why Susan Abernethy chose to focus on these women in her latest book, “The Formidable Women Who Shaped Medieval Europe: Power and Patronage at the Burgundian Court.”
Have you ever looked at a painting and wondered what it must have been like for the artist to paint it? Have you ever wondered what their lives might have been like when they were painting these images that have sparked discussion and intrigue? Usually, we tend to focus on the male artists and their lives, but there has been a trend in recent years to tell the stories of women artists. Take, for example, the story of Maria van Oosterwijk and her maid Geertje Pieters Wyntges. Can these two women find their own successes during Amsterdam’s Golden Age through their art while navigating their own feelings towards each other? Victoria Redel explores the lives of these two women in her latest novel, “I Am You.”
When we think of Elizabethan England, we tend to think of the Golden Age of England. A time of discoveries and for the arts to flourish under the Virgin Queen, Elizabeth I. However, there is a darker side. It was also a time of espionage, fears of invasions from other countries, and the hatred between Catholics and Protestants. The dangers of the Elizabethan underworld have reached the queen, as there is an attempt on her life. Can Jack, the son of a crime boss, change his life and find the culprit before they find him, or will he be betrayed by those he calls his friends? Amie McNee explores the seedy underworld of Elizabethan England in her novel, “To Kill a Queen.”
Adventures of a Tudor Nerd 