
When we think about the world of the Tudor theatre, we often think about the greatest playwrights of the age. Kit Marlowe, Ben Jonson, Thomas Kyd, and of course, William Shakespeare. We think of the Globe Theatre and the grand plays and masques that were performed for the rich and the poor alike. But this is only a small glimpse into the world of the Tudor theatre scene. Nicholas Fogg explores the beginnings and the end of this period in theatrical history in his book, “The Tudor Theatre: 1576-1642.”
I would like to thank Pen & Sword Books and NetGalley for providing me with a copy of this book. I am not very well-versed in theatre history, so I was hoping for something that would be easy for me to follow along, yet also very informative.
Fogg begins in the year 1576 with the opening of The Theatre, which was a passion project of James Burbage. It was the first location dedicated solely to plays and acting, but it will not be the last. Over sixty years, we see the explosion of the theatrical arts from the great playwrights to lesser-known figures. Fogg takes the time to analyze the popular plays and those that don’t get enough attention. We also get to see how politics, the Puritans, and the plague affected the theatre scene. We witness the rise and fall of actors, playwrights, and theatres until the Puritans finally decided to close theatres for good in 1642, once the Stuarts fell for a time.
Fogg is an expert in this field of study, and he shows it on each page, but sometimes, as a novice, I felt a bit lost. The amount of information in this book was a bit overwhelming for someone like me, who is not too familiar with the theatre world. However, if you are someone who loves the Tudor theatre and wants an in-depth look at this period of theatrical history, you might enjoy “The Tudor Theatre: 1576-1642” by Nicholas Fogg.
15th-century Estonia was at the edge of Christendom. It also just finished facing off against the notable Victual Brothers, a band of brigands and pirates who wreaked havoc across the land. In the town of Tallinn, St. Olaf’s Church is being constructed, but nefarious dealings are coming to the surface. A serial killer is turning this once peaceful town, which is finding its identity on its head. Now, an apothecary named Melchior Wakenstede must help the magistrate solve the case before anyone else is killed. This is the premise for the first Apothecary Melchior Mystery by Indrek Hargla, entitled “The Secret of Saint Olaf’s Church.”
The year is 1540, and King Henry VIII is looking for a wife. He has been a widower for over three years, and his councilor Thomas Cromwell believes that a foreign alliance will be the best path forward for England, so he arranges a marriage between Henry and Anne of Cleves. In theory, it should be a good match, but it falls apart quickly. To top it all off, one of Anne of Cleves’ Maid of Honour brought her own drama to court that ended with a murder. Can Will Somers, the King’s Fool, navigate the drama at court while dealing with his own love life, or will the mystery of the missing body prove too much for him to handle? This is the premise of the next book in the King’s Fool Mysteries series called “Devil’s Gambit.”
Have you ever believed in something or someone so much that you were willing to do anything to be with them? What if it meant isolating yourself from everyone and everything you loved? Aleys knows this all too well. Born near Bruges during the 13th century, Aleys believes that she is destined for great things and has religious visions. Can this young woman survive both religious and political challenges to make her aspirations of being closer to God a reality, or will she fly too close to the sun and lose everything? Janet Rich Edwards tells Alleys’ tale in her debut novel, “Canticle.”
Throughout history, many aspects of life have changed drastically, but one thing has remained the same: the different stages of life—birth, youth, adolescence, adulthood, old age, and death. It is the first stage of life, birth, that tends to get the least amount of attention when it comes to historical research. In recent years, it has been gaining more and more attention, especially when it comes to royal births, which have the most amount of written records. Michele Schindler has chosen to focus on the aspects of medieval childbirth in her latest book, “Royal Childbirth in the Middle Ages: Fertility, Pregnancy and Birth.”
Have you ever watched a movie, played a video game, or read a novel set in the Middle Ages and wondered if life was really like that? Was it super dirty, grimy, and deadly, or is this a fictional device to show how bad the past was compared to the present? Kathryn Warner has delved into the archives to uncover the truth about what life was like in an average medieval town for her latest book, “Life in the Medieval Town.”
Have you ever read about a historical figure and used what they went through to help you get through difficult times? It is as if you read about their life at the perfect time in your life to help you get through your own struggles. Growing up, for me, it was reading about young Elizabeth I. For Ana Garriga and Carmen Urbita, it was reading about 16th and 17th-century nuns, the ones that they were researching for their PhDs. What lessons did Garriga and Urbita find when they were researching two centuries and the nuns who lived during this period? They share the lessons that they learned from the past in their book, “Convent Wisdom: How Sixteenth-Century Nuns Could Save Your Twenty-First Century Life.”
It is March 1603, and the Virgin Queen is dying. She has no children to inherit her throne directly, so she must choose a successor. She chooses the son of Mary Queen of Scots, the queen who had been executed a few years before. James VI of Scotland will become James I of England, but was it as easy as William Camden makes it in his account? What does a recent discovery about Camden’s original manuscript of Annales tell us about James’ succession to the throne of England? Tracy explores the messy conflict to find an heir to the English throne in her latest book, “The Stolen Crown: Treachery, Deceit and the Death of the Tudor Dynasty.”
When we think about the Norman Conquest, we often think about how it impacted England, Wales, and Scotland, but we tend to forget about Ireland. Early medieval Ireland do not get a whole lot of attention in historical fiction. That is, until Shauna Lawless’s Gael Song trilogy. Now, fifty years after the events of the original trilogy, Lawless has brought in a new cast of characters, as well as old characters, into the fight between the Descendants of the Tuatha De Danann and the Fomorians. When a child of prophecy is introduced into the mix that is said to be able to defeat the Fomorians, the race is on to protect the child or to kill her. Will the Descendants survive, or will the Fomorians torch the land and the Descendants’ hope? Shauna Lawless jumps back into this work with the Gael Song Era 2 book 1, “Daughter of the Otherworld.”
Medieval Europe was a time of conflicts and change. While smaller disputes between countries or civil wars would define borders, the most prominent conflict during this period was the Hundred Years’ War. A conflict that has been traditionally taught to have lasted 116 years between England and France. It is often told from the English perspective, with battles such as Agincourt, Crecy, and Poitiers celebrated. But what if we look at the bigger picture and expand our lens to the whole of Europe while keeping a neutral approach to the France vs England conflict? What if the conflict did not last a mere hundred years, but in fact two hundred years? What type of story would this kind of approach tell when it comes to medieval European history? Michael Livingston takes on the mammoth challenge of telling the tale of how this war changed European history forever in his latest book, “Bloody Crowns: A New History of the Hundred Years War.”