Book Review: “Bloody Crowns: A New History of the Hundred Years War” by Michael Livingston

Medieval Europe was a time of conflicts and change. While smaller disputes between countries or civil wars would define borders, the most prominent conflict during this period was the Hundred Years’ War. A conflict that has been traditionally taught to have lasted 116 years between England and France. It is often told from the English perspective, with battles such as Agincourt, Crecy, and Poitiers celebrated. But what if we look at the bigger picture and expand our lens to the whole of Europe while keeping a neutral approach to the France vs England conflict? What if the conflict did not last a mere hundred years, but in fact two hundred years? What type of story would this kind of approach tell when it comes to medieval European history? Michael Livingston takes on the mammoth challenge of telling the tale of how this war changed European history forever in his latest book, “Bloody Crowns: A New History of the Hundred Years War.”

I would like to thank Basic Books and Net Galley for sending me a copy of this book. I enjoyed the previous book that I read by Michael Livingston on the Battle of Crecy, so when I heard that he was writing a new book about the Hundred Years’ War, I was intrigued. I wanted to see what new information he could provide for a conflict that has been discussed heavily for centuries.

Livingston delivers with a plethora of information. He begins by explaining that the term Hundred Years’ War came from a French textbook in 1823. We often think that it began when King Philippe VI of France declared English lands forfeit on May 24, 1337, so King Edward III declared that he was the rightful king of France; and the end of the war was when the French seized the city of Bordeaux on October 19, 1453. However, Livingston argues that the war began in 1292 and ended in 1492, which means it was a two-hundred-year war. Livingston then goes into explaining the origins of France and England to explain how on earth they even got to a state of strife.

While the study of the conflict between France and England tends to focus on these countries, Livingston expands his view to include a pirate war between English and Norman merchants, wars in Portugal, the Burgundian Wars, fights between England, Scotland, and Wales, peasant revolts of all varieties, and wars with the Flemish. We also see a few civil wars in both France and England, including the Wars of the Roses. There are also colorful characters, including a couple of mad kings, the Black Prince, Henry V, Joan of Arc, William Wallace, earls and dukes of every variety, knights who were loyal to a fault, queens who fought for their families, heiresses fighting for their land rights, and a ton of family squabbles. And of course, Livingston focuses on the battles that defined the period, including Crecy, Poitiers, Agincourt, and Orleans, as well as lesser-known battles that helped shift the momentum for either side. Livingston can provide such vivid details that it feels like you are on the battlefield, even when it comes to the more obscure battles.

In my opinion, Livingston is one of the finest medieval military historians right now, and this is his magnum opus. I learned so much by reading this book that it kind of redefined what I think of the Hundred Years’ War. This is one of the best books I have read this year. If you want a book about medieval Europe that will challenge your way of thinking about one of the biggest conflicts of the age, I highly recommend you read “Bloody Crowns: A New History of the Hundred Years War” by Michael Livingston.

Book Review: “The Formidable Women Who Shaped Medieval Europe: Power and Patronage at the Burgundian Court” by Susan Abernethy

Throughout European history, we tend to think about the countries as a whole when it comes to the political sphere of influence. We think of the big countries like France, Spain, Italy, Germany, Austria, and England as having the most impact, but we have to consider that during the Middle Ages, duchies held immense power. Take, for example, the Duchy of Burgundy, also known as the Burgundian Empire. It was a part of France, but that does not mean that the dukes stayed on the side of the French. The Burgundians used their influence to expand and marry into the medieval European families, affecting European history as a whole. While we tend to focus on the Dukes of Burgundy, we should be paying attention to the women of this duchy. That is why Susan Abernethy chose to focus on these women in her latest book, “The Formidable Women Who Shaped Medieval Europe: Power and Patronage at the Burgundian Court.”

I would like to thank Pen and Sword Books and NetGalley for sending me a copy of this book. I enjoyed Susan Abernethy’s first book about Catherine of Braganza. When I heard that she was writing a book about medieval Burgundian women, I was intrigued. I know a little bit about historical figures connected to Burgundy, but I didn’t know much about the history of the duchy itself, so I was excited to learn more.

Abernethy begins by giving her readers a brief history of how Burgundy became a kingdom and a duchy of France. While the history of Burgundy is extensive, we are mainly focusing on the Valois Dukes of Burgundy and the women in their lives. The Valois Dukes of Burgundy were Philip the Bold, John the Fearless, Philip the Good, and Charles the Bold. While this is primarily about the women of Burgundy, it is important to understand the political and military landscape that these women had to deal with in Burgundy and other countries during this time.

The bulk of this book focuses on the women of the Burgundian empire, starting with Margaret of England, Duchess of Brabant, in the 13th century, and ending with Queen Juana of Castile, in the 16th century. We get to hear stories about duchesses and queens, countesses and diplomats, and even a saint. They had to deal with wars, international diplomacy, family drama, and husbands who were not faithful. There were some familiar figures like Mary of Guelders, Queen of Scots, Jacquetta of Luxembourg, Margaret of York, Duchess of Burgundy, and Margaret of Austria, but the majority of these women were new to me, which was very exciting.

It’s a lot of ground to cover, but Abernethy has a way of telling the stories of women comprehensively. I thoroughly enjoyed learning about Burgundy and these extraordinary women who made the duchy an empire. If you are someone who wants to learn about the Duchy of Burgundy, I would recommend you read “The Formidable Women Who Shaped Medieval Europe: Power and Patronage at the Burgundian Court” by Susan Abernethy.

Book Review: “I Am You” by Victoria Redel

Have you ever looked at a painting and wondered what it must have been like for the artist to paint it? Have you ever wondered what their lives might have been like when they were painting these images that have sparked discussion and intrigue? Usually, we tend to focus on the male artists and their lives, but there has been a trend in recent years to tell the stories of women artists. Take, for example, the story of Maria van Oosterwijk and her maid Geertje Pieters Wyntges. Can these two women find their own successes during Amsterdam’s Golden Age through their art while navigating their own feelings towards each other? Victoria Redel explores the lives of these two women in her latest novel, “I Am You.”

I would like to thank Zando/SJP Lit and Net Galley for sending me a copy of this novel. I did not know anything about Amsterdam’s Golden Age or about Maria van Oosterwijk or Geertje Pieters Wyntges. It was one of those books whose premise intrigued me so much that even though I am not familiar with 17th-century art or the history of the Netherlands, I wanted to give it a shot.

Our protagonist is not the famous floral artist Maria van Oosterwijk, but rather her maid, Geertje, who is known in this novel as Gerta Pieter. During her youth, she dressed as a boy, worked for Maria’s family as a servant, and went by the name Pieter. It’s not a glamorous life, but it allows Pieter to stay close to Maria, whom Pieter admires from afar. Maria is a talented artist and attracts the attention of male admirers, but she is only interested in her art. When Maria gets the opportunity to go to Utrecht to study under Jan Davidsz de Heem, Maria insists that Pieter go with her as her maid, Gerta. Gerta accepts.

It is at this point that Gerta and Maria begin their lives together. After her apprenticeship with de Heem, Maria decides that they should move to Amsterdam, which they do once the plague dies down. It is there that Maria and Gerta meet artists like Rembrandt and Willem van Aelst, the poet Constantijn Huygens, and the art dealer Jan Six. However, the person who left the biggest impact on the lives of Gerta and Maria was Maria’s orphaned nephew Jacobus. Gerta and Maria grow closer as student and teacher and would eventually become lovers. But their social standings would always separate them, and Gerta would realize that love with Maria would be more complex than she had imagined. Behind the beautiful flowers they painted lies a darkness of betrayal and the pain of love being used as a pawn in a bigger game.

This was a richly woven tale of love and betrayal told from the perspective of a maid in love with her mistress. It is raw, especially one scene, and it shows how one person was able to bloom in the midst of love, betrayal, and heartache. “I Am You” by Victoria Redel is the perfect novel for anyone who wants something original and tells the tale of two women artists from the 17th century and the love they shared for their art and each other.

Book Review: “To Kill a Queen” by Amie McNee

When we think of Elizabethan England, we tend to think of the Golden Age of England. A time of discoveries and for the arts to flourish under the Virgin Queen, Elizabeth I. However, there is a darker side. It was also a time of espionage, fears of invasions from other countries, and the hatred between Catholics and Protestants. The dangers of the Elizabethan underworld have reached the queen, as there is an attempt on her life. Can Jack, the son of a crime boss, change his life and find the culprit before they find him, or will he be betrayed by those he calls his friends? Amie McNee explores the seedy underworld of Elizabethan England in her novel, “To Kill a Queen.”

I would like to thank Crooked Lane Books and Net Galley for sending me a copy of this novel. I am a sucker for a good historical mystery, and if it is set in Tudor England, even better. I read the premise of this novel and decided to give McNee a try.

The year is 1579, and Queen Elizabeth I is entertaining her final suitor, the Duke of Anjou. The city is all abuzz with rumors of wedding bells. Everyone except Jack, a young coroner apprentice, who is the son of a crime boss. Jack is helping the Justice of the Peace, Ben, and his mentor, coroner Damian, try to solve a case of a wife beaten to death by her husband. It is a pretty open and shut case, so Jack was surprised to receive another case so soon. A soldier died protecting the queen from an assassin. Now, Jack, Ben, and Damian must find the assassin before it’s too late.

It seems like your typical murder case set in a period setting, but that’s where McNee mixes things up. We get to meet Jack’s father, Axe, the crime boss, and we find out that Jack is not their real identity. Not many know Jack’s true identity, except for his lover Jenny and Damian. Jack’s friend Harry is a common resident of Bedlam, but he is now out, and Jack has to take care of him. When associates close to Jack end up being killed, there is a sense of urgency that Jack has to find the murderer before they find Jack. There are a lot of twists and turns, and the reveal of the whodunnit was shocking, but the conclusion of the book did not fit well with the tone of the rest of the book.

Overall, it was a decent novel, even though it felt more Oliver Twist than Tudor. It was nice to see the typical Tudors step to the side so that we can focus on other stories in Elizabethan London. If you want a detective novel with an unlikely protagonist, filled with twists and turns, and set during the Tudor age, I recommend you read “To Kill a Queen” by Amie McNee.

Book Review: “Circle of Days” by Ken Follett

Stonehenge, a marvel of the ancient world that still stands centuries after it was built. It has been the center of mystery and wonder for all who gaze upon it. A gigantic monolithic structure, whose purpose has been a source of discussion since its origins, but that raises another quandary: who were the people who built such an impressive landmark? This single question presents a grand opportunity for historical fiction writers as we don’t have many written records for this period of time, which means authors have room to play. Ken Follett took on the daunting task of telling the tales of those who built this imposing monument in his latest novel, “Circle of Days.”

I would like to thank Grand Central Publishing and Net Galley for sending me a copy of this novel. I have been a fan of Ken Follett’s historical fiction novels since I read “A Column of Fire” and then the first two books of the Kingsbridge series, “The Pillars of the Earth” and “World Without End.” A bit out of order, but I am loving that series. When I heard that he was writing a brand new historical fiction novel about Stonehenge, it was such an intriguing idea that I knew I wanted to read it.

Like Follett’s previous historical fiction novels, he focuses on several protagonists from different walks of life to create a cohesive story. In the case of this novel, the three main groups; herders, farmers, and woodlanders. Seft, our first main character, is a bit of an outsider. He is the son of a miner who abuses him, but Seft yearns to start a new life and he wants to build things that will help his community. Seft falls in love with a herder girl named Neen, the daughter of a herder elder named Ani. Neen’s sister Joia is a priestess who dreams of a stone monument so that they can keep their traditions alive for generations.

The dreams of Seft and Joia are ambitious in nature, especially because there are those who want to stay in the old ways instead of moving forward. They include Cog, Seft’s abusive father who wants Seft to remain a minder the rest of his life, Troon, the leader of the farmers who refuses to work with the herders and is the enemy of Scagga, an elder of the herders, and finally Baz, once an ally but who turned into an enemy when disaster strikes. From drought and famine to raids and wars, the people of the Great Plains fight for what they believe in while falling in love, starting their own families, and striving to fulfill their ambitions in life.

This is another masterpiece by Ken Follett. Not only are the characters so dynamic, but their world feels so believable. You can tell Follett was meticulous when it came to the research as he made the world of 2500 BC vibrant and so real. I would have liked to have seen a historical note at the end of this particular novel to explain how he was able to create this ancient world. Overall, I loved every moment of this book and I was genuinely sad when it came to an end. I cannot wait to see what Follett will write about next. If you are a fan of Ken Follett or just want a historical fiction novel that explores one of England’s oldest monuments, I highly recommend you read “Circle of Days.”

Book Review: “Nemesis: Medieval England’s Greatest Enemy” by Catherine Hanley

The Plantagenets, one of England’s most dynamic dynasties, were always in the middle of some sort of conflict. Whether they were fighting foreign adversaries, their own people, or their own family, it felt like the Plantagenets were always getting into some sort of trouble. And there was one king who knew how to use the weaknesses of the kings of England to his advantage. He was King Philip II of France, also known as Philip Augustus. He had to deal with four different Plantagenet kings and had a strategy for each one of them. Just what were Philip II’s strategies, and how did his reign affect English/French relationships as a whole? These questions are answered in Catherine Hanley’s book, “Nemesis: Medieval England’s Greatest Enemy.”

I would like to thank Osprey Publishing and Net Galley for sending me a copy of this book. I enjoy reading about the Plantagenets and their impact on England and Europe as a whole. When I saw that this book took a French approach to the Plantagenets and focused on Philip Augustus, it was an intriguing premise to me.

As Hanley states in the introduction, this book is not your typical biography, as she focuses on the relationship between Philip Augustus and his Plantagenet opponents. That does not mean that we do not get biographical information for Philip, who was the son of Louis VII and Adela of Blois. Per tradition, as the heir to the French throne, Philip was crowned as Junior King of France on November 1, 1179, which meant that his father was still alive when he was crowned, and he trained to become the proper King of France.

While Philip knew that he had factions to deal with inside of France, his main concerns were overseas with the Plantagenets, primarily King Henry II and his sons. Over the course of his forty-year reign, Philip dealt with Henry II, Richard I the Lionheart, John, and Henry III. Each English king presented his own challenges for Philip, but Philip took them in stride and worked hard to make France stronger. At the same time, Philip had to deal with his own family dramas. He was married three times to Isabelle of Hainault, Ingeborg of Denmark, and Agnes of Merania. It was his marriage to Agnes of Merania that gave Philip his heir, the warrior King Louis VIII of France. However, it was Ingeborg of Denmark who gave Philip the biggest headache as she never gave up fighting for her marriage.

From military to political strategies, Hanley shows how Philip maneuvered against the English, and yet she shows that he was not a perfect person or a king. Philip was a flawed human who had to deal with the cards he was dealt like anyone else. Hanley presents a comprehensive book that explores the complex nature of medieval politics and how one man battled against an entire dynasty during his reign. If you are someone who wants to explore the early Plantagenets from the eyes of their enemy, King Philip II of France, I recommend you read “Nemesis: Medieval England’s Greatest Enemy” by Catherine Hanley.

Book Review: “Dark Renaissance: The Dangerous Times and Fatal Genius of Shakespeare’s Greatest Rival” by Stephen Greenblatt

Sixteenth-century England was a time of great change. There were religious changes as the crown passed from one member of the Tudor family to another. Wars and illnesses like the plague and the sweating sickness were rampant. However, this was also a time of an explosion of the arts, particularly of the theatre. We see men like William Shakespeare and Ben Jonson rise from obscurity to write plays that would propel them to become phenomena. There was a third playwright who should be included in this list. He was the son of a cobbler who was educated at Cambridge University. A brilliant man who wrote groundbreaking plays while he was a spy for her majesty Queen Elizabeth I, his cause of death when he was only in his twenties would remain a mystery for centuries. Christopher (Kit) Marlowe’s story is told in Stephen Greenblatt’s latest book, “Dark Renaissance: The Dangerous Times and Fatal Genius of Shakespeare’s Greatest Rival.”

I would like to thank W. W. Norton & Company and Net Galley for sending me a copy of this book. I will be honest. Although I do spend a lot of time studying the 16th century, I don’t read a lot of plays by Shakespeare or Marlowe. So, when I saw this book and its premise, it piqued my curiosity. I knew that Marlowe was a famous playwright, he was a spy, and that he died young, but that’s all I knew before reading this book. I wanted to know more about Kit Marlowe and his world.

Christopher Kit Marlowe was the son of John Marlowe, an immigrant shoemaker, and his wife, Katherine Arthur. As their only son, it was believed that Kit would become a cobbler, but he had different skills that were more academically inclined. The cobbler’s son would study the classical writers of Ancient Greece and Rome, while learning Latin and debating theology. Kit would find himself at Cambridge University, and he paid for his education on a scholarship. While the main focus of these chapters is Marlowe, Greenblatt does show the lives of the scholars and fellow students who would shape Marlowe’s writings and his path in life.

Just as Marlowe was about to complete his Master of the Arts degree, his attendance dropped, and he was seen in Rheims in France. He was beginning to establish connections to the Elizabethan spy network with William Cecil, Lord Burghley, and Sir Francis Walsingham. This is the stage of life where we not only see Marlowe get in trouble with the law, but we also get to see Marlowe become a playwright who would rival Shakespeare himself. Greenblatt takes his time to analyze Marlowe’s works, including Tamburlaine the Great, Edward II, The Jew of Malta, and Doctor Faustus. Finally, Greenblatt examines Marlowe’s death on May 30, 1593, and who might have been responsible for his murder.

I found this book extremely informative, not only when it comes to the life of Christopher Kit Marlowe, but also the worlds of Elizabethan higher education, the theatrical community, the divides on religious beliefs, and the spy world. Marlowe is one of those figures who challenged what it meant to be a playwright through his rather controversial works, which inspired others like William Shakespeare. If you want a book about a playwright with a tragic end who doesn’t get a lot of attention, I highly recommend you read “Dark Renaissance: The Dangerous Times and Fatal Genius of Shakespeare’s Greatest Rival” by Stephen Greenblatt.

Book Review: “Henry VIII’s Controversial Aunt, Honor Lisle: Her Life, Letters, and Influence on the Tudor Court” by Amy Licence

Marrying into the royal family is not all sunshine and rainbows. Of course, we tend to think about those who marry the king, the queen, the prince, or the princess. But we also need to consider the aunts and the uncles of the royals as part of the family. Take, for example, Arthur Plantagenet, the illegitimate son of Edward IV and the uncle of Henry VIII. His second wife, Honor Lisle, would help him rule Calais; however, she is best known for her letters and her devout Catholic faith during the Reformation in England. So why is Honor Lisle considered a controversial figure, and what was the cause of the fall of Honor and Arthur from the royal good graces? Amy Licence explores the life of Henry VIII’s step-aunt in the first full biography dedicated to Honor Lisle, which is entitled “Henry VIII’s Controversial Aunt, Honor Lisle: Her Life, Letters, and Influence on the Tudor Court.”

I would like to thank Pen & Sword Books and NetGalley for providing me with a copy of this book. I have heard of Honor Lisle and her letters, but I did not know much about her life before this book. I did know that she was married to Arthur Plantagenet, but I had assumed that he was her first husband, so I didn’t know about her life before Arthur. When I saw that Amy Licence was writing a biography about Honor Lisle, I knew I wanted to read it.

Licence begins with the birth of Honor Grenville, Lady Basset, Lady Lisle Plantagenet. She was born in 1493 to Thomas and Isabel Grenville in the small town of Bideford, Devon. Her father served the first Tudor king, Henry VII, as Esquire of the Body, so Honor’s family did have some connection before Honor’s marriage to Arthur. Honor’s mother died a year after she was born, but her father did not die until 1513. In 1515, Honor would marry her first husband, Sir John Basset, and they would have between 7 and 8 children before his death in January 1528. 

A year later was a monumental year for England as it was the start of the divorce between Henry VIII and Catherine of Aragon, which would be known as the Great Matter. It was also the year that Honor married Arthur Plantagenet. The couple would move to Calais, where Arthur would rule for his nephew. This is where we get to see the Lisle letters, Honor’s dictated correspondence to prominent figures in Tudor England. Honor and Arthur would go into debt, dealing with the constant threat of war, balance their faith and be loyal to the King, and handle a plot by Reginald Pole that would try to remove Henry VIII from the throne. 

I found it so interesting to see Honor’s perspective on the big issues of the Tudor court while staying in France, as well as how life in Calais was different from it was in London during this time. Honor Lisle’s life and letters give us great insight into the reign of Henry VIII from the perspective of someone who was outside of England during the major events of his reign. Licence’s research, combined with an easy-to-follow writing style, makes this a very well-written biography. If you want a biography about a lesser-known Tudor woman and her famous letters, I highly recommend you read “Henry VIII’s Controversial Aunt, Honor Lisle: Her Life, Letters and Influence on the Tudor Court” by Amy Licence.

Book Review: “Daughter of the Tarot” by Clare Marchant

A single deck of cards changed the fate of generations of women. The tarot cards, created in 16th-century Italy, will connect two women separated by centuries. One was a woman in 17th-century London, originally from Milan, who used the cards to rescue women from abusive relationships. The other is a woman from modern-day London starting her life anew when she comes across an old tarot card deck with a missing card. What began as a hunt for a missing card will connect the two women and change lives forever. The cards hold secrets to the past, but will they bring hope or disaster? This is the premise for Clare Marchant’s latest dual-timeline novel, “Daughter of the Tarot.”

I would like to thank Boldwood Books and Net Galley for sending me a copy of this novel. I recently read her novel, “The Shadow on the Bridge,” which I enjoyed, so when I saw this novel, it had such an intriguing description that I wanted to read it. I am not familiar with the history of tarot cards, and I have not read many novels set in the 17th century, so I was excited for a new adventure.

As this is a dual-timeline novel, there are two protagonists from two different periods: Portia from 17th-century England and Beatrice from 21st-century England. We begin in Milan in 1629, which has just been hit by the plague, where we are introduced to Portia and her baby daughter, Vittoria, who are struggling to survive. The next time we see Portia and Vittoria, iits 1644 and they are living in London. Vittoria is 15 years old, and Portia is using her talent with tarot cards to help those in need. What Vittoria does not know is that Portia uses her readings to help women escape abusive relationships by using the Devil’s Card as a message for the boatsman Jack, who is in love with Portia. Secrets and truths slowly begin to reveal themselves as someone from Portia’s past has come to London and may destroy her relationship with Vittoria.

In the modern storyline, we meet Beatrice, or Bea, who is starting a new life in London and is opening her own antiques shop. Bea has been avoiding her father and his new love interest since her mother died. She has the gift of reading tarot cards, and one day, she comes across an old deck of cards. The only problem is that it is missing a key card, the Devil’s Card. Bea and her landlord, Jack, search high and low for the missing card and find exactly what they are searching for, and some surprises.

It took me a while to get into this book as it was a slower pace than the previous novel that I read by Marchant. While I enjoyed the modern storyline, the 17th-century portion felt a bit slower, and it didn’t feel like the 17th century to me, but more like the 16th century. Overall, I think it was a decent novel with an interesting pair of protagonists. If you want a story about the 17th century with a unique premise, I recommend you read “Daughter of the Tarot” by Clare Marchant.

Book Review: “Mistress of Dartington Hall” by Rosemary Griggs

One of the greatest threats to England during the reign of Elizabeth I was the Spanish Armada, under the orders of King Philip II of Spain. In the year 1587, the Spanish ships were spotted off the coast of Devon. Fear grips the country, but one woman is up to the task of keeping her beloved Dartington Hall and its inhabitants from harm. Roberda Chapernowne knows what it means to fight for those she loves and is willing to do it again while her husband, Gawen, is away in Ireland fighting for the Queen after he almost divorced Roberda. Roberda’s life turns upside down when Gawen returns home. Can they rekindle their relationship, or will they fall into despair and ruin? Rosemary Griggs concludes Roberda and Gawen Chapernowne’s stories in her latest novel, “Mistress of Dartington Hall.”

I would like to thank Troubador Publishing and Net Galley for sending me a copy of this novel. I have enjoyed Griggs’ previous novels, so when I saw that she had another novel coming out to end Roberda Chapernowne’s story, I knew I had to read it to see how Roberda’s story ended.

We are thrust straight into the action with this novel. It’s 1587, and rumors of Spanish ships have been spotted off the English coast. Fear grips the inhabitants of Dartington Hall, but the mistress of the house, Roberda Chapernowne, is ready to take control of the situation. She has been in charge for the last three years, following her husband, Gawen, who left her and his family to fight in Ireland for Queen Elizabeth I. Now, Gawen has returned home, which makes things extremely awkward as Gawen tried to divorce Roberda. Now, he is back and wants to reconcile their relationship, but Roberda’s faithful maid Clotilde, who has stood by her side every step of the way, is hesitant.

Gawen and Roberda reconcile while raising their children while dealing with the threat of a Spanish invasion. Unfortunately, their brief return to normalcy is dashed when Gawen is injured while hunting and dies, leaving Roberda to take care of the children and the estate. But being a widow who has mostly daughters and only one son is difficult. We see how Roberda deals with her children’s inheritances, her family in France, and a budding romance for Roberda.

I found this an enjoyable conclusion to Roberda Chapernowne’s story. I liked how this book series and this novel in particular focused on lesser-known figures in the Tudor age, instead of the typical royals. If you are a fan of the previous novels in this series, I recommend you read “Mistress of Dartington Hall” by Rosemary Griggs.