Book Review: “Women’s Lives in the Tudor Era” by Amy McElroy

Women's Lives in the Tudor EraWhen we think about the Tudor dynasty, we often think about the famous men and women who defined the era. An era full of change in all aspects of life, from religious and political, to the arts and literature. Throughout these changes, we tend to focus on how they affected the lives of Tudor men, but there is a growing field of interest in the lives of the average Tudor women and how their lives were affected. In her latest book, “Women’s Lives in the Tudor Era,” Amy McElroy explores women’s life stages in 16th-century England and how their roles changed.

I want to thank Pen and Sword Books and Net Galley for sending me a copy of this book. I enjoyed McElroy’s debut book, “Educating the Tudors,” and when I heard that she had another book about Tudor women, I knew I wanted to read it.

McElroy explains that like the centuries before and since the 16th century, it was riddled with negative views of women in all aspects of life. Women were seen as beneath men, which corresponded with the teachings of Aristotle. Wives, mothers, and daughters were supposed to be obedient and seen rather than heard. However, when we look at the different stages of life, we cannot separate the roles of women from everyday life.

To understand what it meant to be a Tudor woman, McElroy breaks down life into different stages, starting in childhood, going through adolescence, becoming a wife and mother, working life for women, how women relaxed, embracing widowhood, and finally, wills and death. Each stage of life is represented in a chapter in this book. McElroy takes the time to explore what it meant to be a woman at each stage of life and how their social standings changed. We see women receiving an education, going through courtships, getting married and becoming wives, starting their own families and the dangers of childbirth, how women earned a living, what they would do as recreational activities, and how they would survive if their husbands died. In each chapter, McElroy highlights women of different social statuses to show how they survived during the Tudor time.

This was an engrossing and utterly fascinating book. Some elements were completely new information for me, which was quite thrilling. The amount of details that McElroy included in such a short amount of pages was incredible. Another brilliant book by McElroy. If you want a fascinating glimpse into the lives of Tudor women, I highly recommend you read, “Women’s Lives in the Tudor Era” by Amy McElroy.

Book Review: “Kateryn Parr: Henry VIII’s Sixth Wife” by Laura Adkins

kateryn parrThe final wife, the one who survived. These words are what people think about when it comes to Katherine (Kateryn) Parr. However, before she even met Henry VIII, she had already lived quite a life, being married twice before meeting the king. She was a scholar, reformer, daughter, stepmother, wife, and mother. A woman who lived a rather intriguing life and happened to marry the King of England, Kateryn Parr’s life has been told in numerous mediums for centuries. Now, Laura Adkins has chosen to write about this famous Tudor wife in the biography, “Kateryn Parr: Henry VIII’s Sixth Wife.”

I want to thank Pen and Sword Books and Net Galley for sending me a copy of this book. Katherine Parr is my favorite wife of Henry VIII and one of my favorite Tudor queens. I have read a few novels and nonfiction books that featured Katherine Parr, but I have yet to read a biography about the titular woman, until now.

Adkins begins her dive into the past not in the Tudor era, but in the 18th century as we see a group of ladies finding the tomb of Kateryn Parr at Sudeley Castle and her tomb being opened several times. We then jump back into the past and explore the Parr family. Kateryn was the eldest child of Thomas and Maud Parr. We get to see Kateryn’s childhood with her siblings William and Anne and how the Parr siblings continued the Parr legacy in their own ways.

We then dive into Kateryn’s marriages, starting with Edward Borough, then John Neville Lord Latimer, King Henry VIII, and finally Thomas Seymour. With each relationship, we get to see Kateryn change from a young teen who was trying to survive to a strong woman who is willing to fight for those she loves and the faith she believes in. We see Kateryn become a stepmother to the Latimer children, Mary, Edward, and Elizabeth, and finally become the mother of her child, Mary Seymour. Adkins chooses to focus on the different elements of Kateryn’s life instead of having a traditional chronological biography, which is a unique take on Kateryn’s story. I will say that because of the format of this book, there was some repetition of different stories and facts in this book.

Overall, I think this was a decent biography about Kateryn Parr. It was easy to read and included actual letters written to and by Kateryn. A loyal wife and stepmother who influenced those around her long after she died. If you want to read a solid biography about this remarkable woman, I suggest you read, “Kateryn Parr: Henry VIII’s Sixth Wife” by Laura Adkins.

Book Review: “The Royal Women Who Made England: The Tenth Century in Saxon England” by M.J. Porter

royal womenWhen we think about England, we often think about a unified country with an illustrious history of wars and triumphs. However, England in the 10th century was drastically different. It was barely a country as it was newly formed through politics, but it faced the risk of elimination with a carousel of kings and Viking raiders. Some of the most notable kings of this era include Alfred, Edward the Elder, Athelstan, Edward the Martyr, and Aethelred II, but the most fascinating figures of this time were the women who were hidden in the shadows of the past. M.J. Porter uses the written record from the 10th and 11th centuries to tell the tales of these remarkable women in her book, “The Royal Women Who Made England: The Tenth Century in Saxon England.”

I would like to thank Pen and Sword Books and Net Galley for sending me a copy of this book. I have heard of M.J. Porter and her historical fiction novels ( I even hosted her for a guest post on my blog), but I had never read her books. I saw this particular title and I was curious as the history of 10th century England is a weak area in my historical research and I wanted to know more about the royal women who lived during this era.

Porter begins by explaining the concept of the long 10th century in England, which starts with the death of King Alfred in 899 to the death of Lady Elfrida in 1001/1002. In that span, ten kings reigned: Alfred, Edward the Elder, Aethelweard, Athelstan, Edmund, Eadred, Eadwig, Edgar, Edward the Martyr, and Aethelred II the Unready. Although this was a turbulent time, it was the women who kept England together. Women like Lady Aethelflaed Lady of the Mercians and Elfrida, the first crowned Queen of England, were not afraid to get their hands dirty whether that meant fighting off Viking invaders or potentially killing off her stepson so her son could be king. Some less famous women were daughters, sisters, mothers, saints, and abbesses/nuns who saw England transformed and whose stories survived through wills, charters, and chronicles.

While I did find the information in this book fascinating as I did take copious notes while reading, I have to be a bit critical of the actual structure of this book. The structure as it was published made it a bit difficult to follow along and I was struggling to keep track of who was who as some women shared the same name. I feel like Porter should have done an introduction to the events of the period in the beginning, then dived into what sources she will use in the book, and then gone into the more minutiae details of the lives of the royal women in chronological order.

Overall, it was a decent read that was extremely informative, but it could have been structured differently to make it even better and a more enjoyable read. Porter’s passion for this period of the past is evident on every page and I wonder how it translates to her historical fiction novels. If you want to learn more about the royal house of Wessex and the women who were close to the throne, I would recommend you read, “The Royal Women Who Made England: The Tenth Century in Saxon England” by M.J. Porter.

Book Review: “A Guide to the Medieval Castles of England” by Malcolm Hislop

A Guide to Medieval Castles of EnglandCastles, the monuments of medieval times, are buildings that hold many tales. Tales of sieges and sorrow, triumphs and tribulations. Through the centuries, their stones and foundations held many secrets. Some of the stories are famous, but most are hidden in the shadows of time and are hidden in ruins. Although castles exist in numerous countries and are centuries old, the castles of medieval England tell a story of a country facing turmoil and changing European and world history forever. Malcolm Hislop, a historian and researcher who specializes in architecture and archaeology, has written a single book exploring every medieval castle and its original architecture entitled, “A Guide to the Medieval Castles of England.”

I would like to thank Pen and Sword Books and Net Galley for sending me a copy of this book. I am somewhat of an architecture novice. I did take a class about the history of art and architecture when I was in college. When I saw the title of this book, I was hoping that he would dive into the terminology and the history of how each castle changed over time. Hislop does his best to deliver just that for his readers.

Hislop begins by explaining the premise behind this book and what the time range will be for a castle to be considered medieval, which is if it was built between 1050 and 1500, which means this book covers over 400 castles. It is quite a mammoth task to cover that many castles and so much archeology, but Hislop does include a sort of glossary to help his readers traverse the complex world of medieval architecture. I do wish that Hislop included terms like motte and bailey in his glossary to help distinguish the different types of castles for novices.

The bulk of this book is focused on the gazetteer, which is simply a list of castles from A to W. Each entry explains where the castle is located, whether it is open to the public or not, a brief history of the occupants and builders of the castle, and finally detailed descriptions of the castle. While I do appreciate the effort that it took to write this book if you are not in England or a writer of historical fiction or nonfiction, this particular guide may seem a bit dry as a read. I feel like if I took a trip to England, I might take this book along with me as a starting point for which castles I should visit, but I think it might not be the best book for casual readers. It’s a resource and not necessarily a riveting read and that may be because Hislop’s approach is more academic than casual history.

Overall, it is an academically sound book but it is not a casual read. This is a book for those who are architecture aficionados, castle nerds, medieval academics, and those who want to explore the ruins of England’s past. If this sounds like you, I recommend you read, “A Guide to the Medieval Castles of England” by Malcolm Hislop.

Guest Post: “Spotlight for ‘How to Dress Like a Tudor’ by Judith Arnopp

How To Dress Like A Tudor Tour BannerI am pleased to welcome Judith Arnopp to my blog today to share a blurb for her latest book, “How to Dress Like a Tudor.” I would like to thank Pen and Sword Books, The Coffee Pot Book Club, and Judith Arnopp for allowing me to be part of this blog tour. 

How To Dress Like A Tudor coverBlurb:

Have you ever hankered to dress like a Tudor lord or lady, or perhaps you prefer the status of goodwife, or costermonger, or even a bawd? 

For beginner historical reenactors, the path to authenticity can be bewildering and sometimes intimidating. Judith Arnopp uses her own experience, both as a historian and a medieval/Tudor lady, to make your own journey a little easier.

The author traces the transition of fashion from the relatively subtle styles popular at the court of Henry VII, through the carefully constructed royal grandeur of Henry VIII, Edward VI, and Mary I to the pinnacle of majesty and splendid iconography of Elizabeth I. 

In contrast to the magnificence of court come the ordinary folk who, subject to sumptuary laws and regulations, wore garments of a simpler cut and cloth – a strata of society that formed the back bone of Tudor England.

This brief history of 16th-century fashion examines clothing for both rich and poor, adult and child, and offers tips and tricks on how to begin to sew your first historically inspired garment, this book is aimed at helping the beginner learn How to Dress like a Tudor.

Buy Link:

Universal Buy Link: mybook.to/howtodress

Judith Arnopp at Pembroke CastleAuthor Bio:

Judith writes historical fiction set during the late medieval and Tudor periods. Her usual focus is on the women who lived close to the monarch, women like Margaret Beaufort, Elizabeth of York, and Mary Tudor but more recently has been writing from the perspective of Henry VIII himself. Her books are on Kindle, Audible, and Paperback.

You can find her fiction books here: http://author.to/juditharnoppbooks

She also writes non-fiction and her work is featured in many anthologies and online magazines. Her latest non-fiction, How to Dress like a Tudor published by Pen & Sword Books is available now. 

Judith is a founder member of a reenactment group The Fyne Company of Cambria, and began making Tudor costumes for herself, her husband, John, and other members of the group. It was this that inspired How to Dress Like a Tudor and she hopes to write more non-fiction Tudor history in the future.

Author Links:

Website: http://www.judithmarnopp.com

Twitter: https://twitter.com/JudithArnopp

Facebook: https://www.facebook.com/thetudorworldofjuditharnopp

LinkedIn: http://www.linkedin.com/in/judith-arnopp-ba999025

Instagram: https://www.instagram.com/tudor_juditharnopp/

Bluesky: https://bsky.app/profile/jarnopp.bsky.social 

Book Bub: https://www.bookbub.com/profile/judith-arnopp

Amazon Author Page: https://www.amazon.co.uk/Judith-Arnopp/e/B003CGLWLA/ 

Goodreads: https://www.goodreads.com/author/show/4088659.Judith_Arnopp

Guest Post: “The Dos and Don’ts of Tudor Men’s Dress – What to Wear in Sixteenth-Century England” by Toni Mount

I am pleased to welcome Toni Mount to share her advice about Tudor men’s fashion to promote her latest book, How to Survive in Tudor England. I would like to thank Toni Mount and Pen and Sword Books for allowing me to be part of this blog tour. 

In writing my new book How to Survive in Tudor England I realised how tricky it was to be fashionable during the sixteenth century: hard work and expensive for men and women. So here’s a taster of what was required for a man to get noticed at court.

Henry VII favors long robes of fine cloth to show his wealth but his son, young Henry VIII, famed for his athletic, shapely legs, wears fitted hose and short robes so he can show off his best features. Now that the robe is so short, the flap that covers the join between the two separate legs of the hose [stockings] for modesty’s sake is now visible and Henry turns this into an asset by attaching a great codpiece to show off his virility. Since the courtiers take their fashion cues from the king, codpieces become a vital accessory. Henry is a well-muscled sporty young man but even so, his natural physique is accentuated by padding the shoulders of his doublet to extreme proportions. 

Henry VIIIHenry VIII wearing a padded doublet 

In this image, you can see the slashes in the sleeves of his doublet so that little puffs of his fine shirt can be pulled through. The doublet has a skirt or peplum, of varying length according to fashion, underneath which are hidden ties (‘points’) or hooks, to attach the breeches. 

The basics of men’s clothing is wearing layers. Next to your skin, you have a white linen shirt. This may be embroidered around the collar band. Katherine of Aragon introducebris ‘black-work’ embroidery from Spain and this becomes very fashionable, looking good on white linen. Later, the collar band is simply what your ruff is pinned onto, unless it has become a separate item by the time of your visit.

Breeches and hose come in a bewildering variety, going in and out of fashion almost weekly – another reason why a courtier’s wardrobe can empty his purse in no time, just trying to keep up. Here is a selection: round or French hose are short, full breeches ending anywhere between the upper thigh to just above the knee and excessively padded at the hips to accentuate your buttocks. These can make dancing or even walking elegantly quite difficult. Canions are tight-fitting tubes attached to the short version of the round hose to extend them to the knee. Below the knee, you wear stockings or ‘netherstocks’ held up with garters.

Whatever the style, the hose must be ‘paned’ – that is cut into narrow panels, joined at the waist and hem, with a colored lining showing between the panes. With so much padding and paning, you can understand why the codpiece is in decline, giving way to a modest buttoned or lace-up opening that doesn’t spoil the symmetry of your panes. Both your doublet and hose may also be decorated by ‘pinking’: slits cut in the fabric, in a pattern, with the coloured lining pulled through, as in Henry VIII’s time. One contemporary commentator of Elizabethan men’s fashion thought things had become quite ridiculous:  ‘Except it were a dog in a doublet you shall not see any so disguised as are my countrymen of England’, he wrote and Elizabethan clothes indeed disguise the wearer’s true physique more than the fashions of any other period. 

Sir Walter RaleighThe fashionable Sir Walter Raleigh

As you’ll see in the portrait of Sir Walter Raleigh [above], men also need to wear a bit of bling. Sir Walter has a single pearl earring, the sign of a truly fashionable man-about-town. Finger rings are a must.

Facial hair is also in vogue ever since Henry VIII grew a beard but at the Elizabethan court, the natural look isn’t enough. Once again, Sir Walter is a fine example to copy with his beard neatly trimmed to a point and his moustache curled. Set your ensemble with a short cape, fur-lined, and edged with a braid. This isn’t a practical cloak to keep you warm and dry but rather an accessory to be draped nonchalantly over one shoulder for that devil-may-care look that’s the height of fashion.

Footwear

No one of any significance goes without shoes. The pointy-toed, medieval styles go out of fashion almost as the first Tudor king sits on the throne. Rounded toes are the thing. But Henry VIII, maybe because he has broad feet, went further, creating a fashion for square toes. With more leather used to make the uppers, it’s also possible to have slashes to show off a contrasting inner lining, as with sleeves. However, these early Tudor styles are thin-soled and flat like their medieval predecessors but around 1500, somebody invents the ‘welt’ – a narrow strip of leather that goes around the shoe, in between the upper and the sole, making the shoe far more sturdy and able to withstand fancier shaping and decoration. 

King Henry is tall and impressive anyway but others who want to emulate him could do with a few extra inches in height and by the time of Elizabeth heeled shoes have been invented. At first, the heel is just a wedge of cork or wood fixed between the leather sole and the upper but soon these become proper heels and part of the sole. With so much innovation in the world of shoemaking, in 1579 the queen grants their coat-of-arms to the Guild of Cordwainers in London.

Women’s dainty dress shoes, called ‘pinsons’, now with heels and a more dainty tapered toe, can be of silk, velvet, or brocade often with bejeweled rosettes. Mid-century, most are slip-ons but lacing and buckles become increasingly fashionable. A pair of Tudor or Elizabethan shoes are made the same for both feet so there is no correct right or left shoe so they can be swapped over for more even wear. 

For outdoor wear, you can either put overshoes on to protect your indoor footwear, or you can have leather boots for walking and riding. Loose or tight-fitting, ‘gamaches’ are thigh-length high boots, and ‘buskins’ come to the calf.  

colour chartActs of Apparel 

In Henry VIII’s reign, realizing some of the up-and-coming wealthier gentry and merchants were wearing more sumptuous clothes than noblemen and courtiers, new laws are passed, termed Acts of Apparel, in 1509-10, 1514, 1515, and 1533. Europe has similar ideas but whereas their regulations tend to be drawn up by and apply only to individual towns, England’s laws come from Parliament and apply throughout the country, in theory, anyway.  

According to the 1509-10 Act against Wearing of Costly Apparel, only the king, the queen, the king’s mother (the act must have been first drawn up before Margaret Beaufort died in June 1509), along with the king’s brothers and sisters can wear cloth of purple silk or gold, while dukes and marquises can only use cloth of gold as linings of their coats and doublets. An earl and those of higher rank may wear sable fur, but those below may not. Certain imported furs can be worn by royal grooms and pages, university graduates, yeomen, and landowners whose estates bring in an income of at least £11 per annum. Barons and knights of the Order of the Garter (the highest-ranking knights) are permitted to wear woolen textiles manufactured abroad but, for those of lesser status, it’s a crime to wear imported cloth. The same applies to wearing clothes dyed with the most expensive crimson and blue dyes. 

CrimsonToo much crimson dye?

Anyone who isn’t a lord’s son, a government servant, or a gentleman with an income from the land of at least £100 per annum is forbidden to wear velvet, satin, or damask, although, if their land is worth £20 or more, satin, damask or camlet may be used to line or trim their clothing but not for the main, visible body of the garment. 

The problem is, as it has been for centuries, more and more successful merchants are becoming richer than the aristocracy. Intermarriage makes matters even more complex. The nobility want to share in mercantile wealth and merchants yearn for titles and high status. The solution is for a lord’s penniless second and untitled son to wed the daughter of a rich merchant but where do their offspring stand on the social ladder? The children aren’t the sons and daughters of a lord and yet they can now afford to live in greater opulence than their paternal relatives who still have titles. No wonder the laws are flouted. 

An additional oddity concerns the way wealth is judged. Annual income from land is always regarded as having greater status than the same monetary income gained from trade. The sumptuary laws passed in the reign of King Edward III, in 1363, equated a landowner worth £200 a year to a merchant worth £1,000. These relative values are still maintained throughout the Tudor period. And there is another problem that becomes more acute in Henry VIII’s reign: that of people – and courtiers were some of the worst offenders – vying with their peers to be the most fashionable and expensively dressed and running up huge debts in the process. This situation leads to An Acte for Reformacyon of Excesse in Apparayle being passed in 1533:

…for the necessaire repressing avoiding and expelling of the inordinate excesse dailye more and more used in the sumptuous and costly araye and apparel accustomablye worne in this Realme, whereof hath ensued and dailie do chaunce suche sundrie high and notable inconveniences as to be the greate manifest an notorious detriment of the common Weale, the subvercion of good and politike order in knowledge and distinction of people according to their estates p[re]emyences dignities and degrees, and to the utter impoverysshement and undoyng of many inexpert and light persones inclined to pride moder of all vices…

Despite the declaration that these laws are intended to avoid the ‘notorious detriment of the common weal’, i.e. everyone, the legislation is aimed, as usual, at morally ‘light persons inclined to pride (mother of all vices)’. The laws also reiterate earlier attempts to mark out prostitutes from respectable women but in 1533 the earlier, medieval customs of what was considered respectable attire are enshrined in law for the first time, in particular, that a married woman must cover her hair – a ‘loose’ woman, i.e. one wearing her hair loose and uncovered is of easy virtue and up to no good. 

An excess of wool production led to an Act of Parliament in 1571, during the reign of Queen Elizabeth, to boost the sales of English woolen cloth. It becomes law that on Sundays and every official holiday all males over six years of age, except for the nobility and persons of degree, are to wear woolen caps on pain of a fine of three farthings (¾ of a penny) per day. Whether it works or not in practice, the act is repealed in 1597. In June 1574, Elizabeth issues the following statute from Greenwich Palace: 

The excess of apparel and the superfluity of unnecessary foreign wares thereto belonging… is grown to such an extremity that the decay of the whole realm is like to follow (by bringing into the realm such superfluities of silks, cloth of gold, silver, and other vain devices of so great cost as of necessity the moneys of the realm is yearly conveyed out of the same to answer the said excess) but also the undoing of a great number of young gentlemen seeking by show of apparel to be esteemed as gentlemen not only consume themselves, their goods, and lands which their parents left unto them, but also run into such debts as they cannot live out of danger of laws without attempting unlawful acts… [edited]

Despite the fact that the queen and everyone else understand the cost of trying to keep up with the latest fashions, no amount of law-making can prevent the young gallants from spending far beyond their means.

Another 1597 proclamation on the subject goes into minute detail. Only earls can wear cloth of gold or purple silk. No one under the degree of knight is allowed silk ‘netherstocks’ (long stockings) or velvet outer garments. A knight’s eldest son may wear velvet doublets and hose but his younger brothers can’t. A baron’s eldest son’s wife may wear gold or silver lace which is forbidden to women below her in the pecking order. Who is allowed to wear what is supposed to be strictly controlled as the queen’s subjects must know their place and dress accordingly so that no one can be misled. At least, that’s the theory but you can see that the laws are confusing and is it any wonder that people ignore them? Will you obey the law or wear fashionable clothes, no matter the cost?  

The frequency of acts and the huge number of laws passed proves that the authorities are losing the fight to keep the social distinctions, maintain morals and ethics, preserve the English economy against foreign imports, and restrain the excesses of fashion. However, a good many of the various sumptuary laws, dating back to as early as the fourteenth century, were still on the English statute books as recently as the 1800s, and, who knows, some may as yet remain, hidden in the dusty archives in the twenty-first century.

So this is an introduction of what to wear – or not – for the stylish courtier in the sixteenth century. If you wish to read about many interesting characters, places, food, and pastimes of the sixteenth century, my new book How to Survive in Tudor England will be published on 30th October 2023.  

Pen & Sword Book Cover / Jacket artwork

Blurb

Imagine you were transported back in time to Tudor England and had to start a new life there, without smartphones, internet, or social media. When transport means walking or, if you’re lucky, horseback, how will you know where you are or where to go? Where will you live and where will you work? What will you eat and what shall you wear? And who can you turn to if you fall ill or are mugged in the street, or God forbid if you upset the king? In a period when execution by beheading was the fate of thousands how can you keep your head in Tudor England? 

All these questions and many more are answered in this new guidebook for time-travelers: How to Survive in Tudor England. A handy self-help guide with tips and suggestions to make your visit to the 16th century much more fun, this lively and engaging book will help the reader deal with the new experiences they may encounter and the problems that might occur. 

Enjoy interviews with the celebrities of the day, and learn some new words to set the mood for your time-traveling adventure. Have an exciting visit but be sure to keep this book to hand.

Toni Mount cropToni Mount Biography

Toni Mount researches, teaches, and writes about history. She is the author of several popular historical non-fiction books and writes regularly for various history magazines. As well as her weekly classes, Toni has created online courses for http://www.MedievalCourses.com and is the author of the popular Sebastian Foxley series of medieval murder mysteries. She’s a member of the Richard III Society’s Research Committee, a costumed interpreter, and speaks often to groups and societies on a range of historical subjects. Toni has a Master’s Degree in Medieval Medicine, Diplomas in Literature, Creative Writing, European Humanities, and a PGCE. She lives in Kent, England with her husband.

Book Review: “Henry VIII’s True Daughter: Catherine Carey, A Tudor Life” by Wendy J. Dunn

Henry VIII's True DaughterIllegitimate royal children have been known to make an impact on history. Take Henry Fitzroy, the illegitimate son of Henry VIII, and Bessie Blount, whom Henry VIII acknowledged as his son. There were discussions about Henry Fitzroy becoming the heir apparent if Henry VIII did not have a legitimate son. But what about the illegitimate children that a king did not acknowledge? What might their lives have been like? The story of Mary Boleyn and her affair with King Henry VIII has been told many times, but the story of her daughter born during that time is lesser known. In her first full-length nonfiction book, “Henry VIII’s True Daughter: Catherine Carey, A Tudor Life,” Wendy J Dunn has taken on the task of discovering the truth of Catherine Carey’s parentage and how it impacted her life.

I would like to thank Pen and Sword Books and Net Galley for sending me a copy of this book. I just finished reading Wendy J. Dunn’s novel, “The Light in the Labyrinth” about Catherine Carey, which is the book that inspired her to research and write this biography. I wanted to see if Dunn could write nonfiction as well as she writes historical fiction novels.

Dunn begins her biography by exploring what life was like in Tudor England before diving into the main point of her book, that Catherine Carey and her brother Henry Carey, were the illegitimate children of Mary Boleyn and Henry VIII. This was a point that she made in “The Light in the Labyrinth,” but it is in this biography that Dunn is able to expand on her theories even further, including the theory that Catherine was in the Tower and on the scaffold when her aunt, Anne Boleyn, was executed as a young woman. It is a sad theory, but it might explain why she was so close to her potential half-sister, Elizabeth Tudor.

Dunn shows how Catherine Carey grew up in the shadows of Henry VIII’s court. It is there where she met and fell in love with Francis Knollys, whom she married in April of 1540. As an audience, we get to see Catherine become a mother during the last years of the reign of Henry VIII and Edward VI’s tenure as king. It was during Mary I’s reign that life became dangerous for Catherine, Francis, and their family as they were Puritans, so they fled to Germany for three years. It was not until the reign of her potential half-sister Elizabeth that Catherine returned to court to serve her queen until Catherine died in 1569.

I think Dunn does a great job of combining her knowledge of Catherine Carey with her writing style as a historical fiction novelist. It creates a unique reading experience. I think for a first try at a full-length nonfiction book, it is pretty good. If you want a full-length biography of Catherine Carey that is informative with theories that will make you question what you think you know about the Tudors, I would suggest you read “Henry VIII’s True Daughter: Catherine Carey, A Tudor Life” by Wendy J Dunn.

Book Review: “How to Survive in Tudor England” by Toni Mount

How to Survive in Tudor EnglandTime travel is a dream for history and science fiction nerds alike. To be able to go to a different period in history to witness major events sounds like it would be tons of fun, but it can also be treacherous if you do not know the era well. What should you wear? Where would you live? What would your occupation be and what should you eat? If you are invited to court, how do you navigate the crazy court intrigue and the ever-changing religious dilemma? Toni Mount has created the ideal book for those who wish to travel to the 16th century called, “How to Survive in Tudor England.”

I would like to thank Pen and Sword Books and Net Galley for sending me a copy of this book. I have read Mount’s medieval books, both her nonfiction and a few of her Sebastian Foxley murder mystery novels, but when I heard that she was writing a nonfiction book about the Tudor dynasty, I was fascinated to see how she would tackle the period.

Mount begins by exploring the origins of the Tudor dynasty and how they came into power through a little conflict that we know today as the Wars of the Roses. As this is an area of expertise for Mount, I think she did a great job condensing the conflict, which included a quick interview with King Richard III, for those who are being introduced to the Tudors.

The bulk of this book focuses on different aspects of life in 16th century England and how a time traveler could use this information for their benefit while traveling. Starting with the ever-important Tudor social structure, Mount shows how drastically different the levels of the hierarchy were, from the poor beggars who relied on the church to the lords and ladies of the court. We are introduced to Tudor education and the English scholars in the field of science, careers for those who did not receive a higher education, as well as the constant religious struggle between Protestantism and Catholicism.

From spies, traveling, and decoding ciphers to dresses, dining, and what to do in your downtime, Mount covers quite a range of topics in an easy-to-follow travel guide. However, my absolute favorite aspect of this book was the fictional interviews Mount included. She does not stick with the Tudors that everyone knows but rather includes lesser-known figures like Thomas “The Rackmaster” Norton, Christopher Kit Marlowe, and the scientist Thomas Digges. These interviews added context and a bit of levity in some rather dark subjects.

As a historical time travel guide, I found this book informative and fun. If you do indeed get the chance to travel back to the Tudor era, or you just want to know a bit more about life in Tudor England, “How to Survive in Tudor England” by Toni Mount is a book you should have on your shelf as a go-to guide.

Book Review: “The Great Survivor of the Tudor Age: The Life and Times of Lord William Paget” by Alex Anglesey

The Great SurvivorRulers cannot govern alone. They require a team of men and women behind them to operate as a cohesive unit. The same can be said for rulers during the Tudor dynasty. We know the stories of men like Cardinal Wolsey and Thomas Cromwell, two men who rose through the ranks to prominent seats of power to ultimately have disastrous falls from grace. However, there was a third Tudor politician who should be in this discussion about rags-to-riches stories. He was the son of a common merchant who went to serve most of the Tudor monarchs as an advisor. Conspiracies and rebellions kept him on his toes, but he ultimately survived the Tudor dynasty, which was a difficult thing to achieve. His name was Lord William Paget and his story is told by his descendant Alex Anglesey in his debut book, “The Great Survivor of the Tudor Age: The Life and Times of Lord William Paget.”

I would like to thank Pen and Sword Books and Net Galley for sending me a copy of this book. I have heard the name William Paget in previous books that I have read about the Tudors, but he is one of those figures that felt like a footnote to me. When I heard that there was going to be a biography about Paget, I wanted to read it and learn more about this Tudor politician.

Alex Anglesey, the current Marquess of Anglesey, tells the story of how when he was a child living in the family home of Plas Newydd. Anglesey was able to use family letters to piece together the story of his ancestor, William Paget, a man of low status who rose through the ranks and served four Tudor monarchs.

The beginning of Paget’s international political career was traveling all across Europe to convince other European countries to accept the Great Matter. During this time, William married Anne Preston and they had nine children. He was the secretary for both Queen Jane Seymour and Anne of Cleves, and he witnessed the dissolution of the monasteries before making his way into the Privy Council as a clerk.

Paget’s first major role was as the English ambassador to France during the reign of King Francis I and gave news to the king about the downfall of Katherine Howard, but it did not last long as he was needed back in England to become Secretary of State. He was King Henry VIII’s private secretary towards the end of his life and helped craft Henry’s last will and testament. After siding with Edward Seymour during the reign of Edward VI, William barely survived a stay in the Tower of London, but he did. During Mary I’s reign, he helped organize the marriage between Mary I and Philip and witnessed the infamous burnings of Protestants. Paget only saw a few years of Elizabeth’s reign before he passed away.

Anglesey shows how Paget and his family were able to survive the Tudor dynasty by staying neutral on matters like religion while still promoting peace. I did find this book a bit dry in places and some of the references to the modern age felt a bit out of place. Overall, it was informative and not a bad read for a debut book. If you want to learn more about a lesser-known political figure who lived during the Tudor dynasty, I suggest you read, “The Great Survivor of the Tudor Age: The Life and Times of Lord William Paget” by Alex Anglesey.

Book Review: “How to Dress Like a Tudor” by Judith Arnopp

How to dress like a TudorHave you ever watched a historical drama and wondered what it might have been like to wear the outfits for that period? You see so many reenactment groups online and you are envious of their talents for being able to bring clothing from the past, especially clothes from the 16th century, to life in the modern age. What might it have been like to dress like a lord or a lady? What about a commoner or a monk? How did fashion change throughout the Tudor dynasty? Judith Arnopp answers all of these questions and more in her latest book, “How to Dress Like a Tudor.”

I would like to thank Pen and Sword Books and Net Galley for sending me a copy of this book. I am not usually one who has an interest in fashion, but historical fashion and its evolution is an area that does pique my interest. When I heard that there was going to be a book about Tudor fashion by Judith Arnopp, I jumped at the opportunity to read it.

Arnopp begins by explaining how the Tudor dynasty marked a big change when it came to fashion and the sumptuary laws that determined what people could and could not wear according to their social status. We see how different the clothing styles were during the reign of Henry VII compared to his over-the-top son Henry VIII and how Edward VI acted like his father in portraitures. Mary I paved the way for what it meant to be a female ruler in England, but it was Elizabeth I who exemplified the importance of iconography and one’s legacy through fashion and portraits.

The bulk of this book focuses on the individual clothing items for each gender, age, and social status in Tudor England. We begin with Tudor women and their garments, the type of materials that would be used to create the garments, and what colors and different flowers symbolized. Arnopp explores menswear, including the infamous codpiece in both court dress and on the battlefield. We see how the typical court dress differs from how children and clergy dress every single day. Finally, Arnopp shares her tips as an experienced reenactor to help novices get into the field of reenactments.

Overall, I found this book rather enjoyable and an easy-to-understand guide to 16th-century English fashion. I would read novels about the Tudor era and I would get confused about the individual garments, so this helped me with the terminology. The part that was a little flat for me was the practical element where Arnopp would describe step by step how to make each garment. I am not versed in sewing terminology so it was a bit hard for me to follow along. However, I think if you are interested in reenactments or just Tudor fashion in general, I would highly suggest you read, “How to Dress Like a Tudor” by Judith Arnopp.