Book Review: “Sceptred Isle: A New History of the Fourteenth Century” by Helen Carr

The Plantagenets, a dynasty that ruled England for over three hundred years. At least that is if you include the Lancastrian and Yorkist kings. Otherwise, the reign of the Plantagenets ended with Richard II being overthrown. So, how did the Plantagenets fall? How did wars, favoritism, and the plague factor into the fall? Helen Carr examines these questions and the rule of three kings over the fourteenth century in her latest book, “Sceptred Isle: A New History of the Fourteenth Century.”

I have really enjoyed Helen Carr’s insight into medieval English history in her book, The Red Prince, so when I heard she was writing a book about the Plantagenets again, with a focus on the fourteenth century, I was excited to read it. The idea in this book that caught my attention was the idea that the Plantagenet dynasty ended when Henry of Bolingbroke overthrew Richard II. As someone who believes that the Plantagenet dynasty ended with the death of Richard III, the concept that it ended almost a century earlier is intriguing.

We begin our adventure with a double reburial of King Arthur and Queen Guinevere, the idea of King Edward I and his wife Eleanor of Castile. It was a kind gesture, but the prophecy that was left behind would be almost prophetic. With the death of King Edward I, the Hammer of the Scots, the throne passed to his son Edward II. While Edward I was a strong warrior, Edward II was a handsome prince who only cared about his favorites, Piers Gaveston and Hugh Despenser the Younger. It would cause those around him, including his wife, Isabella of France, and her lover, Roger Mortimer, to take action against him. Isabella and Mortimer placed Edward III on the throne, but they would soon learn that Edward III was not as passive as his father.

Edward III would return to the warrior state of mind like his grandfather Edward I. With his wife Philippa of Hainault, they would have a large family with many sons, including John of Gaunt and Edward the Black Prince. It would be Edward III who would try to take the French throne for England in a conflict known as the Hundred Years’ War (not the quickest war, and it didn’t go the way Edward III envisioned it). And to top it all off, Edward III had to deal with the emergence of the Black Death and how it affected not only his own family but England and Europe as a whole.

Before Edward III died, his heir, the Black Prince, died, which meant that the Black Prince’s son, Richard II, was destined to be the next king. However, youth and favoritism failed the king as chaos reigned ever since the start of his reign, with the Peasants’ Revolt, and ended with Henry of Bolingbroke becoming the first Lancastrian King, Henry IV.

This was another wonderful book by Helen Carr. It demonstrates Carr’s ability to balance extensive research with a narrative format to create an accessible history book that novices and experts will equally enjoy. My only qualm with this book, if you can call it an issue, is that I wanted it a bit longer so we get more analysis of how this one century affected English and European history as a whole. If you want a book that dives into the history of one of England’s most tumultuous centuries, I highly recommend you read “Sceptred Isle: A New History of the Fourteenth Century” by Helen Carr.

Book Review: “The Tudors in Love: The Courtly Code Behind the Last Medieval Dynasty” by Sarah Gristwood

58218928._SY475_When we think about love, we have ideas about how people fall in love through dating and wooing one another. Sweet words and gestures. Flowers and chocolate. Dates at fun venues and romantic dinners. This is a more modern interpretation of romance and love, which was vastly different than the concept of courtly love that was common in royal circles in medieval Europe. What exactly was courtly love, and how did it play a role in the Tudor dynasty? Sarah Gristwood explores this topic in her latest nonfiction book, “The Tudors in Love: The Courtly Code Behind the Last Medieval Dynasty.”

Before we dive head deep into Tudor history, Gristwood gives us a history lesson into the origins of courtly love and how it evolved. We begin with the 12th century and the stories of King Arthur, Queen Guinevere, and Lancelot that Chretien de Troyes wrote. Troyes’ romantic tales were known to Eleanor of Aquitaine and the troubadours that would spread them to every royal court in Europe. This game of romance between royals and the ideas of knights protecting their fair maidens from danger would change over time. Still, the basic idea that emotions and feelings were central to courtly love would remain prevalent. We see different authors, like Chaucer and Dante, approach the concept of courtly love from different directions and specific rules of this love game set in stone for future generations.

Gristwood traverses the complex family drama known as the Wars of the Roses to show how both Lancaster and York played the courtly game of love. The ways that the sides played the game were different with the various couples involved, but the ideas culminated with the marriage of Henry VII and Elizabeth of York. The imagery of King Arthur and the Knights of the Round Table were passed down to their sons, Prince Arthur and King Henry VIII. Henry VIII would play the game of courtly love with each of his six wives, with varying degrees of success. He would find out that courtly love and politics would be a complex combination to maintain, and this lesson would pass onto his children as they tried to play the game.

Edward VI and Mary I tried to play the game, but they soon realized they were destined to be more involved with politics than love. It was their half-sister Elizabeth who brought back courtly love to its former glory with her numerous favorites. Although the actions of the Tudors can tell us a lot about their intentions, their letters and poetry gave a better understanding of how this courtly love game was played.

I found the new information that Gristwood provided in this book was fascinating. It gave a new dimension to the Tudor dynasty and the relationships between the monarchy and their courtiers or mistresses. An innovative nonfiction book about love, chivalric stories, and the desire for power that any Tudor fan will adore. If you love books by Sarah Gristwood and learning new aspects about Tudor court life, you must have “The Tudors in Love: The Courtly Code Behind the Last Medieval Dynasty” in your collection.