Book Review: “King and Collector: Henry VIII and the Art of Kingship” by Linda Collins and Siobhan Clarke

57135832When we think of the legacy of King Henry VIII, a few descriptions come to mind—married six times, father of three children who would be the king and queens of England one day. We often see him as a man conflicted with religious changes and someone who could be tyrannical when dispatching his enemies and those closest to him. We don’t usually associate Henry VIII with a collector and patron of fine art, but his collection would help bring the Royal Collection to life. The artwork that Henry VIII commissioned and collected tells how he wanted to be viewed by the world. In “King and Collector: Henry VIII and the Art of Kingship,” Linda Collins and Siobhan Clarke peel back the layers of Tudor propaganda to show the truth about King Henry VIII and the artists who made his ideal image.

I first heard about this book from a social media post from Alison Weir, and the way she described it was so intriguing to me. I have not read many books about art history, which I do love, so I wanted to see if Linda Collins and Siobhan Clarke could add any new information into the world of Tudor art.

Collins and Clarke take their readers on a journey through the life of the titular king, explaining crucial moments during his long reign and how he used different types of art to express his worldview. For even the most casual Tudor fan, one would think of the first name when Tudor art is Hans Holbein the Younger. However, there are so many other brilliant artists that Collins and Clarke highlight in this book. There were sculptors like Guido Mazzoni, who created the terracotta sculpture of a young boy who is believed to be Henry VIII as a boy, and Pietro Torrigiano, who made the tomb of Henry VII and Elizabeth of York.

The Tudor age saw the emergence of portraits, miniatures, and paintings as art, which is reflected in Henry VIII’s collection. Some artists are unknown and are still referred to as either the English or Flemish schools, but we know about miniaturists’ contributions like Lucas Horenbout and Holbein. I loved this book because Collins and Clarke took the time to explain how these pieces were created to give us a better appreciation for the crafts. From sculptures and paintings to tapestries, stained glass, and etchings, each piece of artwork highlighted in this book tells a unique tale of the Tudor king and how these pieces would become the Royal Collection that we know today.

If you are a lover of art and Tudor history, you will find “King and Collector: Henry VIII and the Art of Kingship” by Linda Collins and Siobhan Clarke enthralling. This small book is exquisitely written, and it provides its audience with a plethora of fascinating art facts—a must-read for any Tudor history fan.

Book Review: “A Tudor Christmas” by Alison Weir and Siobhan Clarke

imageChristmas is seen today as a time of gift giving, twinkling lights and joy. We often celebrate it only one day a year, on December 25th, and then we celebrate a few days later the New Year from December 31st to January 1st. However, in the past, Christmas and New Years were a part of 12 days of celebrations. We often think that our traditions for Christmas date from the time of the Victorians, but that may not be the case. In fact, some of our more time-honored traditions for the holidays may in fact date from the Tudors and further back in history. So what are these traditions and how was Christmas celebrated in the time of the Tudors? That is the topic that Alison Weir and Siobhan Clarke wanted to explore in their book, “A Tudor Christmas”.

Alison Weir and Siobhan Clarke lay out the premise of this fascinating book:

In this book, we will be exploring all the fascinating aspects of a Tudor Christmas: how it was kept by ordinary people, and how the court celebrated, for what happened at court had a strong influence on what happened elsewhere. The Tudor period was an age of momentous and divisive religious change, with the Reformation of the 1530s severing ties with the Pope and the Church of Rome, and the establishment in 1559, under Elizabeth I, of the Protestant Anglican Church; and it is interesting to explore how this impacted on the way people celebrated Christmas. We have also broadened the scope of the book to embrace the pagan and medieval origins of the various customs, and to look at what transpired in the seventeenth century- when England became a Puritan republic- to interrupt the centuries-old traditional celebration of  Christmas, and how those observances were preserved. (Weir and Clarke, 10-11).  

This delightful little book, which happens to be less than 200 pages, is broken down into chapters which represent the days of Christmastide, from December 24th until January 6th. Each chapter focuses on a different aspect of the Christmas season. Food, decorations, carols, games, pageants, and masques all had important roles to play in the entire Christmas season. The number of details, the drawings at the beginning of every chapter,  and the poetry included really enhanced the reading experience and made the whole idea of a Tudor Christmas come alive. It also shows how the changing religious environment really impacted the celebration of Christmas and even had it banned for a time.

As someone who is somewhat aware of some Christmas traditions and their origins, I found this book extremely informative. It is the perfect book to read while drinking a cup of hot chocolate or tea, sitting in a comfortable chair with a blanket. It will put you in the holiday spirit. I have always wondered what Christmas was like during the time of the Tudors and this book exceeded my expectations. If you want a book that gets you into the holiday spirit while learning more about how the Tudors celebrated Christmas, I highly recommend you read, “A Tudor Christmas” by Alison Weir and Siobhan Clarke. It is the perfect book for the holiday season for any Tudor nerd.