Book Review: “Educating the Tudors” by Amy McElroy

63112680._SX318_ (1)When we think of the word “education,” images of sitting in school rooms for hours, listening to lectures, and doing endless homework pop into our minds. Our modern education system tends to focus on math, science, language arts, and history as the core subjects we study, with music and physical education as something that we in America call an “elective.” But have you ever wondered what education looked like in the past? How did the Tudors pass on their knowledge to future generations? What subjects did the Tudors consider essential, and how did the amount of education you received change depending on your class? Amy McElroy explores these questions in her book, “Educating the Tudors.”

Thank you, Pen and Sword Books and Net Galley, for sending me a copy of this book. When I heard about this book, it grabbed my attention because although many books about the Tudors have talked about elements of education, I have yet to see a book about Tudor education. I was curious to see how the rise of humanism would affect Tudor education throughout the 16th- century.

Before we dive into the differences in classes regarding education, McElroy gives her readers a breakdown of the different types of schools and what subjects each school teaches, including the trivium and quadrivium. She then dives into the Tudor monarchs and their education, starting with King Henry VIII, the first monarch in England to receive a humanist education. With royal children and their education, we are introduced to their royal tutors, like Giles Duwes, Bernard Andre, John Palsgrave, Roger Ascham, Desiderius Erasmus, and John Picton.

McElroy takes her readers on an educational journey through the different social classes, like nobility, gentry, and knights, to the common people. As she points out, the lower you get on the social ladder, the less critical education is to have a career. With the introduction of the printing press and the Reformation, the way students were taught and discussed religious issues changed throughout the 16th century. I loved learning about the popular books of the time, the different instruments and dances that were enjoyed, and what games were played during down times.

For McElroy’s first book, I found it very educational, informative, and easy to read. Her passion for humanism and the evolution of Tudor education exudes on each page. I took pages of notes about this book, and I learned so much from this debut. I cannot wait to see what Amy McElroy will write about next. To learn more about how the Tudors approached education and humanism, you should check out “Educating the Tudors” by Amy McElroy.

Guest Post: Excerpt from “The Conjuror’s Apprentice” by G.J. Williams

The Conjuror’s ApprenticeI am pleased to welcome G.J. Williams to my blog today to share an excerpt from her latest novel, “The Conjuror’s Apprentice.” I want to thank G.J. Williams and The Coffee Pot Book Club for allowing me to be part of this blog tour. 

John Dee stared at the letter, then at Cecil. ‘The letter must have been penned by someone who has sight of this household – and the same person who planted the letter on Jonas.’

The master of the house nodded and put his head in his hands, propelling Mildred to cross the room and put her hand on his shoulder. He glanced up and patted her fingers. ‘Are you quite sure what you read, my dear?’

‘Yes. You heard the words yourself. The letter is to someone who wants testimony of your movements. The scrivener speaks of your visits to Lady Elizabeth. Each one is listed. They even know you are due to visit her again this week.’ Her lips pinched together in anxiety. ‘They state that you hide a book of Elizabeth’s treachery to protect her.’ Mildred looked at John Dee. ‘Why would they make up such stories of us?’

But next to her, Cecil did not move. He kept staring at the wood of his desk, his brow crinkled in thought. A slight flush spread across his cheeks.

Margaretta shifted in her seat, the feelings rising inside her. Dread. Something you’ve done. A secret. You imagine being arrested. You are hiding something. She leaned forward, touched John Dee’s sleeve, and whispered, ‘Mae e’n cuddio rhywbeth.’ He hides something.

Cecil’s eyes darted to her. ‘I do not speak my forefathers’ tongue with ease. What did you say?’

Thank the Lord John Dee stepped in. ‘She says she must away to the kitchen and her chores soon.’ He leaned forward and dropped his voice to a cajoling purr. ‘Is there anything you have secreted, my friend? Better we know.’

Cecil sat up straight and cleared his throat. His wife’s fingers tightened on his shoulder as she looked down, beginning to frown. Her husband looked at the window as if searching for the right words. ‘I…I…hold a book belonging to the Lady Elizabeth. Nothing treasonous. Just her thoughts.’ He swallowed and looked to Dee, a faint beseeching in his eyes.

The room was silent.

Panic. Confusion. It is you, Lady Mildred. Anger.

John Dee leaned forward again, keeping the low, calm voice. ‘Where is this book?’

‘Mildred’s library. Well hidden among the religious texts.’ At this, Lady Cecil gave a short, sharp cry and snatched her hand away from her husband. She walked to the window and put her hands on the glass. They could see her kirtle move with her fearful breathing. Then she turned and faced him, her face pale and fixed in fury. ‘You brought secrets here and put us all in danger? Have your senses left you, husband?’ Her voice was slow and cold.

In an instant, he was on his feet, rebutting her challenge with indignation. ‘No, Mildred. I was showing loyalty to a fragile girl wracked with fears. She is under constant suspicion.

So, when she was summoned to court to attend her sister’s birthing, she dared not take it with her nor leave it behind. I am the only one she trusts. What could I do? Abandon her?’

‘And what is in this book, William?’ asked Dee.

‘Her thoughts on regency. She speaks of a fair rule; of religious tolerance rather than the burning we live with today; of making this land great again and not a puppet of Spain.’

Cecil dropped his head forward, and his voice fell to a murmur. ‘She speaks of a golden age in which men thrive, not fear life.’

Dee sighed. ‘So, she speaks of being queen.’ He waited until Cecil nodded. ‘So, with Mary expecting her own son to succeed her, it is a tome of treason.’ He gave a small laugh. ‘Making my conjuring look pale in comparison.’

Cecil bristled. ‘No. It is a volume of hope. The only treason lies with those who would put a Spanish prince as our ruler.’

He gave a low growl. ‘For the love of God, they circle court like hawks awaiting the death of Mary and her babe so they can grasp power while England mourns.’

John Dee opened his palms in question. ‘Mary herself made Philip King of England. Not a prince. Not her consort. A king.’

Cecil wheeled round. ‘Elizabeth is the rightful heir to the throne. Not a Spanish puppet of the Catholic Pope. A woman of true faith…Protestantism.’

‘So, if Elizabeth aspires to be queen, she is the single threat to the supporters of Philip.’ John Dee pointed an accusing finger. ‘And that book sets out her ambition.’ He paused. ‘That book will take her to the Tower and her death for treason… and someone in your household knows of it. They also know your involvement.’

From the window, Lady Cecil spoke. ‘And her treasonous book is in this house. And somebody knows it.’ She turned to look through the glass onto the bustling street below. ‘May God save us.’

9781915194190Blurb

Born with the ability to hear thoughts and feelings when there is no sound, Margaretta Morgan’s strange gift sees her apprenticed to Doctor John Dee, a mathematician, astronomer, and alchemist. Using her secret link with the hidden side and her master’s brilliance, Margaretta faces her first murder mystery. Margaretta and Dee must uncover the evil bound to unravel the court of Bloody Mary. 

The year is 1555. This is a time ruled by fear. What secrets await to be pulled from the water?

The Conjuror’s Apprentice takes real people and true events in 1555, into which G J Williams weaves a tale of murder and intrigue. Appealing to readers of crime and well-researched historical fiction alike, this is the first in a series which will follow the life, times, plots, and murders of the Tudor Court.

Trigger Warnings:

Descriptions of bodies and the injuries that brought about their death. 

Threat of torture; description of man who has been tortured.

Buy Links

Amazon UK: https://www.amazon.co.uk/Conjurors-Apprentice-G-J-Williams/dp/1915194199

Waterstones

https://www.waterstones.com/book/the-conjurors-apprentice/g-j-williams/9781915194190

RedDoor

https://www.reddoorpress.co.uk/products/the-conjurors-apprentice?_pos=1&_sid=30c68d694&_ss=r

Gwenllian Author photoAuthor Bio 

After a career as a business psychologist for city firms, G.J. Williams has returned to her first passion – writing tales of murder, mystery, and intrigue. Her psychology background, melded with a love of medieval history, draws her to the twists and turns of the human mind, subconscious powers, and the dark side of people who want too much. 

She lives between Somerset and London in the UK and is regularly found writing on a train next to a grumpy cat and a bucket of tea.

 

Social Media Links:

Twitter: https://mobile.twitter.com/gjwilliams92

Book Review: “The Final Year of Anne Boleyn” by Natalie Grueninger

61817724The world of someone close to a king, especially someone close to King Henry VIII, was full of hazards and great triumphs. All the glist and glamor of the Tudor court could not save them from the rage of the King. This could apply to anyone who fell during the reign of this infamous King, but none more so than his second wife and queen, Anne Boleyn. Much has been written about Anne Boleyn and her dramatic fall from grace, specifically the final month of her life, but what was she doing in her last year alive? Natalie Grueninger hopes to answer this question in her latest book, “The Final Year of Anne Boleyn.”

I want to thank Pen and Sword Books and NetGalley for sending me a copy of this book. I am always learning new facts about influential Tudors, like Anne Boleyn, so when I heard about this book, I knew it would be on my to-be-read pile.

We begin our journey to Anne’s demise with the court’s changes in 1535. There is still tons of support for Henry’s first wife, Katherine of Aragon, and her daughter Mary, even with the new Act of Respecting the Oath to the Succession, which proclaimed Princess Elizabeth as King Henry VIII’s heir, not Mary. Anne interacts with ambassadors from foreign lands, like Charles de Solier from France and Eustace Chapuys, the imperial ambassador.

My favorite part of this book is how much care Grueinger took in telling the story of Anne Boleyn’s final progress with Henry VIII. I have never read an account of this progress in the details Grueinger provided, including where she stayed and who served her at different royal houses. We also see how she dealt with the divide between Catholics and Protestants and how she relaxed in her downtime.

Grueninger examines Anne’s fall from grace and how it took place, starting with Henry’s dramatic fall from his horse and Anne’s tragic miscarriage of a son that would have secured her place on the throne. Here, we see the death of Katherine of Aragon and the rise of Jane Seymour. Emotions are running high, and rumors are flying all over Europe, so Grueninger takes the time to bust a few of these myths. Finally, we look at the show trials and the executions that sealed the fate of Anne Boleyn and the men associated with her.

Natalie Grueninger’s passion for telling the true story of Anne Boleyn is evident on every page of this book with the amount of research she poured into this subject. This book presents Anne Boleyn in a new sympathetic light, which any Tudor fan would appreciate. If you want a beautiful nonfiction book that examines the tragic fall of Anne Boleyn, I highly recommend you read “The Final Year of Anne Boleyn” by Natalie Grueninger.

Book Review: “Cardinal Wolsey: For King and Country” by Phil Roberts

cover264519-medium (1)When we think about those who rose through the ranks to achieve significant titles in the Tudor Court, we instantly think about Thomas Cromwell. However, we should also consider his mentor as one of these great men, Cardinal Thomas Wolsey. The son of Robert Wolsey, an Ispwich businessman, and his wife, Joan Daundy, who worked hard and ended up being the right-hand man of the young King Henry VIII. The man behind Hampton Court helped start the Great Matter and The Field of Cloth of Gold, Wolsey had numerous achievements. Who was the man behind these significant Tudor moments? This is the question Phil Roberts tries to address in his book, “Cardinal Wolsey: For King and Country.”

Thank you, Pen and Sword Books and Netgalley, for sending me a copy of this book. When I heard about this title, it was intriguing to me. I had not read many biographies about Thomas Wolsey, so I was excited to read this book.

Roberts begins by showing how Wolsey has been portrayed in other books and media such as films and TV dramas. He then dives into the complex task of tracking the Wolsey family from the Norman Conquest to the Wars of the Roses, which did feel a tad rushed. I wish he had included some family trees so that his readers could follow along with the different branches of the family.

Wosley had a personal life outside of his public persona with his illegitimate children, his loyal friends, and the enemies he made along the way, including Catherine of Aragon and Anne Boleyn. Roberts spends a lot of time looking at the different aspects of Wolsey’s life, like his policies, the schools he built in Ispwich, and his own homes. Finally, Roberts explores how Wolsey fell from the good graces of King Henry VIII and the last days filled with anguish as he slowly died from an illness.

Although Roberts presented interesting facts about Thomas Wolsey, I think the structure of his book was a bit all over the place. In the beginning, he spent a lot of time looking into the history of Ispwich and its schools and church, including a lengthy segment about a missing statue, before getting into Wolsey’s life story. I found this information fascinating, but I don’t know if it was important enough to spend that much time on it. These facts would have been more appropriate in a book about Ispwich. Another thing that threw me off was that Roberts did not write this biography in chronological order of the events until the end of this book.

Overall, I thought this book had enlightening factoids about Thomas Wolsey, but it needed some tweaking to make it a brilliant biography. This is a book for someone who knows the general facts about the Cardinal but wants to learn more about this man. If this sounds like you, I recommend you read “Cardinal Wolsey: For King and Country” by Phil Roberts.

Book Review: “Harry of England: The History of Eight Kings, From Henry I to Henry VIII” by Teresa Cole

52509401English kings are some of the most recognizable monarchs in all of European history, and when we think of Kings of England, a few names pop into our minds. Edward, George, and William tend to be popular, but you cannot study English history without Henry. Eight kings of England were Henry, and they would change the history of England forever. These eight kings give us an entire range of what kingship was like in medieval Europe. From men born to be king to opportunists who decided to take the throne as their own, from saints to warrior kings, the Henrys of English history were a colorful group of characters. Each king has had numerous biographies written about him, but there has never been a collection of biographies about the kings named Henry until now. This is “Harry of England: The History of Eight Kings, From Henry I to Henry VIII” by Teresa Cole.

I want to thank Amberley Publishing for sending me a copy of this book. When I saw this title, I was fascinated by the concept. I have read several books about certain Henrys, but I have never read one that talks about them all in one book.

Cole begins her book with the first Henry, the 4th son of William the Conqueror. The prospects of him ever becoming king was very slim, especially when William the Conqueror passed away and the crown went to William Rufus, the eldest son. Yet destiny took an unexpected turn when William Rufus was killed in a hunting accident, and Henry was there to take the throne before his other brothers had a chance. Henry had to deal with numerous rebellions and the tragedy of the White Ship, which killed his only legitimate son and heir. This led to the period of fighting between Henry’s daughter Matilda and Stephen of Blois, known as the Anarchy, which led to the reign of King Henry II and the beginning of the Plantagenet Dynasty.

King Henry II had his fair share of family drama with his sons and his wife Eleanor of Aquitaine, plus a deadly confrontation with his former best friend, Thomas Becket. The following Henry, Henry III did not have the best of starts to his reign as he followed King John and had to deal with barons’ war and external threats to the throne while balancing the Magna Carta. Luckily for Henry III, he had the longest reign of any medieval English king, fifty-six years.

We enter the Hundred Years’ War with France during the reign of Henry IV, the son of John of Gaunt, who took the throne from Richard II. Henry IV’s son Henry V was the great warrior king who won a decisive victory against the French at Agincourt. Henry V’s son Henry VI became king when he was just a baby, and it was during his reign, that we saw the emergence of what we call today the Wars of the Roses. Finally, Cole tackles the Tudor kings, Henry VII and his second son Henry VIII.

Cole has done her research and given her readers a collection of biographies that are easy to read. Each king has his moment to shine, and Cole does not show favoritism as she explains important battles, events, policies, and changes to the law and religion that each king brought forth. If you want an excellent book that gives you an introductory course into the English kings named Henry, I would recommend “Harry of England: The History of Eight Kings, From Henry I to Henry VIII” by Teresa Cole.

Guest Post: “Did Tudors Smell Whiffy?” by Carol McGrath

Book jacket Tudor Sex and SexualityToday, I am pleased to welcome Carol McGrath to the blog to discuss Tudor hygiene as part of the Sex and Sexuality in Tudor England blog tour. I would like to thank Carol McGrath and Pen and Sword Books for allowing me to be part of this tour.

Did Tudors smell whiffy? Did they care about personal hygiene? It may surprise you that the Tudors cared about cleanliness despite the fact many did not bathe regularly. Henry VIII frequently took baths and had a new bathhouse constructed at Hampton Court for his personal use and a steam bath at Richmond Palace. This new bath was made of wood but lined with a linen sheet to protect his posterior from catching splinters. It was a marvellous feat of Tudor engineering and allowed water to flow into it from a tap fed by a lead pipe bringing water from a spring over three miles distant from the palace. Tudor engineers were clever enough to pass the pipe underneath the Thames river bed using gravity to create strong water pressure to spurt up two floors into the royal bathroom.

It was important to most Tudors not to stink and particularly important not to smell unpleasant when contemplating relations with a lover. Stinking like a beast was totally unacceptable to a Tudor because, ideally, humans should smell sweet. Of course, the Tudor world was less sanitized than our world. Even so, people were not unaware of bad smells around them, and they actually feared nasty pongs. Medicine taught that disease spread through miasma or foul-smelling airs. Importantly, Tudors also believed that sweet smells could be a key indicator of a person’s moral state, never mind that smelling sweet could help attract a lover. 

bathingBathing for most Tudors meant a dip in the river. For those dwelling in towns, bathing facilities such as bathhouses existed during the first few decades of the era. Crusaders had brought the habit of bathing back from the East, thereby making the idea of bathhouses popular.

Hygiene meant both cleaning oneself and one’s clothes regularly. Just as the Church clamped down on sexual freedoms, it had opinions on bathing: heat could inflame the senses, and washing nude was a sign of vanity, even sexual corruption, so they often wore shirts while bathing.  You could scent a bath with flowers and sweet green herbs to help cure ailments, therefore attaching a medicinal element to the practice. Exotic perfumes such as civet and musk were used in soaps, as well as rose water, violet, lavender, and camphor. For those who could afford scented soaps, they certainly were available.

Tudor Pomander replica

Where public bathhouses went, sex soon followed, so it is no wonder the ever-critical Church complained. Tudor brothels were called ‘stews’ and ‘to lather up’ was an early sixteenth-century slang phrase for ejaculation which came from the notion that one could stew in hot water and steam within a bathhouse. As recently as the previous century, the City of London officially recognized the borough of Southwark as having the highest concentration of bathhouses in London. Ironically, this was an area owned by the Bishop of Winchester, and since many bathhouses were also brothels, their sex workers acquired the alternative name of Winchester Geese.

As the sixteenth century continued, bathing fell into decline as new medical advice suggested it weakened the body. Cleaning the skin left it open to infection. This was considered an outside agency that drifted in the air like spores and which rose from places of putrefaction. The skin’s pores were one body area through which these nasty spores could enter, so medical advice determined that the skin needed to be preserved as a barrier. Pores were a secondary route into the body, and the filth produced by the body must be removed completely and quickly to avoid reabsorption. It became important to wash your shirt and change it frequently to keep clean.

Linen shirts, smocks, under-breeches, hose, collars, coifs, and skull caps allowed the total body coverage. As a fabric, linen was very absorbent. It drew sweat and grease from the skin into the weave of the cloth. Since linen acted like a sponge, the Tudors thought it would draw out waste products from the body and improve the body’s circulation, strengthen the constitution and even restore the balance of the humours.

laundress

Laundresses were popular during Tudor times, not just to keep linen washed but because the washerwomen were easily connected with sex. They were badly paid, so sex work was a way to subsidize their income in many cases. Washerwomen sometimes became known as ‘lavenders.’ The word lavender comes from the Latin lavare to wash, and the word to launder derives from these sweet-smelling flowers. Lavender grows all over Europe, and as it was cheap and readily available, it was used widely when washing clothing. The sixteenth-century poem Ship of Fools contains the following lines:

Thou shalt be my lavender Laundress.

To Wash and keep all my gear

Our two beds together shall be set

Without any let.

People used linen to scrub the body. The Tudor Gentleman, Sir Thomas Elyot, wrote a book in 1534 called The Castel of Health. He suggests an early morning hygiene regime to ‘rubbe the body with a course lynnen clothe, first softly and easilye, and after that increase more and more, to a hard and swift rubbynge, untyll the flesh do swelle and to be somewhat ruddy and that not only down ryghte, but also overthrart and round.’ Rubbing vigorously after exercise could draw the body’s toxins out through open pores, and the rough linen cloth would carry them away. Most people only owned two or three sets of underwear. Listed underwear occasionally turned up in Tudor inventories, and linens would often be recorded in wills as bequeathed to others.

Ruth Goodman, a well-known social historian, once followed a Tudor body cleansing regime for a period of three months while living in modern society. No one complained or even noticed a sweaty smell. She wore natural fibre on top of the linen underwear but took neither a shower nor a bath for the whole period. When she recorded The Monastery Farm for television, she only changed her linen smock once weekly and her hose three times over six months, and she still did not pong. Tudor England was not a place where everyone smelled as sweetly as most people who shower daily today, but its people generally managed not to stink. Of course, the past did smell differently. Even so, being clean and sweet-smelling did matter to many Tudors. 

C McGrath twitterCarol McGrath 

Following a first degree in English and History, Carol McGrath completed an MA in Creative Writing from The Seamus Heaney Centre, Queens University Belfast, followed by an MPhil in English from the University of London. The Handfasted Wife, the first in a trilogy about the royal women of 1066, was shortlisted for the RoNAS in 2014. The Swan-Daughter and The Betrothed Sister complete this highly acclaimed trilogy. Mistress Cromwell, a best-selling historical novel about Elizabeth Cromwell, wife of Henry VIII’s statesman, Thomas Cromwell, republished by Headline in 2020. The Silken Rose, first in a Medieval She-Wolf Queens Trilogy featuring Ailenor of Provence, was published in April 2020 by the Headline Group. This was followed by The Damask Rose. The Stone Rose will be published in April 2022. Carol writes Historical non-fiction as well as fiction. Sex and Sexuality in Tudor England will be published in February 2022. Find Carol on her website:

www.carolcmcgrath.co.uk.

Follow her on amazon @CarolMcGrath

Book Review: “Lady, In Waiting” by Karen Heenan

59962472._SY475_Elizabeth Tudor is now the Queen of England and is learning quickly how her relationships with others would affect all of Europe, especially when it comes to her marriage. Marriage is difficult, as Margery Preston soon discovers. Margery is a lady in waiting to the fickle Queen Elizabeth and must navigate the intricacies of court life while learning to be a wife to Robin Lewis, a man she barely knows. She is treated like a child rather than a woman by those around her. Can Margery convince others that she is a strong woman and find love and happiness in the quagmire of court life? Margery’s story is told in the third installment of The Tudor Court series by Karen Heenan, “Lady, In Waiting.”

I want to thank Karen Heenan for sending me a copy of this novel. I have enjoyed the Tudor Court series so far, and I wanted to see how she would continue her Tudor saga. I enjoyed how Heenan had developed the character of Robin Lewis in “A Wider World,” so I wanted to see what kind of woman Robin married.

“Lady, In Waiting” picks up where “A Wider World” left off. Margery and her Grand-mere enter the estate of Winterset, which used to belong to her family, but now belongs to her husband, Robin Lewis. Although they are married, Margery knows very little about her husband and his life. He tends to be surrounded by his books and friends, including a former monk named Anselm. While Margery tries to adjust to this new lifestyle, Robin drops a considerable surprise; Margery will be a lady-in-waiting for Queen Elizabeth I. An enormous honor, to be sure, but to be one of Elizabeth’s ladies meant loyalty and, above all, the ability to keep secrets, even from your significant other. Margery must keep some secrets with more significant implications than mild court gossip.

I loved this book’s central relationship between Margery and Robin. It is a gradual friendship turned romantic love that fans of historical romance swoon. There is so much heartache and sorrow in their relationship, but there are moments of happiness in all of the chaos. Margery’s relationship with her Grand-mere is just as complicated, but the familial bonds are strong between these two women. I also enjoyed Margery’s interactions with famous figures during this time. Her loyalty to Queen Elizabeth, her rather complex relationship with Katherine Grey, and her unexpected friendship with Mary, Queen of Scots.

I found this a delightful read that continues with Heenan’s idea of having characters that would traditionally have been seen as side characters in other historical fiction novels as the heroes of their own stories. Margery Lewis is an excellent leading lady for this third novel in the Tudor Court series. A story full of love, heartache, and intrigue that fans of historical fiction will adore. You will love “Lady, In Waiting” if you have enjoyed Heenan’s previous Tudor Court books.

Book Review: “A Woman of Noble Wit” by Rosemary Griggs

A Woman of Noble Wit Tour BannerFor a woman from the past to leave a mark in history books, she had to have lived an extraordinary life. Some have notorious reputations, or they were considered women of immaculate character. In Foxe’s Book of Martyrs, there was one who was “a woman of noble wit.” She was the daughter of an ancient gentry family who had connections with the court of Henry VIII. Her large family would navigate political turmoil and religious reformations to survive. The name of this wife and mother was Katherine Raleigh, and her tale is told in Rosemary Griggs’ debut novel, “A Woman of Noble Wit.”

I would like to thank The Coffee Pot Book Club and Rosemary Griggs for sending me a copy of this novel and allowing me to be part of this book tour. I did not know much about Katherine Raleigh before this novel, except that she was the mother of Sir Walter Raleigh, so I was looking forward to reading her story.

Katherine was a daughter of the Champernowne family who had a fiery passion for reading. As a girl, she was terrified of marrying an older man, but her family decided to marry Katherine to Otho Gilbert, a young man with a passion for firearms and adventures. As Katherine settles into her new life at Greenway Court, England experiences the reign of King Henry VIII through religious reforms, many marriages, and numerous executions. Although Katherine was not at court, she would receive gossip about court and her sister Kat, who we know today as Kat Ashley, the governess of Princess Elizabeth Tudor.

Katherine is a dutiful and loving wife to Otho, but her heart skips a beat when she meets the charming privateer Walter Raleigh Senior one day. I found Walter a much better match for Katherine than Otho, who seemed rather vain and jealous of his wife’s reputation. Katherine is free to be her educated self with Walter. They navigate the reigns of Edward VI, Mary I, and Elizabeth I while raising their family. We see how Katherine was known as “a woman of noble wit” through heartache, fear, and love.

As a debut novel, I found it a delightfully engaging read. Griggs has brought Katherine Raleigh from the shadows of her famous son’s fame and shined a light on her story. If I did have a complaint about this novel, it would be that I felt the ending was a bit rushed. Overall, I think it was an enchanting debut novel that illuminated the life of a fascinating woman who lived during the Tudor dynasty. I am excited to see what Rosemary Griggs will write about next. If you want a novel about a relatively hidden Tudor woman, I would highly suggest you read “A Woman of Noble Wit” by Rosemary Griggs.

59476111._SY475_A Woman of Noble Wit

By Rosemary Griggs

Few women of her time lived to see their name in print. But Katherine was no ordinary woman. She was Sir Walter Raleighs mother. This is her story.

Set against the turbulent background of a Devon rocked by the religious and social changes that shaped Tudor England; a Devon of privateers and pirates; a Devon riven by rebellions and plots, A Woman of Noble Wit tells how Katherine became the woman who would inspire her famous sons to follow their dreams. It is Tudor history seen though a womans eyes.

As the daughter of a gentry family with close connections to the glittering court of King Henry VIII, Katherines duty is clear. She must put aside her dreams and accept the husband chosen for her. Still a girl, she starts a new life at Greenway Court, overlooking the River Dart, relieved that her husband is not the ageing monster of her nightmares. She settles into the life of a dutiful wife and mother until a chance shipboard encounter with a handsome privateer, turns her world upside down.…..

Years later a courageous act will set Katherines name in print and her youngest son will fly high.

Trigger Warnings: Rape.

Buy Links:

Universal Link: https://books2read.com/u/47O1WE

Amazon UK: https://www.amazon.co.uk/Woman-Noble-Wit-Rosemary-Griggs-ebook/dp/B09FLVZKSK

Amazon US: https://www.amazon.com/Woman-Noble-Wit-Rosemary-Griggs-ebook/dp/B09FLVZKSK

Amazon CA: https://www.amazon.ca/Woman-Noble-Wit-Rosemary-Griggs-ebook/dp/B09FLVZKSK

Amazon AU: https://www.amazon.com.au/Woman-Noble-Wit-Rosemary-Griggs-ebook/dp/B09FLVZKSK

Barnes and Noble: https://www.barnesandnoble.com/w/a-woman-of-noble-wit-rosemary-griggs/1140139238

Waterstones: https://www.waterstones.com/book/a-woman-of-noble-wit/rosemary-griggs/9781800464599

iBooks: https://books.apple.com/gb/book/a-woman-of-noble-wit/id1584793135

WHSmith: https://www.whsmith.co.uk/products/a-woman-of-noble-wit/rosemary-griggs/paperback/9781800464599.html

Foyles: https://www.foyles.co.uk/witem/fiction-poetry/a-woman-of-noble-wit,rosemary-griggs-9781800464599

Rosemary GriggsAuthor Bio:

Rosemary Griggs is a retired Whitehall Senior Civil Servant with a lifelong passion for history. She is now a speaker on Devon’s sixteenth century history and costume. She leads heritage tours at Dartington Hall, has made regular costumed appearances at National Trust houses and helps local museums bring history to life.

Social Media Links:

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Book Review: “King and Collector: Henry VIII and the Art of Kingship” by Linda Collins and Siobhan Clarke

57135832When we think of the legacy of King Henry VIII, a few descriptions come to mind—married six times, father of three children who would be the king and queens of England one day. We often see him as a man conflicted with religious changes and someone who could be tyrannical when dispatching his enemies and those closest to him. We don’t usually associate Henry VIII with a collector and patron of fine art, but his collection would help bring the Royal Collection to life. The artwork that Henry VIII commissioned and collected tells how he wanted to be viewed by the world. In “King and Collector: Henry VIII and the Art of Kingship,” Linda Collins and Siobhan Clarke peel back the layers of Tudor propaganda to show the truth about King Henry VIII and the artists who made his ideal image.

I first heard about this book from a social media post from Alison Weir, and the way she described it was so intriguing to me. I have not read many books about art history, which I do love, so I wanted to see if Linda Collins and Siobhan Clarke could add any new information into the world of Tudor art.

Collins and Clarke take their readers on a journey through the life of the titular king, explaining crucial moments during his long reign and how he used different types of art to express his worldview. For even the most casual Tudor fan, one would think of the first name when Tudor art is Hans Holbein the Younger. However, there are so many other brilliant artists that Collins and Clarke highlight in this book. There were sculptors like Guido Mazzoni, who created the terracotta sculpture of a young boy who is believed to be Henry VIII as a boy, and Pietro Torrigiano, who made the tomb of Henry VII and Elizabeth of York.

The Tudor age saw the emergence of portraits, miniatures, and paintings as art, which is reflected in Henry VIII’s collection. Some artists are unknown and are still referred to as either the English or Flemish schools, but we know about miniaturists’ contributions like Lucas Horenbout and Holbein. I loved this book because Collins and Clarke took the time to explain how these pieces were created to give us a better appreciation for the crafts. From sculptures and paintings to tapestries, stained glass, and etchings, each piece of artwork highlighted in this book tells a unique tale of the Tudor king and how these pieces would become the Royal Collection that we know today.

If you are a lover of art and Tudor history, you will find “King and Collector: Henry VIII and the Art of Kingship” by Linda Collins and Siobhan Clarke enthralling. This small book is exquisitely written, and it provides its audience with a plethora of fascinating art facts—a must-read for any Tudor history fan.

Book Review: “Disability and the Tudors: All the King’s Fools” by Phillipa Vincent- Connolly

41975683When it comes to studies into the Tudor dynasty, many different approaches have been taken in the past. We have examined every monarch, their spouses, how they lived, what they wore, and the various political events that defined the dynasty. The list is endless to the different studies that have been done with the Tudors, yet there are still new areas of study that are being explored. One of those areas of study is how individuals with disabilities survived in the past. How did society treat those who had disabilities, and what rights did they have according to the laws of the land? In her first non-fiction book, “Disability and the Tudors: All the King’s Fools,” Philippa Vincent-Connolly explores the lives of famous fools and monarchs with disabilities to discover how they were treated by Tudor society.

I want to thank Pen and Sword Books and Net Galley for sending me a copy of this book. When I heard about this book, I was interested in learning more, and I will admit that studies on those who had disabilities in the past have never been an area of research that I considered before. I wanted to learn more and see if Vincent-Connolly could provide new information about the Tudors.

To understand disabilities during the Tudor dynasty, Vincent-Connolly defines a few terms, such as a natural fool, those with disabilities, and an artificial fool, which we consider clowns or jesters. They were either viewed as vile sinners or holy innocents, more divine than the average citizen. Like William Somers and Jayne Foole, natural fools were deemed prominent members of the Tudor court and allowed to speak freely to the monarch ruling at the time. Those who lived at court were well taken care of and were depicted in portraits as background figures. Of course, disabilities also affected royalty and the nobility, like Henry VIII, Claude of France, and Lady Mary Grey. For those who did not have the luxury of living at court, some Poor Laws and communities were dedicated to caring for natural fools. With the dissolution of the monasteries, the care for those with disabilities shifted from the church to the communities and their families.

Vincent-Connolly has a passion for this subject and is genuinely dedicated to sharing that passion with fellow Tudor nerds. The one major problem that I had with this book was its repetitive nature, and if it were organized better, this repetitive problem would not be as bad, which would be an easier read. She included one source that I disagreed with, but it was a minor issue in the grand scheme of things.

Overall, I found this book informative and fascinating. The lives of Tudors who had disabilities mattered, and it was an intriguing book that added a new aspect to Tudor research. I think this will open a discussion about those who had disabilities in the past and give us a better appreciation of their struggles and how they survived. If you want to learn something new about this dynasty, I suggest you check out “Disability and the Tudors: All the King’s Fools” by Phillipa Vincent-Connolly.