Tag: Tudors

Guest Post: “Forsaking All Other” Excerpt by Catherine Meyrick

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Forsaking All Other. Tour BannerpngToday, it is my pleasure to welcome Catherine Meyrick to my blog to share an excerpt from her novel, “Forsaking All Other”. I would like to thank Catherine Meyrick and The Coffee Pot Book Club for allowing me to take part in this blog tour. 

Excerpt

Wyard studied Lucy Torrington. Was this the manner of woman his mother thought would suit him best? She was well-dowered and, no doubt, malleable. But she was not to his taste, insipid was probably the best way to describe her. It had been a mistake to allow Eloise to talk him into coming here, he should have gone straight to Bucklings Hall.

He glanced at Bess Stoughton. Of all the women present she was the most appealing. Despite his initial misgivings, she seemed honest and sensible. She was not predatory or flirtatious, nothing like that bold piece who had tried to get him to dance last night. Perhaps Bess Stoughton’s relationship with that serving man was some sort of protection—life could be difficult for a widow. And she looked at him with neither pity nor revulsion.

‘You know Mistress Torrington well?’

‘As well as any. Lucy is a good and gentle girl who deserves to be treated with kindness and respect.’

‘Who does not?’

Her eyelashes fluttered as if surprised at his comment. ‘Lucy would bloom best married to someone who loved her.’

‘Few have that blessing. Kindness and respect are the best that most of us can hope for.’

She bit her lip, frowning. ‘Are you considering marrying Lucy?’

Wyard shrugged, ‘She is one of a number of young women my mother thinks would make a suitable bride.’ He gave a wry smile. ‘It may be more accurate to say would make a suitable good-daughter.’

‘Do you have a list of requirements—number of hands high, girth, teeth, temperament? A list such as you would take to a horse market.’

It sounded ridiculous the way she described it. He gave a sudden bark of laughter. ‘In truth, I have no list.’

‘Do you always do as your mother wishes?’

‘Rarely, but it is probably time I married and she fears that, left to my own devices, I will either never marry or choose someone highly unsuitable.’

‘Who would be unsuitable?’

‘From my mother’s position, someone without money or connections.’

‘And from your own?’

‘I have not thought so far.’ If you could not marry the best, the most loving woman you had ever met, it really did not matter.

‘Well you should. Can you imagine what it is like for a woman married to a man who is forcing himself to his duty, who does not like her company or her person, who married her simply because his mother or his father told him to?’

He had never thought of it from a woman’s point of view. ‘Was your own marriage like that?’

‘You lack courtesy, Master Wyard.’

‘But you sound as if you speak from experience.’

‘That is none of your business,’ she snapped, colour flooding her cheeks. ‘If I were a man, if I had your freedom, I would do exactly as I pleased. I would never accept a bride who had been bundled up for me by my mother.’ She glared at him, ‘Now, if you will excuse me.’ She swept away towards the group of singers, her back straight and her head held high.

Wyard wanted to stop her, to explain it was never so easy. He watched her go, wondering why he had never imagined he could truly do as he wished.

Forsaking All Other by Catherine Meyrick(Blurb)

England, 1585.

Bess Stoughton, waiting woman to the well-connected Lady Allingbourne, has discovered that her father is arranging for her to marry an elderly neighbour. Normally obedient Bess rebels and wrests from her father a year’s grace to find a husband more to her liking.

Edmund Wyard, a taciturn and scarred veteran of England’s campaign in Ireland, is attempting to ignore the pressure from his family to find a suitable wife as he prepares to join the Earl of Leicester’s army in the Netherlands.

Although Bess and Edmund are drawn to each other, they are aware that they can have nothing more than friendship. Bess knows that Edmund’s wealth and family connections place him beyond her reach. And Edmund, with his well-honed sense of duty, has never considered that he could follow his own wishes.

With England on the brink of war and fear of Catholic plots extending even into Lady Allingbourne’s household, time is running out for both of them.

Love is no game for women. The price is far too high.

 

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Books

Catherine MeyrickAuthor Bio:

Catherine Meyrick

Catherine Meyrick is a writer of historical fiction with a particular love of Elizabethan England. Her stories weave fictional characters into the gaps within the historical record – tales of ordinary people who are very much men and women of their time, yet in so many ways are like us today. These are people with the same hopes and longings as we have to find both love and their own place in a troubled world.

Catherine grew up in regional Victoria, but has lived all her adult life in Melbourne, Australia. Until recently she worked as a customer service librarian at her local library. She has a Master of Arts in history and is also an obsessive genealogist. When not writing, reading and researching, Catherine enjoys gardening, the cinema and music of all sorts from early music and classical to folk and country and western and, not least of all, taking photos of the family cat to post on Instagram.

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Guest Post: “Life at the Tudor Court” by Karen Heenan

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I am pleased to welcome Karen Heenan to my blog today to discuss life at the Tudor Court. This is part of the book tour to promote Karen Heenan’s book, “Songbird (The Tudor Court, book 1). Thank you The Coffee Pot Book Club and Karen Heenan for allowing me to participate in this tour. 

“Bess!”

The voice, close to my ear, startled me awake. I’m alone in the bed, and the small attic room shared by the female members of the music is empty but for Flora and one other girl. They are nearly dressed—I’m late. Bolting out of bed, I asked Flora, “Why didn’t you wake me?”

She shrugged. “The rest of us get up when Mistress Edith calls.” Relenting, she said, “Here, I’ll help you.”

I pulled my nightdress over my head and washed quickly at the basin. Flora handed me my shift, then helped lace my kirtle. My hair was braided for sleeping, so I pinned it into a hasty knot and settled a white linen coif over it, hoping I wouldn’t run into Nick Hawkins when I looked so untidy.

Breakfast was served in the great hall, which was filled with trestle tables and benches. Servants brought out great bowls of steaming pottage and pitchers of ale, and there were loaves of bread set along the length of the table, for us to cut with our knives.

When the trenchers have been cleared, and the remaining food was taken away for manners—to feed the beggars at the gate—we make out way to the chapel. I let my mind drift during mass until the choir begins to sing. It is impossible not to pay attention to every sound, every note—my dream, when I first arrived, had been to sing in the choir, but girls were not permitted to offer their voices to God. No one had still given me a good explanation as to why.

If we were at Greenwich—where we would travel in the morning, the king had decided to move from Westminster in London—we could also attend the local church, St. Nicholas. Their choir was inferior, but it was pleasing to get outside the palace. The king had less need of us at Greenwich than Westminster, where we were held constantly within call.

Once mass was done, I was free to do what I liked until dinner. Flora had gone off with friends, so I went up to the practice rooms. Someone might be willing to play for me, but if not, I would sing along. If I was fortunate, Tom would be there. He was my dearest friend, and a talented lutenist and composer, though he would blush and deny that his songs are any good.

Someday it would be known, and his songs would be sung all over the court, and perhaps all over England.

He was there, supervising the packing of the many musical instruments which would be transported to Greenwich, along with all the nobles and a good number of the court servants, and all their varied possessions.

 “Do you want me to play for you?” he asked, swaddling a lute in soft wrappings like a babe. His own instrument, I knew, would travel in his grasp; Tom would not trust it to the rough men who loaded the carts and barges for the trip between palaces.

“I can wait.” I leaned against the window, watching the flurry of activity below. In addition to the carts which would start this day so that things might be in place when King Henry stepped off his barge on the morrow, there were the usual clusters of men and horses, servants scurrying across the courtyard on some errand or another, and, to my delight, a certain gentleman atop a shining black horse. 

I let my eyes rest on him. A man such as Nick Hawkins would never pay any mind to a minstrel girl, no matter how lovely my voice. The fact that he had spoken to me on occasion proved nothing. He was handsome—beautiful, really—and powerful, a friend of the king. A man who could have any woman in the kingdom, save the queen. 

He would never look at me.

I turned to Tom, smiling. He would always look at me, always see me for who I was. But it wasn’t the same, and though I loved him as a friend and a brother, I did not think of him as I drifted off to sleep.

“What will you have me play?” Tom settled on a stool with his instrument on his lap, the light from the narrow window falling on his fair hair. “Bess?”

“Sorry.” I shook away my fancies. “We are to perform this evening for the French ambassador and his party.” 

“At least we will have time to eat.” He tuned the lute carefully. “And we will be in the gallery, so you can watch the gathering to your heart’s content.”

I ignored his words, knowing he was teasing. I did like singing from the gallery so I could watch the crowd, and not just because of Nick. It was more impressive, somehow, from above. Crowded in the narrow gallery with the other minstrels, with the horns and drums and shawms, and Tom’s lute singing a sure line beneath for me to follow, I was at peace and could watch the dancers and pretend I was one of them.

A gathering for the French ambassador was sure to run late; I should go back to the girls’ chamber and pack my things for the morning so that when we were done, I could just fall into bed. “Are you happy about going to Greenwich?”

“What does it matter?” he asked. Seeing my expression, he said, “I am if you must know. The stables are closer to the palace.”

Tom loved horses, and though our indoor lives gave us little contact with the beasts, when we were at Greenwich or visiting the cardinal at Hampton Court, he always found his way to the stables. I was glad he was happy, but prolonged time in the stables made me sneeze, and I preferred to walk in the gardens if I was to take my scant free time outdoors.

Other minstrels came in and we went over our evening’s program until the bells chimed eleven; then we all streamed downstairs to dinner. I stayed with Tom; even if the others left us after the meal, we would probably sing and play together until it was time to get ready for the evening’s entertainment. Despite my dreams of greater things, singing with him was when I was happiest, and when I knew that my father had done the right thing. 

I belonged in this place.

 Several hours later, changed into a green gown and clean coif, with my few things packed into a small chest for the morning, I reassembled with other members of the Music in the gallery overlooking the presence-chamber. The vast room was hung on all sides with vivid tapestries depicting scenes both secular and religious, interspersed with gold and silver plate that reflected the hundreds of candles lighting the space.

The king was all aglitter himself, clad head-to-toe in cloth of gold studded with diamonds and pearls. His queen, Katherine, was dressed more soberly, though her fabrics were equally rich. They sat on their thrones under the gold cloth of state, speaking quietly, until the music started. Then the king stopped, mid-sentence, his ear cocked toward the gallery. How fortunate that Tom had instructed the others to begin with one of Henry’s own songs. 

He leaned over to the French ambassador, who stood near the throne, and gestured toward us. I imagined he was telling the Frenchman that he’d written the song—though he praised us lavishly, it was much more likely that he was taking credit for the song.

I sang while the people below mingled and preened, showing off their finery for the king and each other. When the dancing started, I would step back; my voice did not lend itself to the stately pavanes which began the dancing each evening. Those were for the musicians—Tom, Harry, and Gilbert would play their instruments and the courtiers would parade slowly down the length of the room, bowing and circling, flirting with their eyes and their hands, the only parts of their bodies which touched during the dance.

King Henry began the dancing, leading Queen Katherine down from the dais and onto the floor. The jeweled crowd stepped back to give them room, and they traversed the floor alone, the focus of all eyes before the king raised his hand and called for everyone to join him. Then the courtiers paired off, men swiftly bowing before ladies and taking their chosen partner to join the king. 

Nick was there, I noticed almost immediately. He danced with the prettiest women, and once arrived before a woman at the same time as King Henry, bowing deeply and giving way to his monarch, who would dance until dawn if allowed. The queen would retire early, taking her women, though some of them crept back after Her Majesty had been settled for the night.

It was after midnight when the chamber finally began to empty. I sipped from the ale which had been set aside for us; my throat was dry from singing for hours in the stuffy gallery. Tom was yawning behind his hand, and several of the other looked as though they were asleep on their feet. I was still wide awake, but perhaps it was excitement: it was spring, and tomorrow we would journey to Greenwich, where I had begun my life with the Tudor court.

[Illustration #1 – Palace of Westminster, Wikipedia]

[Illustration #2 – Minstrels, Nikki Piggott, photographer, used w/permission]

[Illustration #3 – Greenwich Palace, Wikipedia]

Blurb

She has the voice of an angel…

But one false note could send her back to her old life of poverty.

After her father sells her to Henry VIII, ten-year-old Bess builds a new life as a royal minstrel, and earns the nickname “the king’s songbird.” 

She comes of age in the dangerous Tudor court, where the stakes are always high, and where politics, heartbreak, and disease threaten everyone from the king to the lowliest musician.

Her world has only one constant: Tom, her first and dearest friend. But when Bess intrigues with Anne Boleyn and strains against the restrictions of life at court, will she discover that the biggest risk of all is listening to her own stubborn heart?

Buy Links:

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Narrated by Jennifer Summerfield

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Author Bio

Karen Heenan

Karen Heenan was born and raised in Philadelphia, PA. She fell in love with books and stories before she could read, and has wanted to write for nearly as long. After far too many years in a cubicle, she set herself free to follow her dreams—which include gardening, sewing, traveling, and, of course, lots of writing.

She lives in Lansdowne, PA, not far from Philadelphia, with two cats and a very patient husband, and is always hard at work on her next book.

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Guest Post: “A Matter of Conscience: Henry VIII, The Aragon Years” Excerpt by Judith Arnopp

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I am pleased to welcome Judith Arnopp to my blog today to share an excerpt from her latest novel, “A Matter of Conscience: Henry VIII, The Aragon Years”. Thank you, The Coffee Pot Book Club and Judith Arnopp for allowing me to host a spot on this blog tour. 

Excerpt

1505 – Henry is informed by his father that he must withdraw from his betrothal to Catherine of Aragon

Most of my companions, the older ones at least, have tasted the pleasures of women but I have no desire to dally with whores. Instead, when the curtains are drawn about my bed at night, I think of Catalina and the delights we will one day enjoy. Since there are no tutors to instruct me on such matters, I listen to the tales my friends tell of their conquests. The prospect of bedding my future wife fills me with a mix of excitement and terror. 

And then, on the eve of my fourteenth birthday, the king informs me that I must make a formal protest against the union with Spain.

“Why?” I exclaim. “I have no wish to protest against it!”

Father rubs his nose, dabs it with his kerchief, rolls it into a ball, and glares at me.

“Your wishes are of no moment. This is politics. You will do as you are told.”

I am furious but I know better than to argue. It would do me no good. I can feel my ears growing red with resentment. I clench my teeth until I hear my jaw crack. Oblivious to my feelings, Father shuffles through the papers on his desk, picks one up, and reads aloud the instruction he has written there.

“You must declare, before witnesses, that the agreement was made when you were a minor and now you reach puberty you will not ratify the contract but denounce it as null and void. Your words will be set in writing and then signed and witnessed by six men.

Protestations tumble in my mind but I cannot voice them. When he dismisses me with a flick of his fingers, I bow perfunctorily, turn on my heel, and quit the room. I find Brandon on the tennis court, loudly protesting the score while his opponent, Guildford, stands with his hands on his hips.

“You are wrong, Brandon, the point is mine. Isn’t that so?” 

He turns to the others, who are lounging nearby. Having only been half attending, they shrug and shake their heads noncommittally.

“My Lord Prince,” Brandon, noticing my arrival, turns for my support. “You witnessed it, did you not? The point was mine. Back me up, Sir.”

I pick up a racket, idly test it in my hand, and emitting a string of curses, hurl it across the court. Silence falls upon the company.

“What ails you, Sir?”

Brandon is the only one brave enough to come forward. He reaches out, his hand heavy on my shoulder. There are few men I allow to touch me. At the back of my mind, I am aware that Brandon is merely proving to others how high he stands in my regard. 

I should shrug him off, but I don’t.

“Walk with me,” I mutter between my teeth and then turn away, almost falling over Beau who dogs my every footstep.

“Out of my way!” I scream and he cowers from me, tail between his legs.

Tossing his racket to Thomas Kyvet, Brandon follows me.

“Henry, wait,” he calls, and I slow my step until he has caught up.

“What has happened?”

“My accursed father.” 

I am so angry, I can hardly speak; my lips feel tight against my teeth, my head pounds with repressed fury. “He demands that I denounce my union with Catalina.”

I stop, rub my hands across my face, the blood thundering in my ears. 

“I don’t know if I am angry because I have lost her, or because I am so sick of being told what I must do. What will Catalina think? What will happen to her?”

He shrugs. “In all probability, she will be sent home to Spain.”

I think of her leaving, imagine her sad little figure boarding ship for the perilous journey to her homeland. For four years she has lived at the mercy of my father’s generosity which, as we all know, is greatly lacking, and now is to be sent home like a misdirected package.

“Sometimes I feel this … this limbo will never end, and I will spend my whole life under my father’s jurisdiction.”

He flings a brotherly arm about me and I am suddenly grateful to have a friend. He speaks quietly, with feeling and I struggle not to weep like a woman.

“We are all told what to do by our fathers, Henry, and we are much alike you and me. I am also the second son. Had my brother not died, I’d like as not be languishing in the country, wed too young to some red-cheeked matron yet here I am, your honoured servant. One day, you will be king, and I will still be at your side. The future will soon be ours, and the time for following orders will be done with.”

Blurb

‘A king must have sons: strong, healthy sons to rule after him.’

On the unexpected death of Arthur Tudor, Prince of Wales, his brother, Henry, becomes heir to the throne of England. The intensive education that follows offers Henry a model for future excellence; a model that he is doomed to fail.

On his accession, he chooses his brother’s widow, Catalina of Aragon, to be his queen. Together they plan to reinstate the glory of days of old and fill the royal nursery with boys. 

But when their first-born son dies at just a few months old, and subsequent babies are born dead or perish in the womb, the king’s golden dreams are tarnished.

Christendom mocks the virile prince. Catalina’s fertile years are ending yet all he has is one useless living daughter and a baseborn son.

He needs a solution but stubborn to the end, Catalina refuses to step aside.

As their relationship founders, his eye is caught by a woman newly arrived from the French court. Her name is Anne Boleyn.

A Matter of Conscience: the Aragon Years offers a unique first-person account of the ‘monster’ we love to hate and reveals a man on the edge; an amiable man-made dangerous by his own impossible expectation.

Buy Links:

Amazon UK: https://www.amazon.co.uk/gp/product/B08W48QQ9C

Amazon US: https://www.amazon.com/Matter-Conscience-Henry-Aragon-Years-ebook/dp/B08W48QQ9C

Author Bio:

Judith Arnopp

A lifelong history enthusiast and avid reader, Judith holds a BA in English/Creative writing and an MA in Medieval Studies.

She lives on the coast of West Wales where she writes both fiction and non-fiction based in the Medieval and Tudor period. Her main focus is on the perspective of historical women but more recently is writing from the perspective of Henry VIII himself.

Her novels include:

A Matter of Conscience: Henry VIII, the Aragon Years 

The Heretic Wind: the life of Mary Tudor, Queen of England

Sisters of Arden: on the Pilgrimage of Grace

The Beaufort Bride: Book one of The Beaufort Chronicle

The Beaufort Woman: Book two of The Beaufort Chronicle

The King’s Mother: Book Three of The Beaufort Chronicle

The Winchester Goose: at the Court of Henry VIII

A Song of Sixpence: the story of Elizabeth of York

Intractable Heart: the story of Katheryn Parr

The Kiss of the Concubine: a story of Anne Boleyn

The Song of Heledd

The Forest Dwellers

Peaceweaver

Judith is also a founder member of a re-enactment group called The Fyne Companye of Cambria and makes historical garments both for the group and others. She is not professionally trained but through trial, error and determination has learned how to make authentic-looking, if not strictly HA, clothing. You can find her group Tudor Handmaid on Facebook. You can also find her on Twitter and Instagram.

Social Media Links:

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Book Review: “Henry VII and the Tudor Pretenders: Simnel, Warbeck, and Warwick” by Nathen Amin

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50419850August 22, 1485, marked the end of the Plantagenet Dynasty with the death of King Richard III at the Battle of Bosworth Field. The man who succeeded him as King of England after his death was young Henry Tudor, whose dynasty would live in infamy in English history, thought that he was done fighting on the battlefield for his right to rule. This was only the beginning of a decades-long war against those who claimed to be lingering shadows of the past. They claimed to be the Princes in the Tower, whose disappearances in 1483 left to doubt and confusion on what happened to them and gave those who despised this new dynasty opportunity to exploit a young king’s fear of being overthrown. The young men who made this king who won his way to the throne on a battlefield quake in his boots are known today as “the Pretenders”, but who were they? In Nathen Amin’s much-anticipated book, “Henry VII and the Tudor Pretenders: Simnel, Warbeck, and Warwick”, he traces the origins of each pretender to show what type of threat that they posed to the first Tudor king.

I would like to thank Amberley Publishing for sending me a copy of this book. When Nathen Amin announced that he was writing this particular book, I was instantly interested in reading it. I thoroughly enjoyed his “ The House of Beaufort”, so I wanted to see how he would approach the enigmas of the pretenders. I was not disappointed as this was a historically riveting masterpiece.

To understand why the pretenders were able to gain supporters, Amin takes his readers to the Tower where the two sons of King Edward IV disappeared under mysterious circumstances. Since neither King Richard III nor King Henry VII could answer if the princes were either alive or dead, we have been left with Schrodinger’s cat-like situation. This proved to be a mistake on Henry VII’s part as it allowed young men with relatively obscure origins to take advantage and try to overthrow the king and his family. Two of the most famous pretenders were Lambert Simnel and Perkin Warbeck, who had help near and far to try to end the Tudor dynasty before it really began. However, there were others including the tragic tale of Edward, Earl of Warwick, whose only crime was to be born of Yorkist royal blood.

There have been other books that have touched on the topic of the pretenders, but what Amin has done in this particular book is nothing short of remarkable. By acting as a historian/detective, Amin dived deep into the archives to follow the path that these men took from obscurity to prominent threats to the crown. Along the way, Amin kept Henry VII and his actions central to the narrative to show a different side to the first Tudor king that many might not have anticipated.

To write such a definitive and thought-provoking nonfiction book on such shadowy figures like the pretenders is no easy feat. Amin created an outstanding narrative that balances scrupulous attention to details with a coherent and engaging writing style to bring the complex story of Henry VII and the pretenders to life for the modern age. If you love learning about new aspects of the Tudor dynasty, “Henry VII and the Tudor Pretenders: Simnel, Warbeck, and Warwick” by Nathen Amin is the book for you. This is easily my favorite book Nathen Amin has written thus far.

Book Review: “Chronos Crime Chronicles- The Death of Amy Robsart: An Elizabethan Mystery” by Sarah-Beth Watkins

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51132911On September 8, 1560, a woman was found dead at the bottom of a flight of stairs inside Cumnor Place. The only visible marks on her body were two wounds on the side of her head, yet her neck was clearly broken. If she was an ordinary woman, her death would not have been remembered through the centuries, yet she was no ordinary woman. She was the wife of Robert Dudley, the man who was considered as one of Queen Elizabeth I’s favorite courtiers. Amy Robsart was a third wheel in the relationship between her husband and the queen, but does that mean that she was murdered? In her latest book, “Chronos Crime Chronicles- The Death of Amy Robsart: An Elizabethan Mystery”, Sarah-Beth Watkins plays detective to uncover the cause of death and the possible motive for those who wanted to see Amy dead.

I would like to thank Sarah-Beth Watkins and Chronos Books for sending me a copy of this book. I have enjoyed Watkins’ previous books, so when I found out she was writing another book about the case of Amy Robsart, I knew that I wanted to read it.

Amy Robsart, the wife of Robert Dudley, was a woman whose life was an enigma, but her death caused a sensation. In this short book, Watkins gives her readers a brief outline of what we know about her death and the coroner’s report on her case. As someone who has read about this case in the past, I found that she was able to touch on the significant points of the case in a succinct yet engaging manner.

Watkins then moves to the main topic of her book, which is if someone did have Amy murder, who were the possible suspects, and what could have been their motives for the crime. Obviously, she does mention Robert Dudley and Queen Elizabeth I as suspects because they were subject to the rumors swirling around this particular case. Watkins does also brings up others who could have committed the crime because they were jealous of the relationship between Dudley and Elizabeth I. If Amy Robsart was indeed murdered, it seems likely it was her husband’s enemies who wanted to blacken his name, not because they had an extreme hatred towards Amy herself.

As someone who believes that Amy Robsart’s death was indeed a terrible accident, I found that some of Watkins’ arguments rather compelling. I think that Watkins’ easy-to-understand writing style is a benefit for a case as complex as this one. This is a good introduction book for those who are not familiar with the death of Amy Robsart, but I wish Watkins did dive a bit more in-depth into some of the theories that she does mention. If you want a book that introduces you to the mysterious death of Amy Robsart, “Chronos Crimes Chronicles- The Death of Amy Robsart: An Elizabethan Mystery” by Sarah-Beth Watkins is the book for you.

Book Review: “Princess of Thorns” by Saga Hillbom

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55613765 (1)The year 1483 proved to be a pinnacle point of change for the short-lived Yorkist dynasty. After finally defeating the Lancastrian army, King Edward IV and his family bring peace and order to England, but even their happiness cannot last as King Edward IV dies unexpectedly on April 9, 1483. A power struggle ensues between Richard Duke of Gloucester and Elizabeth Woodville over who should be King of England. Most of Elizabeth Woodville’s children side with her, but there is one child who is staunchly loyal to the Yorkist cause and her uncle Richard; Cecily of York. In her latest novel, “Princess of Thorns”, Saga Hillbom tells the heartbreaking tale of Cecily of York showing how deep her loyalty to her family was and how loyalty came with a cost.

I would like to thank Saga Hillbom for sending me a copy of her latest novel. This is the first novel by Saga Hillbom that I have read. When I heard that this novel was going to be about Cecily of York, I was intrigued since I have never read any novels where Cecily was the protagonist.

As the third daughter of King Edward IV and Elizabeth Woodville, Cecily of York can be the vivacious white rose of York, without the pressures that her brothers and her eldest sister have on their shoulders of one-day ruling a country. She can observe life at court while waiting for the day when she is married to a nobleman who shares her Yorkist views. However, that wish she has for her life comes crashing down when her father dies and her brothers, known in history as the Princes in the Tower, go missing. Cecily’s beloved uncle Richard becomes King Richard III, which causes Cecily’s mother Elizabeth Woodville to side with her once mortal enemy, Margaret Beaufort, and her son Henry Tudor.

After the Battle of Bosworth Field and Henry Tudor becomes King Henry VII, the remnants of the Yorkist cause slowly accept the Tudor dynasty. All except Cecily, who believes that Henry VII is a false king. We see Cecily go from a spoiled Yorkist princess to a woman who will fight for what she believes in and will never back down from an argument, even if she is arguing with the King of England himself. Along the way, she does marry and have her children, but even in her happiest moments, Cecily experiences tragic losses that will shape her future.

I usually don’t read many novels that side with the Yorkists, but this book was different. There was something about Cecily’s story that I found compelling. Her love and her loyalty to her family was her sword and shield as she waged war with life. Hillbom does repeat some of the old myths about the people that are central to this novel. I also wish Hillbom gave her readers more detailed descriptions of locations to give us a fully immersive experience.

I think this was a fine novel about the life of Cecily of York. Hillbom’s creative writing style allows the audience, whether Yorkist or Lancastrian in beliefs, to feel sympathy for Cecily and her life. This was an engaging and heartbreaking look at how the end of the Wars of the Roses was not the brilliant introduction of a period of peace that the Tudors often portrayed. There were still those who dealt with the pain of the end of a dynasty. If you are interested in a novel that focuses on one of the Yorkist princesses who does not get a lot of attention, Cecily of York, check out “Princess of Thorns” by Saga Hillbom.

Book Review: “Katheryn Howard: The Scandalous Queen” by Alison Weir

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52802802._SX318_SY475_The year is 1540 and King Henry VIII has grown tired of his fourth wife from Germany, Anne of Cleves. The aging king longs for another heir to make sure that his dynasty is secure, which means he is searching for his fifth wife. Henry’s wandering eye lands on a young girl who happens to be a cousin of his second wife of Anne Boleyn. The young woman’s name who caught the king’s attention is Katheryn Howard. Henry believes that his new bride is virtuous as well as being very beautiful, but what secrets does this young queen hide? In her latest installment of the Six Tudor Queens series “Katheryn Howard: The Scandalous Queen”, Alison Weir takes a look into the life of this young woman and the men who loved her.

As a fan of Alison Weir’s other books, I knew that I wanted to read this title. I have been enjoying the Six Tudor Queens series so far, even though I don’t necessarily agree with how she has characterized certain historical figures. I have not read any books with Katheryn Howard as the protagonist, so I was intrigued to see how it would go.

We begin our adventure with Katheryn Howard’s childhood and how she entered the household of her grandmother, the Dowager Duchess of Norfolk. This is where Katheryn fell in love with men like Henry Mannox and Francis Dereham. I enjoyed seeing how Weir fleshed out these two relationships and how drastically different they were in Katheryn’s eyes. We see Katheryn try to keep the secrets of her past relationships as she works hard to capture the heart of the aging king, Henry VIII. Katheryn’s relationship with Henry is a bit one-sided at first, but it develops into love on both sides, but not like the love that Katheryn has known before. I found myself feeling sorry for Henry and Katheryn as they suffered a few miscarriages. But none of her other relationships are like her connection with Thomas Culpeper.

I think one of my problems with this particular book is how she viewed certain characters, like Katheryn Howard and Jane Boleyn, the wife of the late George Boleyn. To me, it felt like Weir was repeating the traditional view about these two women. Katheryn Howard has been seen as a young and naïve girl who was used as a pawn by her family to manipulate the King. Jane Boleyn has been viewed as a manipulator who despised her husband and suffered from mental trauma in the end. I think that there is so much more to their stories than how they have been portrayed in fictional representations of their lives. We see Weir try to go a bit further into their personalities, but for the most part, she stays along these lines.

Just because I don’t agree with how these two characters were represented does not mean that I thought the book was bad. I think the story itself was intriguing and Weir’s writing style is engaging like her other books. I think it is a fine novel that shows Katheryn Howard’s rise and fall from power and how dangerous love can be, especially for a young queen. If you want a great escape with a novel about Henry VIII’s fifth wife, check out Alison Weir’s, “Katheryn Howard: The Scandalous Queen”.

Book Review: “Medical Downfall of the Tudors: Sex, Reproduction and Succession” by Sylvia Barbara Soberton

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The story of the Tudor dynasty has been told from many different angles. Each monarch has been explored through lenses like social and political history numerous times. However, there is a new approach that is coming into the forefront of historical research and that is the focus on the medical history of the Tudors. Each Tudor monarch, from Henry VII to Elizabeth I, had some sort of bout with illness that would drastically alter the course of their reigns and the future of the dynasty. In Sylvia Barbara Soberton’s latest book, “Medical Downfall of the Tudors: Sex, Reproduction and Succession”, she explores the more intimate aspects of this turbulent dynasty to discover the truth about why they fell.

I would like to thank Sylvia Barbara Soberton for sending me a copy of her latest book. I have talked to Sylvia in the past and I have hosted her on my blog before, but I have never read one of her books. When I heard about this particular title, I was intrigued since I find the medical history of the Tudors an area that needs to be explored a bit more.

Soberton begins her book by explaining the different diseases and medical maladies that were going around England during the reign of the Tudors. I found her knowledge about these different medical conditions quite fascinating. She explains in detail what the symptoms were and includes different descriptions of the conditions.

After this quick overview, Soberton dives into the main topic of her book, which is exploring the medical maladies of the Tudor monarchs and their significant others. She takes the time to explain each illness and rumors of pregnancy for each monarch, showing how fragile this dynasty truly was and how concerned those who were close to the throne were to preserve the health of the Tudors. I found this part a tad repetitive as many biographies do mention these maladies. However, Soberton does include possible theories about what the obscure maladies were and cures for the different conditions.

If I did have a suggestion on something that I wish Soberton would have included the prescriptions that the doctors would have prescribed their royal patients. Show the readers what some of the more unusual ingredients for these cures looked like and why they were used. I also wanted to see how the diagnosis of the royal family was different from those who were average citizens in England.

Overall, I found this book enjoyable. Soberton’s style of writing is easy to follow, yet her audience can tell she has researched her topic thoroughly. This may be the first time that I have read by Soberton, but now I want to explore her other titles. I think this book would be perfect for those who are still being introduced to the Tudor dynasty. If you are interested in the medical history of the Tudors or you are a fan of Sylvia Barbara Soberton’s books, you should check out “Medical Downfall of the Tudors: Sex, Reproduction, and Succession.”

Book Review: “Betrayal” by Judith Arnopp, Cryssa Bazos, Anna Belfrage, Derek Birks, Helen Hollick, Amy Maroney, Alison Morton, Charlene Newcomb, Tony Riches, Mercedes Rochelle, Elizabeth St. John, and Annie Whitehead

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In life, one of the hardest decisions that we must decide is who to trust. Who can we truly depend on to be by our side when times get rough or when they are going our way. Most of the time, we can rely on those who we put our trust in, but there are extraordinary times when our trust in someone is utterly shattered. Betrayal of one’s trust is like a knife in the back, it can be devastating no matter who is being betrayed. It is not a new concept in human nature to betray others. Whether for money, for power, or lust, betrayal can destroy the lives of everyone involved. Can there be redemption after betrayal? In this anthology of historical fiction tales, twelve authors explore every aspect of betrayal throughout history. This is “Betrayal” by the Historical Fictioneers.

I would like to thank the Historical Fictioneers for sending me a copy of this anthology to read and review. The Historical Fictioneers is a group of twelve historical fiction authors whose works span from early Roman ruled Brittania to the modern-day. The members of this illustrious group are Judith Arnopp, Cryssa Bazos, Anna Belfrage, Derek Birks, Helen Hollick, Amy Maroney, Alison Morton, Charlene Newcomb, Tony Riches, Mercedes Rochelle, Elizabeth St. John, and Annie Whitehead. When I heard about this project, I knew that I wanted to read this book, since this would be my first historical fiction anthology. I had read some of the authors who have written about the Tudors and the Wars of the Roses, but many of the authors in this group I had not had the pleasure of reading their works yet, so I was very excited to go on brand new historical adventures.

This anthology was a time-traveling delight, exploring numerous centuries from every possible angle. From early British history under Roman rule to 21st-century Italian history and everything in between, these twelve authors bring their respective periods and characters to life. What is particularly lovely is that these tales cover different positions in life. From knights and peasants to kings and noblewomen, and a few pirates for good measure. Each of these entries is a short sample of novels that each author has written. They are right in the middle of intense moments, which are tantalizing to read. For the authors that I have read before, it was like visiting old friends and for the authors that I had never read before, it was discovering new favorite stories that I might want to read soon.

I did not know what to expect with this book, since it was an anthology and a few of the stories were out of my comfort zone when it came to their eras. I found myself falling in love with these new characters and the new perspectives that these authors took. Each author showed betrayal and why someone betrayed someone else in a different light. From lust for power to greed, broken alliances, and romance, to downright treacherous acts.

Every snippet of a story was a smash hit, but collectively as a whole, this anthology was a triumph. To take twelve different tales that don’t have much in common and to join them in a common theme, such as betrayal, is extraordinary. I want more anthologies like this one by the Historical Fictioneers. This was a historical delight that will appeal to all history nerds. If you want a fabulous escape into different eras of the past, I highly recommend you read, “Betrayal” by Judith Arnopp, Cryssa Bazos, Anna Belfrage, Derek Birks, Helen Hollick, Amy Maroney, Alison Morton, Charlene Newcomb, Tony Riches, Mercedes Rochelle, Elizabeth St. John, and Annie Whitehead
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Book Review: “The King’s Mother: Book Three of The Beaufort Chronicle” by Judith Arnopp

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41wbe9UI8AL._SX309_BO1,204,203,200_A series of wars that engulfed England for over thirty years finally comes to its conclusion. The Plantagenet dynasty is no more and the once outlaw is now the first king of the brand new dynasty, the Tudors. Margaret Beaufort is reunited with her beloved son, Henry Tudor as he is crowned King Henry VII. As Henry faces the numerous challenges of being a father and a king, his mother is right by his side to guide and protect him and his family. In the epic conclusion to her Beaufort Chronicle series, Judith Arnopp explores the transition for Margaret Beaufort in the early years of the Tudor dynasty in, “The King’s Mother”.

Since I have read the previous books in this series, it was only natural that I read “The King’s Mother”. I have thoroughly enjoyed Judith Arnopp’s writing in the past and I wanted to know how she would conclude this ingenious series.

We reunite with Margaret Beaufort and her son Henry as they prepare for the event that she has been dreaming of, his coronation. To unite both the houses of York and Lancaster to ensure peace would prevail, Henry Tudor married Elizabeth of York. Their young family grows with their sons and daughters: Arthur, Margaret, Henry, and Mary. There were other children, but they died very young. Margaret Beaufort watches her grandchildren grow and acts as an advisor to Henry as the Mother of the King.

For the most part, peace and harmony reign throughout the land. However, trouble was never too far off from the comforts of the Tudor court. Pretenders lurch around every corner and rebellions are on the edge of boiling over. Henry tries to navigate the intricate European marriage market to make the best possible matches for his children.

To see these events full of hope and sorrow from the eyes of Margaret Beaufort was a delight. This was all she ever wanted, to see her son happy and alive, but for her to realize that even after the war there would be danger around every corner. Margaret was not a monster mother-in-law to Elizabeth like she is portrayed in other historical fiction novels, yet she is not a saint. Arnopp’s Margaret Beaufort is simply a human mother and grandmother who is just trying to do her best for her family.

I have thoroughly enjoyed Arnopp’s Beaufort Chronicle and this is the perfect conclusion. I have always been a fan of Margaret Beaufort and her life story. This series made me love her story even more. It made Margaret feel like a regular human being instead of the monster that other novels portray her to have been. If you want an insider’s look into the early years of the Tudor dynasty through the eyes of its matriarch, I highly recommend you read The Beaufort Chronicle by Judith Arnopp, especially the third book, “The King’s Mother”.