A queen locked in a struggle of being a single woman and the sole ruler of her kingdom must create the image that would help lead her divided country to a golden age. This image must comfort her people while showing strength and perseverance to her enemies who would try to take the throne from her. Elizabeth I worked hard with artists, poets, playwrights, and musicians to create the almost mythological image of “Gloriana,” the virgin goddess. Linda Collins and Siobhan Clarke explore how this image was created throughout Elizabeth’s reign in their latest book, “Gloriana: Elizabeth I and the Art of Queenship.”
When you first see the title of this book, you would assume that it will be yet another biography with art sprinkled in. You would be wrong. This book focuses solely on the different forms of artwork that built the Gloriana persona over the decades of Elizabeth I’s reign and how we perceive the pieces of art centuries later. Each section of this book discusses a particular aspect of Elizabeth’s reign while examining how art changed with a different artist or courtier highlighted, alongside portraits and miniatures thoroughly inspected for the symbolism hidden in plain sight.
I love examining Tudor-era artwork on my own to try and crack the code behind the symbols they chose to use, especially Elizabethan portraits, particularly The Rainbow Portrait. Collins and Clarke’s examination of the symbolism in each portrait and miniature, including dendrochronology to determine when paintings might have been painted, was captivating and enlightening. It reminded me of a history class I took in college about art history, which I have fond memories of learning about how art changed up to the Renaissance. I found it equally fascinating that they chose to highlight the life of Nicholas Hilliard, who does not get enough attention as a Tudor artist compared to Hans Holbein the Younger.
However, Collins and Clarke examine more than just the typical portraits, paintings, and miniatures. The myth of Gloriana would not have survived without poets, musicians, and playwrights, like Edmund Spenser, Thomas Tallis, William Byrd, and William Shakespeare. It was a multi-faceted effort to promote the Elizabethan propaganda that allowed Elizabeth not only to survive but for England to thrive.
“Gloriana: Elizabeth I and the Art of Queenship” by Linda Collins and Siobhan Clarke is a delightful book for any Tudor or art nerd in your life; informative, educational, and easy to read. Each page will give you a better understanding of Elizabeth I’s reign, her propaganda, and the myth of Gloriana.
When we think of the phrase “16th-century women,” we often consider those from royal or noble houses throughout Europe. We tend to think of women like the six wives of Henry VIII, Mary I, Elizabeth I, Catherine de Medici, Mary Queen of Scots, and others associated who made an impact during the Renaissance and the Reformation. However, the 16th century did not stop at the borders of Europe; it extended all over the globe. There are many stories of women from all over the world and from different social classes that can help us understand how the world changed in the 16th century. Amy Licence took this concept and decided to write her latest book about a variety of women from around the world who lived in the 16th century, “The Sixteenth Century in 100 Women.”
When we think of the word “education,” images of sitting in school rooms for hours, listening to lectures, and doing endless homework pop into our minds. Our modern education system tends to focus on math, science, language arts, and history as the core subjects we study, with music and physical education as something that we in America call an “elective.” But have you ever wondered what education looked like in the past? How did the Tudors pass on their knowledge to future generations? What subjects did the Tudors consider essential, and how did the amount of education you received change depending on your class? Amy McElroy explores these questions in her book, “Educating the Tudors.”
The year is 1560, and a young woman hatches a way to escape her loveless marriage. Her name is Amy Robsart, and she is the wife of Robert Dudley, one of Queen Elizabeth I’s favorites at court. Unfortunately, things do not go as planned, and the consequences reverberate throughout the centuries. Lizzie Kingdom, a television star, struggles to find her way in life. When tragedy strikes when her friend Dudley’s wife is found dead at the bottom of a staircase, the scandal breaks, threatening to ruin Lizzie’s life and reputation. A deadly secret from the past and an encounter with a mysterious young man will forever transform the lives of these two women from different centuries. Will Lizzie Kingdom discover the truth before it is too late? This mystery is masterfully told in Nicola Cornick’s Tudor novel, “The Forgotten Sister.”
The struggle to be a king or queen in any country during Europe’s medieval or early modern era was only the beginning. They are either the next in line to the throne and inherit the crown, or they sometimes fight to the death to wear it. After the king or queen settles into ruling their respective countries, the real challenge emerges as they have to deal with rebellions and those who commit treason against their monarch. Take, for example, what happened during the reign of Elizabeth I. We consider her reign the “Golden Age” in English history. Still, she had to deal with numerous rebellions and conspiracies surrounding her viewpoints on religion and how she dealt with her cousin, Mary Queen of Scots. In her first book, “Elizabethan Rebellions: Conspiracy, Intrigue, and Treason,” Helene Harrison takes an in-depth look at each rebellion and how they left a mark on Elizabeth I’s reign.
The House of Windsor has been attracting worldwide attention in recent decades with scandals, deaths, weddings, and the birth of royal children. As living symbols of England, the Windsors are seen as an above-average family with numerous jobs and responsibilities. We know their names; King George VI, Queen Elizabeth II, Prince Phillip, Prince (now King) Charles, Princess Diana, and Prince William. We know their stories from the numerous books, tabloids, and documentaries about their lives, but what about their lives when they go home to relax? Gareth Russell peels back the gilded curtain to explore the life of Elizabeth Bowes-Lyon, lovingly known as the Queen Mother, in his latest biography, “Do Let’s Have Another Drink: The Singular Wit and Double Measures of Queen Elizabeth The Queen Mother.”
What if you found information about a mysterious portrait that would radically change how we view history forever? Who would you tell? When Zara Rossi entered the Ancient Manuscripts Room at the Papal Archives in Rome, she never imagined how a single letter would change her life and the Tudor community. Each piece of the puzzle unlocks a new story from the past and allows Zara to explore the remarkable tale of this masterpiece. Follow the clues with Zara Rossi to solve this mystery from the past in Sandra Vasoli’s latest book, “Pursuing a Masterpiece: A Novel.”
When we think of the title “medieval queen,” a few things come to mind. They were seen as mere trophy wives who were only suitable for making alliances and giving birth to children. It may be a cruel assessment for a modern audience, but that was the reality of the medieval world. However, the late Plantagenet queens decided to step outside the socially acceptable path for their lives and forged a new one. In Alison Weir’s latest nonfiction book, “Queens of the Age of Chivalry: England’s Medieval Queens,” she explores the lives of five Plantagenet queens who had to adapt quickly to the ever-changing world of late medieval England.
The Tudor dynasty was a time of significant political change, but it was also a time of tremendous religious change. Each Tudor monarch had a different view on the divide between Catholics and Protestants. Although we have an idea of what it might have been like during the reign of Mary I, the way Elizabeth I tackled the issue of religion during her reign. One story of how Catholics were treated in the so-called “Golden Age” of Elizabethan England is the story of Margaret Clitherow. She helped hide a couple of Catholic priests and ended up suffering for her actions by being crushed to death. Tony Morgan tells her story and how she became a Catholic martyr in his book, “Power, Treason, and Plot in Tudor England: Margaret Clitherow, an Elizabethan Saint.”
When we think about royal relationships from the past, we do not associate them with love; it is more about cementing power. Princes and kings knew how much was at stake, so they tended to have wives for politics and produce legitimate heirs that would inherit their kingdoms. For matters of love and lust, kings and princes would have mistresses, either of noble birth or lower, on the side. These women have been deemed whores and homewreckers but is that a fair assessment of their legacies? Julia A. Hickey takes a closer look at these misunderstood mistresses in her latest book, “Medieval Royal Mistresses: Mischievous Women who Slept with Kings and Princes.”
Adventures of a Tudor Nerd 