Tag: 16th century

Guest Post: “Excerpt from ‘ Try Before You Trust: To All Gentlewomen and Other Maids in Love’” by Constance Briones

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I am pleased to welcome Constance Briones to my blog today to share an excerpt from her novel, “Try Before You Trust: To All Gentlewomen and Other Maids in Love.” I would like to thank Constance Briones and The Coffee Pot Book Club for allowing me to be part of this blog tour.

Excerpt:

On a brisk September morn in the ninth year of Queen Elizabeth’s reign, I arrived at the Bramwell House, the London estate of Lady Bramwell, a widowed baroness and my new mistress. The fiery hue of the red brick facade made the house seem indestructible as it stood bold and vibrant in the late morning sunlight on the bank of the Thames. I counted eight chimney stacks and forty mullioned windows with diamond-shaped glass and mused whether I would find friend or foe within. 

 

As I gazed at the gables and corner turrets, my sisters’ sweet laughter reverberated in the cool breeze that swept across my cheeks. How they twirled and giggled with delight when my mother promised that, like me, when they reach the age of eighteen, they too will venture from home to work for a grand lady, acquiring superior housewifery skills that would help them snag a well-bred gentleman. 

 

Blurb: 

What if Taylor Swift found herself penning songs about love in Elizabethan England when women were required to be chaste, obedient, and silent? 

Isabella Whitney, an ambitious and daring eighteen-year-old maidservant turned poet, sets out to do just that. Having risked reputation and virtue by allowing her passions for her employer’s aristocratic nephew to get the better of her, Isabella Whitney enters the fray of the pamphlet wars, a scurrilous debate on the merits of women. 

 

She’s determined to make her mark by becoming the first woman to write a poem defending women in love, highlighting the deceptive practices of the men who woo them. Her journey to publication is fraught with challenges as she navigates through the male-dominated literary world and the harsh realities of life in sixteenth-century London for a single woman. 

Loosely based on the life of Elizabethan poet Isabella Whitney, this is a compelling tale of a young woman’s resilience and determination to challenge the status quo and leave her mark in a world that was not ready for her. 

Buy Link: 

Universal Buy Link: https://books2read.com/u/3Jly0J  

Author Bio: 

Constance Briones has a Master’s in Woman’s History, which informs her writing. 

She first learned about the subject of her debut historical fiction novel, the sixteenth-century English poet Isabella Whitney, while doing research for her thesis on literacy and women in Tudor England. Isabella Whitney’s gusty personality to defy the conventions of her day, both in her thinking and actions, impressed Constance enough to imagine that she would make a very engaging literary heroine. 

As a writer, Constance is interested in highlighting the little-known stories of women in history. She is a contributing writer to Historical Times, an online magazine. When not writing, she lends her time as an educational docent for her town’s historical society. 

She contently lives in Connecticut with her husband and Maine coon sibling cats, Thor and Percy. 

Author Links: 

Facebook: www.facebook.com/constancebrionesauthor  

LinkedIn: www.linkedin.com/in/constance-briones-a55a9168 

Pinterest: www.pinterest.com/constancebrionesauthor  

Amazon Author Page: www.amazon.com/stores/author/B0CPX8T7CB/about 

Book Review: “Four Princes: Henry VIII, Francis I, Charles V, Suleiman the Magnificent, and the Obsessions that Forged Modern Europe” by John Julius Norwich

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The 16th century is known to be a century full of powerful women rulers; Mary I, Elizabeth I, Catherine de Medici, and Mary Queen of Scots, just to name a few. However, these rulers were towards the end of the 16th century. For the first half of the 16th century, Europe and the Middle East rulers were predominantly male. Four men truly dominated this period, each with their objectives and desire for glory; Henry VIII of England, Francis I of France, Charles V the Holy Roman Emperor, and Suleiman the Magnificent the ruler of the Ottoman Empire. In his book, “Four Princes: Henry VIII, Francis I, Charles V, Suleiman the Magnificent, and the Obsessions that Forged Modern Europe,” John Julius Norwich hopes to shed some light on the relationships of these men and how they shaped the political landscape of Europe.

This book caught my eye when I was used book shopping one day. The cover was beautiful and then when I saw what the book was about, I knew I wanted to read it. The stories of Henry VIII and Francis I are tales that I know pretty well and I know some facts about Charles V, but when it comes to Suleiman the Magnificent, I know very little about his life.

Essentially this book is four biographies of the princes Henry VIII, Francis I, Charles V, and Suleiman the Magnificent. While Norwich could have broken this book into four parts, focusing on each prince individually, he chose to incorporate their stories into one cohesive book, starting with the birth of Francis I and ending with the death of Suleiman. Each man ruled his kingdom in different ways. Francis was the more Renaissance prince who encouraged education and was a patron of the arts. Henry VIII was the second son who was not destined to rule, but when his eldest brother died, Henry was declared King of England and began to rule with an iron fist. Charles V was full of ambition and was industrial which allowed him to become the Holy Roman Emperor. Finally, Suleiman the Magnificent was the outlier of the group as he was the only Muslim leader who brought forth the golden age of the Ottoman Empire.

Norwich was able to keep a balanced approach to this book, never truly favoring one prince over another. I found his narrative easy to follow and pretty well-researched, even though I think what he had to say about the women in the lives of the four princes was a bit dated compared to modern research. I must say that I did enjoy reading about Charles V and Suleiman the Magnificent whereas I found the points about Henry VIII and Francis I a bit of a review. I think if you want a solid book that explores a different aspect of the 16th century, I would recommend you read, “Four Princes: Henry VIII, Francis I, Charles V, Suleiman the Magnificent, and the Obsessions that Forged Modern Europe” by John Julius Norwich.

Book Review: “Heroines of the Tudor World” by Sharon Bennett Connolly

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Heroines of the Tudor WorldThe world of the 16th century was full of change and equally colorful characters. Most of the dynamic figures of this century were women, who were willing to fight in their ways for what they believed in, whether it was family, faith, or their country. They were heroines in different ways, and each had a story to tell. Each woman had to deal with her obstacles to reach their desired goal, no matter what her station was, from queens and great heiresses to nuns, and even a pirate. Sharon Bennett Connolly has decided to include a handful of these stories in her latest book, “Heroines of the Tudor World.”

I would like to thank Amberley Publishing for sending me a copy of this book. I have been a fan of Sharon Bennett Connolly’s books on medieval women, so when I heard that she was going to tackle the 16th-century and the Tudor world, I knew I wanted to read it. I wanted to see what stories she would select and how far into the Tudor world she would explore.

Connolly begins her book by explaining how the 16th century differed from the medieval times as records about women were becoming more accessible. It was also a time of transition, reformation, and the discovery of the “new world.” Each chapter focuses on a different kind of woman; from the ideal to martyrs for their faiths, scandalous heroines, those who were disinherited, pawns in the bigger game of life, warriors, captives, and survivors. Although it can be difficult to place certain tales of women in just one category, Connolly gave her readers a thrilling look into the 16th century.

It was the stories of these extraordinary women who made this book an exceptional read. There are the typical women who are featured heavily in these kinds of narratives; Elizabeth of York, Margaret Beaufort, the wives of Henry VIII, Mary I, Elizabeth I, Mary Queen of Scots, and Catherine de Medici. However, Connolly decided to include lesser-known women. We have mistresses like Diane de Poitiers and spies like Margaret Dymoke, Lady Coffin. Some great heiresses were disinherited like Claude of France and Elizabeth Fitzgerald, as well as pawns like Marguerite de Valois and captives such as Lady Katherine Gordon and Honor Grenville, Lady Lisle. Of course, some women decided to take matters into their own hands and fight for what they believed in, such as Isabella of Castile, Jeanne d’Albret Queen of Navarre, and Grace O’Malley.

I thoroughly enjoyed learning about the heroines that Connolly included in this book, but my only complaint is that it was not a longer book. There are so many interesting women outside of the European world in the 16th century and I wish she would have highlighted them. Maybe Connolly will write a sequel book to this one to include even more Tudor heroines. If you have enjoyed Sharon Bennett Connolly’s previous books and you are a Tudor nerd, I highly suggest you read, “Heroines of the Tudor World.”

Television Series Review: “Shardlake”

On By hmalagisiIn Television Series/Movie Reviews1 Comment

The year is 1536 and England is amid great religious change. King Henry VIII and his top advisor Thomas Cromwell wanted to close the top monasteries in the country so they initiated the dissolution of the monasteries. One such religious house is St. Donatus monastery in Scarnsea, so Cromwell sends one of his commissioners, Robin Singleton, to investigate the monastery and persuade the monks to leave their home. However, things do not go to plan and Singleton is brutally murdered. Now, Cromwell must rely on a lawyer named Matthew Shardlake and Jack Barak to solve the murder case and close the monastery once and for all. With a house full of secrets, suspicion, and monks fearful of the future, can Shardlake and Barak solve the case before they become the next victim?

This is the premise of the latest Tudor drama on Disney +, called Shardlake, based on the first book in the Matthew Shardlake series by C.J. Sansom, titled “Dissolution.” I remember falling in love with this book series when I first read it about four years ago and I did hope that one day, it would be turned into a television series because Sansom’s writing style was so vivid and his characters leaped off the pages. When it was first announced that Disney + was going to produce this show, it was exciting to know that it was finally going to be adapted for television, but it was also nerve-wracking because since it is one of my favorite Tudor book series, I was hoping that it would do the book justice.

I decided that before the show was due to release, I was going to reread “Dissolution” as I forgot the story and how it played out in the book. This was a joy as Sansom’s writing style is still vibrant and filled with many twists and turns. I was hoping that the show could capture the sense of excitement and danger and how he recreated the Tudor world that Sansom in his books for his readers, especially after it was announced that CJ Sansom passed away two days before the show premiered. I wanted the show to honor Sansom’s legacy and craft as a wonderful storyteller and extremely passionate about the Tudor dynasty.

As I have recently read “Dissolution” right before watching “Shardlake”, I feel like I cannot keep this review as spoiler-free as I would have liked, so this is your warning, I will be spoiling some things in the show and the book.

Before we dive into the story, we have to set out our cast of characters, starting with Matthew Shardlake, played brilliantly by Arthur Hughes. Hughes can present Shardlake in such a believable way that it feels like he jumped off the pages. We also have Jack Barak, the funny playboy who adds some light notes to the story, played by Anthony Boyle. I am not going to lie, I was shocked that they decided to replace Mark Poer with Jack Barak, but once I saw the interactions between Shardlake and Barak on set, it made sense. Wrapping up the main actors is Thomas Cromwell played masterfully by Sean Bean. When the casting was announced about Bean being Cromwell, it was hard to picture the historical figure, but when I saw him on the screen having his first scene with Shardlake about the relics, my doubts vanished. He does an excellent portrayal of Thomas Cromwell.

I must applaud the casting crew for creating such a diverse cast, just as diverse as the book that it is inspired by. Some of my standouts include Ruby Ashbourne Serkis as Alice, Irfan Shamji as Brother Guy, and Joe Barber as Simon Whelplay. Regarding the casting of Babou Ceesay as Abbot Fabian, I did not have a problem with it because I think he did a great job portraying a character in a fictional drama based on a historical fiction novel. The one character that I was a bit confused about was the inclusion of Norfolk played by Peter Firth, as he was not in the original story and didn’t add much to the story as a whole.

I think as a whole, the costumes did look relatively decent. However, a few, especially Dr. Goodhap’s outfit, looked synthetic and threw off the illusion of it being a Tudor period drama. I also wanted to see more head coverings for the male characters and for Alice, although the clothing colors were not as dark as I feared. I liked the addition of the relics, the parrot, and the manuscripts to add depth to the drama, and the use of candles instead of torches, always a major plus for history nerds when watching historical dramas.

One of my big issues was the monastery of St. Donatus itself. It has been reported that they filmed in Hungary, Romania, and Austria, primarily at Hunedoara Castle and Kruezenstein Castle. That is a big red flag for authenticity. They may be beautiful locations, but they were not an English monastery during the 16th century when monasteries were dissolved. You can tell that it was not filmed in England and it does take away from the illusion that is so important when it comes to historical dramas; you want to be transported to the location that the author had in mind, especially when Sansom included a map on the monastery in his book.

Now let’s address the elephant in the room, the story of the “Shardlake” series. For the most part, the Shardlake television series stays pretty close to the story, except for a few glaring exceptions. When they mentioned the holy relic went missing, they did not mention the beheaded bird on the altar, which is probably for the best because it is a rather disturbing image. We also have the scenes with Simon Whelplay, who is portrayed as a nervous youth who is constantly getting into trouble. His death plays out a little differently in the book, as he slips and falls in the bathhouse, whereas in the show, he plummets from a tower. In both cases, it is revealed that he was drugged with belladonna. I did feel a bit sad that they didn’t flesh out the relationship between Brother Guy and Shardlake as that was my favorite friendship in the book series. They could have easily had a scene where we could see the potential for their friendship to grow past the monastery.

The two major issues I had were inclusions to the plot of the story. I did not like the addition of Norfolk as a big-name villain for Shardlake because, in the book series, the major historical figures took a back seat to the original characters Sansom created. My biggest issue with this show was Barak’s character arc. At first, I thought it was an odd choice to include him over Mark Poer in the series, but then they decided to combine character traits, like Barak falling for Alice which felt so wrong, luckily he does not run away with her. And then Barak randomly killed Goodhap and got away with it. He admitted to Shardlake that he killed Goodhap and it felt like Shardlake ignored the entire issue, which feels completely off for Shardlake. If they do make another season and they have the actors playing Shardlake and Barak back, it is just going to feel a bit awkward between them.

Overall, I thought the “Shardlake” series was a decent adaptation of the Matthew Shardlake series by C.J. Sansom, but the books will always be superior. If you want to jump into the Tudor world with a murder mystery filled with twists and turns, you should check out “Shardlake” on Disney +, and if you want to read the book series, check out the Matthew Shardlake series by CJ Sansom.

What are your opinions about the “Shardlake” series on Disney + and what is your favorite book written by CJ Sansom?

If you are curious about my views about the Matthew Shardlake book series by CJ Sansom, you can find my review here: https://adventuresofatudornerd.com/2020/09/27/book-series-review-the-matthew-shardlake-series-by-c-j-sansom/

Sources for Images and Cast Information:

https://www.imdb.com/title/tt27390563/fullcredits/?ref_=tt_cl_sm

https://www.rottentomatoes.com/tv/shardlake

Book Review: “Daughters of the North: Jean Gordon and Mary, Queen of Scots” by Jennifer Morag Henderson

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Daughters of the NorthIn the late 16th/ early 17th centuries, Scotland was chaotic and full of dynamic characters near or on the throne. People like Mary of Guise, Mary Queen of Scots, Lord Darnley, Earl of Bothwell, the four Maries, and James VI/I show how turbulent the Scottish court was to those around it. However, the stories of those who lived outside the court system and tried their best to maintain control of the country for their monarch tend to fade into obscurity. Take for example the story of Jean Gordon. A noblewoman who was married three times; to James Hepburn, Earl of Bothwell, Alexander Gordon, Earl of Sutherland, and her true love, Alex Ogilive. Jean’s story is full of heartaches, clashing clans, religious squabbles, and loyalty to one’s family, which is told in Jennifer Morag Henderson’s book, “Daughters of the North: Jean Gordon and Mary, Queen of Scots.”

I would like to thank Sandstone Press and Casemate for sending me a copy of this book. When it comes to 16th-century history, I mostly focus on England, but I wanted to branch out to other countries and learn more about European history as a whole. When I saw the title of this book, it immediately caught my attention because I wanted to learn more about Scottish history and I did not know anything about Jean Gordon.

Jean Gordon, born in 1545, was the daughter of one of the most powerful men in Northern Scotland (known as King of the North), George Gordon 4th Earl of Huntly, and his wife Elizabeth Keith. When she was a child, Jean fell in love with a man named Alex Ogilive, but it was never meant to be as her family fortune changed when the Huntlys decided to clash with Mary, Queen of Scots’ illegitimate brother Lord James Stewart, 1st Earl of Moray. This clash ended with the death of George Gordon (with his corpse being put on trial) and the execution of Jean’s brother John Gordon. The family fell out of favor with the young Mary, Queen of Scots, but they would soon rise again.

Mary, Queen of Scots ended up marrying Lord Darnley and having the future King James VI/I of Scotland and England, while in 1566, Jean married James Hepburn, Earl of Bothwell. Jean and James were not married for long because in 1567 after it was found that Lord Darnley was murdered, Bothwell decided to dump Jean and marry Mary, Queen of Scots; we all know how that one turned out. Bothwell was such a jerk, but Jean did not mind as she did not care for Bothwell at all.

Jean would marry for a second time to Alexander Gordon, 12th Earl of Sutherland. They would have between seven and eight children. Although it was an arranged marriage, there was love between Jean and Alexander as they worked hard to maintain order in the North while clans were clashing over small issues (like cutting horsetails) and religious rows. After Alexander died, Jean decided to take a chance and marry her true love Alex Ogilive after over 30 years of waiting. Jean would outlive her husbands, her siblings, some of her children, and several monarchs, dying in 1629.

As someone who did not know much about Jean Gordon’s story or 16th/17th-century Scottish history, I adored this book. Henderson has made this complex history accessible to readers, both novices and experts alike. Now I want to explore more Scottish history, maybe even medieval Scottish history. If you want a fresh look into the wider world of the 16th century full of romance and drama, I highly recommend you read, “Daughters of the North: Jean Gordon and Mary, Queen of Scots” by Jennifer Morag Henderson.

Book Review: “How to Survive in Tudor England” by Toni Mount

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How to Survive in Tudor EnglandTime travel is a dream for history and science fiction nerds alike. To be able to go to a different period in history to witness major events sounds like it would be tons of fun, but it can also be treacherous if you do not know the era well. What should you wear? Where would you live? What would your occupation be and what should you eat? If you are invited to court, how do you navigate the crazy court intrigue and the ever-changing religious dilemma? Toni Mount has created the ideal book for those who wish to travel to the 16th century called, “How to Survive in Tudor England.”

I would like to thank Pen and Sword Books and Net Galley for sending me a copy of this book. I have read Mount’s medieval books, both her nonfiction and a few of her Sebastian Foxley murder mystery novels, but when I heard that she was writing a nonfiction book about the Tudor dynasty, I was fascinated to see how she would tackle the period.

Mount begins by exploring the origins of the Tudor dynasty and how they came into power through a little conflict that we know today as the Wars of the Roses. As this is an area of expertise for Mount, I think she did a great job condensing the conflict, which included a quick interview with King Richard III, for those who are being introduced to the Tudors.

The bulk of this book focuses on different aspects of life in 16th century England and how a time traveler could use this information for their benefit while traveling. Starting with the ever-important Tudor social structure, Mount shows how drastically different the levels of the hierarchy were, from the poor beggars who relied on the church to the lords and ladies of the court. We are introduced to Tudor education and the English scholars in the field of science, careers for those who did not receive a higher education, as well as the constant religious struggle between Protestantism and Catholicism.

From spies, traveling, and decoding ciphers to dresses, dining, and what to do in your downtime, Mount covers quite a range of topics in an easy-to-follow travel guide. However, my absolute favorite aspect of this book was the fictional interviews Mount included. She does not stick with the Tudors that everyone knows but rather includes lesser-known figures like Thomas “The Rackmaster” Norton, Christopher Kit Marlowe, and the scientist Thomas Digges. These interviews added context and a bit of levity in some rather dark subjects.

As a historical time travel guide, I found this book informative and fun. If you do indeed get the chance to travel back to the Tudor era, or you just want to know a bit more about life in Tudor England, “How to Survive in Tudor England” by Toni Mount is a book you should have on your shelf as a go-to guide.

Guest Post: “The War Wagon” by Griffin Brady

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The Hussar's Duty Tour Banner 1Today, I am pleased to welcome Griffin Brady to my blog to share a guest post as part of the blog tour for her novel, “The Hussar’s Duty.” I would like to thank Griffin Brady and The Coffee Pot Book Club for allowing me to be part of this blog tour. 

War wagon, war fortress, rolling fortress, rolling stock, stock, wagon fort, mobile fortress, and tabor. These terms all mean the same thing. Until I did my research on the Battle of Cecora for The Hussar’s Duty, I wasn’t familiar with any of them. I came up to speed quickly because the war wagon played an essential role in the story.

When Poland’s Grand Hetman of the Crown, Stanisław Żółkiewski, first set out to meet the Ottomans on a battlefield just east of Cecora (modern-day Țuțora in Romania), he took 9,000 Polish troops with him. Despite his recruiting efforts, his force was less than he had hoped for, but he wasn’t concerned—he didn’t expect a clash. He was confident he and the Ottoman commander, Iskender Pasha, would negotiate without bloodshed, as they had done before. What Żółkiewski didn’t anticipate, however, was inaccurate intelligence that led to underestimating the enemy’s strength. Further complicating matters, Żółkiewski’s army was comprised largely of magnates’ private troops with their agendas, and he had great difficulty controlling them.

Żółkiewski had proved himself a brilliant strategic commander in the past, but he was now in his early seventies and poor health. Recognizing combat was imminent—and that a Tatar army had joined Ottoman ranks—Żółkiewski showed flashes of his genius when he struck upon employing the tabor at Cecora, harkening back to 15th-century Hussite victories. The battlefield’s open, flat ground lent itself well to the mobile fortresses, which could be used to devastating effect.

Image 2 War Wagon

The tabor was a square or rectangular arrangement of wagons equipped with guns and manned by soldiers, artillerymen, and crossbowmen/archers. Within the formation, surrounded by the wagons, a calvary was placed. The wagons were pulled by teams of horses arranged so they nearly touched the back of the wagon before them, creating a sort of impenetrable “chain.”

Tabor tactics were broken into two phases: defensive and counterattack. As the enemy advanced on the mobile fortress, they were fired upon until weakened. Then the counterattack began, and cavalry and infantry filed inside the wagon formation, engaging the demoralized troops.

Żółkiewski laid out a plan that involved two tabors. The tabors were each defended by 500-700 men and flanked each side of his main strike force. That strike force comprised five cavalry regiments, a mix of Polish winged hussars and light cavalry. The scale of his formation was massive, a whopping .68-.75 miles wide and .62 miles deep. It’s difficult for me to wrap my head around what it must have looked like!

For all its innovation, though, the scheme held several devastating flaws. First, rather than a wide, shallow formation, it compressed the regiments into tight columns, limiting their mobility. Second, the success of the mission depended on the tabor remaining intact. One breach and the entire formation would be compromised.

The battle began at noon on September 19, 1620. At first, the Poles succeeded in pushing the enemy back. However, the right tabor encountered a trench that caused it to swing to the right, opening a gap at its rear and exposing the central strike force. Though Żółkiewski had beefed up the sides and rear to counter any potential breach, it proved too little. Tatar horsemen swept in, overwhelming the trapped Polish cavalry and wreaking havoc.

The Poles fell back, abandoning the men in the compromised tabor. Sadly, most of those left behind were captured or killed. At the end of the day, Żółkiewski’s force was reduced by a third. Making matters worse, that night, Polish troops fled from camp in a mass crossing over the Prut River. Some made it to safety, but many drowned during the attempt or were captured by Tatars.

After days of failed negotiations with Iskender Pasha, with supplies rapidly depleting and morale plummeting among his remaining ranks, Żółkiewski decided to retreat. But how could he preserve his weakened army with the enemy poised to pursue? Enter the tabor once more in a different configuration.

This time, it was a single formation with six rows of wagons, in lines of one hundred each, placed behind tethered horses. The horses acted as battering ram and a shield to protect against Tatar arrows. Their grouping also prevented any of Żółkiewski’s men from escaping on horseback. The wagons in the lead were loaded with cannons and hook guns and protected by infantry and artillerymen. Beside the wagons marched three rows of hussar and other cavalry banners carrying loaded firearms. The rear was defended by more cannons and guns, along with additional infantry and the Lisowczycy (a Polish mercenary cavalry also known as the Lost Men or Forlorn Hope). The wounded and sick were placed on carts at the interior of the tabor.

The retreat began on September 29, ten days after the battle itself. The enemy pursuit began in earnest the following day (the enemy was either caught by surprise by the exodus and/or was too busy plundering the abandoned camp to go after the fleeing army). However, when the attacks did come, they were rebuffed without much consequence, despite the Poles being harangued daily. The tabor was doing its job. That’s not to say Żółkiewski’s troops weren’t under tremendous duress. Unable to dismantle the Poles’ formation, the enemy took to a scorched earth policy, burning fields and buildings in the Poles’ path, leaving no resources whatever. To avoid enemy encounters, Żółkiewski’s men marched at night, suffering from lack of sleep, food, and water. Despite the hardships, the army averaged an astonishing pace of seventeen miles per day (27.5 km). It was a mere six miles from Mohylów, a fortified Polish border town, on October 5 when they chose to stop and rest—despite Żółkiewski urging them on.

Image 3 Cecora_Death of Zolkiewski_1620

That ill-advised layover, along with several other critical errors in judgment, would cause an ensuing cascade of calamities during the night of October 5-6. Among other tragedies, Żółkiewski lost his life—and his head. Ultimately, only a few thousand of his original 9,000 troops made it back to Poland alive. Had he had better control, had his army remained disciplined and stuck to their formation, they would have likely crossed the border into safety that night. In the end, the tabor’s undoing was not its concept, formation, or parts. Its final failing came at the hands of human nature.

The Hussar's Duty CoverBlurb:

Poland’s most valiant winged hussar is called to fight in a campaign ripe for disaster. But he must also protect those he loves from jackals waiting to pounce. How does he choose between duty and devotion when death is on the line?

 When Sultan Osman II sends Poland’s envoy packing, the Commonwealth must prepare for war against one of the largest armies the Ottomans have ever assembled. Tasked with repelling the invasion is Grand Hetman of the Crown Stanisław Żółkiewski, and he knows who to turn to: Jacek Dąbrowski, the Commonwealth’s most valiant Polish winged hussar.

 Jacek has been idle far too long, and the call to arms is a siren’s song he can’t resist. But he has built a life far from the battlefield with his wife, Oliwia, and their children. If he pursues his quest for glory, who will safeguard them?

 Oliwia knows her husband is restless. In fact, she’s been sending Jacek on cross-country errands for years in the hopes of quelling his lust for battle. When she realizes her efforts are futile, she resolves herself to letting him go—after hatching a scheme to accompany him.

 Honor. Obligation. Devotion. These forces push and pull Jacek in different directions. His country needs him, but so does his family. Where does his duty lie? His choice will cause catastrophic ripples no matter which path he follows … and could very well bring the loss of his loved ones or his life.

 Will the cost of defending the king and country prove too steep for this warrior?

 This is a standalone continuation in The Winged Warrior Series.

Buy Links:

This title is available to read on #KindleUnlimited.

Universal Link: https://readerlinks.com/l/3336453

Amazon US: https://www.amazon.com/dp/B0C2VZ2963/

Amazon UK: https://www.amazon.co.uk/dp/B0C2VZ2963/

Amazon AU: https://www.amazon.com.au/dp/B0C2VZ2963/

Amazon CA: https://www.amazon.ca/dp/B0C2VZ2963/ 

Griffin Brady authorAuthor Bio:

Griffin Brady is an award-winning historical fiction author interested in the Polish Winged Hussars of the 16th and 17th centuries. She is a member of the Historical Novel Society and Rocky Mountain Fiction Writers. Her debut novel, The Heart of a Hussar, was a finalist for the 2021 Chaucer Early Historical Fiction Award and a 2021 Discovered Diamond.

The proud mother of three grown sons, she lives in Colorado with her husband. She is also an award-winning bestselling romance author who writes under the pen name G.K. Brady.

Social Media Links:

Website: https://www.griffin-brady.com/historical-fiction/

Twitter: https://twitter.com/griffbrady1588

Facebook: https://www.facebook.com/AuthorGriffinBrady

Book Bub: https://www.bookbub.com/profile/griffin-brady

Amazon Author Page: https://www.amazon.com/author/griffinbrady

Goodreads: https://www.goodreads.com/author/show/20675881.Griffin_Brady

 

Book Review: “Children of the House of Cleves: Anna and Her Siblings” by Heather R. Darsie

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When we think of the German Duchy of Cleves, our first thoughts tend to go to Anna of Cleves, King Henry VIII’s fourth wife, whom he immediately divorced due to not being attracted to her looks, at least according to English tales. We tend to leave Anna’s German life to the side and forget about her family’s story when we study the ever-changing 16th and 17th centuries, even though Germany was dealing with the Reformation. We have an inkling about how life might have been like for Anna of Cleves in England with the fabulous book, “Anna, Duchess of Cleves: The King’s Beloved Sister,” but what about Anna’s siblings, Sybylla, Wilhelm, and Amalia? Heather Darsie has decided to take up the challenge of telling the story of Anna of Cleves’ family from the German perspective in her latest book, “Children of the House of Cleves: Anna and Her Siblings.”

I want to thank Amberley Publishing for sending me a copy of this book. I thoroughly enjoyed Darsie’s first book on Anna, Duchess of Cleves. So when I heard she was writing a new book about Anna’s family and their impact on 16th and 17th-century European history, I knew I wanted to read it.

Darsie begins her book by explaining how the duchy system worked in Germany and the birth of William IV, Duke of Julich-Berg, in 1455, and we are introduced to John II, Duke of Cleves-Mark (grandfather of the von der Mark siblings and was known as the “Childmaker” for his illegitimate children). We also learn how the German duchies connected with the Holy Roman Empire and its often rocky relationship with the papacy in Rome. It is essential background information to fully understand the political and religious quagmire in which Anna and her siblings would be involved during the 16th century.

We then transition to the marriage of Johann III of Cleves-Mark and Maria of Julich-Berg, the parents of Sybylla, Anna, Wilhelm, and Amalia. It is through their marriage that the United Duchy of Julich-Berg-Cleves is formed. During their reign as the Duke and Duchess of Julich-Berg-Cleves, we see the emergence of Lutheranism, the rise of the Reformation, and the political landscape starting to shift.

The marriages of the von der Mark children and their consequences comprise the bulk of this book. Sybylla, the eldest child, married Johann Friedrich von Wettin, the Elector of Saxony and one of the founding members of the Schmalkaldic League. Anna married King Henry VIII, and we all know how well that marriage went, and Amalia never married. Wilhelm’s martial history is a bit more complex as he married Jeanne d’ Albret to align with France. Still, when that became a disaster, he married Maria von Habsburg, Hereditary Archduchess of Austria.

The tale of the von der Mark children is full of heartache, madness, war, and religious change. Although the von der Mark dynasty and the Duchy of Cleves lasted less than two centuries, it had a lasting impact, culminating in the Thirty Years’ War. Darsie has done a masterful job of collecting and presenting the story of Anna and her siblings to an English audience concisely. “Children of the House of Cleves: Anna and Her Siblings” by Heather R. Darsie is a marvelous dive into the life of 16th and 17th-century Germany that any Tudor nerd would find utterly delightful and insightful.

Book Review: “Henry VIII and Charles V: Rival Monarchs, Uneasy Allies” by Richard Heath

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75418858._SX318_Two kings, two rivals from different countries defined the 16th century. One was the spare to his father’s crown, but when his eldest brother suddenly passed away, he became the next Tudor king. The other was the sole heir to his parent’s large kingdom and would become the Holy Roman Emperor. Wars, the Reformation, and family drama kept these two men, Henry VIII and Charles V, busy and at each other’s throats. They would sometimes join and fight for one another’s causes, showing the importance of international politics. With each new scenario, their relationship would shift, either for the best or the worst. Richard Heath has combined the stories of these two monarchs, these “frenemies,” into one joint biography, “Henry VIII and Charles V: Rival Monarchs, Uneasy Allies.”

Thank you, Pen and Sword Books and Net Galley, for sending me a copy of this book. I have read many books about Henry VIII, but Charles V was a side character in many of these books. When I saw this book, learning more about Charles V intrigued me.

Heath begins his book with Henry VIII, the second son of Henry VII and Elizabeth of York. He was never destined to become king, but when his eldest brother, Arthur, died unexpectantly, he became the next King of England. In contrast, Charles V was destined to become King of Spain as he was the only son of King Philip I, King of Castile, and Queen Juana of Castile and Aragon. Henry VIII had multiple wives and one legitimate son who would not live long as king. In contrast, Charles V had one wife, Isabella of Portugal, and numerous children, including the next King of Spain, Philip II.

Henry VIII and Charles V had similar ideals and were raised to be devout Christians, even if the way they fought for their faith was different. Charles V’s aunt, Catherine of Aragon, was Henry VIII’s first wife. The two monarchs and their respective countries, the Holy Roman Empire, Spain, and England, enjoyed close relationships. However, the 16th century was notorious for its ever-shifting political landscape, especially concerning the wars in France, and Italy, that involved King Francis I, the Pope, and Suleiman the Magnificient.

To untangle the messy political dilemma of the 16th century in a dual biography is quite a feat, which Heath does well. I wish he had included a chart to break down the different treaties and wars he chose to highlight in this book because I needed help figuring out which war was which and what each treaty agreed to do. Overall, I think if you want a decent introduction to the life of Charles V and how his relationship with Henry VIII changed over time, I would recommend you read “Henry VIII and Charles V: Rival Monarchs, Uneasy Allies” by Richard Heath.

Book Review: “The Sixteenth Century in 100 Women” by Amy Licence

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16th century womenWhen we think of the phrase “16th-century women,” we often consider those from royal or noble houses throughout Europe. We tend to think of women like the six wives of Henry VIII, Mary I, Elizabeth I, Catherine de Medici, Mary Queen of Scots, and others associated who made an impact during the Renaissance and the Reformation. However, the 16th century did not stop at the borders of Europe; it extended all over the globe. There are many stories of women from all over the world and from different social classes that can help us understand how the world changed in the 16th century. Amy Licence took this concept and decided to write her latest book about a variety of women from around the world who lived in the 16th century, “The Sixteenth Century in 100 Women.”

Thank you, Pen and Sword Books and Net Galley, for sending me a copy of this book. When I heard that Licence was writing this book, it intrigued me. I wanted to know more stories from the 16th century from all around the world.

“The Sixteenth Century in 100 Women” is a collection of 100 mini-biographies of women from every walk of life and every corner of the globe. Licence has decided to organize this particular book in chronological order, with the date emphasis on the significant events of their lives. Staying true to her word, she writes about women from different countries, like Japan, Nigeria, Russia, Mexico, Poland, Chile, Morocco, and Burma, to name a few.

What I loved the most about this book is the diversity of figures that Licence chose to include in this journey from 1500 to 1600. They were not just queens, princesses, and noblewomen. Licence included women who would have been seen as outsiders in everyday society, such as prostitutes during the Banquet of Chestnuts, Margaret Drummond, Ellen Sadler, and La Malinche. There were those whose appearance made them outsiders, like Aura Soltana, Elena/Eleno de Cespedes, and Tognina Gonsalvus. Some women stood up for what they believed was right, such as Cecily Bodenham, abbess of Wilton Abbey, Lady Nata of Japan, Margaret Cheney, Sayyida al-Hurra, and Beatriz de Luna.

Some women suffered horrendous tragedies beyond their control, like Suphankanlaya, whose husband was killed in an angry rage, Amy Robsart, and an unknown woman who dealt with a tsunami in Chile. Others were women who had nasty reputations associated with their lives, such as Elizabeth Bathory, Mary Frith, and the Irish pirate Grace O’Malley. We also see female artists, authors, fictional figures, and those who sat for portraits.

Licence has painted a colorful picture of the 16th century with the 100 miniature biographies she chose to include in this book. This book may highlight only a select few stories of the century, but they were new and enthralling tales of women I had never heard of, which broadened my understanding of the era. An informative, refreshing, and unique approach to the 16th century, “The Sixteenth Century in 100 Women” by Amy Licence is a breath of fresh air for anyone who wants to discover new tales from the past.