When we think of famous artists in the 15th and 16th centuries, we focus on the great European masters. Michelangelo, Leonardo da Vinci, and Albrecht Durer tend to come immediately to mind. However, one man from Augsburg, Germany, revolutionized how we viewed the Tudor dynasty through portraiture: Hans Holbein the Younger. Many are familiar with his famous works of art and how they influenced how the Tudors have been perceived for centuries, but the man behind the masterpieces has been overlooked. His story and how art was understood in the 16th century is told in Franny Moyle’s latest biography, “The King’s Painter: The Life of Hans Holbein.”
Before I read this book, I did not know much about Hans Holbein, the man behind the art. I knew about his masterpieces like his portraits of Anne of Cleves, Henry VIII, and The Ambassadors, which I love to marvel at, but the man himself was a complete mystery. When this book was announced, I knew I wanted to read it to learn more about the master Hans Holbein.
Hans Holbein the Younger was from a family of artists; his father was Hans Holbein the Elder, and his older brother Ambrosius were also artisans, but they never reached the level of prestige as the youngest member of the family. Holbein the Younger was willing to break the mold and create art his way. Before finishing his apprenticeship, he signed his artwork and ensured that he was not in debt like Holbein the Elder. Holbein the Younger decided to move to Basel, Switzerland, to make his name. Here, Holbein was introduced to men like Erasmus and the ideas of humanism and Protestantism. It was in Basel where Holbein married Elsbeth Schmidt and started his family.
Holbein did not stay in Basel as he was destined to travel to England to be the painter for King Henry VIII. Holbein’s paintings for Henry VIII and his court are some of the most stunning images in 16th century England. The way Holbein was able to paint his subjects in such a life-like style is astonishing. However, when you pair it with Moyle’s information about Holbein’s circle of friends like More, Cromwell, Erasmus, and Cranmer, it adds depth to his work. The amount of allusions and symbolism in these works of art is astounding, and you can spend hours just analyzing one piece at a time.
It is a spectacular biography that any Tudor or art fan will adore. Franny Moyle has created a vivid image of Holbein’s world that could stand side by side with one of his masterpieces. I purposely took my time to read this book slowly to absorb every minuscule detail that Moyle included about Holbein and his world. I know it is a book that I will personally reread in the future. If you want a definitive and delightful biography about the man behind the canvas, I highly recommend “ The King’s Painter: The Life of Hans Holbein” by Franny Moyle.
In history, the stories of women closest to those who sat on the throne tend to shine a bit brighter than others. Their tales give us great insight into how their respective countries were run and how dangerous it could be to marry someone with royal blood in their veins. However, some of the tales get lost in the annals of the past, only to be discovered much later. One of those tales is the story of Cecily Bonville- Grey, the wife of Thomas Grey Marquis of Dorset. In her own right, an extremely wealthy woman, her marriage into the Grey family would help define the succession issue during the late Tudor dynasty. Her story is finally told in Sarah J. Hodder’s latest book, “Cecily Bonville-Grey- Marchioness of Dorset: From Riches to Royalty.”
In any dynasty, those closest to the throne are the most at risk of dealing with suspicions and conspiracies. Those who were not next in line for the throne were seen as threats, especially those whose bloodline was a bit stronger than those who sat on the throne. The Tudor dynasty’s biggest threat was the few Plantagenets who still lived at court. The family that had the most Plantagenet blood in their veins and poised the most significant threat was the Pole family. However, one woman who was very close to Henry VIII and his family married a man who had Plantagenet blood in his veins. Her name was Gertrude Courtenay, the Marchioness of Exeter, and her story is finally getting the light it deserves in Sylvia Barbara Soberton’s latest book, “The Forgotten Tudor Women: Gertrude Courtenay: Wife and Mother of the Last Plantagenets.”
Medieval princes are often viewed as men who will one day be king of their homeland or another country. They are seen as wealthy men with prestige and honor who live lavish lifestyles and go to war to earn titles and estates. One of these noble medieval princes was a man who married three times, including to his most beloved mistress. He was the son of Edward III, the uncle of Richard II, and the father of the queen of Castile and King Henry IV, the first Lancastrian king. His children, grandchildren, and great-grandchildren would rule in different European countries, even though he never had the chance to wear the crown of England or Castile for himself. His name was John of Gaunt, and his story is told in Kathryn Warner’s latest biography, “ John of Gaunt: Son of One King, Father to Another.”
When we think about men who challenged the Church and are known as Reformers, we tend to think of Martin Luther, Jan Hus, and John Calvin. However, a man fought against corruption in his beloved Florence who should be included in the list of great reformers. He was a Dominican monk who was not afraid to preach against sin and took aim at the most powerful men in all of Italy, including Pope Alexander VII. His sermons were so scandalous that they would lead to his demise upon a pyre in the middle of Florence. His name was Girolamo Savonarola, and his story is told in Samantha Morris’s latest biography, “The Pope’s Greatest Adversary: Girolamo Savonarola.”
The story of King Henry VIII and his six wives has been regaled for centuries in different mediums. We love the marital problems of this one English king because of how much of an impact it made on all of Europe in the 16th century and beyond. Yet our love affair with the Tudor dynasty would not have gotten to the point that it is today without the tireless efforts of the ambassadors who went to England to report the news of the day to their respected kings and emperors. We tend to think that the ambassadors are better left in the shadows, working to promote peace between countries and report what was happening, but one man made a name for himself as an ambassador and transcended time. His name was Eustace Chapuys. His story and his mission are finally being told in Lauren Mackay’s brilliant debut book, “Inside the Tudor Court: Henry VIII and his Six Wives through the eyes of the Spanish Ambassador”.
A man who was young and had charisma would attract the attention of the Virgin Queen herself, yet that attention came with a price. The young man could not do what he desired and was buried in debt. His anger could not be quenched and he would end up rebelling against the very queen who brought him so much glory and honor. This rebellion would lead to his execution. The man’s name was Robert Devereux, 2nd Earl of Essex, and his story is told in Sarah-Beth Watkins’ latest bite-size biography, “Elizabeth I’s Last Favourite: Robert Devereux, 2nd Earl of Essex”.
A man ahead of his time who never finished the tasks that he was given as his mind was constantly racing, thinking of new ideas. This is what we consider a genius or a Renaissance Man today, but during Leonardo da Vinci’s time, it was just considered odd. Leonardo da Vinci was an enigma. He could make the impossible possible. His art seemed to leap off the canvas with its realism. However, there are still so many mysteries surrounding his life and his works. What made this one artist/inventor so fascinating for centuries? In her book, “The Real Leonardo da Vinci” Rose Sgueglia opens the curtain to reveal Leonardo da Vinci’s truth and inner circle.
Two cousins fighting for the right to rule England during the 16th century. One was the daughter of Henry VIII and Anne Boleyn who fought tooth and nail to rule without a man by her side. The other was the daughter of Mary of Guise and King James V of Scotland whose marriage record would prove to be fatal. Elizabeth I and Mary, Queen of Scots, may have been sister queens, but the way they were treated in their own countries differed completely. While Elizabeth I was praised and protected from harm in England, Mary was a scapegoat for so many in Scotland. The way that Mary was used as a pawn even though she wore a crown was nothing short of extraordinary. The story of how these two queens came on a collision course that would leave one queen beheaded and the other forever changed has been told in many different ways from both sides of the tale, but it has rarely been told as a cohesive nonfiction book. That is until Kate Williams’ marvelous biography, “The Betrayal of Mary, Queen of Scots: Elizabeth I and Her Greatest Rival”.
When one studies the history of the English monarchy, we tend to consider those who ruled and those who advised the ruler as significant characters. We rarely study the family members of the monarch who did not win the right to rule the kingdom. Yet, they are often either extremely loyal or they desire the crown with such ferocity that they rebel against their own family. It seems like a rather cruel world, but that was the life of a medieval monarch. True loyalty for one’s family was a rare feat. One man showed the depth of his loyalty to his family, even when the people despised him. He was the son of King Edward III, the brother of the famous Black Prince, the uncle of King Richard II, and the father of Henry Bolingbroke who would become King Henry IV. Gaunt’s reputation and legacy have been marred by his wealth and the role that he played with the Peasants’ Revolt, but was he such a bad person? In Helen Carr’s brilliant debut biography, “The Red Prince: The Life of John of Gaunt, the Duke of Lancaster”, she looks to uncover the truth about the man behind the throne and why he never desired the crown for himself.