Tag: Elizabeth I

Book Review: “To Kill a Queen” by Amie McNee

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When we think of Elizabethan England, we tend to think of the Golden Age of England. A time of discoveries and for the arts to flourish under the Virgin Queen, Elizabeth I. However, there is a darker side. It was also a time of espionage, fears of invasions from other countries, and the hatred between Catholics and Protestants. The dangers of the Elizabethan underworld have reached the queen, as there is an attempt on her life. Can Jack, the son of a crime boss, change his life and find the culprit before they find him, or will he be betrayed by those he calls his friends? Amie McNee explores the seedy underworld of Elizabethan England in her novel, “To Kill a Queen.”

I would like to thank Crooked Lane Books and Net Galley for sending me a copy of this novel. I am a sucker for a good historical mystery, and if it is set in Tudor England, even better. I read the premise of this novel and decided to give McNee a try.

The year is 1579, and Queen Elizabeth I is entertaining her final suitor, the Duke of Anjou. The city is all abuzz with rumors of wedding bells. Everyone except Jack, a young coroner apprentice, who is the son of a crime boss. Jack is helping the Justice of the Peace, Ben, and his mentor, coroner Damian, try to solve a case of a wife beaten to death by her husband. It is a pretty open and shut case, so Jack was surprised to receive another case so soon. A soldier died protecting the queen from an assassin. Now, Jack, Ben, and Damian must find the assassin before it’s too late.

It seems like your typical murder case set in a period setting, but that’s where McNee mixes things up. We get to meet Jack’s father, Axe, the crime boss, and we find out that Jack is not their real identity. Not many know Jack’s true identity, except for his lover Jenny and Damian. Jack’s friend Harry is a common resident of Bedlam, but he is now out, and Jack has to take care of him. When associates close to Jack end up being killed, there is a sense of urgency that Jack has to find the murderer before they find Jack. There are a lot of twists and turns, and the reveal of the whodunnit was shocking, but the conclusion of the book did not fit well with the tone of the rest of the book.

Overall, it was a decent novel, even though it felt more Oliver Twist than Tudor. It was nice to see the typical Tudors step to the side so that we can focus on other stories in Elizabethan London. If you want a detective novel with an unlikely protagonist, filled with twists and turns, and set during the Tudor age, I recommend you read “To Kill a Queen” by Amie McNee.

Book Review: “Shades of Yellow” by Wendy J. Dunn

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Have you ever wondered what it might be like for a historical fiction writer during their writing process? How do they balance both their own lives and the lives of their characters? While we can read author interviews to find out what goes on in an author’s mind, why not take a fun twist of a historical fiction author writing about a historical fiction writer writing her first historical fiction novel? Meet Lucy Ellis, a new writer who is writing her first novel about the death of Amy Robsart while recovering from cancer and going through a divorce. Can Lucy finish her novel about Amy Robsart before her life and her health come crashing down? Wendy J. Dunn tells the tale of two women betrayed in her latest novel, “Shades of Yellow.”

I would like to thank Wendy J. Dunn and The Coffee Pot Book Club for sending me a copy of this novel. I am a fan of Dunn’s writing style, especially when it comes to her novels, so when I heard she was writing a new novel, I knew I wanted to read it before I knew the premise. The idea of a novel about writing a historical fiction novel was very intriguing, and to throw in the story of Amy Robsart in the mix adds to the complexity of this idea, which I love.

We begin with Lucy Ellis about to leave Australia for a research trip to England. Her mother does not want her to go because Lucy’s doctor found something concerning. Lucy is a survivor of breast cancer and is on the verge of a divorce from her husband, Ben, and she is nearing her 30th birthday. Life is hitting her hard, but along the way, she found a historical figure that she resonates with: Amy Robsart. She wants to tell the story of what really happened to Amy in her first novel, so she has to do research in England to make it more authentic.

Once in England, Lucy meets up with her aunt Jo, her cousin Max, and her grandpa, who is a blind author. We get to see her novel-writing process and bits of the novel while Lucy deals with a whole host of family drama. While the main focus of this book is Lucy’s story, sprinkled within are flashes of Amy’s life, how she felt about her husband Robert Dudley, and her rival in love, Elizabeth I. It is by studying Amy’s life that Lucy learns how to embrace life’s challenges and realize that she has people around her who love her. 

It takes a lot of skill to write not just one novel, but a novel within a novel, but Dunn nails it perfectly. I would love to read the finished novel about Amy Robsart one day. This novel takes the aspects of a dual timeline novel and flips it on its head in such an innovative way. If you want a contemporary novel about healing between two women centuries apart and their strengths to keep fighting when life throws so many obstacles their way, I highly recommend you read “Shades of Yellow” by Wendy J. Dunn. 

Blurb: 

During her battle with illness, Lucy Ellis found solace in writing a novel about the mysterious death of Amy Robsart, the first wife of Robert Dudley, the man who came close to marrying Elizabeth I. As Lucy delves into Amy’s story, she also navigates the aftermath of her own experience that brought her close to death and the collapse of her marriage. 

After taking leave from her teaching job to complete her novel, Lucy falls ill again. Fearing she will die before she finishes her book, she flees to England to solve the mystery of Amy Robsart’s death. 

Can she find the strength to confront her past, forgive the man who broke her heart, and take control of her own destiny?

Who better to write about a betrayed woman than a woman betrayed

Buy Link: 

Universal Buy Link: https://books2read.com/u/mqPGgd  

This title is available to read on #KindleUnlimited. 

Author Bio: 

WENDY J. DUNN is a multi-award-winning Australian writer fascinated by Tudor history – so much so she was not surprised to discover a family connection to the Tudors, not long after the publication of Dear Heart, How Like You This, her first Anne Boleyn novel, which narrated the Anne Boleyn story through the eyes of Sir Thomas Wyatt, the elder.  

Her family tree reveals the intriguing fact that one of her ancestral families – possibly over three generations – had purchased land from both the Boleyn and Wyatt families to build up their holdings. It seems very likely Wendy’s ancestors knew the Wyatts and Boleyns personally. 

Wendy gained her PhD in 2014 and tutors in writing at Swinburne University of Technology, Australia. She loves walking in the footsteps of the historical people she gives voice to in her books.  

Author Links: 

Website: http://www.wendyjdunn.com/ 

Newsletter: https://wendyjdunn.substack.com/ 

Facebook:  https://www.facebook.com/authorwendyjdunn 

Instagram: https://www.instagram.com/wendyjdunnauthor/  

Threads: https://www.threads.com/@wendyjdunnauthor  

Bluesky: https://bsky.app/profile/wendyjdunn.bsky.social  

Book Bub: https://www.bookbub.com/profile/wendy-j-dunn  

TikTok: https://www.tiktok.com/@wendyjdunn  

Amazon Author Page: https://www.amazon.com/stores/Wendy-J.-Dunn/author/B004FRTZFA  

Goodreads: https://www.goodreads.com/author/show/197156.Wendy_J_Dunn 

LinkedIn: https://www.linkedin.com/in/dr-wendy-dunn-6358181a  

Guest Post: “Gilded Power – The Jewelry Legacy of the Tudors” by Sam Mee

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I am pleased to welcome Sam Mee, founder of the Antique Ring Boutique, to my blog today to share an article about Tudor jewelry.

Jewelry was predominantly religious in the austere Middle Ages, focusing on relics, devotional rings, and crosses. But the Tudor rulers developed it as a way to project their own royal power and authority. Clothing fashions of the time emphasized structure, and monarchs like Henry VIII and Elizabeth I integrated jewelry to proclaim their status and divine favor. 

This was the age of portraiture, when the elite commissioned likenesses as propaganda. Hans Holbein the Younger depicted Henry VIII in a way that showed off his jewels and chains of office as much as his formidable bulk (and codpiece). Holbein’s most famous image of Henry is a 1537 mural that, while destroyed by fire in 1698, is still known through copies. It shows the King with a powerful stance and wearing multiple chains and rings to further emphasized his authority and wealth.

Holbein portrait, public domain image: https://upload.wikimedia.org/wikipedia/commons/thumb/f/f9/After_Hans_Holbein_the_Younger_-_Portrait_of_Henry_VIII_-_Google_Art_Project.jpg/1024px-After_Hans_Holbein_the_Younger_-_Portrait_of_Henry_VIII_-_Google_Art_Project.jpg

Three similar Armada portraits of Elizabeth I were painted after England defeated the Spanish Armada. They take allegory even further. The Queen is almost encased in pearls. Her gown is embroidered with them, they sit on her hair, and pearl ropes hang from her neck, all to symbolize chastity and divine protection. More explicitly, her hand rests on the globe as a symbol of empire. Her powerful warships are visible in the background behind her gem-encrusted crown, signifying divine authority. 

Armada portrait, public domain image: https://upload.wikimedia.org/wikipedia/commons/7/7b/Elizabeth_I_%28Armada_Portrait%29.jpg

In fact, Elizabeth I was rarely painted without pearls – other examples include the Darnley Portrait (c1575) and Rainbow Portrait (c1600). The pearls repeatedly symbolized the Virgin Queen’s chastity and wealth in bodily form.

The sumptuary laws

If gems and clothing signified power, then rulers needed to control who wore what. Medieval 15th-century sumptuary laws started to codify this across Europe. A 1463 English statute restricted who could wear “royal purple”, while a 1483 act restricted velvet to knights and lords and satin for gentry with a yearly income of £40.

Tudor England was an intensely hierarchical society, and so the laws were tightened further. Elizabeth’s 1574 Act of Apparel spelled out in detail who could wear what – her rules set which fabrics hats could be made of and dictated the length of swords, depending on the wearer’s standing. Check out the list here: https://midtudormanor.wordpress.com/sumptuary-laws/

Jewelry was also regulated with gold chains, heavy pearls, and precious stones reserved exclusively for the nobility. 

Enforcement was patchy but real, with surviving court records showing individuals tried for breaches and fined. These laws were somewhat symbolic, though. They were a way to make hierarchy visible rather than consistently enforced. Ambitious merchants and courtiers often flaunted jewels beyond their rank, with monarchs turning a blind eye.

Fashion at court

Jewelry was inseparable from clothing at court. Goldsmiths worked hand in hand with tailors, and jewels were sewn directly into doublets and headdresses.

We know Henry VIII wore vast gold chains and pendants and even occasionally jeweled codpieces. Courtiers followed suit with jeweled hat badges, enameled rings, and ornate girdle books (these were tiny, jeweled prayer books that hung from belts). They also wore gold pearl earrings. Women sported pearls, rubies, and diamonds on top of layered dresses made from richly embroidered fabrics. 

Anne Boleyn’s necklace – a large gold “B” with three drop-pearls dangling from it – is one of the period’s most famous jewels. It’s a very personal bit of jewelry that symbolized her individuality and status. (It survives only in portraits – its whereabouts after her 1536 beheading is not known).

Anne Boleyn’s B necklace, public domain image: https://upload.wikimedia.org/wikipedia/commons/f/f2/Anne_boleyn.jpg

Global trends and treasures

The rise in the prominence of jewelry was part of a wider trend of expanding horizons – culturally, societally, geographically, and economically. Spain’s influx of New World gold and silver boosted Europe’s wealth, with England claiming its own share through figures like Sir Walter Raleigh and Sir Francis Drake.

There’s extraordinary archaeological evidence of this, not just from the images of the time but from the Cheapside Hoard, discovered in 1912 beneath a London cellar. It’s a collection of more than 400 pieces. There are emerald rings, diamond pendants, and enameled chains with gems sourced from Colombia, India, Burma, and Brazil. The treasure shows that London goldsmiths had access to a global supply of jewels long before the height of the empire. 

Together with portraits, the Hoard is the richest record we have of Tudor jewelry, showing how jewels were actually made. You can read more about it here: https://www.londonmuseum.org.uk/collections/london-stories/jewels-cheapside-hoard/

Evolution of Tudor Jewelry

New fashions, new materials, and new freedoms (for some). Tudor jewelers developed new techniques to match these wider changes in society, combining medieval traditions with Renaissance artistry. Enameling reached new heights, and these techniques were carried forward into Georgian mourning jewelry and even into Victorian revival pieces.

Foil-backing was widely used in Tudor times to enhance jewels. Thin sheets of colored foil were placed behind gems like diamonds, rubies, or rock crystal to enhance their brilliance. This technique remained common until the 18th century, when more advanced diamond cutting began to produce inherent sparkle.

Gem cutting itself advanced in the Tudor period. Gemstones are rarely cut in bespoke shapes but tend to use standardized cuts designed to maximize brilliance or colour. This has been true since the Renaissance. Earlier medieval gems were typically worn as cabochons (smooth, polished domes), which enhanced colour but not brilliance. Then, from the late 15th century, jewelry began to experiment with faceting, where flat surfaces were cut at angles to reflect light, and Tudor lapidary work played a key role in the development and take-up of new techniques:

  • Cabochon: The oldest approach. A smooth, rounded dome without facets. Used in the medieval period for sapphires, garnets, and emeralds.
  • Point cut: This simple cut shaped a diamond into a pyramid with four sides. Mostly common in the 15th century.
  • Table cut: Developed in the late 15th century, this removed the top of the pyramid to create a flat “table” facet. It meant increased brilliance and became standard in Tudor jewelry.
  • Rose cut: Emerged in the 16th century as diamond saws and polishing technology improved. This had a flat base and a domed top covered in triangular facets to resemble a rosebud. The rose cut was popular until the 19th century.
  • Old mine cut: An 18th-century development. It’s a squarish cut combined with a high crown, deep pavilion, and large culet. It was the forerunner of the modern brilliant cut.

You can read more about the evolution from medieval jewelry techniques here. (https://historicalbritainblog.com/the-debt-antique-jewellery-owes-to-the-middle-ages-guest-post-by-samuel-mee/)

Settings in Tudor times typically enclosed the stone with gold, but Tudor jewelers began experimenting with more open settings to admit light. It was the Stuart era that really saw the development of the claw setting for diamonds, where the gem was held with tiny metal arms to allow much more light to pass through, dramatically increasing sparkle.

Tudor trends can be seen in subsequent centuries: 

  • Georgian jewelers turned enamel and foil into sentimental jewelry such as portrait miniatures (also common in Tudor times) and mourning rings.
  • Victorian designers enjoyed historical revival, and they often deliberately echoed Tudor styles, such as heavy Holbein-like gold chains and memento mori skulls.
  • Edwardian jewelers drove a revival of Elizabethan-style pears and combined them with lace-like platinum settings.
  • Art Deco designs were modernist in geometry but had a strong revivalist theme from Egyptian motifs to statement designs that matched 16th-century theatricality.

Surviving themes

Tudor jeweler was many things: regulated, global, technical, and symbolic. It was constrained by law, used as propaganda, and yet pushed at boundaries. It was part of the evolution of techniques and materials that developed over several hundred years as jeweler changed to become ever more personal. And even specific gem traditions persisted. The Tudor love of pearls was echoed in the Edwardian era. Tudor foiling foreshadowed Georgian brilliance. Tudor enameling was revived multiple times in the centuries that followed. Let’s just hope the codpiece doesn’t return. 

About the Author

Sam Mee is the founder of the Antique Ring Boutique (https://www.antiqueringboutique.com/), which sells rings from the Georgian, Victorian, Edwardian, and Art Deco eras. He has several guides on his website for buying rings from different historical periods. EG, you can learn more about ring cuts and foiling in the guide to Georgian rings: https://www.antiqueringboutique.com/en-us/pages/georgian. He is a member of both Lapada (https://lapada.org/dealers/antique-ring-boutique/) and BADA (https://www.bada.org/dealer/antique-ring-boutique). 

Book Review: “Great Harry’s Navy: How Henry VIII Gave England Sea Power” by Geoffrey Moorhouse

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One would assume that, since England is an island nation, its navy has been its strength since its foundation. That, however, was not always the case. While there were naval battles during the Middle Ages, it was not a navy like we know today. The concept of the Royal Navy was founded during the time of the Tudors, especially under the reign of Henry VIII. So, how did Henry VIII turn a navy from 7 ships to over fifty ships that could stand with other European navies? Geoffrey Moorhouse examines the creation of the English navy in his book, “Great Harry’s Navy: How Henry VIII Gave England Sea Power.”

This particular title was a used bookstore find for me. I saw that it was about the Tudors, and an aspect that I am not super familiar with. I don’t read a lot of nautically-based books, especially nonfiction, so I decided to go on a whim and try it out.

Moorhouse recognizes that this is a highly specialized book, so before delving into the history, he includes an extensive glossary at the beginning of the book to assist those unfamiliar with nautical terminology. He then dives into the origins of the English navy pre-Henry VII, and we can see that Henry VII did not leave his son, Henry VIII, many ships. However, Henry VIII had such a passion for ships that he got to work right away making shipbuilding centers and making sure that the right men were in the positions of power to make his navy superior to those in Europe. Moorhouse goes into minute detail to show how the Tudor navy rose, fell, and rose again to create a foundation that Henry’s children, Edward VI, Mary I, and Elizabeth I would build upon to create a sea superpower.

I am a fan of challenging books and discovering new topics in history. I wanted to learn more about naval history, presented in an easy-to-follow writing style. While Moorhouse does attempt to do this, his exuberant nerdy side for naval history comes out, and it felt like he was having a conversation with experts, not novices. It was one of those books that took me a long time to read because there was so much information that I was trying to digest as a novice.

I think this book is definitely written for a specific group of people, and they are those who love nautical history and learning about the Tudors. For novices, like myself, it may be quite a trial to read. If you are in the latter category and you want to read this, take your time and take notes if need be. I think this is a book that could be a great resource for historical fiction authors and just those who want a different approach to the Tudors. If that is you, “Great Harry’s Navy: How Henry VIII Gave England Sea Power” by Geoffrey Moorhouse might be a book to add to your collection.

Book Review: “Dark Renaissance: The Dangerous Times and Fatal Genius of Shakespeare’s Greatest Rival” by Stephen Greenblatt

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Sixteenth-century England was a time of great change. There were religious changes as the crown passed from one member of the Tudor family to another. Wars and illnesses like the plague and the sweating sickness were rampant. However, this was also a time of an explosion of the arts, particularly of the theatre. We see men like William Shakespeare and Ben Jonson rise from obscurity to write plays that would propel them to become phenomena. There was a third playwright who should be included in this list. He was the son of a cobbler who was educated at Cambridge University. A brilliant man who wrote groundbreaking plays while he was a spy for her majesty Queen Elizabeth I, his cause of death when he was only in his twenties would remain a mystery for centuries. Christopher (Kit) Marlowe’s story is told in Stephen Greenblatt’s latest book, “Dark Renaissance: The Dangerous Times and Fatal Genius of Shakespeare’s Greatest Rival.”

I would like to thank W. W. Norton & Company and Net Galley for sending me a copy of this book. I will be honest. Although I do spend a lot of time studying the 16th century, I don’t read a lot of plays by Shakespeare or Marlowe. So, when I saw this book and its premise, it piqued my curiosity. I knew that Marlowe was a famous playwright, he was a spy, and that he died young, but that’s all I knew before reading this book. I wanted to know more about Kit Marlowe and his world.

Christopher Kit Marlowe was the son of John Marlowe, an immigrant shoemaker, and his wife, Katherine Arthur. As their only son, it was believed that Kit would become a cobbler, but he had different skills that were more academically inclined. The cobbler’s son would study the classical writers of Ancient Greece and Rome, while learning Latin and debating theology. Kit would find himself at Cambridge University, and he paid for his education on a scholarship. While the main focus of these chapters is Marlowe, Greenblatt does show the lives of the scholars and fellow students who would shape Marlowe’s writings and his path in life.

Just as Marlowe was about to complete his Master of the Arts degree, his attendance dropped, and he was seen in Rheims in France. He was beginning to establish connections to the Elizabethan spy network with William Cecil, Lord Burghley, and Sir Francis Walsingham. This is the stage of life where we not only see Marlowe get in trouble with the law, but we also get to see Marlowe become a playwright who would rival Shakespeare himself. Greenblatt takes his time to analyze Marlowe’s works, including Tamburlaine the Great, Edward II, The Jew of Malta, and Doctor Faustus. Finally, Greenblatt examines Marlowe’s death on May 30, 1593, and who might have been responsible for his murder.

I found this book extremely informative, not only when it comes to the life of Christopher Kit Marlowe, but also the worlds of Elizabethan higher education, the theatrical community, the divides on religious beliefs, and the spy world. Marlowe is one of those figures who challenged what it meant to be a playwright through his rather controversial works, which inspired others like William Shakespeare. If you want a book about a playwright with a tragic end who doesn’t get a lot of attention, I highly recommend you read “Dark Renaissance: The Dangerous Times and Fatal Genius of Shakespeare’s Greatest Rival” by Stephen Greenblatt.

Book Review: “Mistress of Dartington Hall” by Rosemary Griggs

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One of the greatest threats to England during the reign of Elizabeth I was the Spanish Armada, under the orders of King Philip II of Spain. In the year 1587, the Spanish ships were spotted off the coast of Devon. Fear grips the country, but one woman is up to the task of keeping her beloved Dartington Hall and its inhabitants from harm. Roberda Chapernowne knows what it means to fight for those she loves and is willing to do it again while her husband, Gawen, is away in Ireland fighting for the Queen after he almost divorced Roberda. Roberda’s life turns upside down when Gawen returns home. Can they rekindle their relationship, or will they fall into despair and ruin? Rosemary Griggs concludes Roberda and Gawen Chapernowne’s stories in her latest novel, “Mistress of Dartington Hall.”

I would like to thank Troubador Publishing and Net Galley for sending me a copy of this novel. I have enjoyed Griggs’ previous novels, so when I saw that she had another novel coming out to end Roberda Chapernowne’s story, I knew I had to read it to see how Roberda’s story ended.

We are thrust straight into the action with this novel. It’s 1587, and rumors of Spanish ships have been spotted off the English coast. Fear grips the inhabitants of Dartington Hall, but the mistress of the house, Roberda Chapernowne, is ready to take control of the situation. She has been in charge for the last three years, following her husband, Gawen, who left her and his family to fight in Ireland for Queen Elizabeth I. Now, Gawen has returned home, which makes things extremely awkward as Gawen tried to divorce Roberda. Now, he is back and wants to reconcile their relationship, but Roberda’s faithful maid Clotilde, who has stood by her side every step of the way, is hesitant.

Gawen and Roberda reconcile while raising their children while dealing with the threat of a Spanish invasion. Unfortunately, their brief return to normalcy is dashed when Gawen is injured while hunting and dies, leaving Roberda to take care of the children and the estate. But being a widow who has mostly daughters and only one son is difficult. We see how Roberda deals with her children’s inheritances, her family in France, and a budding romance for Roberda.

I found this an enjoyable conclusion to Roberda Chapernowne’s story. I liked how this book series and this novel in particular focused on lesser-known figures in the Tudor age, instead of the typical royals. If you are a fan of the previous novels in this series, I recommend you read “Mistress of Dartington Hall” by Rosemary Griggs.

Book Review: “Queen James: A New History About the Life and Loves of Britain’s First King, James Stuart” by Gareth Russell

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We all know the story of the last Tudor monarch, Queen Elizabeth I, who often viewed herself as a female king and who remained a virgin for her entire life. With her death, the Tudor dynasty ended, and a brand new dynasty made its mark on English history. It was a dynasty in England that the son of Elizabeth started I’s rival, Mary Queen of Scots, King James VI of Scotland. King James was not just a king, but a man in love with numerous lovers, and when he fell in love, he fell hard. Gareth Russell explores the life of King James VI/I, who ruled two nations while searching for true love in his latest book, “Queen James: A New History About the Life and Loves of Britain’s First King, James Stuart.”

I am a big fan of Gareth Russell’s books, and so when I heard that he was writing a new biography, I jumped at the chance to read it. I didn’t know much about King James VI/I, especially when it comes to his reign in England or his love life, so I was excited to learn more. Plus, I liked the title of this particular edition of this book.

Like any good biography, we have to start at the beginning, or in James’ case, when his mother was still pregnant with him. Even before he was born, some wanted to see James dead, including those who killed David Riccio in front of his mother, Mary Queen of Scots. James would never know his father, Henry Stuart, Lord Darnley, as he was killed at Kirk O’Field when James was very young. Mary Queen of Scots would flee to England, making James King of Scotland. James was raised to be a Protestant king who would navigate plenty of plots against his life. He was not interested in marriage, but he would marry Anna of Denmark, a vivacious queen who brought her love of theater and arts to James’ life, as well as Catholicism and seven children, including Charles I and Elizabeth Stuart, “The Winter Queen” of Bohemia.

When Queen Elizabeth I died in 1603, James took the opportunity and became King of England. James had to deal with the affairs of two nations, try to come up with a brand new translation of the Bible, as well as the witch hunts that were becoming more prevalent during this time. Add to James’ troubles were European politics and the constant fighting between Catholics and Protestants, and you start to understand why he relied so heavily on his favorites, specifically Alexander “Sandy” Lindsay, Robert Carr, 1st Earl of Somerset, and George Villiers, 1st Duke of Buckingham. James’s favorites were his lovers, and they provided him with the love that he was looking for all of his life.

No one writes nonfiction the way Gareth Russell does with such care and an engaging writing style. This is another triumph as he shows that although there were rivalries in love, plots a plenty, and religious ruckus, at the heart of the Jacobean reign was a complex man who had his heart on his sleeve and fell in love quickly and hard. If you want a fabulous biography about a king and the ones he loved the most, I highly recommend you read “Queen James: A New History About the Life and Loves of Britain’s First King, James Stuart” by Gareth Russell.

Book Review: “Nothing Proved” by Janet Wertman

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A princess born to a king and his second wife lost her title and legitimacy when her father decided that her mother, Anne Boleyn, needed to die. Elizabeth Tudor knows the meaning of resilience as she survived her childhood during her father King Henry VIII’s reign. Now that her father is dead  Elizabeth is at the mercy of her half-siblings Edward and Mary, plus any scheming man who wants to marry her and get closer to the crown. Can Elizabeth survive her siblings’ reigns or is she destined to be locked in the Tower to await her ultimate fate like her mother? Janet Wertman explores the life of Elizabeth Tudor in her latest series Regina and the first novel, “Nothing Proved” explores Elizabeth’s turbulent adolescence. 

I would like to thank Janet Wertman for sending me a copy of this novel. I have always been a big fan of novels about Elizabeth I and so when I heard that Wertman was writing another Tudor series all about Elizabeth I, I jumped at the chance to read it.

From an early age, Elizabeth Tudor swore she would never marry, especially after seeing how her mother Anne Boleyn, and her numerous stepmothers were treated by her father. Now her father King Henry VIII is dead, her brother Edward VI is King of England, and she is separated from the stepmother that she loved Katherine Parr after several unwanted incidents with Katherine’s husband Thomas Seymour. Elizabeth never got to see her beloved stepmother again and Thomas has his eyes on marrying Elizabeth or possibly taking control of the king. Bad mistakes on both parts, but it does not mean that Elizabeth is safe from scandal as Edward’s council believes that Elizabeth was involved in the plot against the king.

Elizabeth may have survived Edward’s reign, but her step-sister Mary’s reign is a different case. Mary is a devout Catholic who does not trust Elizabeth. She believes that Elizabeth is part of the plots to overthrow Mary and become the next queen of England. These accusations are dangerous and will place Elizabeth in the Tower. Luckily, Elizabeth is not alone as she has her ladies in waiting as well as friends like Robert Dudley and William Cecil, who is the second protagonist in this novel. It was a nice touch to add William Cecil’s point of view because he rarely gets a starring role in historical fiction novels so it was interesting to see his perspective on matters leading up to the moment Elizabeth becomes queen.

I found this an enjoyable novel that explored Elizabeth’s adolescent years which were some of her most turbulent. We can see her signature resilience and the formation of her close-knit circle of allies and friends that will become so important during her reign. If you are a fan of Elizabethan novels,  I think you will  thoroughly enjoy, “Nothing Proved” book one in the Regina series by Janet Wertman.

Book Review: “The Shadow on the Bridge” by Clare Marchant

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Have you ever had an incident that was so impactful that it defined your entire life from that moment on? For Anne Howard, Countess of Arundel, it was the death of her younger brother, George. She vows vengeance against those who were behind his untimely demise. In the present day, Sarah must return to her godmother’s home, which holds a lot of memories, mostly painful. It is in the halls of this ancient house that Sarah meets Anne through a book of poetry. Can these two women find peace or will the truths bring even more disasters? Clare Marchant tells the stories of these two women, the tragedies and the poetry that unite them, in her latest novel, “The Shadow on the Bridge.”

I would like to thank Boldwood Books and Net Galley for sending me a copy of this novel. I liked the cover and when I read the description, it caught my eye. I have had Clare Marchant on my blog for a guest post, but I have yet to read her novels, so I decided to take a chance. I was not familiar with the story of Anne Howard, Countess of Arundel, so I was excited to read her story.

We begin with Anne Howard, born Anne Dacre, and her family at Barnhamcross Hall. She takes care of her young brother George, who is supposed to become the 5th Baron Greystoke. However, tragedy strikes when George falls from his rocking horse. It seems like a tragic accident, but Anne soon discovers that it was done deliberately. While Anne is married to Philip Howard, she secretly plans revenge against her father-in-law, the Duke of Norfolk. Anne Howard is known for her poetry, so she uses her skills with a quill to uncover a plot a bit closer to home.

Sarah, in the modern day, is a woman full of remorse and guilt. She has accepted to visit her godmother Cordelia at her home of Barnhamcross Hall, which holds many secrets and sorrows. Sarah knows what it means to lose a loved one as she lost her sister, Emily. Her parents blamed her, and they are no longer in her life. Cordelia is dying, and she wants to leave her home to Sarah. Sarah agrees to stay and help with organizing the estate, and while doing so, she finds a book of poetry from the past. It is through the story of Anne and George that Sarah finds the strength to confront her past.

This was a delightful read full of discovery, suspense, and healing. It was very well-balanced and gave a new perspective to the Howard family. It was such a gripping read that I want a sequel with the same characters because I became attached to them. I am looking forward to reading more novels by Clare Marchant. If you want a fun dual timeline escape that explores a lesser-known Tudor woman, I highly recommend you read, “The Shadow on the Bridge” by Clare Marchant.

Book Review: “Fools and Mortals” by Bernard Cornwell

On By hmalagisiIn Book ReviewsLeave a comment

When we think about live theater, we often think about big actors, elaborate sets, and glittery costumes. The world of the Tudor theater, especially during the reign of Elizabeth I, was similar in some ways, but there was an element of danger. Richard Shakespeare, an actor in the Lord Chamberlain’s Men company and a former thief, knew the dangers of Tudor theater life better than anyone. When a manuscript is stolen, suspicion lands squarely on Richard’s shoulders. Can Richard clear his name, or will it be his final curtain call? Bernard Cornwell tells the story of Richard Shakespeare and the debut of A Midsummer’s Night Dream in his novel, “Fools and Mortals.”

This is one of those books that I found while going used book shopping. I did not know that Cornwell wrote a novel about Elizabethan England, so I knew I wanted to read it. I wanted to see how well Cornwell could write an Elizabethan novel.

Our main character is Richard Shakespeare (based on the historical figure), the estranged younger brother of William Shakespeare. He is an actor himself, primarily with small roles and women roles, but as he gets older, he wants more prominent male roles. Richard is not exactly thrilled about his brother William’s rising star as William is kind of a jerk in this novel. The Lord Chamberlain’s Men are given a grand opportunity to perform at the wedding of Lord Hundson’s daughter. William has decided to premiere a brand new play called A Midsummer’s Night Dream, which means this novel is full of actors trying to figure out this new production in time.

To top it off, one of William’s newer plays was taken by a disgruntled player to curry favor with another playhouse. William thinks that Richard stole his manuscript, so Richard must do everything in his power to get the play back and restore some semblance of a relationship with his brother. Along the way, he encounters a maid named Silvia, who he falls in love with, and hardcore Protestants who believe that players are sinners in the eyes of the Lord. To top it all off, it seems like William has a book in his possession that is considered dangerous and makes the thugs think he is Catholic. Richard has to focus on getting the manuscript back and rehearsing the new play and try not to get killed.

Richard Shakespeare is one of those characters that is a little rough around the edges, but once you get to know him, he is a loveable person. Cornwell created such a colorful world of the Elizabethan theater that any Tudor or Shakespearean nerd will love. If you want a delightfully unique take on Elizabethan England and the life of the players in the early stages of the English theater, I would suggest you read “Fools and Mortals” by Bernard Cornwell.