Book Review: “Embroidering Her Truth: Mary, Queen of Scots and the Language of Power” by Clare Hunter

The field of history is ever-expanding as we find new artifacts and documents that change our understanding of the past. Some of the more precious artifacts are textiles, from clothing to embroidery and even wall hangings and bedding. They can tell us a lot about their owner if you understand the symbolism. While some symbolism can be rather simple, other textile symbolism could help display the voice of a woman who was silenced, like the women of the 16th century. One woman who used textiles to display her power and her own voice was Mary Queen of Scots. Clare Hunter explores Mary’s life through the textiles connected with her life in her book, “Embroidering Her Truth: Mary, Queen of Scots and the Language of Power.”

I have seen this book mentioned on a few pages and podcasts, and it sounded alluring to me. I have tried my hand at embroidery, so I appreciate the craft itself. I have wondered about textiles and how they could be interpreted, which is why this appealed to me so much. I couldn’t wait to own it and read it.

So how do you tell the story of Mary Queen of Scots through the textiles connected to her life? Well, for Hunter, she decided to weave her own interactions with these textiles into Mary’s life in chronological order while analyzing the textile artifacts. Each chapter focuses on a different stage of Mary’s life, as well as the textiles that fit that period. Some of the examples of the artifacts that are mentioned in this book include the gowns she wore when she was about to marry the Dauphin, the fashion dolls to help bring French fashion to Scotland, Catholic banners, and memorabilia to spread the faith. We also get to see the embroideries that she planned meticulously while in custody with Bess of Hardwick, to spread their own truths and their political power while being silenced. Finally, Hunter explores the dress that Mary wore during her execution and what happened to her clothing after her death.

I will say that this is one of the most original nonfiction books that I have read in a long time. It presented Mary’s life through a different lens and showed that she did have power even as a prisoner. It gave me a better appreciation for Mary’s life and the amount of effort it took to craft such intricate pieces of textiles. I hope Hunter writes more about the history of textiles beyond the 16th century because I think her writing style and knowledge of the subject can help grow interest in this area of historical studies. If you want a book that explores the life of Mary Queen of Scots from a different angle, I highly recommend you read “Embroidering Her Truth: Mary, Queen of Scots and the Language of Power” by Clare Hunter. 

Book Review: “How to Dress Like a Tudor” by Judith Arnopp

How to dress like a TudorHave you ever watched a historical drama and wondered what it might have been like to wear the outfits for that period? You see so many reenactment groups online and you are envious of their talents for being able to bring clothing from the past, especially clothes from the 16th century, to life in the modern age. What might it have been like to dress like a lord or a lady? What about a commoner or a monk? How did fashion change throughout the Tudor dynasty? Judith Arnopp answers all of these questions and more in her latest book, “How to Dress Like a Tudor.”

I would like to thank Pen and Sword Books and Net Galley for sending me a copy of this book. I am not usually one who has an interest in fashion, but historical fashion and its evolution is an area that does pique my interest. When I heard that there was going to be a book about Tudor fashion by Judith Arnopp, I jumped at the opportunity to read it.

Arnopp begins by explaining how the Tudor dynasty marked a big change when it came to fashion and the sumptuary laws that determined what people could and could not wear according to their social status. We see how different the clothing styles were during the reign of Henry VII compared to his over-the-top son Henry VIII and how Edward VI acted like his father in portraitures. Mary I paved the way for what it meant to be a female ruler in England, but it was Elizabeth I who exemplified the importance of iconography and one’s legacy through fashion and portraits.

The bulk of this book focuses on the individual clothing items for each gender, age, and social status in Tudor England. We begin with Tudor women and their garments, the type of materials that would be used to create the garments, and what colors and different flowers symbolized. Arnopp explores menswear, including the infamous codpiece in both court dress and on the battlefield. We see how the typical court dress differs from how children and clergy dress every single day. Finally, Arnopp shares her tips as an experienced reenactor to help novices get into the field of reenactments.

Overall, I found this book rather enjoyable and an easy-to-understand guide to 16th-century English fashion. I would read novels about the Tudor era and I would get confused about the individual garments, so this helped me with the terminology. The part that was a little flat for me was the practical element where Arnopp would describe step by step how to make each garment. I am not versed in sewing terminology so it was a bit hard for me to follow along. However, I think if you are interested in reenactments or just Tudor fashion in general, I would highly suggest you read, “How to Dress Like a Tudor” by Judith Arnopp.