Tag: historical fiction

Book Review: “The Lost Queen” by Carol McGrath

On By hmalagisiIn Book ReviewsLeave a comment

The Lost QueenThe Crusades were conflicts predominantly focused on the stories of knights, kings, popes, Christians, and Muslims. We have some stories of women like Eleanor of Aquitaine who joined their husbands in battle. However, some women’s stories tend to get lost in the sands of the past. Take, for example, Eleanor of Aquitaine’s daughter-in-law, Berengaria of Navarre, the wife of Richard the Lionheart. Amid the Third Crusades, she must join Eleanor of Aquitaine on a treacherous journey to meet her husband while he battles for Jerusalem. Can Richard and Berengaria survive the journey to and from the Holy Land and produce the desired heir for the English throne before their enemies can claim victory? Carol McGrath has chosen to tell the tale of the forgotten queen Berengaria of Navarre in her latest novel, “The Lost Queen.”

I would like to thank Carol McGrath and Headline Books for sending me a copy of this novel. I am always looking for new heroes and heroines from the past to read about, whether it is historical fiction or nonfiction. I have heard the name Berengaria of Navarre mentioned in previous books about Plantagenet queens, but she is more of a footnote, so when I heard there was going to be a novel about her life, I knew I wanted to read it.

The year is 1191 and Berengaria of Navarre is meeting her future mother-in-law Eleanor of Aquitaine to embark on a journey to meet her future husband Richard the Lionheart in the Outremer. At the same time, Avelina FitzWilliam is planning her trip to the Outremer to find her husband William FitzWilliam who never returned from the Crusades. Avelina’s journey would not be as glamorous as Berengaria’s as she would go in disguise as a nun. Berengaria must also be wary of her surroundings as Philip of France is against the union altogether as Richard decided to pass on a union with Philip’s sister Alice of France to marry Berengaria.

Berengaria and Avelina were united by chance and became the closest of friends through numerous trials. Not only did they have to deal with the dangerous Alps crossing, but they also had to deal with pirates, Saladin’s army, Crusader factions loyal to Philip of France, Walter of Winchester and Prince John in England, and women like Princess Irene of Cyprus who only had eyes for King Richard. Through all the chaos around them, at the heart of this novel, are two love stories, Berengaria and Richard and Avelina and William.

As someone who knew very little about the life of Berengaria of Navarre, I found this novel positively enthralling. It was filled with twists, turns, high drama, and romance. I loved reading this novel and I was genuinely sad when it ended. McGrath was able to craft a luscious novel that was meticulously researched that any fan of medieval historical fiction novels will adore. If this sounds like you, I highly suggest you read, “The Lost Queen” by Carol McGrath.

The Lost Queen

1191 and the Third Crusade is underway . . .

It is 1191 and King Richard the Lionheart is on crusade to pitch battle against Saladin and liberate the city of Jerusalem and her lands. His mother, the formidable Eleanor of Aquitaine and his promised bride, Princess Berengaria of Navarre, make a perilous journey over the Alps in midwinter. They are to rendezvous with Richard in the Sicilian port of Messina.

There are hazards along the way – vicious assassins, marauding pirates, violent storms and a shipwreck. Berengaria is as feisty as her foes and, surviving it all, she and Richard marry in Cyprus. England needs an heir. But first, Richard and his Queen must return home . . .

The Lost Queen is a thrilling medieval story of high adventure, survival, friendship and the enduring love of a Queen for her King.

Acclaim for Carol McGrath’s ROSE trilogy:
‘Powerful, gripping, and beautifully told’ KATE FURNIVALL on The Silken Rose
‘A tour de force of gripping writing, rich historical detail and complex, fascinating characters’ NICOLA CORNICK on The Stone Rose
‘A beautifully narrated novel’ K J MAITLAND on The Damask Rose

Purchase Link – https://tinyurl.com/5n8ab2xv

carol mcgrathAuthor Bio – Following a first degree in English and History, Carol McGrath completed an MA in Creative Writing from The Seamus Heaney Centre, Queens University Belfast, followed by an MPhil in English from the University of London. The Handfasted Wife, first in a trilogy about the royal women of 1066 was shortlisted for the RoNAS in 2014. The Swan-Daughter and The Betrothed Sister complete this highly acclaimed trilogy. Mistress Cromwell, a best-selling historical novel about Elizabeth Cromwell, wife of Henry VIII’s statesman, Thomas Cromwell, was republished by Headline in 2020. The Silken Rose, the first in a medieval She-Wolf Queens Trilogy, featuring Ailenor of Provence, saw publication in April 2020. This was followed by The Damask Rose. The Stone Rose was published in April 2022. Carol is writing Historical non-fiction as well as fiction. Sex and Sexuality in Tudor England was published in February 2022. The Stolen Crown 2023 and The Lost Queen will be published on 18th July 2024. Carol lives in Oxfordshire, England, and in Greece.

Find Carol on her website:

http://www.carolcmcgrath.co.uk.

Follow her on Amazon @CarolMcGrath

https://scribbling-inthemargins.blogspot.com/

https://www.linkedin.com/in/carol-mcgrath-906723a/

https://www.facebook.com/CarolMcGrathAuthor1/

Guest Post: “Excerpt from ‘The Agincourt King’ by Mercedes Rochelle”

On By hmalagisiIn guest post1 Comment

PWIzRwyKI am pleased to welcome Mercedes Rochelle back to my blog to share an excerpt from her novel, “The Agincourt King.” I would like to thank Mercedes Rochelle and The Coffee Pot Book Club for allowing me to be part of this blog tour.

THE CABOCHIEN REVOLT IN PARIS 

There was no doubt that France was in turmoil. King Henry IV of England wasn’t even cold in his grave at Canterbury Cathedral when a fierce rebellion broke out in Paris. As usual, King Charles VI had sunk into insensibility and the city simmered uneasily, agitated by John the Fearless, the Duke of Burgundy. Private and public accusations were aimed against the king’s ministers, and the most threatened among them started to leave town for the safety of the provinces. But another consideration had arisen to complicate matters. Louis the Dauphin had reached his sixteenth year and was poised to take on the regency while his father was incapacitated. Already he was chafing under Burgundy’s authority… 

Although today Burgundy was in charge, he was concerned about Louis the Dauphin. To control the heir to the throne, he had arranged a marriage between Louis and his daughter Margaret. Unfortunately, the union was not working out. The lad showed a disturbing independence and tended to reject his wife whenever possible. It was time to teach him a good lesson.  

It didn’t take long to devise a plan. Duke John secretly conversed with Governor Jacqueville (who happened to be the chamberlain) and others of his household. As he conveniently withdrew, the citizens worked themselves into another frenzy under the urging of their governor. Jacqueville mounted a platform and held up his hands for attention. 

“I have a list of traitors the Dauphin harbours under his protection,” he shouted. “They seek to strip you of your rights and privileges. We must take them prisoner! See here, the Duke of Bar is your enemy, and the Dauphin’s chancellor Jehan de Vailly. We must arrest the queen’s brother Duke Louis of Bavaria, members of her household, and her ladies in waiting. I have the list here!”  

Jacqueville waved a paper over his head. He was about to say more when a burly citizen mounted the platform. The crowd cheered and he recognized this man, a well-known mischief-maker who was popular with the people. He was dressed as a common workman, with a swarthy face and hair that stuck up like a brush. He strutted across the platform like he owned the place. 

“I am Simon Caboche, to those who do not know me,” the newcomer called out to much laughter. “I am a skinner of the Paris Boucherie and leader of our butcher’s guild. Follow me to the Hôtel de Guyenne, where we will have a parley with the Dauphin.” He pulled out a white hood—chaperon—from under his belt. “All those who are with me, here is our badge!” And to the governor’s amazement, most of the Parisians had a white hood, too. Who was playing into whose hand?   

Giving Jacqueville a meaningful look, Caboche took charge and led a shouting mob to the Dauphin’s hôtel. By the time they reached the Rue St. Antoine, they were six thousand strong and growing. The men guarding the door didn’t even try to interfere. While the Parisians surrounded the hôtel, the leaders pushed their way inside.  

“Where is he?” bellowed Caboche at the first servant he saw. The man backed against the wall. “Where is the Dauphin?” 

The poor servant blubbered in terror, and Caboche growled at him before continuing down the hall. Two old women carrying linens were just coming out a door when the butcher pointed at them. “Take us to the Dauphin!” he demanded. Looking at each other, the servants froze. 

“Come, friends,” he said more gently. “We won’t hurt you. We need to speak to the Dauphin.” 

One of the women pursed her lips and then gave her bundle to her companion. Jerking her head, she led the intruders to the Dauphin’s private apartment. Nodding his thanks, Caboche shoved open the door with a slam, surprising Louis while he was conversing with the Duke of Bar. 

Louis sprang awkwardly to his feet. “What is the meaning of this?” he cried in an unsteady voice. Unfortunately, the Dauphin did not inspire confidence and he knew it. His short frame was overweight, heavy, and slow. He was already known for keeping late hours and general laziness. Fond of excessive jewellery and rich clothing, he relied on the trappings of royalty to sustain his fragile dignity.  

Caboche stepped forward, flanked by his closest associates. He did not remove his white hood. “Our most redoubted lord,” he said, his voice barely respectful, “I have come with my fellow Parisians, who require, for your welfare and your father’s, that you deliver up certain traitors who are now in your hôtel.”  

Recovering his nerve, the Dauphin was filled with anger. “This is absurd. What you demand is impossible. There are no traitors in this hôtel.”  

“That is not true. I see them right before me.” Caboche nodded toward his victims and some of his men leapt across the room, grabbing the Duke of Bar by the arm; others seized the Dauphin’s chancellor. While Louis turned around in apprehension, his wife screamed. She had thrown her arm around one of his valets, trying to hold him back from two of the butchers who yanked him loose. Another servant was thrown to the floor.  

“Stop this!” cried Louis.  

Caboche gave him a sideways grin. “If you are willing to give them up,” he said, “well and good. Otherwise, we will take them right before your face and punish them as they deserve.” 

“I command you to let them go!” shouted the Dauphin. “My affairs are none of yours.” 

Jacqueville stepped up beside the butcher. “Monseigneur, this is very much our business. You have been badly misled, and your behaviour is that of a spoiled young man. You are sorely in need of correction.” 

“Get out of my sight!” cried the Dauphin. “Guards, help me! Guards!” 

Alerted by the shouting, several of the Dauphin’s men rushed into the room and threw themselves onto the intruders, who enthusiastically fought back. But no sooner had the scuffle begun when the Duke of Burgundy pushed his way into the room, shouting for order. His own men bore halberds and quickly interceded, pushing the antagonists apart. The Cabochiens, as they already called themselves, grouped together, still hanging onto their prisoners.  

Louis whirled around, pointing at his father-in-law. “This is your doing,” he growled. “These are your men. One day you will regret this. I won’t always be under your thumb.” 

LgQJ75mEBlurb:  

From the day he was crowned, Henry V was determined to prove the legitimacy of his house. His father’s usurpation weighed heavily on his mind. Only a grand gesture would capture the respect of his own countrymen and the rest of Europe. He would follow in his great-grandfather Edward III’s footsteps, and recover lost territory in France. 

Better yet, why not go for the crown? Poor, deranged Charles VI couldn’t manage his own barons. The civil war between the Burgundians and Armagnacs was more of a threat to his country than the English, even after Henry laid siege to Harfleur. But once Harfleur had fallen, the French came to their senses and determined to block his path to Calais and destroy him. 

By the time the English reached Agincourt, they were starving, exhausted, and easy pickings. Or so the French thought. Little did they reckon on Henry’s leadership and the stout-hearted English archers who proved, once again, that numbers didn’t matter when God was on their side. 

Buy Links: 

This title is available to read on #KindleUnlimited. 

Universal Buy Link: https://books2read.com/u/mq70Ze  

0S8YcxEYAuthor Bio:  

Mercedes Rochelle is an ardent lover of medieval history and has channeled this interest into fiction writing. Her first four books cover eleventh-century Britain and events surrounding the Norman Conquest of England. The next series is called “The Plantagenet Legacy” and begins with the reign of Richard II.  

She also writes a blog: www.HistoricalBritainBlog.com to explore the history behind the story. Born in St. Louis, MO, she received by BA in Literature at the Univ. of Missouri St.Louis in 1979 then moved to New York in 1982 while in her mid-20s to “see the world”. The search hasn’t ended! 

Today she lives in Sergeantsville, NJ with her husband in a log home they had built themselves. 

Author Links: 

Website: https://mercedesrochelle.com/  

Blog:  https://historicalbritainblog.com/  

Twitter / X: https://x.com/authorrochelle  

Facebook:  https://www.facebook.com/mercedesrochelle.net  

Book Bub: https://www.bookbub.com/authors/mercedes-rochelle  

Amazon Author Page:  https://www.amazon.com/stores/Mercedes-Rochelle/author/B001KMG5P6  

Goodreads: https://www.goodreads.com/author/show/1696491.Mercedes_Rochelle  

Book Review: “A Good Deliverance” by Toby Clements

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A Good DeliveranceThe world of King Arthur and his Knights of the Round Table is filled with stories of adventures and romance. Many authors have tried to tell these tales in a way that will allow their books to live for centuries, but none were more successful than Sir Thomas Malory and his book Le Morte Darthur. King Arthur, Lady Guinevere, Sir Lancelot, Merlin, and Sir Gawain embark on numerous adventures including the Lady of the Lake, Camelot, the sword Excalibur, and the Quest for the Holy Grail. These tales were the epitome of chivalry and valiant knights in shining armor, but the author behind them was anything but perfect. Sir Thomas Malory has had his fair share of time in a prison cell. Who was Sir Thomas Malory and why did his book about King Arthur and the Knights of the Round Table still resonate with readers centuries after it was written? In his latest novel, “A Good Deliverance,” Toby Clements hopes to reveal the truth of this famous author whose story has been overshadowed by the myths he wrote down in his legendary tome.

I would like to thank Faber Books for sending me a copy of this novel. I have heard about the book Morte Darthur, as it is considered one of the most prominent texts about King Arthur, but when it comes to the author himself, I know nothing about his life. When I heard about this novel, the premise intrigued me enough to read it.

Clements begins his novel with Malory’s surprise arrest at a very old age. Malory is unsure why he has returned to prison as he has tried to live an honest life after he spent some time in the same cell over 20 years ago. He is at the mercy of King Edward IV. While imprisoned, waiting for word from his lawyer, Malory befriends a boy who is the son of one of the jailers named Brunt and he tells the young man his tale. Malory was the son of a knight who fought under King Henry IV in the search for the Welsh miscreant Owen Glendower. We get to see Malory become a knight and his fascination for King Arthur and the Knights of the Round Table that would become his magnum opus Morte Darthur. We see Malory’s moments of glory and utter defeat, his rivals, and the women that he admired from afar. Through Malory, we get to see how England changed, starting with Henry IV to his son Henry V, the young King Henry VI, and finally the first Yorkist King Edward IV. We also get to witness events such as the year of the 3 popes, the coronation of Henry V, Agincourt, the death of Jeanne d’Arc, the coronations of King Henry VI, and the beginning of the conflict known as the Wars of the Roses.

In a way, Clements created his Arthurian legend for Sir Thomas Malory with the way he chose to write this novel. However, it was the structure of this novel that bothered me when I was reading it, specifically the bullet points that Clements chose to include. When I am reading a novel, I want to read a cohesive piece, but the bullet points made it feel messy, which was probably used to simulate Malory as a storyteller figuring out what he wants to say to his young audience and what he wants to omit, however, it was just irritating for me to read. I don’t mind bullet points in nonfiction books, but it just doesn’t work for me in historical fiction. As for the main character, Sir Thomas Malory is okay, but there were moments where he rubbed me the wrong way. I did, however, enjoy his relationship with the boy.

Overall, it was a decent book. I think there were elements that I didn’t enjoy entirely, but the way Clements was able to incorporate the changes of the 15th century with the Arthurian legends to tell the story of this author was very unique. I think if you are a fan of Sir Thomas Mallory, the Arthurian legends, or the events of the 15th century, you might enjoy, “A Good Deliverance” by Toby Clements.

Guest Post: “Spotlight for ‘Courage of the Conquered’ by Anna Chant”

On By hmalagisiIn guest post1 Comment

MvNt5SsqI am pleased to welcome Anna Chant to my blog today to share a spotlight for her novel, “Courage of the Conquered.” I would like to thank The Coffee Pot Book Club and Anna Chant for allowing me to be part of this blog tour.

-sR48dJ6Blurb:  

All the wonders of the Mediterranean have not prepared the English for the splendors of Constantinople. As Siward of Gloucester settles into the city, he is grateful to have finally found what he was looking for A fine, god-fearing lord he is proud to serve and a safe place where he and Oswyth can await the birth of their child. 

But as the months pass, doubts creep in. Emperor Michael proves to be a weak ruler, continually threatened with rebellion. Determined to keep the English army close, his promises of reward grow increasingly vague. 

With tension in the city rising, Siward and his friends are caught up in the power struggle. While Bridwin maintains his loyalty to the emperor and Siward continues to trust in the friendship of the cunning Alexios Komnenos, Frebern grows close to John Bryennios, a man whose ambitions may include the imperial throne itself. With the friends drawn in different directions, Siward fears they could find themselves fighting on opposing sides. 

Desperate to escape, he renews his efforts to find the home the English have so long craved. But the beauty of Constantinople conceals dangers that go far beyond Siward’s fears as sordid secrets and ruthless betrayals stalk the lives of those he holds dear. 

As the English prepare for battle yet again, will Siward’s quest for New England end in a heart-breaking tragedy? 

Buy Links: 

This title is available to read on #KindleUnlimited. 

Universal Buy Link: https://mybook.to/CourageoftheConquered 

UO_6RN6wAuthor Bio: 

Anna Chant grew up in Essex, with her first home a tiny medieval cottage. Aged 18 she moved to Yorkshire to study history at the University of Sheffield. In 2015, inspired by her love of medieval history and her Scottish ancestry, Anna started writing her first book with Kenneth’s Queen, the tale of the unknown wife of Kenneth Mac Alpin, published the following year. Taking inspiration from both history and legend, she particularly enjoys bringing to life the lesser-known people, events, and folklore of the past. When not writing, Anna enjoys walking the coast and countryside of Devon where she lives with her husband, three sons (if they’re home), and a rather cheeky bearded dragon. 

Author Links: 

Website: https://darkagevoices.wordpress.com/ 

Twitter: https://twitter.com/anna_chant 

Facebook: https://www.facebook.com/darkagevoices 

LinkedIn: https://www.linkedin.com/in/anna-c-b60690182/ 

Instagram: https://www.instagram.com/annachant_writer/ 

Threads: https://www.threads.net/@annachant_writer 

Pinterest: https://www.pinterest.co.uk/annachant/ 

Amazon Author Page: https://www.amazon.co.uk/stores/Anna-Chant/author/B01E46V162 

Goodreads: https://www.goodreads.com/author/show/15188873.Anna_Chant 

 

Guest Post: “Spotlight for ‘The Virgins of Venice’ by Gina Buonaguro

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wDuEG-OMI am pleased to welcome Gina Buonaguro to blog today to share a blurb from her novel, “The Virgins of Venice.” I would like to thank The Coffee Pot Book Club and Gina Buonaguro for allowing me to be part of this blog tour.

Blurb:

In sixteenth-century Venice, one young noblewoman dares to resist the choices made for her

Venice in 1509 is on the brink of war. The displeasure of Pope Julius II is a continuing threat to the republic, as is the barely contained fighting in the countryside. Amid this turmoil, noblewoman Justina Soranzo, just sixteen, hopes to make a rare love marriage with her sweetheart, Luca Cicogna. Her hopes are dashed when her father decides her younger sister, Rosa, will marry in a strategic alliance and Justina will be sent to the San Zaccaria convent, in the tradition of aristocratic daughters. Lord Soranzo is not acting only to protect his family. It’s well known that he is in debt to both his trading partners and the most infamous courtesan in the city, La Diamante, and the pressure is closing in.

After arriving at the convent, Justina takes solace in her aunt Livia, one of the nuns, and in the growing knowledge that all is not strictly devout at San Zaccaria. Justina is shocked to discover how the women of the convent find their own freedom in what seems to her like a prison. But secrets and scandals breach the convent walls, and Justina learns there may be even worse fates for her than the veil, if La Diamante makes good on her threats.

Desperate to protect herself and the ones she loves, Justina turns to Luca for help. She finds she must trust her own heart to make the impossible decisions that may save or ruin them all.

Buy Links:

Universal Buy Links:
https://books2read.com/u/49O7NW

The Virgins of Venice

sGD3hzD8Author Bio:

Gina Buonaguro is the co-author of The Wolves of St. Peters, Ciao Bella , and The Sidewalk Artist, as well as several romance titles under the name Meadow Taylor. The Virgins of Venice is her first solo novel.

She has a BA in English from Villanova University in Pennsylvania and earned an MA in English from the University of British Columbia while on a Fulbright Scholarship. Born in New Jersey, Gina Buonaguro lives in Toronto.

Author Links:

Website: https://ginabu.com/
Facebook: https://www.facebook.com/GinaBuWriter
LinkedIn: https://www.linkedin.com/in/gina-buonaguro-35318934/
Book Bub: https://www.bookbub.com/profile/gina-buonaguro
Amazon Author Page: https://www.amazon.com/stores/Gina-Buonaguro/author/B002LAAF9I
Goodreads: https://www.goodreads.com/author/show/219059.Gina_Buonaguro

Guest Post: “Spotlight for ‘Trouble in Assisi’ by Heidi Eljarbo”

On By hmalagisiIn guest post1 Comment

CJ1ceKcYI am pleased to welcome Heidi Eljarbo to my blog today to share a spotlight on her latest novel, “Trouble in Assisi.” I would like to thank The Coffee Pot Book Club and Heidi Eljarbo for allowing me to be part of this blog tour.

kCaxzjR0Blurb

Assisi, 1973

On art historian Fabiola Bennett’s first day in Assisi, a local gentleman takes her aside to ask for advice about a painting that has wondrously appeared in the basilica’s bell tower. 

So much for enjoying relaxing days filled with dining on pasta and gelato. 

Soon, Fabiola and her besties, Pippa and Cary, are thrown into a shrouded mystery and caught up in a whirlwind of intrigue, theft, lies, and attempted murder, all of which overshadows the postcard-like charm of the small, historic town. 

Rome, 1511

Life is going well for Teodoro Nicoletti. Since he was a young man in Florence, he has worked and learned alongside the most favored artist Raphael. 

When Pope Julius II commissions Raphael to paint several frescos in the reception rooms of the Vatican Palace, Teodoro follows his master to Rome and discovers firsthand the admiration and rivalry between Raphael and two other reigning artists: Michelangelo and Leonardo da Vinci. 

But the prickliest thorn in Teodoro’s side is his beloved Elisabetta’s father. The old man is determined to keep his youngest daughter from becoming Teodoro’s wife. 

Buy Links: 

This title is available to read on #KindleUnlimited. 

Universal Buy Link: https://books2read.com/u/4N5ZE6  

GyBUk4hoAuthor Bio: 

Heidi Eljarbo grew up in a home full of books, artwork, and happy creativity. She is the author of historical novels filled with courage, hope, mystery, adventure, and sweet romance during challenging times. She’s been named a master of dual timelines and often writes about strong-willed women of past centuries. 

Heidi now calls Norway home after living in Canada, six US states, Japan, Switzerland, and Austria. She lives with her husband on a charming island, enjoys walking in any weather, hugging her grandchildren, and has a passion for art and history. 

Her family’s chosen retreat is a mountain cabin, where they hike in the summer and ski the vast white terrain during winter. 

 

Heidi’s favorites are her family, God’s beautiful nature, and the word whimsical. 

Author Links: 

Website: https://www.heidieljarbo.com/ 

Twitter / X: https://x.com/HeidiEljarbo  

Facebook: https://www.facebook.com/authorheidieljarbo/ 

Instagram: https://www.instagram.com/authorheidieljarbo/ 

Pinterest: https://no.pinterest.com/heidieljarbo/ 

Book Bub: https://www.bookbub.com/profile/heidi-eljarbo 

Amazon Author Page: https://amazon.com/author/heidieljarbo 

Goodreads: https://www.goodreads.com/author/show/16984270.Heidi_Eljarbo 

Newsletter: https://www.heidieljarbo.com/newsletter 

Guest Post: “Researching Crime in Renaissance Venice” by Deborah Swift

On By hmalagisiIn guest post1 Comment

I am pleased to welcome Deborah Swift to my blog to share an article about researching crime in Renaissance Venice for her novel, The Fortune Keeper. I would like to thank Deborah Swift and The Coffee Pot Book Club for allowing me to be part of this blog tour.


One of the things I was aware of as soon as I started this novel, The Fortune Keeper, was that although not a crime novel, it would probably have several murders within its pages. This is because the whole series is about Giulia Tofana, who was renowned for poisoning men so that their wives could escape marital persecution.

Giulia Tofana became a legend and it is probable that she didn’t poison as many men as the rumors say, and that she was probably blamed for the crimes of others. One of the others suspected of her crimes was her stepdaughter Girolama. As she was to be featured in this book, it led me to look into the law in early modern Venice because I knew I would have to be aware of policing, punishment, and the mechanisms of the law.

Accademia – Miracle of the Holy Cross at Rialto by Vittore Carpaccio

Renaissance Robbery
Venice was extremely wealthy in the Renaissance period, and vagabonds and thieves flooded into the city in search of easy pickings. In the picture above you can see the canal thronged with men dressed in rich clothing and ornament. The most common crimes in Venice were burglary and forgery, but it was by no means unusual for there to be murders over money and debts. The punishment for robbery was calculated based on the quantity of property taken. First offenders who stole goods worth less than one lira could get away with a whipping, but woe betide you if you stole something bigger. The penalty was the loss of an eye for goods valued between five to ten lire, and the noose awaited those brave enough to steal something worth more than forty lire.

Debt and Death
The law allowed anyone owed more than five lire de piccola to threaten and even kill the debtor to recoup their money, putting the onus firmly on the debtor, not the avenger. This tells us that money was the main driving force in Venetian society. But what about armed robbery or assault where no debt was owed? Most assaults were subject to a mere fine of twenty-five lire, or banishment from the city-state. If your crime was a crime that drew blood – sanguinem fecerit – then the punishment was up to the judging council. Venetian law had no such thing as ‘innocent until proven guilty’ at that time. The proof was largely circumstantial, and it relied on the judge and jury’s instinct regarding the guilt of the person involved.

Renaissance Lawkeepers
The Avogaria di Comun were a group equivalent to lawyers, though non-professional, drawn exclusively from the nobility. They acted as prosecutors for the state, giving evidence and arguing for punishments before the main judicial councils of Venice. Because of their status, their judgments were often influenced by their social position, and the personal axes they had to grind.

Execution and Mutilation
In this period it was still common for mutilations to take place, which had been traditional in medieval times. Cutting out the tongue for heresy, cutting off the thumb or fingers for pilfering. Courtesans regularly had their noses or faces cut. There was also the custom of cutting off the ‘offending’ part – this led to men who were convicted of dabbling in heresy or alchemy, or crimes against the Holy Roman Church having their hand cut off to remove the ‘devil’s instrument’. This kind of public ritual and humiliation was designed to bring public vengeance to the accused person and to reaffirm the values of the Church or state.

The ritual turned the execution into a purification of the city.
Few crimes brought down corporal or capital punishment. The types of corporal punishment used for the crimes of rape and assault were minor by today’s standards. As an example, for assault, out of 569 cases only fifteen involved mutilation of the criminal; and sixteen more involved some form of corporal discipline. For rape offenses, corporal punishment was even less significant, with twenty cases of discipline and only four of mutilation.


Maintaining law and order
On the streets, the main arbiters of law and order were the town guard, the vigili urbani, who acted as our police do now. Their job was to make sure masked men didn’t carry arms, that only noblemen wore swords, and to act as a preventative force as well as policing troublemakers.

Further up the ladder was the Council of Ten, a kind of secret police force whose job was to maintain order within the city-state of Venice. There was not much space in the city gaols of Venice due to the whole nature of its construction. For crimes of fraud, marital dispute, and affray, these men sat in judgment. It was unfeasible to keep men incarcerated for long because otherwise, the gaols would be full of minor offenders. Small fines and short gaol sentences were the usual punishments for common violence in Venice. When the crime crossed the line into something that was considered ‘against God’ or ‘against the reputation of Venice’ then ritual punishment could be relied upon to warn the populace about sinning against these bigger, less personal edifices.

Documents I found helpful in my research:
Law and Punishment in Early Renaissance Venice
Violence in Early Renaissance Venice – Guido Ruggiero
Banditry and Social Identity in the Republic of Venice – Sergio Lavarda
Authority and the Law in Renaissance Venice — G. Cozzi

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Blurb:

Count your nights by stars, not shadows ~ Italian Proverb

Winter in Renaissance Venice

Mia Caiozzi is determined to discover her destiny by studying the science of astronomy. But her stepmother Giulia forbids her to engage in this occupation, fearing it will lead her into danger. The ideas of Galileo are banned by the Inquisition, so Mia must study in secret.

Giulia’s real name is Giulia Tofana, renowned for her poison Aqua Tofana, and she is in hiding from the Duke de Verdi’s family who are intent on revenge for the death of their brother. Giulia insists Mia should live quietly out of public view. If not, it could threaten them all. But Mia doesn’t understand this, and rebels against Giulia, determined to go her own way.

When the two secret lives collide, it has far-reaching and fatal consequences that will change Mia’s life forever.

Set amongst opulent palazzos and shimmering canals, The Fortune Keeper is the third novel of adventure and romance based on the life and legend of Giulia Tofana, the famous poisoner.

‘Her characters are so real they linger in the mind long after the book is back on the shelf’
~ Historical Novel Society

NB This is the third in a series but can stand alone as it features a new protagonist. The other two books are available if reviewers want them.

Trigger Warnings:
Murder and violence in keeping with the era.

Buy Links:

This title is available to read on #KindleUnlimited.

Universal Link: https://mybook.to/FortuneKeeper

Audiobook Buy Links:

Kobo: https://www.kobo.com/gb/en/audiobook/fortune-keeper-the
Audio: https://www.audible.co.uk/pd/The-Fortune-Keeper-Audiobook/B0C63R95WM

Author Bio:

Deborah Swift is a USA TODAY bestselling author who is passionate about the past. Deborah used to be a costume designer for the BBC, before becoming a writer. Now she lives in an old English school house in a village full of 17th Century houses, near the glorious Lake District. Deborah has an award-winning historical fiction blog on her website http://www.deborahswift.com.

Deborah loves to write about how extraordinary events in history have transformed the lives of ordinary people, and how the events of the past can live on in her books and still resonate today.

The first in her series about the Renaissance poisoner Giulia Tofana, The Poison Keeper, was a winner of the Wishing Shelf Book of the Decade, a Coffee Pot Book Club Gold Medal, and the latest in her WW2 Secret Agent series, Operation Tulip, is coming soon.

Author Links:

Website: http://www.deborahswift.com
Twitter: https://twitter.com/swiftstory
Facebook: https://www.facebook.com/authordeborahswift/
Pinterest: https://www.pinterest.co.uk/deborahswift1/
Bookbub: https://www.bookbub.com/authors/deborah-swift
Amazon: http://author.to/DeborahSwift

Book Review: “Sisters of Treason” by Elizabeth Fremantle

On By hmalagisiIn Book ReviewsLeave a comment

Sisters of TreasonThose born of royal blood are either blessed by being able to sit on the throne or cursed to be under intense scrutiny for fears of treason. That is the case for the Grey sisters. Jane, Katherine, and Mary were the daughters of Henry and Frances Grey and the granddaughters of Mary and Charles Brandon. Their bloodline made them cousins to Mary I and Elizabeth I, which meant they threatened the two queens, especially when Edward VI named Lady Jane Grey his heir. After Mary I executes Jane and their father Henry for treason, the remaining Grey sisters, Katherine and Mary, must survive the treacherous Tudor court or end up like their sister. Can Katherine and Mary survive in a court where their royal blood leaves a target on their backs? Elizabeth Fremantle tells the tale of the lesser-known Grey sisters in her novel, “Sisters of Treason.”

A few years ago, I read the first book in The Tudor Trilogy by Elizabeth Fremantle called, “Queen’s Gambit: A Novel of Katherine Parr,” and I adored it. I have always been fascinated with Tudor heroines that do not get enough attention. I feel like Katherine and Mary Grey fit that bill and another woman Fremantle included in this novel, Levina Teerlinc. When I read the description of this book, I knew I would enjoy it.

We begin with the tragic execution of Lady Jane Grey as her mother Frances and Levina Teerlinc, a family friend, watch in horror in the middle of the crowd. They know they cannot save her, but they can protect her sisters from the same grisly fate by keeping a close eye on them from themselves and the schemes of others. Mary Grey can keep herself from major scandals and close to her cousins because of her misshapen body. She knows that she cannot threaten the house of Tudor because she cannot have children. On the other hand, Katherine Grey only cares about love and having her own family; she does not care about the consequences that she may have to deal with if she marries without the queen’s permission.

While Mary Grey is a constant companion for Queen Mary and Queen Elizabeth, Katherine is on the outside looking in, wanting her own life and to marry Edward Seymour, Earl of Hertford. Eventually, they marry secretly, much to the chagrin of Queen Elizabeth I. Katherine and Hertford suffer the consequences of their love match by spending time in the Tower. Mary on the other hand knows her duty to the throne and how it is important to keep her family safe from the Tudor queens’ ire, even when she falls in love with Thomas Keyes. We also have the perspective of the artist Levina Teerlinc, a family friend of the Greys and a surrogate mother to Katherine and Mary after the death of Frances. The Greys and Teerlinc must also navigate the ever-changing religious world as they are reformers when Catholicism battles it out with Protestantism.

This is yet another sublime novel by Elizabeth Fremantle. It is full of tension, intrigue, romance, and love for one’s family, whether a friend as close as a mother or the bonds of blood. Even though I knew how the stories of Katherine and Mary Grey played out, it was still a thrilling read, especially with the addition of Levina Teerlinc. I have loved every novel that I have read by Fremantle so far and I look forward to reading more. If you want an excellent novel about the Grey sisters, I highly recommend you read “Sisters of Treason” by Elizabeth Fremantle.

Book Review: “The Passionate Tudor: A Novel of Queen Mary I” by Alison Weir

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The Passionate TudorA king’s eldest child is usually the next in line to inherit the throne and become the next ruler. At least that is how the line of succession is supposed to work if the heir is male. Mary I knew this better than anyone. As the eldest daughter of King Henry VIII, she knew that once her mother Katherine of Aragon had a son, Mary would become a pawn in the marriage game. She was willing to accept this fate until her father fell in love with Anne Boleyn. Mary is declared a bastard and must fight for her inheritance and the crown of England while maintaining her Catholic faith. Alison Weir tells the tale of this remarkable woman, from her tumultuous childhood to her short reign that marked her legacy, in her latest novel, “The Passionate Tudor: A Novel of Queen Mary I.”

I would like to thank Ballantine Books and Net Galley for sending me a copy of this book. I have enjoyed the previous novels in The Tudor Rose trilogy by Alison Weir about Elizabeth of York and King Henry VIII, so when I heard she was writing a book about Mary I, I knew I wanted to read it. Mary I is one of those figures who shows how devastating it can be to be close to the throne and the hard decisions one makes when king or queen of a country.

Weir began her novel with Mary at the age of nine in 1525. She is her parent’s pride and joy as she is their only child. Her mother Katherine of Aragon is arranging an advantageous marriage for Mary that would create a strong alliance for England. Not even the birth of her half-brother Henry Fitzroy could dampen Mary Tudor’s spirits. However, that all changed when Anne Boleyn entered the picture and the Great Matter was made public. Katherine of Aragon is no longer queen, Anne Boleyn is Mary’s stepmother, and Mary is now declared a bastard in favor of her half-sister Elizabeth Tudor.

Mary’s life after the birth of Elizabeth Tudor begins to become even more tragic. Her mother Katherine of Aragon dies before she can see her daughter again and Anne Boleyn is executed for treason soon afterwards. Henry VIII marries Jane Seymour, has his desired male heir Edward VI, before Jane tragically dies quickly. As the Supreme Head of the Church of England, Henry wants his daughter Mary, a devout Catholic, to submit to his will, which she ultimately does. We also get to see how Mary interacted with her other stepmothers, Anna of Cleves, Katherine Howard, and Katherine Parr, until the death of her father Henry VIII. Before he died, Henry VIII revised his Act of Succession, making Mary Edward’s heir if he did not have children. However, Edward VI has his idea for who will succeed him after he dies and he names Lady Jane Grey as his heir, although that plan does not last long and Mary is proclaimed the first queen of England to rule on her own.

Weir shows Mary’s life and reign in a very sympathetic way. Even though she does still give her the nickname “Bloody Mary”, we can see a woman who is concerned about the faith of her kingdom and the well-being of her family, especially Edward, Prince Philip her husband, and Elizabeth, who she argues with on matters that matter to her. It is such a tragedy that Mary never had a child that she desperately wanted to have as she suffered through phantom pregnancies. At the end of the day, whether it was matters of faith or family, Mary was someone who was passionate and someone who desired to be loved.

This is a delightful novel about a woman who has often been vilified but maybe we should have sympathy for everything she had to endure starting at a young age. I enjoyed this novel very much and I look forward to the next novel by Weir. If you have enjoyed the previous books in the Tudor Rose trilogy or you just want a different take on Mary I’s story, I highly suggest you read, “The Passionate Tudor: A Novel of Queen Mary I” by Alison Weir.

Television Series Review: “Shardlake”

On By hmalagisiIn Television Series/Movie Reviews1 Comment

The year is 1536 and England is amid great religious change. King Henry VIII and his top advisor Thomas Cromwell wanted to close the top monasteries in the country so they initiated the dissolution of the monasteries. One such religious house is St. Donatus monastery in Scarnsea, so Cromwell sends one of his commissioners, Robin Singleton, to investigate the monastery and persuade the monks to leave their home. However, things do not go to plan and Singleton is brutally murdered. Now, Cromwell must rely on a lawyer named Matthew Shardlake and Jack Barak to solve the murder case and close the monastery once and for all. With a house full of secrets, suspicion, and monks fearful of the future, can Shardlake and Barak solve the case before they become the next victim?

This is the premise of the latest Tudor drama on Disney +, called Shardlake, based on the first book in the Matthew Shardlake series by C.J. Sansom, titled “Dissolution.” I remember falling in love with this book series when I first read it about four years ago and I did hope that one day, it would be turned into a television series because Sansom’s writing style was so vivid and his characters leaped off the pages. When it was first announced that Disney + was going to produce this show, it was exciting to know that it was finally going to be adapted for television, but it was also nerve-wracking because since it is one of my favorite Tudor book series, I was hoping that it would do the book justice.

I decided that before the show was due to release, I was going to reread “Dissolution” as I forgot the story and how it played out in the book. This was a joy as Sansom’s writing style is still vibrant and filled with many twists and turns. I was hoping that the show could capture the sense of excitement and danger and how he recreated the Tudor world that Sansom in his books for his readers, especially after it was announced that CJ Sansom passed away two days before the show premiered. I wanted the show to honor Sansom’s legacy and craft as a wonderful storyteller and extremely passionate about the Tudor dynasty.

As I have recently read “Dissolution” right before watching “Shardlake”, I feel like I cannot keep this review as spoiler-free as I would have liked, so this is your warning, I will be spoiling some things in the show and the book.

Before we dive into the story, we have to set out our cast of characters, starting with Matthew Shardlake, played brilliantly by Arthur Hughes. Hughes can present Shardlake in such a believable way that it feels like he jumped off the pages. We also have Jack Barak, the funny playboy who adds some light notes to the story, played by Anthony Boyle. I am not going to lie, I was shocked that they decided to replace Mark Poer with Jack Barak, but once I saw the interactions between Shardlake and Barak on set, it made sense. Wrapping up the main actors is Thomas Cromwell played masterfully by Sean Bean. When the casting was announced about Bean being Cromwell, it was hard to picture the historical figure, but when I saw him on the screen having his first scene with Shardlake about the relics, my doubts vanished. He does an excellent portrayal of Thomas Cromwell.

I must applaud the casting crew for creating such a diverse cast, just as diverse as the book that it is inspired by. Some of my standouts include Ruby Ashbourne Serkis as Alice, Irfan Shamji as Brother Guy, and Joe Barber as Simon Whelplay. Regarding the casting of Babou Ceesay as Abbot Fabian, I did not have a problem with it because I think he did a great job portraying a character in a fictional drama based on a historical fiction novel. The one character that I was a bit confused about was the inclusion of Norfolk played by Peter Firth, as he was not in the original story and didn’t add much to the story as a whole.

I think as a whole, the costumes did look relatively decent. However, a few, especially Dr. Goodhap’s outfit, looked synthetic and threw off the illusion of it being a Tudor period drama. I also wanted to see more head coverings for the male characters and for Alice, although the clothing colors were not as dark as I feared. I liked the addition of the relics, the parrot, and the manuscripts to add depth to the drama, and the use of candles instead of torches, always a major plus for history nerds when watching historical dramas.

One of my big issues was the monastery of St. Donatus itself. It has been reported that they filmed in Hungary, Romania, and Austria, primarily at Hunedoara Castle and Kruezenstein Castle. That is a big red flag for authenticity. They may be beautiful locations, but they were not an English monastery during the 16th century when monasteries were dissolved. You can tell that it was not filmed in England and it does take away from the illusion that is so important when it comes to historical dramas; you want to be transported to the location that the author had in mind, especially when Sansom included a map on the monastery in his book.

Now let’s address the elephant in the room, the story of the “Shardlake” series. For the most part, the Shardlake television series stays pretty close to the story, except for a few glaring exceptions. When they mentioned the holy relic went missing, they did not mention the beheaded bird on the altar, which is probably for the best because it is a rather disturbing image. We also have the scenes with Simon Whelplay, who is portrayed as a nervous youth who is constantly getting into trouble. His death plays out a little differently in the book, as he slips and falls in the bathhouse, whereas in the show, he plummets from a tower. In both cases, it is revealed that he was drugged with belladonna. I did feel a bit sad that they didn’t flesh out the relationship between Brother Guy and Shardlake as that was my favorite friendship in the book series. They could have easily had a scene where we could see the potential for their friendship to grow past the monastery.

The two major issues I had were inclusions to the plot of the story. I did not like the addition of Norfolk as a big-name villain for Shardlake because, in the book series, the major historical figures took a back seat to the original characters Sansom created. My biggest issue with this show was Barak’s character arc. At first, I thought it was an odd choice to include him over Mark Poer in the series, but then they decided to combine character traits, like Barak falling for Alice which felt so wrong, luckily he does not run away with her. And then Barak randomly killed Goodhap and got away with it. He admitted to Shardlake that he killed Goodhap and it felt like Shardlake ignored the entire issue, which feels completely off for Shardlake. If they do make another season and they have the actors playing Shardlake and Barak back, it is just going to feel a bit awkward between them.

Overall, I thought the “Shardlake” series was a decent adaptation of the Matthew Shardlake series by C.J. Sansom, but the books will always be superior. If you want to jump into the Tudor world with a murder mystery filled with twists and turns, you should check out “Shardlake” on Disney +, and if you want to read the book series, check out the Matthew Shardlake series by CJ Sansom.

What are your opinions about the “Shardlake” series on Disney + and what is your favorite book written by CJ Sansom?

If you are curious about my views about the Matthew Shardlake book series by CJ Sansom, you can find my review here: https://adventuresofatudornerd.com/2020/09/27/book-series-review-the-matthew-shardlake-series-by-c-j-sansom/

Sources for Images and Cast Information:

https://www.imdb.com/title/tt27390563/fullcredits/?ref_=tt_cl_sm

https://www.rottentomatoes.com/tv/shardlake