A wedding can be one of the happiest days for a couple, but the lead-up to the nuptials can be the most chaotic time not only for the couple but also for their families. You take multiple families with differing personalities to the same location as you wait for the nuptials that will blend the families. Now imagine combining the Montagues and the Capulets with a royal family when the daughter of famed star-crossed lovers, Romeo and Juliet, marries into the noble house of Leonardi; family chaos ensues with fighting and even murder. Can Rosie and her husband-to-be, Prince Cal, solve the case before they say I do, or will their marriage follow the path of how her parents’ story is often told? Christina Dodd continues the story of Rosie in the Daughter of Montague series in the latest novel, “Teach the Torches to Burn.”
I would like to thank A John Scognamiglio Book/Kensington Publishing and Net Galley for sending me a copy of this book. I previously read the second book in this series, “Thus With a Kiss I Die,” so when I heard she had another book coming out following the adventures of Rosie and Cal, I jumped at the chance to read it.
We join Rosie and Cal with their families enjoying a night of entertainment when Princess Ursula decides to do a séance, which feels a bit unusual for 14th-century Italy. During the seance, Ursula sees three prophecies: a long marriage for Rosie and Cal, a feud ended when a lost treasure is found, and someone is going to die. Such a cheerful evening. Things run normally until Rosie’s great-uncle Magno Montague decides to invite himself to the wedding, and with him drama follows.
Shortly after he arrives, a party of wine drinkers, including Magno and Romeo, falls victim to poisoning, which leaves a man dead. Rosie and Cal must arrange their marriage, keep the Montagues and Capulets from killing each other, and find the murderer before they can kill Great-Uncle Magno, who seems to be the target. Rosie is sharp as ever, and seeing other members of the blended Montague-Capulet family was fun. We get to see Rosie and Cal’s love blossom, which is lovely to see. However, even though I am used to this series breaking the fourth wall, the mention of Disney in one passage threw me for a loop. I also felt like the murder mystery element was lost in the other plots until the very end.
Overall, I found this an enjoyable read that has hints of the 14th century with a whimsical take on what if Romeo and Juliet lived and had a very headstrong eldest daughter. If you want something a bit lighter in tone but you want a novel with a 14th-century murder mystery, I recommend this series, especially the third novel, “Teach the Torches to Burn” by Christina Dodd.
The year is 1527, and Rome is being attacked by the Holy Roman Emperor Charles V and his army of Germans, Lutherans, and Spanish soldiers. The night the city was sacked, many fled or died at the hands of the soldiers, but there was a house who welcomes the incoming attackers, the house of the courtesan Fiammetta Bianchini and her dwarf companion Bucino. They decide to flee with their jewelry to Venice, but they soon learn that Venice is even more treacherous. Can Fiammetta and Bucino survive their new city, or will this new town destroy everything that they worked so hard to create? Sarah Dunant explores the world of a courtesan in her novel, “In the Company of the Courtesan.”
Have you ever wondered what it might be like to discover a long-lost diary of a historical figure by accident? Archaeologist Giuseppe Campise has already found a diary of Mary Magdalene. Now, the Vatican wants Giuseppe to uncover the tomb of Alexander the Great. However, while on the search for the tomb, Giuseppe finds something even more precious, the diary of Lucrezia Borgia. What secrets does the diary hold? Johnny Teague tells the tale of Lucrezia Borgia through her diary in his latest novel, “The Lost Diary of Lucrezia Borgia.”
In the Italian states during the 15th century, a time of war coexisted with a period of art flourishing. But what if magic was thrown into the fray? Sculptress Ravenna Maffei desires nothing more than to create art and to protect her family while keeping her own magical powers a secret. To protect those she holds dear, Ravenna enters an art contest, hosted by the immortal family of Florence, the Luni. Ravenna is taken by the family to complete an important task, but if she fails, she will be killed by the heir of the family, Saturnino Luni. Unfortunately, the greatest danger lurks outside of Florence as the pope is waging war against magic itself. Can Ravenna uncover the secrets of the Luni family and finish their difficult task before war engulfs all of Florence? Ravenna’s story is told in Isabel Ibanez’s latest historical fantasy novel, “Graceless Heart.”
The year is 1599 in Rome, Italy. A young rich woman stands in front of an executioner’s block. She is a mother, a daughter, a sister, a lover, and a killer. Her victim was her father, a man who made her life and the lives of her family members a living hell. When she falls in love with one of her father’s spies, she believes that it is a way out. However, the path she chooses to embark on will bring deadly consequences. What is the truth surrounding this case, and is Beatrice Cenci a cold-blooded murderer or a victim looking for her freedom? Elizabeth Fremantle explores the life of Beatrice Cenci and the circumstances of this crime in her latest novel, “Sinners.”
We all know the story of Romeo and Juliet. Two crazy kids in love, whose families hated each other they decided to make the ultimate sacrifice and die for each other. One of the greatest tragic love stories of all time. But what if it didn’t end in tragedy? What if Romeo and Juliet had their happy ending and had a large family? In this version of Verona, Romeo and Juliet have a large family, and their eldest daughter Rosaline is the most beautiful, headstrong girl in all of Verona. Unfortunately, Rosaline (Rosie) has got herself in quite a mess with an unwanted prince fiancé, a ghost who only she can see, and a murder investigation. Can Rosie solve the case and figure out her love life before things go horribly wrong? This is the premise of the second book of the Daughter of Montague series by Christina Dodd called “Thus with a Kiss I Die.”
The Italian Renaissance was a time of great artwork, eccentric artists, and patrons who created these masterpieces. While the art tells a story, the artist and patron want the audience to understand, but sometimes the story of how the art came to be can be just as fascinating. One of the most famous pieces of art from the early 16th century was the ceiling of the Sistine Chapel. A stunning piece created by an artist who primarily created sculptures, and his patron was a pope who was more like a warrior. The story of how Michelangelo and Pope Julius II created an unlikely team to create this remarkable masterpiece is told in Ross King’s book, “Michelangelo and the Pope’s Ceiling.”
For centuries, fairy tales have entertained and taught lessons to those young and young at heart. One of the most memorable stories was the tale of Rapunzel, the maiden a witch kidnapped because her parents stole a Rapunzel plant from her while Rapunzel’s mother was pregnant. For years, Rapunzel languished in a Tower, her hair growing exponentially until a rogue/ prince climbs her hair and rescues the damsel in distress. The witch dies and Rapunzel and her hero live happily ever after. At least, that is how the story has been passed down to us throughout the centuries, but where did the story come from and how are the stories of three women from different generations and countries connected? Kate Forsyth weaves together the stories of three women and their fates into one delightful novel called, “Bitter Greens.”
When we think about the period known as the Renaissance, we often think about Italy and the artists like painters and sculptors. However, other craftsmen made Italy their home. Take, for example, tailors and seamstresses. These skilled craftsmen and women can create art you can walk in with their hands. However, there are gender barriers between tailors and seamstresses in that only men can be tailors and only women can be seamstresses. One orphan girl from Bologna not only challenges what it means to be a woman tailor but also challenges one of the wealthiest merchants in the entire city who has a dark connection to her past. This is the premise for Glennis Virgo’s debut novel, “City of Silk.”