A 16-year-old duchess, who lived a sheltered life, died in a remote villa after only being married to her husband, Alfonso Duke of Ferrera, for a mere year. Many suspect that she died of a fever, but there are rumors that her husband had her poisoned. Not much is known about Lucrezia de Medici, Duchess of Ferrara, except her marriage portrait and a brief mention of her in Robert Browning’s poem, “My Last Duchess.” Did she die of a fever, or was there a more sinister plot behind her demise? The mystery around her life and unexpected death have not been discussed much until now in Maggie O’Farrell’s latest novel, “The Marriage Portrait.”
The last book I read by Maggie O’Farrell, “Hamnet,” was such an emotional ride for me, so when I heard that she would dive back into the 16th century with her latest novel, I was excited. I will admit that I had never heard the story of Lucrezia de Medici, so I was curious to see how O’Farrell would tell her tale.
We begin in the villa with Alfonso and Lucrezia, where Lucrezia feels uneasy and fearful for her life, but to understand why we must go back in time. We then jump to the past and Lucrezia’s childhood as the daughter of Cosimo I de Medici, Grand Duke of Tuscany, and his wife Eleanor of Toledo. Lucrezia’s youth should be filled with balls and glamor, but she is different than her siblings and is treated as almost an outcast in her own family. Her only solace is her maid Sofia, who acts more like her mother, and her love of the arts.
As a daughter of nobility, Lucrezia knows that she will have to marry a noble one day, but it comes sooner than expected when her eldest sister dies, and she is betrothed to Alfonso, Duke of Ferrara. Her marriage to Alfonso begins smoothly; Alfonso is loving and caring, allowing Lucrezia to pursue her passions and have the freedom she desires. He even allows for a portrait painted in her honor to show the world how regal his bride is and how much he loves her. However, as time passes, Alfonso’s more erratic side shows its ugly head, and Lucrezia sees how dangerous her husband can be to those who displease him.
I will admit that it took me a while to get used to how this particular book was structured, as O’Farrell jumps from the present to the past in every other chapter and presents Lucrezia’s story in a very artistic way. I am unsure if Lucrezia was an outcast in her family, but I believe she could have been an artist and viewed the world differently than her family. As for Lucrezia’s relationship with her husband Alfonso, I think it is plausible that he had a more erratic side to him, especially when it came to those who displeased him. Still, I am not sure that he was responsible for her death.
This novel was thought-provoking and engaging with an unlikely protagonist in Lucrezia de Medici. Even though you know she will die at the end, you will root for Lucrezia and hope that she can find even the slightest thread of happiness in her short life. I found this an utterly gripping novel, and I hope O’Farrell will write more stories set in 16th-century Italy. If you want a thrilling book about a young noblewoman living during the Italian Renaissance, “The Marriage Portrait” by Maggie O’Farrell should be at the top of your to-be-read list.
When we think about women rulers in the 16th century, some names, like Queen Mary I, Queen Elizabeth I, and Mary Queen of Scots, come to mind. However, another woman should be included in this list as her life helped keep the Valois dynasty alive and well in France, even though she was Italian by birth. Her name has been tainted with dark legends of poisoning, deadly incidents, and the infamous St. Bartholomew’s Day Massacre. This notorious queen was Catherine de Medici, and Leonie Frieda has chosen to shed some light on the myths and mysteries surrounding this misunderstood woman in her biography, “Catherine de Medici: Renaissance Queen of France.”
When we study the life of Queen Elizabeth I, the image of a virgin queen who never married tends to come to mind. Of course, she had a man who she favored above all others, Robert Dudley, but he married several times to Amy Robsart and Lettice Knollys. It was with Lettice Knollys that Robert Dudley was able to produce his heir, aptly named Robert Dudley Lord Denbigh, who unfortunately died at a young age. Robert Dudley was left without a legitimate heir, but he did have another son, albeit an illegitimate son, also named Robert Dudley. Julia A Hickey has decided to examine the life of the illegitimate Robert Dudley in her book, “The Son that Elizabeth I Never Had: The Adventurous Life of Robert Dudley’s Illegitimate Son.”
The 15th and 16th centuries were full of dynamic political and religious reforms, but they were also known for cultural changes throughout Europe. The medieval foundations started to crumble, and the early modern age emerged. One of the centers of change was Italy, a series of states with their rulers vying for power and prestige. These rulers would help finance masterpieces in art, literature, and architecture, but it was their rivals that threatened to tear the Renaissance society apart. In “Princes of the Renaissance: The Hidden Power Behind an Artistic Revolution,” Mary Hollingsworth explores the lives of the men and women who helped shape the Renaissance.
When we think about men who challenged the Church and are known as Reformers, we tend to think of Martin Luther, Jan Hus, and John Calvin. However, a man fought against corruption in his beloved Florence who should be included in the list of great reformers. He was a Dominican monk who was not afraid to preach against sin and took aim at the most powerful men in all of Italy, including Pope Alexander VII. His sermons were so scandalous that they would lead to his demise upon a pyre in the middle of Florence. His name was Girolamo Savonarola, and his story is told in Samantha Morris’s latest biography, “The Pope’s Greatest Adversary: Girolamo Savonarola.”
Today, it is my pleasure to welcome Deborah Swift to my blog to discuss the inspiration for her latest novel, 



(Blurb)
Author Bio:
A family mired in myths and rumors of incest, murder, and intrigue for centuries. A brother and sister caught in the middle, attracting the attention of gossips and historians alike. No, I am not referring to a royal family in England. In fact, this story starts in Spain with Alonso de Borja, who moved to Italy and helped create the infamous Borgia family. Caught in the middle were the son and daughter of Rodrigo Borgia, Alonso’s nephew, and his mistress Vanozza Cattanei; Cesare and Lucrezia Borgia. How close were these famous siblings? What were their lives really like? In Samantha Morris’ latest biography, “Cesare and Lucrezia Borgia: Brother and Sister of History’s Vilified Family”, she dives deep into the archives to find out the truth about the legendary Borgia family.