Guest Post: “Excerpt from ‘The Merchant’s Dilemma’ by Carolyn Hughes”

The Merchant's Dilemma Tour Banner

I am pleased to welcome Carolyn Hughes to my blog today to share an excerpt from her novel, “The Merchant’s Dilemma.” I would like to thank Carolyn Hughes and The Coffee Pot Book Club for allowing me to be part of this blog tour. 

From Chapter 2

Riccardo had found himself distracted most of the morning, even when in conversation with his client. It was fortunate there had been only one so, once they had shaken hands on an agreement, he was able to spend some time alone, walking and thinking through the situation, and what and how to tell Bea.

His heart swelled whenever he thought of her. It had never done so at the thought, or even sight, of Katherine. She was not an unattractive woman, but her nervous nature and seeming lack of interest in him discouraged him from even trying to love her. Even when he was lying next to her in bed, he had to steel himself to turn to face her. When he put out a hand to touch her breast, she would flinch, then when he rolled on top of her to complete the task – for “task” it did seem to be – Katherine would whimper, not with pleasure, he was certain, but with urgent longing for it to be over. It was scarcely surprising the so-called act of love with his wife was one he came to dread and even balk at. In truth, it was a wonder little Oliver had ever been conceived.

It had not been that way in those few months before his marriage when Bea had lived here with him. Their love-making had been full of delight and pleasure for them both. In that short time, he had grown to love her deeply. When he was obliged to marry Katherine, and effectively abandon the woman he adored, he had been distraught. He blamed himself, both then and now, for being the cause of Bea leaving Winchester. And, therefore, of the terrible events in Meonbridge that at length brought her back to the city, but as a homeless beggar. 

These past three months had been the happiest he could remember for a long while. His worry about Bea’s health aside, their easy, loving relationship – albeit they were sleeping apart until she was fully well – made each day one to look forward to. And to make his happiness complete surely Bea should no longer continue as his mistress, but become his wife.

Yet, marrying her would not be easy. For, if his father learned of Bea’s former life, he would refuse to sanction marriage to her and would almost certainly deny him his inheritance.

Finding himself in the cathedral precinct, Riccardo slipped into the building. At the main west entrance, scaffolding had been raised, and masons were dismantling some of the ancient stonework. He had heard that Bishop Edington had plans to alter the west end of the building, from the ancient Romanesque original to a more modern style. He looked forward to seeing their fine cathedral transformed into an even more magnificent monument to God, albeit he regretted the dust and noise that was the inevitable result. A result that would continue for many years.

But, despite the noise outside, inside was peaceful enough, if chilly, in stark contrast with the gentle warmth of the April day. He was not entirely alone: a few people, mostly aged women, were standing or kneeling before the high altar, mumbling prayers. He approached the altar too, but kept a distance. He dropped down onto one knee for a moment, then stood up again and, with bowed head, muttered a few prayerful words himself, asking for some sort of guidance in the awkward conversation he had ahead of him.

In truth, he did not feel he received an answer to his entreaty but hoped it might come to him if he thought the matter over a little further. Despite the coldness of the vast, high building, he made his way to the south transept, where there was a stone bench he could sit on for a while. 

He returned to thinking about his father. Would it matter if he was deprived of his inheritance? As the elder of the two Marchaunt sons, he was entitled to the principal Marchaunt estate and the greater proportion of his father’s wealth. Yet the money was not important, nor even the artifacts his father had acquired over the years, magnificent as many of them were. He had made such a success of his own business, he was more than prosperous enough to maintain a wife and family.

No, what really mattered had nothing to do with money.

His first concern was a matter of the heart. He really wanted to own Chilcumbe Hall, the splendid manor house a few miles outside the city. He had been looking forward to the time when he could raise his own children in the place where he and his brother spent such a happy childhood. How disappointing it would be if he lost that opportunity!

But the second concern was even more important. His father was much admired and respected amongst Winchester’s great and good. He had been a master of the guild, several times a city alderman, and was once elected mayor. Riccardo’s own success as a businessman was due partly to being his father’s son. If he was not his father’s principal heir – if he was known to have been cast aside – he would be disgraced, his standing in society ruined. 

There was so much to lose: not just the legacy, and his status as his father’s heir, but everything he had worked for, and even his authority to continue his career.

He closed his eyes a moment, contemplating what such a loss might mean. If all that happened, he supposed he could leave Winchester, and try to establish himself again elsewhere. But the prospect of doing that, at his age, was daunting. And not what he wanted.

Until three months ago, he had presumed he would at length find another wife, a woman from another respectable city family. Hopefully one with a pleasanter disposition than poor Katherine. But he had not been in any hurry. He had expected to find his bride himself, and would not approach his father for advice. Although he might have asked Mama if she knew of any suitable young women looking for a husband.

But that was all before he discovered Bea collapsed on his doorstep. Now, the only woman he wanted as his wife, and the mother to his children, was her. Yet, either marrying her or living with her in a sinful state, accepting their children would be illegitimate, would surely enrage his father. He would simply consider it unacceptable for his heir to sire children upon a woman such as Bea, whether or not they were legitimately man and wife. 

Riccardo sat upright and flexed his shoulders. His back was aching from the cold seeping from the stone bench up through his clothes. He pushed himself to his feet, ready to go home.

So, what was the answer? 

In truth, it was obvious, if disagreeable. He refused to give up Bea, but the consequences of losing his father’s favour were so serious, the only answer was to wait until the old man was no longer able to cast him aside.

He had to wait until his father died.

TMD-CoverBlurb

1362. Winchester. Seven months ago, accused of bringing plague and death from Winchester, Bea Ward was hounded out of Meonbridge by her former friends and neighbors. Finding food and shelter where she could, she struggled to make her way back to Winchester again.

Yet, once she arrived, she wondered why she’d come.

For her former lover – the love of her life – Riccardo Marchaunt, had married a year ago. And she no longer had the strength to go back to her old life on the streets. Frail, destitute, and homeless, she was reduced to begging. Then, in January, during a tumultuous and destructive storm, she found herself on Riccardo’s doorstep. She had no plan, beyond hoping he might help her, or at least provide a final resting place for her poor body.

When Bea awakes to find she’s lying in Riccardo’s bed once more, she’s thankful, thrilled, but mystified. But she soon learns that his wife died four months ago, along with their newborn son, and finds too that Riccardo loves her now as much as he ever did, and wants to make her his wife. But can he? And, even if he can, could she ever really be a proper merchant’s wife?

Riccardo could not have been more relieved to find Bea still alive when he thought he had lost her forever. She had been close to death but is now recovering her health. He adores her and wants her to be his wife. But how? His father would forbid such an “unfitting” match, on pain of denying him his inheritance. And what would his fellow merchants think of it? And their haughty wives?

Yet, Riccardo is determined that Bea will be his wife. He has to find a solution to his dilemma… With the help of his beloved mother, Emilia, and her close friend, Cecily, he hatches a plan to make it happen.

But even the best-laid plans sometimes go awry. And the path of love never did run smooth…

The Merchant’s Dilemma is a companion novel to the main series of MEONBRIDGE CHRONICLES, and continues the story of Bea and Riccardo after the end of the fourth Chronicle, Children’s Fate. It is a little more romantic and light-hearted than the other Chronicles but, if you’ve enjoyed reading about the lives of the characters of Meonbridge, you will almost certainly enjoy reading The Merchant’s Dilemma too!

Buy Links:

This title is available to read on #KindleUnlimited.

Universal Link: https://books2read.com/u/3RY7Yj 

Amazon UK: https://www.amazon.co.uk/Merchants-Dilemma-Meonbridge-Chronicles-Companion-ebook/dp/B0CJJKJFT6/ 

Amazon US: https://www.amazon.com/Merchants-Dilemma-Meonbridge-Chronicles-Companion-ebook/dp/B0CJJKJFT6/ 

Amazon AU: https://www.amazon.com.au/Merchants-Dilemma-Meonbridge-Chronicles-Companion-ebook/dp/B0CJJKJFT6/ 

Amazon CA: https://www.amazon.ca/Merchants-Dilemma-Meonbridge-Chronicles-Companion-ebook/dp/B0CJJKJFT6/ 

Carolyn Hughes authorAuthor Bio:

Carolyn Hughes has lived much of her life in Hampshire. With a first degree in Classics and English, she started working life as a computer programmer, then a very new profession. But it was technical authoring that later proved her vocation, word-smithing for many different clients, including banks, an international hotel group, and medical instruments manufacturers.

Although she wrote creatively on and off for most of her adult life, it was not until her children flew the nest that writing historical fiction took center stage. But why historical fiction? Serendipity!

Seeking inspiration for what to write for her Creative Writing Masters, she discovered the handwritten draft, beginning in her twenties, of a novel, set in 14th-century rural England… Intrigued by the period and setting, she realized that, by writing a novel set in the period, she’d be able to both learn more about the medieval past and interpret it, which seemed like a thrilling thing to do. A few days later, the first Meonbridge Chronicle, Fortune’s Wheel, was underway.

Six published books later (with more to come), Carolyn does now think of herself as a Historical Novelist. And she wouldn’t have it any other way…

Carolyn has a Master’s in Creative Writing from Portsmouth University and a PhD from the University of Southampton.

You can connect with Carolyn through her website http://www.carolynhughesauthor.com and social media.

Author Links:

Website: http://www.carolynhughesauthor.com 

Twitter: https://twitter.com/writingcalliope 

Facebook: https://www.facebook.com/CarolynHughesAuthor/ 

Book Bub: https://www.bookbub.com/profile/carolyn-hughes 

Amazon Author Page: https://www.amazon.co.uk/Carolyn-Hughes/e/B01MG5TWH1

Goodreads: https://www.goodreads.com/author/show/16048212.Carolyn_Hughes 

Guest Post: “King’s Warrior” by James Gault

King's Warrior Tour Banner 1I am pleased to welcome James Gault to my blog to share a bit of information about his novel, “King’s Warrior.” I want to thank James Gault and The Coffee Pot Book Club for allowing me to be part of this blog tour. 

“King’s Warrior” is the third in a series about Owerd, a decent but unsophisticated 11th-century Briton who has struggled out of poverty by dint of courage and good fortune (“wyrd” if you will). The series came about by accident, initially intended as a single volume to bring Charles Kingsley’s classic novel “Hereward the Wake” into a more digestible form for the contemporary reader. That attempt proved impossible – one cannot, I found, tinker with a classic, however challenging its rather antiquated prose. Hence a new character set in the same period of a land beset by inequity, strife, and a Norman invasion. In this book Owerd, having already established his credentials as a loyal subject and “Sea Lord” returns to the role he fills best, that of warrior.

As with any other work of historical fiction, the bare bones are laid out by historical events, at least the events and their rationale as we know them. I have found it quite a challenge to reliably determine many such facts as they relate to late 11th century England and it has been said that recorded English history only began after 1066. We probably know more of the sayings of the sages of early China such as Confucius than we do of William the Conqueror. That is perhaps not surprising when we are addressing a monarch who spoke a Norman version of French, was barely literate in Latin, and gave up trying to learn English, the mother tongue of his subdued nation.

A degree of reliance must necessarily be placed upon the anonymous authors of The Anglo-Saxon Chronicles, compiled from around 890 AD. I have done so whilst acknowledging a degree of bias in that record and its seemingly undue focus on the appointments and subsequent demise of bishops. Nonetheless, that record has provided me with a wonderful basis for the ‘bare bones’ of the story and I am grateful to those monkish chroniclers.

I have much admiration for the authors of historical non-fiction and do not envy the inevitable peer scrutiny of their documented assertions of historical fact. I suspect many such authors, though, are acknowledged scholars in their field and have access to resources beyond me such as the Bodleian Library. Oh, such envy! I live in a small coastal town in SE Australia where the local library has a history section that goes back as far as WW-1 at best. I have been forced therefore to do much research on the internet – a risky and academically maligned source but of high utility to those such as myself. My old high school atlas has provided the wherewithal for most of the geographic elements of the tale, although much inadequate use of a magnifying glass has occasionally forced me back onto the Web.

I have been as careful as possible to align the story with the events and characters of the time. It is a work of fiction, though, and I gratefully acknowledge a certain leeway allowed for such works. Fiction does provide an opening for more conjecture and imaginative description of events and a certain subjective view of the characters. I have been occasionally harsh in my characterization of the Normans and somewhat less so of the Bretons. For William himself I have taken a relatively benign view, accepting his reputation for both cruelty and mercy in equal measure.

I would wish it otherwise but accept that there will be shortcomings in my research. I have, however, enjoyed that element of the writing task immensely. As other writers in the genre will know, a week’s research might well lead to a single paragraph of text. That can still be a satisfying return on investment.

King's Warrior coverBlurb:

In 11th-century England, King William achieved almost total domination of the English and turned his attention to Scotland. Owerd, possibly the last of the Britons to be deemed ‘lord’, faces powerful enemies from all quarters. He seems to hold the king’s favor by a thread, which only serves to encourage others to try and bring him down. 

Treachery abounds as he tries to juggle multiple roles and prove himself and his men worthy warriors for the Norman king. But will his lust for a woman finally prove his undoing?

Note from the author:

11th Century men and women were just as complex beings as we are today. Owerd, the main character in these chronicles is no different. In “King’s Warrior”, the third book of the series, he goes from violence (“…the air was filled with the clash of swords, angry shouts, and screams of the injured”) to compassion (“… Owerd had rarely if ever, made love as tenderly as he did with Runa that night”) in the space of a day.

Happiness, fear, disgust, anger, pride, and jealousy all play their part in Owerd’s character but what comes to the fore is courage, with perhaps a helping hand from fate – “wyrd” if you will.

Buy Links:

This title is available to read on #KindleUnlimited.

Universal Link: https://books2read.com/u/4A27gp 

Amazon UK: https://www.amazon.co.uk/gp/product/B0CC5VH6BM

Amazon US: https://www.amazon.com/gp/product/B0CC5VH6BM

Amazon AU: https://www.amazon.com.au/gp/product/B0CC5VH6BM

Amazon CA: https://www.amazon.ca/gp/product/B0CC5VH6BM

James GaultAuthor Bio:

James is a semi-retired Naval Captain with an abiding interest in storytelling and history. He has written a few contemporary fiction stories and a history text but lately has concentrated on historical fiction. He lives in a small coastal town in SE Australia – which provides quite a challenge when addressing medieval England with the aid of an old-school atlas.

Author Links:

Twitter: https://twitter.com/@ozjimg

Facebook: https://www.facebook.com/james.gault.9421/

Instagram: https://www.instagram.com/ozjimg/

Amazon Author Page: https://www.amazon.com/author/jgault

Guest Post: “His Castilian Hawk” by Anna Belfrage- AudioBook Blast

His Castilian Hawk Tour BannerToday, I am pleased to welcome to my blog Anna Belfrage to promote the audiobook for her novel, “His Castilian Hawk.” Thank you, Anna Belfrage and The Coffee Pot Book Club, for allowing me to participate in this tour. 

Blurb:

For bastard-born Robert FitzStephan, being given Eleanor d’Outremer in marriage is an honour. For Eleanor, this forced wedding is anything but a fairy tale. 

Robert FitzStephan has served Edward Longshanks loyally since the age of twelve. Now he is riding with his king to bring Wales under English control once and for all. 

Eleanor d’Outremer—Noor to family—lost her Castilian mother as a child and is left entirely alone when her father and brother are killed. When ordered to wed the unknown Robert FitzStephan, she has no choice but to comply. 

Two strangers in a marriage bed are not accessible. Things are further complicated by Noor’s blood ties to the Welsh princes and by covetous Edith, who has warmed Robert’s bed for years. 

Robert’s new wife may be young and innocent, but he is soon to discover that she is not only spirited and proud but also brave. Because when Wales lies gasping and Edward I exacts terrible justice on the last prince and his children, Noor is determined to save at least one member of the House of Aberffraw from the English king.

Will years of ingrained service have Robert standing with his king, or will he follow his heart and protect his wife, his beautiful and fierce Castilian hawk?

His Castilian Hawk audiobook coverBuy Links: 

The Kindle ebook of this title is available to read on #KindleUnlimited.

Universal Link: http://myBook.to/HISHAWK

Audible Amazon: https://www.audible.com/pd/His-Castilian-Hawk-Audiobook/B0BLPXJL8M 

Bingebooks : https://bingebooks.com/book/the-castilian-hawk 

NOOK (Barnes and Noble): https://www.barnesandnoble.com/w/his-castilian-hawk-anna-belfrage/1137734133 

Chirp: https://www.chirpbooks.com/audiobooks/his-castilian-hawk-by-anna-belfrage 

Libro: https://libro.fm/audiobooks/9789198507249 

Storytel: https://www.storytel.com/se/sv/books/3555095 

Scribd: https://www.scribd.com/audiobook/600535465/His-Castilian-Hawk 

Kobo & Walmart: https://www.kobo.com/us/en/audiobook/his-castilian-hawk 

Google Play: https://play.google.com/store/audiobooks/details/Anna_Belfrage_His_Castilian_Hawk?id=AQAAAEBCAX5BLM 

Audiobooks: https://www.audiobooks.com/audiobook/his-castilian-hawk/640346 

Anna BelfrageAuthor Bio:

Anna Belfrage

Had Anna been allowed to choose, she’d have become a time traveler. As this was impossible, she became a financial professional with two absorbing interests: history and writing. Anna has authored the acclaimed time-traveling series The Graham Saga, set in 17th-century Scotland and Maryland, and the equally acclaimed medieval series The King’s Greatest Enemy, set in 14th-century England.

Anna has also published The Wanderer, a fast-paced contemporary romantic suspense trilogy with paranormal and time-slip ingredients.

Her Castilian Heart is the third in her “Castilian” series, a stand-alone sequel to her September 2020 release, His Castilian Hawk. Set against the complications of Edward I’s invasion of Wales; His Castilian Hawk is a story of loyalty, integrity—and love. In the second installment, The Castilian Pomegranate, we travel with the protagonists to the complex political world of medieval Spain. This latest release finds our protagonists back in England—not necessarily any safer than the wilds of Spain!

Anna has also authored The Whirlpools of Time, in which she returns to the world of time travel. Join Duncan and the somewhat reluctant time-traveler Erin on their adventures through the Scottish Highlands just as the first Jacobite rebellion is about to explode! 

Anna’s books have been awarded the IndieBRAG Medallion, she has several Historical Novel Society Editor’s Choices, and one of her books won the HNS Indie Award in 2015. She is also the proud recipient of various Reader’s Favorite medals and has won different Gold, Silver, and Bronze Coffee Pot Book Club awards.

Find out more about Anna and her books, and enjoy her eclectic historical blog on her website, http://www.annabelfrage.com.  

Social Media Links:

Website: http://www.annabelfrage.com

Twitter: https://twitter.com/abelfrageauthor

Facebook: https://www.facebook.com/annabelfrageauthor

Instagram: https://instagram.com/annabelfrageauthor

Book Bub: https://www.bookbub.com/profile/anna-belfrage

Amazon Author Page: http://Author.to/ABG

Goodreads: https://www.goodreads.com/author/show/6449528.Anna_Belfrage

Book Review: “Medieval Royal Mistresses: Mischievous Women who Slept with Kings and Princes” by Julia A. Hickey

61816116When we think about royal relationships from the past, we do not associate them with love; it is more about cementing power. Princes and kings knew how much was at stake, so they tended to have wives for politics and produce legitimate heirs that would inherit their kingdoms. For matters of love and lust, kings and princes would have mistresses, either of noble birth or lower, on the side. These women have been deemed whores and homewreckers but is that a fair assessment of their legacies? Julia A. Hickey takes a closer look at these misunderstood mistresses in her latest book, “Medieval Royal Mistresses: Mischievous Women who Slept with Kings and Princes.”

Thank you, Pen and Sword Books and Net Galley, for sending me a copy of this book. When I saw this title, it intrigued me, and I was hoping to learn something new.

Hickey covers several hundred years in this book, starting around the year 1000 and ending in 1485. We begin with Queen Emma, Aelfgifu, and the confusion of whether Aelfgifu should be considered a mistress. With these Anglo-Saxon and Norman kings of England, we see many relatively hidden mistresses of William I and Henry I (who had quite a few). We then move to the Plantagenets with Henry II, King John, Edward II, Edward III, and Edward IV. Hickey also pays attention to other affairs in different countries, such as King David of Scotland and the Tour de Neste Affair.

Some of these mistresses would be familiar to readers, such as Isabella of Angouleme, Fair Rosamund, Piers Gaveston, Alice Perrers, Katherine Swynford, Isabella of France and Roger Mortimer, Jane Shore, Eleanor Talbot, and Elizabeth Woodville. Many were new to me, including Princess Nest of Wales, whose abduction started a war, Edith Forne Sigulfson, and Elizabeth Wayte. She even included Eleanor of Aquitaine as one of the mistresses mentioned in this book, which I’m afraid I have to disagree with, as most of this stems from the black legend that has tainted her legacy.

I found the information provided in this book rather intriguing, but my one concern about this book was how it was structured. I wish Hickey had sections marked for each king she mentioned in this book so we could distinguish which mistress was associated with which king or prince.

Overall, I found this book enjoyable and informative. It was a bit repetitive, and there were some arguments that I disagreed with. Still, the fact that Hickey could combine nearly 500 years’ worth of history about relatively hidden royal mistresses is quite admirable. Suppose you want a solid introduction to medieval England’s world of royal mistresses. In that case, I recommend you read “Medieval Royal Mistresses: Mischievous Women who Slept with Kings and Princes” by Julia A. Hickey.

Guest Post: “What Makes a Historical Novel Seem ‘Authentic’?” by Carolyn Hughes

Squire's Hazard Tour BannerToday, I am pleased to welcome Carolyn Hughes to my blog to discuss the topic, “what makes a historical novel seem ‘authentic’” as part of the blog tour for her latest novel, “Squire’s Hazard,” the fifth book in her Meonbridge Chronicle series. Thank you, The Coffee Pot Book Club and Carolyn Hughes, for allowing me to be part of this blog tour. 

I love reading and writing historical fiction. My series of novels, The Meonbridge Chronicles, is set in fourteenth-century rural Hampshire. Though, the last three books, De Bohun’s Destiny, Children’s Fate, and Squire’s Hazard, do have scenes set elsewhere as well. The novels mostly focus on the lives of “ordinary people,” and in particular, the common people of fictional Meonbridge, though both De Bohun’s Destiny and Squire’s Hazard also depict the lives of the gentry too. But the novels are not about politics or war, or royals or heroes, but are rather the “everyday stories of country folk,” and my particular writing pleasure is trying to recreate their world in which readers can immerse themselves. 

And to make that world feel natural requires both “authenticity” and a little “strangeness,” so here are a few thoughts on how I try to achieve this…

Although my novels are not about “history,” history does provide the important factual context in which my characters’ fictional lives are set. The novels are set in a specific time, and each one follows on from the previous one after a two or three years gap. Mostly, what was going on in England as a whole is not important to the Chronicles’ stories. But that isn’t the case for Fortune’s Wheel, the first Chronicle, or the fourth one, Children’s Fate, where what we call the Black Death – plague – underlies the premise for the stories. In Children’s Fate, too, I describe a devastating storm that occurred in January 1363. I write about it because it emphasizes the horror that people had already been suffering in the previous months when the plague was killing children and young people when it must have seemed as if the world was coming to an end.

What was it like to live then? I enjoy depicting what we know or can deduce about how people lived – their homes, clothes, food, tools, and working practices – and showing everyday life as authentically as possible. Portraying the environment, in particular – people’s homes and their interactions with the world outside – can also help to give an authentic-seeming picture.

For example, in my depictions of peasants’ homes, I try to show how generally cramped, dark and smoky they were and, in bad weather, cold and damp. I don’t dwell on the unpleasantness but don’t shy away from it when required. Part of me thinks the grimness would be in our eyes rather than theirs. The Chronicles are told in the voices of the characters, not from the perspective of an omniscient narrator, and my feeling is that the people wouldn’t necessarily notice those things that we would find hard to cope with. Trying to put me into my characters’ shoes, to imagine the minutiae of their daily lives, is what I see so fascinating about writing about the past and what I hope contributes to that sense of authenticity.

Some readers might think I’m obsessed with the weather! Weather does play a big part in my novels, for it surely affected medieval people’s lives far more than it does ours (here in England, at any rate). If you owned only, at most, two sets of clothes, how miserable was it to work outdoors in the rain and come home all wet, with just a small hearth fire (no radiators or tumble dryer…)? Drying clothes must have been so difficult! No book has yet told me exactly what they did, so, putting myself in their shoes, I assume they arranged their clothes around the fire, on some sort of rack, perhaps, and that they possibly slept in their damp clothes – sometimes, anyway – to help dry them out. A pretty ghastly prospect! Yet what else could they do?

Depicting the physical aspects of daily life is important, but almost more important – and yet more difficult – is portraying the intangible aspects. Sexuality, religion, superstition, ideas, and sensibilities, in general, are trickier. The difficulty lies in transporting oneself as a writer into their very different mindsets. Fourteenth-century people must have been like us in many ways, yet also unlike us in many others, and tapping into those dissimilarities is a challenge and, perhaps, one of the principal points – and pleasures – of writing historical fiction.

For example, the Church was central to daily life: in prayers and oaths, influencing people’s view of their position in society, directing how they ran their lives to an extent that we would consider deeply interfering. The fourteenth century was also a world where what we consider natural (or man-made) disasters, such as ruinous weather, famine, and plague, were presumed to be God’s punishment for man’s sin. These aspects of life need to be portrayed in a way that shows the differences in people’s thinking, yet without making them seem alien – they were still individuals with ambitions and concerns, emotions and desires.

Historical fiction is sometimes criticized for failing to portray the past’s strangeness (the “foreign country”). Beyond religion and superstition are aspects of belief that modern readers are likely to find obscure or even bizarre: religious charms, relics, magic and spells, monsters, weird concepts, and seemingly fantastical happenings that today can be explained or dismissed. All of these were normal to people of the time, yet they need careful handling in a novel. “Magic and monsters” might have been part of a medieval person’s ordinary belief, but they are the opposite: we tend to consider them fantastical, not commonplace. And a danger of introducing such elements – however natural they might have been to a medieval mind – is that the novel might seem to the modern reader to be less historical fiction than fantasy. Achieving a sense of naturalness requires a balance between the authentic past and the skeptical present. This aspect of writing historical fiction makes it both a challenge and a pleasure. 

Squire-Final-working.inddBlurb:

How do you overcome the loathing, lust, and bitterness threatening you and your family’s honour?

It’s 1363, and in Steyning Castle, Sussex, Dickon de Bohun is enjoying life as a squire in the household of Earl Raoul de Fougère. Or he would be if it weren’t for Edwin de Courtenay, who’s making his life a misery with his bullying, threatening to expose the truth about Dickon’s birth.

At home in Meonbridge for Christmas, Dickon notices how grown-up his childhood playmate, Libby Fletcher, has become since he last saw her and feels the stirrings of desire. Libby, seeing how different he is, too, falls instantly in love. But as a servant to Dickon’s grandmother, Lady Margaret de Bohun, she could never be his wife.

Margery Tyler, Libby’s aunt, meeting her niece by chance and learns of her passion for young Dickon. Their conversation rekindles Margery’s long-held rancor against the de Bohuns, whom she blames for all the ills that befell her family, including her own servitude. For years she’s hidden her hunger for retribution, but she can no longer keep her hostility in check.

As the future Lord of Meonbridge, Dickon knows he must rise above de Courtenay’s loathing and intimidation and get the better of him. And, surely, he must master his lust for Libby so his own mother’s shocking history is not repeated? Of Margery’s bitterness, however, he has yet to learn…

Beset by the hazards these powerful and dangerous emotions bring, can young Dickon summon up the courage and resolve to overcome them?

Secrets, hatred, and betrayal, but also love and courage – Squire’s Hazard, the fifth MEONBRIDGE CHRONICLE.

Buy Links:

This book is available to read on #KindleUnlimited.

Universal Link: https://books2read.com/u/bW5yJz 

Amazon UK: https://www.amazon.co.uk/Squires-Hazard-Meonbridge-Chronicle-Chronicles-ebook/dp/B0BHKH1QB1/ 

Amazon US: https://www.amazon.com/Squires-Hazard-Meonbridge-Chronicle-Chronicles-ebook/dp/B0BHKH1QB1/ 

Amazon CA: https://www.amazon.ca/Squires-Hazard-Meonbridge-Chronicle-Chronicles-ebook/dp/B0BHKH1QB1/ 

Amazon AU: https://www.amazon.com.au/Squires-Hazard-Meonbridge-Chronicle-Chronicles-ebook/dp/B0BHKH1QB1/ 

The paperback is available at Amazon, Barnes & Noble, and Waterstones. 

Carolyn Hughes authorAuthor Bio:

CAROLYN HUGHES has lived much of her life in Hampshire. With a first degree in Classics and English, she started working life as a computer programmer, then a very new profession. But it was technical authoring that later proved her vocation, as she wrote and edited material, some fascinating, some dull, for an array of different clients, including banks, an international hotel group, and medical instruments manufacturers.

Having written creatively for most of her adult life, it was not until her children flew the nest several years ago that writing historical fiction took centre stage, alongside gaining a Master’s degree in Creative Writing from Portsmouth University and a Ph.D. from the University of Southampton.

Squire’s Hazard is the fifth MEONBRIDGE CHRONICLE, and more stories about the folk of Meonbridge will follow.

You can connect with Carolyn through her website http://www.carolynhughesauthor.com and on social media.

Social Media Links:

Website: http://www.carolynhughesauthor.com 

Twitter: https://twitter.com/writingcalliope 

Facebook: https://www.facebook.com/CarolynHughesAuthor/ 

Book Bub: https://www.bookbub.com/profile/carolyn-hughes 

Amazon Author Page UK: https://www.amazon.co.uk/Carolyn-Hughes/e/B01MG5TWH1/ 

Goodreads: https://www.goodreads.com/author/show/16048212.Carolyn_Hughes 

Guest Post: Excerpt from “The Conjuror’s Apprentice” by G.J. Williams

The Conjuror’s ApprenticeI am pleased to welcome G.J. Williams to my blog today to share an excerpt from her latest novel, “The Conjuror’s Apprentice.” I want to thank G.J. Williams and The Coffee Pot Book Club for allowing me to be part of this blog tour. 

John Dee stared at the letter, then at Cecil. ‘The letter must have been penned by someone who has sight of this household – and the same person who planted the letter on Jonas.’

The master of the house nodded and put his head in his hands, propelling Mildred to cross the room and put her hand on his shoulder. He glanced up and patted her fingers. ‘Are you quite sure what you read, my dear?’

‘Yes. You heard the words yourself. The letter is to someone who wants testimony of your movements. The scrivener speaks of your visits to Lady Elizabeth. Each one is listed. They even know you are due to visit her again this week.’ Her lips pinched together in anxiety. ‘They state that you hide a book of Elizabeth’s treachery to protect her.’ Mildred looked at John Dee. ‘Why would they make up such stories of us?’

But next to her, Cecil did not move. He kept staring at the wood of his desk, his brow crinkled in thought. A slight flush spread across his cheeks.

Margaretta shifted in her seat, the feelings rising inside her. Dread. Something you’ve done. A secret. You imagine being arrested. You are hiding something. She leaned forward, touched John Dee’s sleeve, and whispered, ‘Mae e’n cuddio rhywbeth.’ He hides something.

Cecil’s eyes darted to her. ‘I do not speak my forefathers’ tongue with ease. What did you say?’

Thank the Lord John Dee stepped in. ‘She says she must away to the kitchen and her chores soon.’ He leaned forward and dropped his voice to a cajoling purr. ‘Is there anything you have secreted, my friend? Better we know.’

Cecil sat up straight and cleared his throat. His wife’s fingers tightened on his shoulder as she looked down, beginning to frown. Her husband looked at the window as if searching for the right words. ‘I…I…hold a book belonging to the Lady Elizabeth. Nothing treasonous. Just her thoughts.’ He swallowed and looked to Dee, a faint beseeching in his eyes.

The room was silent.

Panic. Confusion. It is you, Lady Mildred. Anger.

John Dee leaned forward again, keeping the low, calm voice. ‘Where is this book?’

‘Mildred’s library. Well hidden among the religious texts.’ At this, Lady Cecil gave a short, sharp cry and snatched her hand away from her husband. She walked to the window and put her hands on the glass. They could see her kirtle move with her fearful breathing. Then she turned and faced him, her face pale and fixed in fury. ‘You brought secrets here and put us all in danger? Have your senses left you, husband?’ Her voice was slow and cold.

In an instant, he was on his feet, rebutting her challenge with indignation. ‘No, Mildred. I was showing loyalty to a fragile girl wracked with fears. She is under constant suspicion.

So, when she was summoned to court to attend her sister’s birthing, she dared not take it with her nor leave it behind. I am the only one she trusts. What could I do? Abandon her?’

‘And what is in this book, William?’ asked Dee.

‘Her thoughts on regency. She speaks of a fair rule; of religious tolerance rather than the burning we live with today; of making this land great again and not a puppet of Spain.’

Cecil dropped his head forward, and his voice fell to a murmur. ‘She speaks of a golden age in which men thrive, not fear life.’

Dee sighed. ‘So, she speaks of being queen.’ He waited until Cecil nodded. ‘So, with Mary expecting her own son to succeed her, it is a tome of treason.’ He gave a small laugh. ‘Making my conjuring look pale in comparison.’

Cecil bristled. ‘No. It is a volume of hope. The only treason lies with those who would put a Spanish prince as our ruler.’

He gave a low growl. ‘For the love of God, they circle court like hawks awaiting the death of Mary and her babe so they can grasp power while England mourns.’

John Dee opened his palms in question. ‘Mary herself made Philip King of England. Not a prince. Not her consort. A king.’

Cecil wheeled round. ‘Elizabeth is the rightful heir to the throne. Not a Spanish puppet of the Catholic Pope. A woman of true faith…Protestantism.’

‘So, if Elizabeth aspires to be queen, she is the single threat to the supporters of Philip.’ John Dee pointed an accusing finger. ‘And that book sets out her ambition.’ He paused. ‘That book will take her to the Tower and her death for treason… and someone in your household knows of it. They also know your involvement.’

From the window, Lady Cecil spoke. ‘And her treasonous book is in this house. And somebody knows it.’ She turned to look through the glass onto the bustling street below. ‘May God save us.’

9781915194190Blurb

Born with the ability to hear thoughts and feelings when there is no sound, Margaretta Morgan’s strange gift sees her apprenticed to Doctor John Dee, a mathematician, astronomer, and alchemist. Using her secret link with the hidden side and her master’s brilliance, Margaretta faces her first murder mystery. Margaretta and Dee must uncover the evil bound to unravel the court of Bloody Mary. 

The year is 1555. This is a time ruled by fear. What secrets await to be pulled from the water?

The Conjuror’s Apprentice takes real people and true events in 1555, into which G J Williams weaves a tale of murder and intrigue. Appealing to readers of crime and well-researched historical fiction alike, this is the first in a series which will follow the life, times, plots, and murders of the Tudor Court.

Trigger Warnings:

Descriptions of bodies and the injuries that brought about their death. 

Threat of torture; description of man who has been tortured.

Buy Links

Amazon UK: https://www.amazon.co.uk/Conjurors-Apprentice-G-J-Williams/dp/1915194199

Waterstones

https://www.waterstones.com/book/the-conjurors-apprentice/g-j-williams/9781915194190

RedDoor

https://www.reddoorpress.co.uk/products/the-conjurors-apprentice?_pos=1&_sid=30c68d694&_ss=r

Gwenllian Author photoAuthor Bio 

After a career as a business psychologist for city firms, G.J. Williams has returned to her first passion – writing tales of murder, mystery, and intrigue. Her psychology background, melded with a love of medieval history, draws her to the twists and turns of the human mind, subconscious powers, and the dark side of people who want too much. 

She lives between Somerset and London in the UK and is regularly found writing on a train next to a grumpy cat and a bucket of tea.

 

Social Media Links:

Twitter: https://mobile.twitter.com/gjwilliams92

Book Review: “Women in the Medieval Court: Consorts and Concubines” by Rebecca Holdorph

60474164._SY475_Medieval Europe was inundated with strong rulers and dominant figures who made a difference in how the policies of certain countries were formed. We tend to focus on the male figures, from kings to lords and rebels, when we study medieval European history. Still, the women in their lives significantly influenced how their countries were governed. Although many women stood by the side of their husbands and didn’t make much of an impact on European history, some women chose to stand out from the crowd and make a name for themselves. Rebecca Holdorph has chosen to highlight a handful of these dynamic women throughout medieval Europe in her book, “Women in the Medieval Court: Consorts and Concubines.”

Thank you, Pen and Sword Books and Casemate Group, for sending me a copy of this book. I have seen quite a few people read this book, and since I am always interested in learning about new figures in medieval history, I knew I wanted to read this title.

To cover so many women over several centuries, Holdorph breaks her book down into four sections; noblewomen, consorts, reigning queens, and concubines. Each section starts with a cast of characters list, so the reader has a brief synopsis of each woman featured in the chapter. She then dives into the stories of the women in each section, showing how they were similar and how they differed in the roles that society gave them in life.

Holdorph covers many European countries from the 11th to the 15th century to give her audience a broad scope of what it meant to be a woman in power in medieval Europe. We are introduced to noblewomen like Anna Komnene, the author of the Alexiad, Marie of France, Alice de Lacy, and the Rose of Raby herself, Cecily Neville. While examining the lives of these noblewomen, Holdorph looks at how their public lives differed from their private lives. Next, she explores the lives of queen consorts, those who married a prince or a king and ruled beside their husbands; some of the women included in this chapter are Eleanor of Castile, Maria de Luna, Isabeau of Bavaria, and Margaret of Anjou. In this section, Holdorph explores how these women became queens and what the job of the queen consort meant for each woman.

The third section focuses on the women who were allowed, for a time, to rule their respective countries on their own; women like Urraca of Castile and Leon, Berenguela of Castile, and Margrete of Denmark. Holdorph explores how each queen came to power and how they ruled their kingdoms for a little bit. Finally, we are introduced to the mistresses of rulers, known in this book as concubines, who made an impact that ended up costing them their lives. The women featured in this section include Maria de Padilla, Alice Perrers, Katherine Swynford, and Agnes Sorel, to show what it meant to be a good mistress versus a bad mistress.

I enjoyed learning about new powerful women from European countries other than England and France during the medieval period. My one complaint is that I wish Holdorph would have written this book in chronological order. Since many of these stories in this book were relatively new to me, the jumping back and forth between centuries and stories added to my confusion. Holdorph would have made a more significant point if she had her miniature biographies in chronological order and then summarized her points at the end of each section.

Overall, I found this a decent book. Holdorph does have a passion for this subject of medieval queens, but I think there are some elements of this book that could be improved on to make it more understandable for her audience. Suppose you want a solid introduction to medieval European women who may be unfamiliar with many casual history fans. In that case, I recommend you read “Women in the Medieval Court: Consorts and Concubines” by Rebecca Holdorph.

Book Review: “Sex and Sexuality in Medieval England” by Kathryn Warner

cover260838-medium (1)When we think about the more intimate moments in the medieval period of European history, a few misconceptions and myths come to mind, thanks to historical fiction and medieval movies. The idea that girls as young as twelve were married off to much older men was the norm, and there were such things as chastity belts. Everyone was filthy and smelled awful, so they only married in the spring when they would take their annual baths. And the brilliant idea that the wealthiest lords of the village were able to have their way with the bride on her wedding day. The latest book by Kathryn Warner, “Sex and Sexuality in Medieval England,” aims to eliminate these myths to reveal the truth of the intimate lives of those who lived during the medieval period.

Thank you, Pen and Sword Books and Net Galley, for sending me a copy of this book. I have enjoyed the previous book in Pen and Sword’s Sex and Sexuality series on Tudor England by Carol McGrath, so when I heard that Kathryn Warner was writing the next book on Medieval England, I jumped at the chance to read it.

Warner begins this book by exploring the cleanliness of those from the medieval period and how they dressed. Cleanliness was vital in all aspects of life; the people took baths more than once a year. She then tackles the marriage myths, exploring everything from young marriages and marriages year-round to the moments when relationships did not work out well and even abductions and forced marriages. We also encounter stories of domestic violence, the rituals of birth and baptism, prostitution, adultery, illegitimacy, and sexuality. These tales also include their methods for healthy sex, how they dealt with abortions, and how same-sex relations were viewed at every level of society.

Warner examines literature, historical documents, and archeological clues to help her audience better understand the past. What Warner does brilliantly is the fact that she incorporates stories from every rank of society, from monarchs to peasants between 1250 and 1450, to tell a sweeping tale of sex and sexuality in medieval England. I found this book extremely enlightening and a fantastic resource for understanding the medieval period. It illuminates the shady areas of the past to dispel myths that have been circulating for a while now.

Warner has yet again combined her meticulous research with well-written prose to give her audience an informative read for medievalists and medieval history nerds alike. If you want to learn more about how medieval England viewed the more intimate moments in life, I recommend you read “Sex and Sexuality in Medieval England” by Kathryn Warner.

Book Review: “London, A Fourteenth-Century City and its People” by Kathryn Warner

60747108._SX318_The city of London has been around for over two millennia, and with each passing century, it changes ever so slightly. From the Roman Londinium to medieval London, we see the city grow from a settlement of between 30,000 to 60,000 people to a bustling town of around 80,000 to 100,000 people. With growth comes changes to the city that would become the capital of England, and one of the most significant periods of transformation for the capital was during the fourteenth century. What was life like in fourteenth-century London for the average citizen of this sprawling city? Kathryn Warner attempts to answer this question in her latest nonfiction book, “London, A Fourteenth-Century City and its People.”

I want to thank Pen and Sword Books and NetGalley for sending me a copy of this book. I am always fascinated by learning about how people from different centuries lived their everyday lives, so when I heard about this title, it piqued my interest.

London was an international melting pot for Europe, so Warner used many stories to show the city’s diversity. To narrow down the information used in this particular book, Warner explains to her audience that she would only use tales from the reigns of Edward I, Edward II, and Edward III. This book is broken down into bite-sized chapters exploring different aspects of London life, from government and religion to medical, housing, and marriage. This may sound like your average time traveler guidebook, so those of us living in the 21st century can understand the fourteenth century, but Warner gives this genre a bit of a twist.

Instead of focusing on the different aspects and what was considered normal for citizens to eat or wear, Warner looks at unique cases that correspond with the elements that defined fourteenth-century London. They give great insights into how deadly the time was and how the average London citizens dealt with the legal restrictions of everyday life. Every aspect of fourteenth-century life had consequences for those who broke the rules, from charging too much for a loaf of bread or a mug of ale to stealing clothes or building violations. We also get great insight into how women and children were treated, the darker aspects of life, and how they were approached.

The one issue I had with this book was that it showed the cases that were the exceptions to the rules instead of showing what the standards were. Although I am glad Warner included the information she did, like her glossary, nicknames, and the introduction of surnames, I did want more facts to make this book feel complete. I wanted to know what the typical fashion was like for Londoners and what they ate during a normal day. What did a typical day look like for someone who lived in London during the fourteenth century?

“London, A Fourteenth-Century City, and its People” by Kathryn Warner is a well-researched and captivating look into London’s past for those who love learning new facts about medieval Europe. If you like learning new factoids about medieval London, you will find this book rather entertaining.

Book Review: “The Colour of Rubies: A Sebastian Foxley Medieval Murder Mystery” by Toni Mount

61035582._SY475_The year is 1480. Intrigue and murder lurk everywhere at the Palace of Westminister, where no one is safe. A mysterious letter and the men who want the letter back lead to the murder of one of the clerks from the Office of the King’s Secretary. Under the orders of powerful men at court, including King Edward IV himself, Seb Foxley must join his wayward brother Jude as one of Secretary Oliver’s clerks to uncover the truth of the conspiracy against the crown. Can the brothers work together to decode the truth and save the life of the king’s beloved heir in time? Seb Foxley’s latest adventure is told in book ten of Toni Mount’s Sebastian Foxley Medieval Murder Mystery series, “The Colour of Rubies.”

I want to thank Toni Mount for sending me a copy of the latest Sebastian Foxley medieval murder mystery novel. I previously read books 8 and 9 in this series, “The Colour of Shadows” and “The Colour of Evil,” and I enjoyed both novels. When I heard that there would be a tenth novel, “The Colour of Rubies,” I was excited to read it.

We begin the new Seb Foxley adventure with Jude celebrating his birthday as he navigates his new life as a husband and a clerk at the Office of Secretary Oliver. There is trouble in paradise as Jude and Chesca disagree on how she was able to supply a bountiful feast for Jude on his birthday, which was far too extravagant for the salary of a lowly clerk. Seb decides to cheer his brother on the day after his birthday by bringing him a gift, and then Jude decides to show Seb where he works. The brothers discover the murder of one of Jude’s fellow clerks and a mysterious letter written in a foreign language.

Lord Hastings gives Seb the arduous task of finding the murderer of the clerk, who they believe is one of the clerks, by entering into the Office of Secretary Oliver and living like a clerk. Seb befriends several clerks while discovering there is more to this case than a simple murder of a clerk. It has to do with the life of King Edward IV’s heir and an international conspiracy to hurt the king. To add to the confusion, Jude and Chesca’s marriage spat and its connection to the king and work piling up at Seb’s workshop while he is away, and his feelings for dear Rose.

If you have read the other Sebastian Foxley Medieval Murder Mystery books, “The Colour of Rubies” by Toni Mount is an absolute must-read. I loved every page of this novel. It was thrilling, from the new characters and interactions between Seb and his household to the danger and intrigue that Seb experiences at court. If you are a fan of this series, you will love how Mount evolves Seb’s relationships with Rose and Jude. When you think the case is solved, Mount throws in a couple of curveballs that make you wonder how Seb, Jude, and the rest of the Foxley household will survive.