
I am pleased to welcome Elizabeth St. John back to my blog to share some information on the historical setting of her latest novel, “The Queen’s Tears.” I would like to thank Elizabeth St. John and The Coffee Pot Book Club for allowing me to participate in this blog tour.
Ask most people to name an era of English history, and you’ll probably hear Tudors, Tudors, Tudors. Then perhaps the Civil War, with its Roundheads and Cavaliers. The Stuarts who sit between them, James I and his queen, Anna of Denmark, and Charles I with his beloved Duke of Buckingham, tend to get lost in the gap. I feel sorry that they are so overlooked, because I think they were quite glorious, and certainly responsible for the huge cultural shift that took place in Britain in the 1600s.
Consider what was happening. Science and exploration were advancing fast. Ships were pushing out across the Atlantic, and the first English settlements were taking root in the New World. But what really takes my breath away is what happened in the arts.
The Jacobean court expanded into culture. Collectors travelled overseas to bring back paintings, sculpture and antiquities. Architecture became a thing, and buildings such as Whitehall’s Banqueting Hall were erected. Queen Anna commissioned masques that were more than just staged plays with dancing courtiers. These were extravaganzas, with words by Ben Jonson and ornate, inventive sets and costumes by Inigo Jones, plus music, dance and stage machinery that left audiences gasping. Gorgeous jewellery and clothing became the norm rather than the exception. And, let’s be honest, there was a great deal of partying.
Anna was the glittering centre of it all. She was no quiet consort, but a patron, a performer and a force. When she died in 1619, an era ended with her.
The Queen’s Tears begins on that night, but it doesn’t stay there. The story exposes the relationship between King James and his favourite, the Duke of Buckingham, and then moves quickly into the reign of Charles I and the extraordinary political acumen that Buckingham displayed in holding onto his position. And the court changed with them. The bawdy revelry from James I’s time gave way to an environment infinitely more polished: King Charles had a connoisseur’s eye, and a favourite who collected art, titles and admirers with equal appetite.
Nowhere is that clearer than in the paintings of the era. Portraits became the selfies of the 1600s, and everyone who mattered wanted one or was in one. A theme throughout The Queen’s Tears is an enigmatic portrait of Anne Villiers, Countess of Moreton, from the studio of Anthony van Dyck, a Flemish painter who would come to define the look of Charles’s court. Van Dyck turned his sitters into silk, pearl and effortless elegance. One look at a portrait on your wall, whether by Van Dyck himself or from his very busy studio, told that you knew who was who, and probably they knew you. In other words, it was social media in oils…friend the right faces and display them in your home, and visitors were impressed.
Many of the historical scenes in The Queen’s Tears are set at court. It’s where my characters were at their best, at their most dazzling, most ambitious, and often most dangerous. Barbara Villiers and her family operated best in this quicksand world, where a smile one day could turn into betrayal the next, and creditors and enemies hid behind every decorated awning.
But the period carried shadows, and so does the book.
At its heart, the Tower of London looms, sinister and unforgiving, a place to hide secrets that must never be found. The Irish wars dragged on in a bleak, costly struggle, far from the revels, yet politically at the heart of court. Underlying it all was a quieter, more ominous tension between Crown and subjects that would one day explode into civil war. Nobody dancing in the Banqueting Hall masques could have known what was coming. But I knew, and so, I hope, will my readers, as the music plays a little too loudly and the dissonance echoes around the painted chamber.
That is the historical setting for The Queen’s Tears: dazzling on the surface, troubled underneath.

Blurb:
A stolen crown jewel and an enigmatic portrait force two women to confront the devastating choices they made for love—and summon the courage to live with the truth.
1619: Barbara, Lady Villiers, at the bidding of her brother-in-law, the Duke of Buckingham, has stolen the dying Queen Anna’s jewels—and kept the greatest prize for herself. The Queen’s Tears, a brooch of extraordinary value, torments her: too dangerous to sell, too priceless to discard, and possibly her only means of securing her children’s future. When the family fortunes are shattered, Barbara faces an impossible choice: remain loyal to Buckingham—or betray him by confessing the theft to King Charles.
Present Day: Julia Darke opens her Cotswolds bookshop to start life over peacefully. Instead, a Van Dyck portrait of Barbara’s daughter, with tantalising signs of the missing Queen’s Tears hidden in plain sight, brings her face-to-face with Oliver Villiers, the Oxford art conservator she once loved and walked away from.
Reluctantly drawn together to uncover Barbara’s secret, Julia and Oliver follow the trail of the Queen’s Tears—and the closer Julia comes to Barbara’s truth, the harder it becomes to hide from her own.
Inspired by the true stories of Queen Anna of Denmark’s stolen jewels and a missing Van Dyck painting, The Queen’s Tears weaves history, fiction, and family research across the centuries. Readers of The Lydiard Chronicles will find old favourites—and a new heroine following in their footsteps.
Buy Link:
Universal Buy Link: https://geni.us/TheQueensTears
This title is available to read on #KindleUnlimited.

Author Bio:
Elizabeth St.John’s acclaimed historical fiction brings to life her ancestors—remarkable women linked to England’s royalty—offering unique insights into Medieval, Tudor, and Stuart times. Her novels unfold not just as a traditional series, but as an interlocking web of lives: The Lydiard Chronicles—including the celebrated The Lady of the Tower—The Godmother’s Secret, and The King’s Intelligencer explore everything from the English Civil War to the mystery of the Princes in the Tower. Her newest novel, The Queen’s Tears, a dual timeline pursuing a stolen crown jewel, reunites favourite characters from the seventeenth century with a present-day bookstore owner heroine.
At the heart of her writing is the transformation of real ancestral histories into narratives of historical continuity. She follows threads of legacy through generations, guided as much by wills, letters, portraits, country churches, ruined castles, manor houses, and lost gardens as by imagination. Locations become constant companions through time, while characters whisper across centuries—their decisions resonating in the lives of their descendants to reveal how choices shape legacies. Grounded in historic sites like Lydiard Park and the Tower of London, her work creates a living archival flow that continues to flourish as the past yields its secrets.
Elizabeth divides her time between California, England, and the past, surrounded by books, gardens, and animals, with a slightly bewildered, ever-supportive husband beside her.
Author Links:
Website: https://www.elizabethjstjohn.com/
Twitter / X: https://x.com/ElizStJohn
Facebook: https://www.facebook.com/ElizabethJStJohn/
Instagram: https://www.instagram.com/elizabethjstjohn/
Bluesky: https://bsky.app/profile/elizabethstjohn.bsky.social
Book Bub: https://www.bookbub.com/profile/elizabeth-st-john
Threads: https://www.threads.com/@elizabethjstjohn
Amazon Author Page: https://geni.us/AmazonElizabethStJohn
Goodreads: https://geni.us/GoodreadsElizStJohn



England was undergoing a shift during the reign of Henry VIII. The king was sick and tired of the pope not giving him the divorce he so desired so that he could marry Anne Boleyn, so he wanted to split from the papacy. Obviously, some opposed his break from Rome and used different methods to stop what they considered madness. Take, for example, Elizabeth Barton, known as the Holy Maid of Kent, for her prophecies tied to the marriage of Henry VIII and Anne Boleyn. Many may not know her name, but centuries later, a book of her prophecies will change the course of Dr. Alison Sage’s life and those who attended a special Consortium. What secrets does this book hold, and can Alison survive the cutthroat world of academia? Jennifer N. Brown tells the tale of these two women, separated by centuries, and of a book that unites them in her first novel, “The Lost Book of Elizabeth Barton.”
Have you ever wondered what the Tudors might be like in the modern day? What kind of life would they live, and would they all survive? What if King Henry VIII were a billionaire and most of his wives were still alive, including Anne Boleyn? Anne Boleyn is living but is in hiding from the rest of the Tudor clan and is separated from her daughter. When her daughter is kidnapped, Anne has to come back to her old life and team up with Henry’s latest wife to save her daughter. Can they save Anne’s daughter before it’s too late? Karen E. Olson brings the Tudors to the modern age in her latest novel, “A Defiant Woman.”
When we think of Elizabethan England, we tend to think of the Golden Age of England. A time of discoveries and for the arts to flourish under the Virgin Queen, Elizabeth I. However, there is a darker side. It was also a time of espionage, fears of invasions from other countries, and the hatred between Catholics and Protestants. The dangers of the Elizabethan underworld have reached the queen, as there is an attempt on her life. Can Jack, the son of a crime boss, change his life and find the culprit before they find him, or will he be betrayed by those he calls his friends? Amie McNee explores the seedy underworld of Elizabethan England in her novel, “To Kill a Queen.”
Today, I am pleased to welcome Julia Ibbotson back to my blog to share a blurb for her novel, “A Shape on the Air.” I would like to thank The Coffee Pot Book Club and Julia Ibbotson for allowing me to participate in this blog tour.
Blurb:
Author Bio
Have you ever read about a historical mystery that captivated you so much that you spent your available free time trying to solve the case? Who was the man in the iron mask? Were the casket letters real? Who built Stonehenge and why? And yet, one of the greatest mysteries in all of history revolves around two missing princes who were last seen in the Tower of London. Nearly five hundred years later, an inspector from Scotland Yard named Alan Grant decides to take on the case. Can the inspector solve the ultimate cold case? Josephine Tey tells the tale of the detective and the mystery of the Princes in the Tower in her most famous novel, “The Daughter of Time.”
For centuries, the brave knights of Camelot and the Crusaders have searched for the Holy Grail. The cup that Jesus of Nazareth used during his Last Supper is rumored to be a vessel that can grant eternal life or miraculous healing powers. It can be a cup, plate, or stone, but in all stories, the Grail guardians and those searching for it are predominately male. But what if the guardians were male and female and the ones searching for it were predominately female? Alais from 11th-century France and Alice Tanner visiting France in 2007 share a connection that is centuries deep and it all started with a ring, a book, and an image of a labyrinth. How are these two connected to the labyrinth and the Grail and can they protect it from those who want to use it for their dark purposes? Kate Mosse weaves the tale of the Grail and the two women connected by fate in her novel, “Labyrinth.”