When we think about the Tudor dynasty, we often focus on the women in King Henry VIII’s life and his children, at least when it comes to novels. Writing about this larger-than-life figure, this notorious king and controversial figure in English history, are usually considered ambitious. Few have attempted to write a book about the king’s entire reign, but Alison Weir has embarked on this endeavor in her latest novel, “The King’s Pleasure: A Novel of Henry VIII.”
I want to thank Ballantine Books and Net Galley for sending me a copy of this novel. I have not read many books about the reign of King Henry VIII, except for “The Autobiography of King Henry VIII” by Margaret George, so when I heard that Alison Weir was writing a novel about the titular king, I knew I had to read it.
Weir begins her novel with a moment that must have been difficult for young Prince Henry or Harry as he is referred to in this book. His brother died recently, and his beloved mother, Elizabeth of York, just died, leaving Henry as King Henry VII’s only heir. Henry does not have the best relationship with his father, but he now must fill the void as the heir apparent after Arthur died, leaving his young wife, Katherine of Aragon, a widow. When King Henry VII died, Henry became King Henry VIII and selected a woman he had fallen for to become his queen, Katherine of Aragon.
The bulk of this novel revolves around the relationships between Henry and his first two wives, Katherine of Aragon and Anne Boleyn. Weir is sympathetic toward Katherine of Aragon’s struggles, whereas her portrayal of Anne Boleyn may come across as a bit harsh. Jane Seymour is portrayed as a quiet and obedient queen, and Anna of Cleves’ focus is more on her looks and how Henry treated her more as a sister than a wife. Katherine Howard is someone Henry falls for hard and is devastated by her downfall, and Katherine Parr is the firebrand reformer who wants to heal Henry’s family at the end of his life.
Weir also touches on the complex political web that Henry was involved in, not just in England but European politics of the 16th century. We also see how Henry interacted with his children and how the emotional weight of all of his decisions weighed on him.
I think for how much of a challenge it is to write a novel about King Henry VIII, Alison Weir has done an admirable job in the king’s portrayal. I don’t necessarily agree with how some of the queens were portrayed, but I did enjoy this novel as a whole. I would suggest reading this novel before the Six Tudor Queens series to understand Henry’s perspective before his wives’ stories. If you have enjoyed the latest books about Henry VIII’s wives and his mother, Elizabeth of York, you should read “The King’s Pleasure: A Novel of Henry VIII” by Alison Weir.
When we think about the title royal children, images of children who get whatever they want, being spoiled with gems and gowns, and ruling kingdoms, they are married to create alliances. In that sense, it would define a life of luxury. However, for the children of King Henry VIII, luxury was not always in their dictionary. What was life like for the legitimate and illegitimate children of Henry VIII? Caroline Angus explores this question in her latest book, “Henry VIII’s Children: Legitimate and Illegitimate Sons and Daughters of the Tudor King.”
Two kings, two rivals from different countries defined the 16th century. One was the spare to his father’s crown, but when his eldest brother suddenly passed away, he became the next Tudor king. The other was the sole heir to his parent’s large kingdom and would become the Holy Roman Emperor. Wars, the Reformation, and family drama kept these two men, Henry VIII and Charles V, busy and at each other’s throats. They would sometimes join and fight for one another’s causes, showing the importance of international politics. With each new scenario, their relationship would shift, either for the best or the worst. Richard Heath has combined the stories of these two monarchs, these “frenemies,” into one joint biography, “Henry VIII and Charles V: Rival Monarchs, Uneasy Allies.”
Three women in one family who shared the same first name saw England change over a tumultuous century. They saw the end of the Plantagenet dynasty and the rise of the Tudors while on the sidelines of great battles. Through heartaches and triumphs, the women of the Woodville family became princesses and queens that would transform the political landscape of England forever. These three women, Elizabeth Woodville, Elizabeth of York, and Elizabeth Grey, were incredible examples of what it meant to be medieval royal women. They are featured in Sarah J. Hodder’s latest book, “The Woodville Women.”
When we think of those who made an impact in history, we tend to think of those who have been born to a married couple and therefore were considered legitimate children, especially when it comes to royal children. However, we know that illegitimate royal children, like William the Conqueror, greatly impacted history. Illegitimate royal children may have been barred from becoming king or queen of their respective countries of birth, but that does not mean they didn’t impact how their home country was governed. One of these children who affected politics during the Tudor dynasty was Arthur Plantagenet, the illegitimate son of Edward IV. In her latest book, “Arthur Plantagenet: Henry VIII’s Illegitimate Uncle,” she explores the life of this man who gives us extraordinary insight into the running of Calais and how Henry VIII treated other family members.
During medieval wars, one’s fate is often determined by the spin of the Wheel of Fortune, even for those who did not fight a single battle. One could be living a life of luxury, stability reigning supreme, and is destined to marry a foreign king or prince, but when the wheel begins to spin, all seems lost, and the things that once were as good as guaranteed fall by the wayside. This description could fit any number of stories from the past. Still, the one highlighted in this particular novel is the story of the eldest daughter of King Edward IV and Elizabeth Woodville and the first Tudor queen. In the first book of her latest book series, “The Last White Rose: A Novel of Elizabeth of York,” Alison Weir shows how one woman was able to ride the highs and lows of life to secure her family’s legacy and transform English history forever.
In any dynasty, those closest to the throne are the most at risk of dealing with suspicions and conspiracies. Those who were not next in line for the throne were seen as threats, especially those whose bloodline was a bit stronger than those who sat on the throne. The Tudor dynasty’s biggest threat was the few Plantagenets who still lived at court. The family that had the most Plantagenet blood in their veins and poised the most significant threat was the Pole family. However, one woman who was very close to Henry VIII and his family married a man who had Plantagenet blood in his veins. Her name was Gertrude Courtenay, the Marchioness of Exeter, and her story is finally getting the light it deserves in Sylvia Barbara Soberton’s latest book, “The Forgotten Tudor Women: Gertrude Courtenay: Wife and Mother of the Last Plantagenets.”
When one studies a specific dynasty, we tend to focus on the stories of those who rule their respective countries and explore the men who influenced the king’s decisions. A dynasty’s legacy tends to be viewed from the military and legal victories of the men, but just as important are the women who stood beside the king. Royal women tend to be considered side characters of the dynasty who were only crucial for their inheritance, who they married, and the children they could produce. But if we focused on the story of the royal women in a specific dynasty, what could we learn about the dynasty? Amy Licence took this concept to explore women’s voices and decided to tackle the Tudor dynasty in her latest book, “Tudor Roses: From Margaret Beaufort to Elizabeth I.”
When we think of the legacy of King Henry VIII, a few descriptions come to mind—married six times, father of three children who would be the king and queens of England one day. We often see him as a man conflicted with religious changes and someone who could be tyrannical when dispatching his enemies and those closest to him. We don’t usually associate Henry VIII with a collector and patron of fine art, but his collection would help bring the Royal Collection to life. The artwork that Henry VIII commissioned and collected tells how he wanted to be viewed by the world. In “King and Collector: Henry VIII and the Art of Kingship,” Linda Collins and Siobhan Clarke peel back the layers of Tudor propaganda to show the truth about King Henry VIII and the artists who made his ideal image.
When we think about love, we have ideas about how people fall in love through dating and wooing one another. Sweet words and gestures. Flowers and chocolate. Dates at fun venues and romantic dinners. This is a more modern interpretation of romance and love, which was vastly different than the concept of courtly love that was common in royal circles in medieval Europe. What exactly was courtly love, and how did it play a role in the Tudor dynasty? Sarah Gristwood explores this topic in her latest nonfiction book, “The Tudors in Love: The Courtly Code Behind the Last Medieval Dynasty.”