
The field of history is ever-expanding as we find new artifacts and documents that change our understanding of the past. Some of the more precious artifacts are textiles, from clothing to embroidery and even wall hangings and bedding. They can tell us a lot about their owner if you understand the symbolism. While some symbolism can be rather simple, other textile symbolism could help display the voice of a woman who was silenced, like the women of the 16th century. One woman who used textiles to display her power and her own voice was Mary Queen of Scots. Clare Hunter explores Mary’s life through the textiles connected with her life in her book, “Embroidering Her Truth: Mary, Queen of Scots and the Language of Power.”
I have seen this book mentioned on a few pages and podcasts, and it sounded alluring to me. I have tried my hand at embroidery, so I appreciate the craft itself. I have wondered about textiles and how they could be interpreted, which is why this appealed to me so much. I couldn’t wait to own it and read it.
So how do you tell the story of Mary Queen of Scots through the textiles connected to her life? Well, for Hunter, she decided to weave her own interactions with these textiles into Mary’s life in chronological order while analyzing the textile artifacts. Each chapter focuses on a different stage of Mary’s life, as well as the textiles that fit that period. Some of the examples of the artifacts that are mentioned in this book include the gowns she wore when she was about to marry the Dauphin, the fashion dolls to help bring French fashion to Scotland, Catholic banners, and memorabilia to spread the faith. We also get to see the embroideries that she planned meticulously while in custody with Bess of Hardwick, to spread their own truths and their political power while being silenced. Finally, Hunter explores the dress that Mary wore during her execution and what happened to her clothing after her death.
I will say that this is one of the most original nonfiction books that I have read in a long time. It presented Mary’s life through a different lens and showed that she did have power even as a prisoner. It gave me a better appreciation for Mary’s life and the amount of effort it took to craft such intricate pieces of textiles. I hope Hunter writes more about the history of textiles beyond the 16th century because I think her writing style and knowledge of the subject can help grow interest in this area of historical studies. If you want a book that explores the life of Mary Queen of Scots from a different angle, I highly recommend you read “Embroidering Her Truth: Mary, Queen of Scots and the Language of Power” by Clare Hunter.



In our education experience, we have all studied the ancient classics of Greece and Rome. To some, the subject may have seemed dry, but to others, it means so much more. But the deeper we dive into the past, the more questions arise about the subject of studying the classics. Why do people study the classics? How has our understanding of the classics changed over time? Why do some political groups choose to use the classics to make their points? Do you need to learn Greek and Latin to understand the classics? As someone who has been a scholar and a professor of the classics, Mary Beard explores these questions in her latest book, “Talking Classics: The Shock of the Old.”
The Renaissance was a time of learning and of challenging what was considered normal, especially in theology and the foundations of the Catholic Church. It was a time when humanism was beginning to take shape as an educational system, one that focused on the classical literature of Greece and Rome, as well as on rhetoric, philosophy, and critical thinking. One of the top proponents of the school of humanism was a monk turned scholar named Desiderius Erasmus. His name and his works have been famous for centuries, but what was his life like as a scholar in 16th-century Europe? Amy McElroy explores the life of this extraordinary man in her latest book, “Desiderius Erasmus: The Folly or Far Sightedness of Renaissance Europe’s Greatest Mind.”
Becoming an adult is an important stage in the life of anyone. Usually, the age at which a young person becomes an adult is seen as eighteen. It is a time when you leave your childhood behind for a bigger adventure. What was life like for some of the most famous people who lived in Britain throughout the centuries? Did they know when they were eighteen what great things they would do? What advice can they offer to a newer generation of young adults? Alice Loxton explores the lives of eighteen extraordinary figures of British history when they became adults in her book “Eighteen: A History of Britain in 18 Young Lives.”
When we think about medieval princesses, we often think about pawns in the marriage market. They were born to become brides to create stronger alliances between nations. They helped rule kingdoms, but more importantly, they gave birth to heirs to help their new families’ dynasties continue to grow. But outside of marriages, what was life like for these royal women? How did certain women break the stereotype that comes with being a medieval princess? And how did the political environments of their new kingdoms affect their marriages and their families? Sharon Bennett Connolly explores these questions in her latest book, “Princesses of the Early Middle Ages: Royal Daughters of the Conquest.”
In English history, there have been some legendary warrior kings, but none have captured the imagination of the general public quite like Henry V. He was the King who won a great victory at Agincourt, almost captured France, but died young and never got to see his son become king of both England and France, albeit for a short time. For the English, Henry V was seen as a hero to the nation, but is his legacy much darker? Desmond Seward dives into the archives to find a much more ruthless king for his biography, “Henry V: The Scourge of God.”
Have you ever stared at a portrait of a historical figure and wondered if that’s what they really looked like? Anne Boleyn is one of the most famous queens in all of English history. Her image of a woman with dark hair, wearing a dark gown with a French hood, and a B initial necklace. For many people, this is what Anne Boleyn looked like, but is that accurate? What did Anne Boleyn look like, and why does it matter? The most recent exhibit at Hever Castle explores these questions, and the book that accompanies this exhibit goes deeper into the research behind this exhibit. The book shares the same name as the exhibit, “Capturing a Queen: The Image of Anne Boleyn” by Owen Emmerson and Kate McCaffrey.